Araştırma Makalesi
BibTex RIS Kaynak Göster

Mosaic Programmes in Domestic Contexts at Zeugma

Yıl 2017, Sayı: 10, 183 - 212, 30.11.2017
https://doi.org/10.26658/jmr.357063

Öz

This article reassesses mosaic programmes in domestic contexts and in private spheres in the houses at Zeugma

and in some other Greco-Roman cities. The starting point of the argument in the article is a mosaic inscription

which was found in a Roman house in Zeugma. The mosaic pavement itself decorates the floor of a chamber

decorated with geometric patterns and the inscription in the middle. The inscription is an epithalamium, a wedding

song, written for a newly-wedded couple, probably residents of the house, whose names are also partly

preserved in the poem. The inscription suggests that the theme and iconography of the mosaics and frescoes

in public dining rooms and private rooms in the domestic context are associated with the stories of the gods,

goddesses or other well-known couples related to the concept of ideal marriage in mythology and in literature.

These marriage-related themes are accompanied by images of Dionysiac domesticity and Bacchic frenzy. This

article proposes that many of these mosaics, which are much more permanent than the rest of the decoration,

may have been commissioned as part of marriage preparations, perhaps as gifts to the wedded couple. The

subjects are chosen according to the intellectual background of the house-dwellers and their milieu, from literary

and mythological narratives that are meant to protect the new family’s happiness and union, serve as a

reminder of marriage and symbolize the perpetuity of the family’s progeny and its prosperity.

Kaynakça

  • C. Abadie-Reynal, 2012, “Chantier 12. Les fouilles françaises dans la Maison de Poséidon (ou Maison 1), la Maison de l’Euphrate (ou Maison 2) et la Maison 4. Années 1999-2000”, Zeugma. I, Fouilles de l’habitat (1), La mosaique de Pasiphae, sous la direction de Catherine Abadie-Reynal et Rifat Ergeç, Institut français d’études anatoliennes, Georges Dumézil, CNRS USR 3131,Varia Anatolica 26, De Boccard, 183-237.
  • U. Alagöz, 2012, Zeugma Antik Kenti Dionysos ve A Evleri Metal Buluntuları, Unpublished Master’s Thesis, Ankara University, Ankara.
  • M. L. Anderson, 1987, “The Portrait Medallions of the Imperial Villa at Boscotrecase”, AJA 91, 127-135.
  • W. Aylward, 2013, “The Rescue Excavations at Zeugma in 2000”, W. Aylward (ed.), Excavations at Zeugma, Conducted by Oxford Archaeology, The Packard Humanities Institute, Los Altos, California, Vol. I, 1-54.
  • J. A. Baird, 2014, The Inner Lives of Ancient Houses, An Archaeology of Dura-Europos, Oxford.
  • J. Balty, 1981, “La mosaïque antique au Proche-Orient, 1. Des origines à la Tétrarchie”, Aufstieg und Niedergang der römischen Welt, II, 12, 2: 347-429.
  • J. Balty, 1986, “L’EUTEKNIA de Létô”, E. Böhr – W. Martini (eds.), Studien zur Mythologie und Vasenmalerei. Konrad Schauenburg zum 65. Geburtstag am 16. April 1986, Mayence, 231-232.
  • J. Balty, 1995, La mosaïque antique au Proche-Orient, chronologie, iconographie, interpretation, Paris.
  • J. Balty, 2005, “Un programme de mariage à Shahba-Philippopolis (Syrie)”, H. Morlier (ed.), Actes du IXe Colloque international pour l’étude de la mosaïque antique et médiévale, Rome, 5-10 novembre 2001, École française de Rome, Rome, 1307-1315.
  • A. Barbet, 2005, Zeugma. II, Peintures murales romaines / sous la direction d’Alix Barbet, Varia Anatolica 17, Paris, de Boccard.
  • N. Başgelen – R. Ergeç, 2000, Belkıs/Zeugma, Halfeti, Rumkale, A Last Look at History, İstanbul.
  • C. Bérard, 1989 “The order of woman”, C. Bérard et.al. (eds.), A city of images: iconography and society in ancient Greece, Princeton, 97-103.
  • H. G. Beyen, 1948, “Les domini de la Villa de la Farnésine”, Studia varia Carolo Guilielmo Vollgraff: a discipulis oblata (studia Vollgraff), edita auxilio Legati Hoeufftiani et Societatis.
  • M. Bieber, 1928, “Der Mysteriansaal der Villa Item”, JdI 43, 298-330.
  • P. H. von Blanckenhagen – C. Alexander, 1962, The Paintings from Boscotrecase, Heidelberg, F. H. Kerle.
  • P. H. von Blanckenhagen – C. Alexander, 1990,The Augustan Villa at Boscotrecase, Mainz.
  • I. Bragantini – M. de Vos, 1982, Le decorazioni della villa romana della Farnesina, Museo Nazionale Romano, Le Pitture, II.1, Rome.
  • F. Burkhalter, 1990, “Les statuettes en bronze d’Aphrodite en Égypte romaine d’après les documents papyrologiques”, RA 1, 51-60.
  • S. Campbell, 1999, “A New Dionysos Mosaic at Zeugma”, M. Ennaïfer – A. Rebourg (eds.), CMGR VII, 711-712.
  • S. Campbell – R. Ergeç – E. Csapo, 1998, “New Mosaics”, D. Kennedy (ed.), Twin Town of Zeugma, on the Euphrates, Rescue Work and Historical Studies, JRA Supplementary Series No. 27, 109-128.
  • L. M. Cavero, 2008, Poems in Context Greek Poetry in the Egyptian Thebaid 200-600 AD, Sozomena, Studies in the Recovery of Ancient Texts Edited on behalf of the Herculaneum Society by Alessandro Barchiesi, Robert Fowler, Dirk Obbink and Nigel Wilson, Vol. 2, Walter de Gruyter, Berlin, New York.
  • E. Csapo, 2010, Actors and Icons of the Ancient Theater, Chichester, West Sussex, UK, Malden MA, Willey-Blackwell.
  • J. P. Darmon, 1980, Nymfarum Domus, Les pavements de la maison des Nymphes á à Néapolis (Nabeul, Tunise) et leur lecture, (EPRO 75), Leiden.
  • J. P. Darmon, 2005, “Le programme idéologique du décor en mosaïque de la maison de la Télétè dionysiaque, dite aussi de Poséidon, à Zeugma (Belkis, Turquie)”, H. Morlier (ed.), CMGR IX, Vol.2, 1279-1300.
  • M. Di Marco, 1993, “P. Oxy. 2254’: Dai ‘Thalamopoioi’ di Eschilo?”, QUCC, 49-56.
  • F. Doroszewski, 2014, “Judaic Orgies and Christ’s Bacchic Deeds: Dionysiac Terminology in Nonnus’ Paraphrase of St. John’s Gospel”, K. Spanoudakis (ed.), Nonnus of Panopolis in Context, Poetry and Cultural Milieu in Late Antiquity with a Section on Nonnus and Modern World, Berlin, 287-301.
  • F. Doroszewski, 2016, “The Mystery Terminology in Nonnus’ Paraphrase” D. Accorinti (ed.), Brill’s Companion to Nonnus of Panopolis, Leiden – London, 327-350.
  • K. M. D. Dunbabin, 2008, “Domestic Dionysus? Telete in Mosaics from Zeugma and the Late Roman Near East”, JRA 21, 193-224.
  • K. M. D. Dunbabin, 2013, “Mosaics”, W. Aylward (ed.), Excavations at Zeugma, Conducted by Oxford Archaeology, The Packard Humanities Institute, Los Altos, California, Vol. I, 149-167.
  • K. M. D. Dunbabin, 2016, Theatre and Spectacle in the Art of the Roman Empire, Ithaca and London.
  • R. Early, 2003, “Recue Work by the Packard Humanities Institute: interim report, 2000”, J. H. Humphrey (ed.), Zeugma: interim reports, rescue excavations (Packard Humanities Institute), inscription of Antiochus I, Bronze statue of Mars, house and mosaic of the Synaristôsai, and recent work on the Roman army at Zeugma, JRA Supplementary series, no. 51, Portsmouth, R.I.: 9-56.
  • R. Ergeç, 1998, “Rescue excavations by the Gaziantep Museum (1992-94)”, David Kennedy (ed.), Twin Town of Zeugma, on the Euphrates, Rescue Work and Historical Studies, JRA, Supplementary Series No. 27, Portsmouth, R.I: 81-91.
  • R. Ergeç, 2003, Nekropolen und Gräber in der südlichen Kommagene, AMS 47, Bonn.
  • E. Erten, 2016, “Olba 2015 Kazılarından Yeni Bir Buluntu: Roma Mozaiği”, Seleucia 6, 61-91.
  • J. Evans-Grubbs, 2002, Women and the Law in the Roman Empire, A sourcebook on marriage, divorce and widowhood, London – New York.
  • J. Evans-Grubbs, 2007, “Marrying and Its Documentation in Later Roman Law”, P. L. Reynolds – Jr. J. Witte (eds.), To Have and to Hold, Marrying and its Documentation in Western Christendom, 400 – 1600, Cambridge.
  • J. Evans-Grubbs, 2010, “Marriage Contracts in the Roman Empire”, L. L. Lovén – A. Strömberg (eds.), Ancient Marriage in Myth and Reality, Newcastle upon Tyne, 78-101.
  • R. A. Faber, 2016, “Nonnus and the Poetry of Ekphrasis in the Dionysiaca,” Domenico Accorinti (ed.), Brill’s Companion to Nonnus of Panapolis, Leiden – Boston, 443-459.
  • Fantuzzi 1985 M. Fantuzzi, Bionis Smyrnaei Adonidos Epitaphium, (testo critico e commento Marco Fantuzzi), Liverpool, Cairns.
  • G. Ferrari, 2003, “What Kind of Rite of Passage was the Ancient Greek Wedding”, D. B. Dodd - C. A. Faraone (eds.), Initiation in Ancient Greek Rituals and Narratives, New Critical Perspectives, New York, 27-42.
  • R. O. Fink, 1966, “P. Mich. VII.422 [sic] (inv.4703): Betrothal, marriage, or divorce?” A. E. Samuel (ed.), Essays in Honor of C. Bradford, Welles, New Haven, 9-17.
  • K. Fittschen, 1975, “Zum Figurenfries der Villa von Boscoreale”, B. Andreae – H. Kyrieleis (eds.), Neue Forschungen in Pompeii, Recklingshausen, 93-100.
  • K. Freeman, 1948, Ancilla to the Pre-Socratic Philosophers, A complete translation of the Fragments in Diels, Fragmente der Vorsokratiker, Cambridge, Massachusetts, Harvard University Press.
  • K. Görkay, 2012a, “Zeugma”, O. Bingöl – A. Öztan – H. Taşkıran (eds.), DTCF Arkeoloji Bölümü Tarihçesi ve Kazıları (1936- 2011) Anadolu/ Anatolia, Supplementary Series III.2. Dil ve Tarih-Coğrafya Fakültesi 75. Yıl Armağanı, 548-549.
  • K. Görkay, 2012b, “Zeugma Roma Konutları”, Arkeoloji ve Sanat Dergisi 141, 15-16.
  • K. Görkay, 2015, Zeugma, Geçmişten Günümüze Bir Geçit, İstanbul.
  • K. Görkay, 2011 “Zeugma in the light of new research”, Koray Konuk (ed.), Stephanephoros de l’economie antique a l’Asie Mineure. hommages à Raymond Descat, Bordeaux, Ausonius, 275-300.
  • A. S. F. Gow, 1973, Theocritus, edited with a translation and commentary, Volume I – II, Cambridge.
  • K. Gutzwiller – Ö. Çelik, 2012, “New Menander Mosaics from Antioch”, AJA 116, 573-623.
  • T. Hägg – B. Utas, 2003, The Virgin and her Lover: Fragments of an Ancient Greek Novel and Persian Poem, Leiden – Boston.
  • T. Hägg, 1985, “Metiochus at Polycrates’ court,” Eranos 83, 92-102.
  • T. Hägg, 1991, The Novel in Antiquity, Berkely – Los Angeles.
  • T. Hägg, 2004, Parthenope, Selected Studies in Ancient Greek Fiction, (1969 -2004), Copenhagen.
  • R. Hunter, 2015, Apollonius of Rhodes: Argonautica Book, IV, Cambridge.
  • J.-L. Fournet, 1999, Hellénisme dans l’Égypte du VIe siècle : la bibliothèque et l’oeuvre de Dioscore d’Aphrodité [1-2], Le Caire : Institut Francais d’Archéologie Orientale, Mémoires / Institut Francais d’Archéologie Orientale du Caire.
  • L. Johansson, 2010, “The Roman Wedding and the Household Gods: The Genius and the Lares and their Different Roles in the Rituals of Marriage”, Lena Larsson Lovén – Agneta Strömberg (eds.), Ancient Marriage in Myth and Reality, Cambridge Scholar Publishing, Newcastle upon Tyne, 136-147.
  • C. P. Jones, 1991, “Dinner Theatre”, W. J. Slater (ed.), Dining in a Classical Context, Ann Arbour.
  • D. Kennedy – P. Freeman, 1998, “Rescue Excavations (1993)”, David Kennedy (ed.), Twin Town of Zeugma, on the Euphrates, Rescue Work and Historical Studies, JRA, Supplementary Series No. 27, 61-80.
  • R. Keydell, 1962, “Epithalamium”, RAC 5, 927-943.
  • S. S. Kirk, 2000, “Nuptial Imagery in the Villa of the Mysteries Frieze: South Italian and Sicilian Precedents”, E. K. Gazda et al. (eds.), The Villa of the Mysteries in Pompeii, Ancient Rituals, Modern Muse, Ann Arbor, 98-115.
  • A. J. M. Kropp, 2016, “The Aphrodite of Emesa: miniature marble sculpture and religious life in Roman Syria”, JRA 29, 193-222.
  • I. Lada-Richards, 2007, Silent Eloquence: Lucian and Pantomime Dancing, London, Duckworth.
  • D. Levi, 1947, Afig.26, I, 1947, Aents, Volume I, 1947, de of the courtyards ociety is that your sexuality does not matter, and that being deapntioch Mosaic Pavements, Volumes I-II, Princeton – London.
  • B. Leyerle, 2001, Theatrical Shows and Ascetic Lives: John Chrysostom’s Attack on Spiritual Marriage, Berkeley – London.
  • J. L. Lledó Sandoval, 2010, Mosaico romano de Noheda (Cuenca). Su descubrimiento, Madrid.
  • M. Luni – P. Busdraghi – O. Gessaroli – V. Purcaro – F. Venturini, 2005, “L’Aogrà e l’Acropoli”, M. Luni (ed.), Cirene “Atene d’Africa”: attività delle missioni archeologiche internazionali a Cirene e in Cirenaica, (Monografie di archeologia Libica, 28), L’Erma di Bretschneider Roma, 133-146.
  • L. S. B. MacCoull, 1988, Dioscorus of Aphrodito: His Work and His World, Berkeley.
  • H. Maehler, 1976, “Der Metiochus-Parthenope-Roman”, ZPE 23,1–20.
  • J. R. Mertens, 1987a, Greece and Rome, Metropolitan Museum of Art, New York.
  • J. R. Mertens, 1987b, The Imperial Villa at Boscotrecase, The Metropolitan Museum of Art Bulletin, New Series, Vol. 45, No. 3 (Winter,1987-1988), 37-55. D. Michaelides, 1987, Cypriot Mosaics, Cyprus.
  • Cf. S. Mollard-Besques, 1963, Catalogues raisonné des figurines et reliefs en terre-cuite grecs et romains, II Myrina, Musée du Louvre et Collections des Universités de France, Paris.
  • F. G. J. M. Müller, 1994a, The Wall Paintings from the Oecus of the Villa of Publius Fannius Synistor in Boscoreale, Amsterdam.
  • F. G. J. M. Müller, 1994b, The Aldobrandini Wedding, Amsterdam.
  • S. Muth, 1998, Erleben von Raum – Leben im Raum, Zur Funktion mythologischer Mosaikbilder in der römisch-kaiserzeitlichen Wohnarchitektur, Archäologie und Geschichte, Band 10, Heidelberg.
  • J. H. Oakley – R. H. Sinos, 1993, The wedding in ancient Greece, Madison.
  • J. H. Oakley, 1982, “Anakalypteria”, AA, 113-118.
  • D. Ogden, 2008, Perseus, Oxford, Routledge.
  • M. T. Olszewski, 2010, “Images Allusives : Dionysos et Ariane dans l’espace réservé aux femmes (Gynécée) ? le cas de Ptolémaïs et Cyrène en Cyrénaïque”, I. Bragantini (ed.), Atti del X Congresso Internazionale dell’AIPMA (Association Internationale pour la Peinture Murale Antique), Napoli 17-21 Septembre 2007, AION ArchStAnt Quad.18, Napoli, 315-321.
  • M. Önal, 2008, “Die Mosaiken im Triclinium des “Kointos-Hauses”, in Zeugma”, ΠΑΤΡΙΣ ΠΑΝΤΡΟΦΟΣ ΚΟΜΜΑΓΗΝΗ : neue Funde und Forschungen zwischen Taurus und Euphrat, AMS 60, 263-273.
  • M. Önal, 2012, “Fouilles du Musée de Gaziantep dans la Maison de Poséidon (ou Maison 1) et la Maison de l’Euphrate (ou Maisons 2 et 3). Années 1999-2000”, Zeugma. I, Fouilles de l’habitat (1), La mosaique de Pasiphae / sous la direction de Catherine Abadie-Reynal et Rifat Ergeç, Institut français d’études anatoliennes Georges Dumézil, CNRS USR 3131, Varia Anatolica 26, Paris, De Boccard, 65-182.
  • M. Önal, 2013, Poseidon Euphrate Evleri, Belkıs-Zeugma, Istanbul, Arkeoloji ve Sanat Yayınları.
  • Z. Pavlovskis, 1965, “Statius and the Late Latin Epithalamia”, CP 60 (3), 164-177.
  • J. Redfield, 1982, “Notes on the Greek Wedding”, Arethusa 15, 181-201.
  • J. D. Reed, 1977, Bion of Smyrna, Fragments and the Adonis, Cambridge.
  • L. Robert, 1989, Claros I: décrets hellénistique, Paris.
  • M. Robertson, 1955, “Boscoreale figure-paintings”, JRS 45, 58-67.
  • D. A. Russell – N. G. Wilson, 1981, Menander, Rhetor, edited with translation and commentary, Oxford.
  • C. Saliou, 1992, “Les quatre fils de Polémocratès (P.Dura 19)”, Dura-Europos Études 1990, Syria LXIX, 65-100.
  • R. P. Salomons, 2008, “Agreement about a Dowry”, F. A. J. Hoogendijk – B. P. Muhs (eds.), Sixty-Five Papyrological Texts, Presented to Klaas A. Worp on the Occasion of his 65th Birthday, Leiden – Boston, 119-130.
  • H. A. Sanders, 1938, “A Latin Marriage Contract”, Transactions and Proceedings of the American Philological Association, Vol. 69, 104-116.
  • H. S. Schibli, 1990, Pherekydes of Syros, Oxford.
  • E. Simon, 1958, Die Fürstenbilder von Boscoreale: Ein Beitrag zur hellenistischen Wandmalerei, Baden-Baden.
  • R. R. R. Smith, 1994, “Spear-won land at Boscoreale: on the royal painting”, JRA 7, 100-128.
  • S. D. Smith, 2008, “The Worlds of the Novel”, International Journal of the Classical Tradition, 15(4), 635-645.
  • A. H. Sommerstein, 1996, Aeschylean Tragedy, Bari, Levante.
  • A. H. Sommerstein, 2008, Aeschylus Fragments, Loeb.
  • R. Talgam – Z. Weiss, 2004, The Mosaics of the House of Dionysos at Sapphoris, Excavated by E. M. Meyers - E. Netzer - C. L. Meyers (eds.), QEDEM, Monographies of the Institute of Archaeology, The Hebrew University of Jerusalem, 44, Jerusalem.
  • R. M. Taylor, 2008, The moral mirror of Roman art, New York – Cambridge.
  • J. M. C. Toynbee, 1929 , “The Villa Item and a bride’s ordeal”, JRS 19, 67-87.
  • Valero Tévar 2013 M. A. Valero Tévar, “The late-antique villa at Noheda (Villar deDomingo García) near Cuenca and its mosaics”, JRA 26, 307-330.
  • M. A. Valero Tévar, 2015, Los mosaicos de la villa de Noheda (Villar de Domingo Garcia, Cuenca), in XII Colloquio AIEMA Venezia, 11-15 settembre 2012, ATTI, a curi di Giordana Trovabene, Universita Ca’ Foscari Venezia con la colloborazione di Alessandro Berton, Paris, 439-444.
  • F. Venturini, 2005, ‘Mosaici di epoca romana nel quartiere dell’Agorà’ M. Luni (ed.), Cirene “Atene d’Africa”: attività delle missioni archeologiche internazionali a Cirene e in Cirenaica, (Monografie di archeologia Libica, 28), L’Erma di Bretschneider Roma, 119-124.
  • F. Venturini, 2006, ‘La Casa del mosaico di Dioniso a Cirene’, E. Fabbriocotti – O. Menozzi (eds.), Cirenaica: studi, scavi e scopetre, Parte I: Nuovi dati da città e territorio, , Atti del X Convegno di Archeologia Cirenaica, Chieti 24-26 Novembre 2003, BAR International series 1488, Oxford, 508-511.
  • B. Verhelst, 2017, Direct Speech in Nonnos’ Dionysiaca: narrative and rhetorical functions of the characters’ “varied” and “many-faceted” words, Leiden – Boston.
  • F. Vian, 1990, Nonnos de Panopolis, Les Dionysiaques, tome IX, chants XXV–XXIX, Paris.
  • R. Webb, 2008, Demons and Dances: Performance in Late Antiquity, Cambridge.
  • C. B. Welles – R. O. Fink – J. F. Gilliam, 1959, The Excavations at Dura-Europos Conducted by Yale University and the French Academy of Inscriptions and Letters, Final Report V, Part I, The Parchments and Papyri, New Haven – Yale University Press.
  • M. L. West, 1971, Early Greek Philosophy and the Orient, Oxford.
  • A. L. Wheeler, 1930, “Tradition in the Epithalamium”, The American Journal of Philology 51 (3), 205-223.
  • W. Wootton, 2015, “Figuring out the facts: calculating mosaic labour times in 4th-c. AD Britain”, JRA 28, 261-282.

Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları

Yıl 2017, Sayı: 10, 183 - 212, 30.11.2017
https://doi.org/10.26658/jmr.357063

Öz

Bu makalede, Zeugma Antik Kentinde ve diğer bazı Greko-Romen merkezlerde özel hayatın geçtiği konutlardaki

mozaik dekorasyon programı ele alınmaktadır. Tartışmanın çıkış noktasını ise Zeugma’da bir Roma

konutunda ortaya çıkarılmış yazıtlı bir mozaik oluşturmaktadır. Mozaik üzerinde geometrik desenler arasında

bir panoda yer alan yazıtta, mozaiğin bulunduğu bu evde yaşamış ve isimleri kısmen yazıtta da korunmuş

olan yeni evli bir çift için yazılmış bir evlilik şiiri, bir epithalamium (gerdek şarkısı) yer alır. Bu yazıt, özel

konutlarda yer alan yemek odaları ve mahrem odalardaki mozaik ve duvar resimlerinin konularının, antik

dönem edebi metinlerinde ve mitolojide ideal evlilik kavramıyla özdeşleşmiş tanrı, tanrıça veya diğer tanınmış

sevgililerin hikayeleriyle bağlantılı olduğunu düşündürmektedir. Bu kavramların resmedilmesinde, özellikle

evlilikle bağlantılı Dionysos ve Bakhik ritüel betimlemeler de ana sahneye dahil edilerek vurgulanmaktaydı.

Makale, özel hayatın geçtiği konutlarda genel dekorasyonun önemli bir parçası olan ve diğer dekorasyona

göre çok daha kalıcı olan bu mozaiklerin birçoğunun evlilik hazırlıkları içinde ısmarlanmış, hatta bazılarının

evlilik hediyesi olarak yapılmış olabileceğini ortaya koymaktadır. Konular genellikle ev yaşayanlarının veya

çevresinin entelektüel altyapılarına göre seçilmiş, kurulan yeni ailede mutluluğu ve birlikteliği koruyacak,

evliliği hatırlatacak ve ailenin soyunun devamını ve bereketini sembolize edecek edebi ve mitolojik hikayeler

ile ilgilidir.

Kaynakça

  • C. Abadie-Reynal, 2012, “Chantier 12. Les fouilles françaises dans la Maison de Poséidon (ou Maison 1), la Maison de l’Euphrate (ou Maison 2) et la Maison 4. Années 1999-2000”, Zeugma. I, Fouilles de l’habitat (1), La mosaique de Pasiphae, sous la direction de Catherine Abadie-Reynal et Rifat Ergeç, Institut français d’études anatoliennes, Georges Dumézil, CNRS USR 3131,Varia Anatolica 26, De Boccard, 183-237.
  • U. Alagöz, 2012, Zeugma Antik Kenti Dionysos ve A Evleri Metal Buluntuları, Unpublished Master’s Thesis, Ankara University, Ankara.
  • M. L. Anderson, 1987, “The Portrait Medallions of the Imperial Villa at Boscotrecase”, AJA 91, 127-135.
  • W. Aylward, 2013, “The Rescue Excavations at Zeugma in 2000”, W. Aylward (ed.), Excavations at Zeugma, Conducted by Oxford Archaeology, The Packard Humanities Institute, Los Altos, California, Vol. I, 1-54.
  • J. A. Baird, 2014, The Inner Lives of Ancient Houses, An Archaeology of Dura-Europos, Oxford.
  • J. Balty, 1981, “La mosaïque antique au Proche-Orient, 1. Des origines à la Tétrarchie”, Aufstieg und Niedergang der römischen Welt, II, 12, 2: 347-429.
  • J. Balty, 1986, “L’EUTEKNIA de Létô”, E. Böhr – W. Martini (eds.), Studien zur Mythologie und Vasenmalerei. Konrad Schauenburg zum 65. Geburtstag am 16. April 1986, Mayence, 231-232.
  • J. Balty, 1995, La mosaïque antique au Proche-Orient, chronologie, iconographie, interpretation, Paris.
  • J. Balty, 2005, “Un programme de mariage à Shahba-Philippopolis (Syrie)”, H. Morlier (ed.), Actes du IXe Colloque international pour l’étude de la mosaïque antique et médiévale, Rome, 5-10 novembre 2001, École française de Rome, Rome, 1307-1315.
  • A. Barbet, 2005, Zeugma. II, Peintures murales romaines / sous la direction d’Alix Barbet, Varia Anatolica 17, Paris, de Boccard.
  • N. Başgelen – R. Ergeç, 2000, Belkıs/Zeugma, Halfeti, Rumkale, A Last Look at History, İstanbul.
  • C. Bérard, 1989 “The order of woman”, C. Bérard et.al. (eds.), A city of images: iconography and society in ancient Greece, Princeton, 97-103.
  • H. G. Beyen, 1948, “Les domini de la Villa de la Farnésine”, Studia varia Carolo Guilielmo Vollgraff: a discipulis oblata (studia Vollgraff), edita auxilio Legati Hoeufftiani et Societatis.
  • M. Bieber, 1928, “Der Mysteriansaal der Villa Item”, JdI 43, 298-330.
  • P. H. von Blanckenhagen – C. Alexander, 1962, The Paintings from Boscotrecase, Heidelberg, F. H. Kerle.
  • P. H. von Blanckenhagen – C. Alexander, 1990,The Augustan Villa at Boscotrecase, Mainz.
  • I. Bragantini – M. de Vos, 1982, Le decorazioni della villa romana della Farnesina, Museo Nazionale Romano, Le Pitture, II.1, Rome.
  • F. Burkhalter, 1990, “Les statuettes en bronze d’Aphrodite en Égypte romaine d’après les documents papyrologiques”, RA 1, 51-60.
  • S. Campbell, 1999, “A New Dionysos Mosaic at Zeugma”, M. Ennaïfer – A. Rebourg (eds.), CMGR VII, 711-712.
  • S. Campbell – R. Ergeç – E. Csapo, 1998, “New Mosaics”, D. Kennedy (ed.), Twin Town of Zeugma, on the Euphrates, Rescue Work and Historical Studies, JRA Supplementary Series No. 27, 109-128.
  • L. M. Cavero, 2008, Poems in Context Greek Poetry in the Egyptian Thebaid 200-600 AD, Sozomena, Studies in the Recovery of Ancient Texts Edited on behalf of the Herculaneum Society by Alessandro Barchiesi, Robert Fowler, Dirk Obbink and Nigel Wilson, Vol. 2, Walter de Gruyter, Berlin, New York.
  • E. Csapo, 2010, Actors and Icons of the Ancient Theater, Chichester, West Sussex, UK, Malden MA, Willey-Blackwell.
  • J. P. Darmon, 1980, Nymfarum Domus, Les pavements de la maison des Nymphes á à Néapolis (Nabeul, Tunise) et leur lecture, (EPRO 75), Leiden.
  • J. P. Darmon, 2005, “Le programme idéologique du décor en mosaïque de la maison de la Télétè dionysiaque, dite aussi de Poséidon, à Zeugma (Belkis, Turquie)”, H. Morlier (ed.), CMGR IX, Vol.2, 1279-1300.
  • M. Di Marco, 1993, “P. Oxy. 2254’: Dai ‘Thalamopoioi’ di Eschilo?”, QUCC, 49-56.
  • F. Doroszewski, 2014, “Judaic Orgies and Christ’s Bacchic Deeds: Dionysiac Terminology in Nonnus’ Paraphrase of St. John’s Gospel”, K. Spanoudakis (ed.), Nonnus of Panopolis in Context, Poetry and Cultural Milieu in Late Antiquity with a Section on Nonnus and Modern World, Berlin, 287-301.
  • F. Doroszewski, 2016, “The Mystery Terminology in Nonnus’ Paraphrase” D. Accorinti (ed.), Brill’s Companion to Nonnus of Panopolis, Leiden – London, 327-350.
  • K. M. D. Dunbabin, 2008, “Domestic Dionysus? Telete in Mosaics from Zeugma and the Late Roman Near East”, JRA 21, 193-224.
  • K. M. D. Dunbabin, 2013, “Mosaics”, W. Aylward (ed.), Excavations at Zeugma, Conducted by Oxford Archaeology, The Packard Humanities Institute, Los Altos, California, Vol. I, 149-167.
  • K. M. D. Dunbabin, 2016, Theatre and Spectacle in the Art of the Roman Empire, Ithaca and London.
  • R. Early, 2003, “Recue Work by the Packard Humanities Institute: interim report, 2000”, J. H. Humphrey (ed.), Zeugma: interim reports, rescue excavations (Packard Humanities Institute), inscription of Antiochus I, Bronze statue of Mars, house and mosaic of the Synaristôsai, and recent work on the Roman army at Zeugma, JRA Supplementary series, no. 51, Portsmouth, R.I.: 9-56.
  • R. Ergeç, 1998, “Rescue excavations by the Gaziantep Museum (1992-94)”, David Kennedy (ed.), Twin Town of Zeugma, on the Euphrates, Rescue Work and Historical Studies, JRA, Supplementary Series No. 27, Portsmouth, R.I: 81-91.
  • R. Ergeç, 2003, Nekropolen und Gräber in der südlichen Kommagene, AMS 47, Bonn.
  • E. Erten, 2016, “Olba 2015 Kazılarından Yeni Bir Buluntu: Roma Mozaiği”, Seleucia 6, 61-91.
  • J. Evans-Grubbs, 2002, Women and the Law in the Roman Empire, A sourcebook on marriage, divorce and widowhood, London – New York.
  • J. Evans-Grubbs, 2007, “Marrying and Its Documentation in Later Roman Law”, P. L. Reynolds – Jr. J. Witte (eds.), To Have and to Hold, Marrying and its Documentation in Western Christendom, 400 – 1600, Cambridge.
  • J. Evans-Grubbs, 2010, “Marriage Contracts in the Roman Empire”, L. L. Lovén – A. Strömberg (eds.), Ancient Marriage in Myth and Reality, Newcastle upon Tyne, 78-101.
  • R. A. Faber, 2016, “Nonnus and the Poetry of Ekphrasis in the Dionysiaca,” Domenico Accorinti (ed.), Brill’s Companion to Nonnus of Panapolis, Leiden – Boston, 443-459.
  • Fantuzzi 1985 M. Fantuzzi, Bionis Smyrnaei Adonidos Epitaphium, (testo critico e commento Marco Fantuzzi), Liverpool, Cairns.
  • G. Ferrari, 2003, “What Kind of Rite of Passage was the Ancient Greek Wedding”, D. B. Dodd - C. A. Faraone (eds.), Initiation in Ancient Greek Rituals and Narratives, New Critical Perspectives, New York, 27-42.
  • R. O. Fink, 1966, “P. Mich. VII.422 [sic] (inv.4703): Betrothal, marriage, or divorce?” A. E. Samuel (ed.), Essays in Honor of C. Bradford, Welles, New Haven, 9-17.
  • K. Fittschen, 1975, “Zum Figurenfries der Villa von Boscoreale”, B. Andreae – H. Kyrieleis (eds.), Neue Forschungen in Pompeii, Recklingshausen, 93-100.
  • K. Freeman, 1948, Ancilla to the Pre-Socratic Philosophers, A complete translation of the Fragments in Diels, Fragmente der Vorsokratiker, Cambridge, Massachusetts, Harvard University Press.
  • K. Görkay, 2012a, “Zeugma”, O. Bingöl – A. Öztan – H. Taşkıran (eds.), DTCF Arkeoloji Bölümü Tarihçesi ve Kazıları (1936- 2011) Anadolu/ Anatolia, Supplementary Series III.2. Dil ve Tarih-Coğrafya Fakültesi 75. Yıl Armağanı, 548-549.
  • K. Görkay, 2012b, “Zeugma Roma Konutları”, Arkeoloji ve Sanat Dergisi 141, 15-16.
  • K. Görkay, 2015, Zeugma, Geçmişten Günümüze Bir Geçit, İstanbul.
  • K. Görkay, 2011 “Zeugma in the light of new research”, Koray Konuk (ed.), Stephanephoros de l’economie antique a l’Asie Mineure. hommages à Raymond Descat, Bordeaux, Ausonius, 275-300.
  • A. S. F. Gow, 1973, Theocritus, edited with a translation and commentary, Volume I – II, Cambridge.
  • K. Gutzwiller – Ö. Çelik, 2012, “New Menander Mosaics from Antioch”, AJA 116, 573-623.
  • T. Hägg – B. Utas, 2003, The Virgin and her Lover: Fragments of an Ancient Greek Novel and Persian Poem, Leiden – Boston.
  • T. Hägg, 1985, “Metiochus at Polycrates’ court,” Eranos 83, 92-102.
  • T. Hägg, 1991, The Novel in Antiquity, Berkely – Los Angeles.
  • T. Hägg, 2004, Parthenope, Selected Studies in Ancient Greek Fiction, (1969 -2004), Copenhagen.
  • R. Hunter, 2015, Apollonius of Rhodes: Argonautica Book, IV, Cambridge.
  • J.-L. Fournet, 1999, Hellénisme dans l’Égypte du VIe siècle : la bibliothèque et l’oeuvre de Dioscore d’Aphrodité [1-2], Le Caire : Institut Francais d’Archéologie Orientale, Mémoires / Institut Francais d’Archéologie Orientale du Caire.
  • L. Johansson, 2010, “The Roman Wedding and the Household Gods: The Genius and the Lares and their Different Roles in the Rituals of Marriage”, Lena Larsson Lovén – Agneta Strömberg (eds.), Ancient Marriage in Myth and Reality, Cambridge Scholar Publishing, Newcastle upon Tyne, 136-147.
  • C. P. Jones, 1991, “Dinner Theatre”, W. J. Slater (ed.), Dining in a Classical Context, Ann Arbour.
  • D. Kennedy – P. Freeman, 1998, “Rescue Excavations (1993)”, David Kennedy (ed.), Twin Town of Zeugma, on the Euphrates, Rescue Work and Historical Studies, JRA, Supplementary Series No. 27, 61-80.
  • R. Keydell, 1962, “Epithalamium”, RAC 5, 927-943.
  • S. S. Kirk, 2000, “Nuptial Imagery in the Villa of the Mysteries Frieze: South Italian and Sicilian Precedents”, E. K. Gazda et al. (eds.), The Villa of the Mysteries in Pompeii, Ancient Rituals, Modern Muse, Ann Arbor, 98-115.
  • A. J. M. Kropp, 2016, “The Aphrodite of Emesa: miniature marble sculpture and religious life in Roman Syria”, JRA 29, 193-222.
  • I. Lada-Richards, 2007, Silent Eloquence: Lucian and Pantomime Dancing, London, Duckworth.
  • D. Levi, 1947, Afig.26, I, 1947, Aents, Volume I, 1947, de of the courtyards ociety is that your sexuality does not matter, and that being deapntioch Mosaic Pavements, Volumes I-II, Princeton – London.
  • B. Leyerle, 2001, Theatrical Shows and Ascetic Lives: John Chrysostom’s Attack on Spiritual Marriage, Berkeley – London.
  • J. L. Lledó Sandoval, 2010, Mosaico romano de Noheda (Cuenca). Su descubrimiento, Madrid.
  • M. Luni – P. Busdraghi – O. Gessaroli – V. Purcaro – F. Venturini, 2005, “L’Aogrà e l’Acropoli”, M. Luni (ed.), Cirene “Atene d’Africa”: attività delle missioni archeologiche internazionali a Cirene e in Cirenaica, (Monografie di archeologia Libica, 28), L’Erma di Bretschneider Roma, 133-146.
  • L. S. B. MacCoull, 1988, Dioscorus of Aphrodito: His Work and His World, Berkeley.
  • H. Maehler, 1976, “Der Metiochus-Parthenope-Roman”, ZPE 23,1–20.
  • J. R. Mertens, 1987a, Greece and Rome, Metropolitan Museum of Art, New York.
  • J. R. Mertens, 1987b, The Imperial Villa at Boscotrecase, The Metropolitan Museum of Art Bulletin, New Series, Vol. 45, No. 3 (Winter,1987-1988), 37-55. D. Michaelides, 1987, Cypriot Mosaics, Cyprus.
  • Cf. S. Mollard-Besques, 1963, Catalogues raisonné des figurines et reliefs en terre-cuite grecs et romains, II Myrina, Musée du Louvre et Collections des Universités de France, Paris.
  • F. G. J. M. Müller, 1994a, The Wall Paintings from the Oecus of the Villa of Publius Fannius Synistor in Boscoreale, Amsterdam.
  • F. G. J. M. Müller, 1994b, The Aldobrandini Wedding, Amsterdam.
  • S. Muth, 1998, Erleben von Raum – Leben im Raum, Zur Funktion mythologischer Mosaikbilder in der römisch-kaiserzeitlichen Wohnarchitektur, Archäologie und Geschichte, Band 10, Heidelberg.
  • J. H. Oakley – R. H. Sinos, 1993, The wedding in ancient Greece, Madison.
  • J. H. Oakley, 1982, “Anakalypteria”, AA, 113-118.
  • D. Ogden, 2008, Perseus, Oxford, Routledge.
  • M. T. Olszewski, 2010, “Images Allusives : Dionysos et Ariane dans l’espace réservé aux femmes (Gynécée) ? le cas de Ptolémaïs et Cyrène en Cyrénaïque”, I. Bragantini (ed.), Atti del X Congresso Internazionale dell’AIPMA (Association Internationale pour la Peinture Murale Antique), Napoli 17-21 Septembre 2007, AION ArchStAnt Quad.18, Napoli, 315-321.
  • M. Önal, 2008, “Die Mosaiken im Triclinium des “Kointos-Hauses”, in Zeugma”, ΠΑΤΡΙΣ ΠΑΝΤΡΟΦΟΣ ΚΟΜΜΑΓΗΝΗ : neue Funde und Forschungen zwischen Taurus und Euphrat, AMS 60, 263-273.
  • M. Önal, 2012, “Fouilles du Musée de Gaziantep dans la Maison de Poséidon (ou Maison 1) et la Maison de l’Euphrate (ou Maisons 2 et 3). Années 1999-2000”, Zeugma. I, Fouilles de l’habitat (1), La mosaique de Pasiphae / sous la direction de Catherine Abadie-Reynal et Rifat Ergeç, Institut français d’études anatoliennes Georges Dumézil, CNRS USR 3131, Varia Anatolica 26, Paris, De Boccard, 65-182.
  • M. Önal, 2013, Poseidon Euphrate Evleri, Belkıs-Zeugma, Istanbul, Arkeoloji ve Sanat Yayınları.
  • Z. Pavlovskis, 1965, “Statius and the Late Latin Epithalamia”, CP 60 (3), 164-177.
  • J. Redfield, 1982, “Notes on the Greek Wedding”, Arethusa 15, 181-201.
  • J. D. Reed, 1977, Bion of Smyrna, Fragments and the Adonis, Cambridge.
  • L. Robert, 1989, Claros I: décrets hellénistique, Paris.
  • M. Robertson, 1955, “Boscoreale figure-paintings”, JRS 45, 58-67.
  • D. A. Russell – N. G. Wilson, 1981, Menander, Rhetor, edited with translation and commentary, Oxford.
  • C. Saliou, 1992, “Les quatre fils de Polémocratès (P.Dura 19)”, Dura-Europos Études 1990, Syria LXIX, 65-100.
  • R. P. Salomons, 2008, “Agreement about a Dowry”, F. A. J. Hoogendijk – B. P. Muhs (eds.), Sixty-Five Papyrological Texts, Presented to Klaas A. Worp on the Occasion of his 65th Birthday, Leiden – Boston, 119-130.
  • H. A. Sanders, 1938, “A Latin Marriage Contract”, Transactions and Proceedings of the American Philological Association, Vol. 69, 104-116.
  • H. S. Schibli, 1990, Pherekydes of Syros, Oxford.
  • E. Simon, 1958, Die Fürstenbilder von Boscoreale: Ein Beitrag zur hellenistischen Wandmalerei, Baden-Baden.
  • R. R. R. Smith, 1994, “Spear-won land at Boscoreale: on the royal painting”, JRA 7, 100-128.
  • S. D. Smith, 2008, “The Worlds of the Novel”, International Journal of the Classical Tradition, 15(4), 635-645.
  • A. H. Sommerstein, 1996, Aeschylean Tragedy, Bari, Levante.
  • A. H. Sommerstein, 2008, Aeschylus Fragments, Loeb.
  • R. Talgam – Z. Weiss, 2004, The Mosaics of the House of Dionysos at Sapphoris, Excavated by E. M. Meyers - E. Netzer - C. L. Meyers (eds.), QEDEM, Monographies of the Institute of Archaeology, The Hebrew University of Jerusalem, 44, Jerusalem.
  • R. M. Taylor, 2008, The moral mirror of Roman art, New York – Cambridge.
  • J. M. C. Toynbee, 1929 , “The Villa Item and a bride’s ordeal”, JRS 19, 67-87.
  • Valero Tévar 2013 M. A. Valero Tévar, “The late-antique villa at Noheda (Villar deDomingo García) near Cuenca and its mosaics”, JRA 26, 307-330.
  • M. A. Valero Tévar, 2015, Los mosaicos de la villa de Noheda (Villar de Domingo Garcia, Cuenca), in XII Colloquio AIEMA Venezia, 11-15 settembre 2012, ATTI, a curi di Giordana Trovabene, Universita Ca’ Foscari Venezia con la colloborazione di Alessandro Berton, Paris, 439-444.
  • F. Venturini, 2005, ‘Mosaici di epoca romana nel quartiere dell’Agorà’ M. Luni (ed.), Cirene “Atene d’Africa”: attività delle missioni archeologiche internazionali a Cirene e in Cirenaica, (Monografie di archeologia Libica, 28), L’Erma di Bretschneider Roma, 119-124.
  • F. Venturini, 2006, ‘La Casa del mosaico di Dioniso a Cirene’, E. Fabbriocotti – O. Menozzi (eds.), Cirenaica: studi, scavi e scopetre, Parte I: Nuovi dati da città e territorio, , Atti del X Convegno di Archeologia Cirenaica, Chieti 24-26 Novembre 2003, BAR International series 1488, Oxford, 508-511.
  • B. Verhelst, 2017, Direct Speech in Nonnos’ Dionysiaca: narrative and rhetorical functions of the characters’ “varied” and “many-faceted” words, Leiden – Boston.
  • F. Vian, 1990, Nonnos de Panopolis, Les Dionysiaques, tome IX, chants XXV–XXIX, Paris.
  • R. Webb, 2008, Demons and Dances: Performance in Late Antiquity, Cambridge.
  • C. B. Welles – R. O. Fink – J. F. Gilliam, 1959, The Excavations at Dura-Europos Conducted by Yale University and the French Academy of Inscriptions and Letters, Final Report V, Part I, The Parchments and Papyri, New Haven – Yale University Press.
  • M. L. West, 1971, Early Greek Philosophy and the Orient, Oxford.
  • A. L. Wheeler, 1930, “Tradition in the Epithalamium”, The American Journal of Philology 51 (3), 205-223.
  • W. Wootton, 2015, “Figuring out the facts: calculating mosaic labour times in 4th-c. AD Britain”, JRA 28, 261-282.
Toplam 110 adet kaynakça vardır.

Ayrıntılar

Konular Arkeoloji
Bölüm Makele
Yazarlar

Kutalmış Görkay

Yayımlanma Tarihi 30 Kasım 2017
Yayımlandığı Sayı Yıl 2017 Sayı: 10

Kaynak Göster

APA Görkay, K. (2017). Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları. Journal of Mosaic Research(10), 183-212. https://doi.org/10.26658/jmr.357063
AMA Görkay K. Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları. JMR. Kasım 2017;(10):183-212. doi:10.26658/jmr.357063
Chicago Görkay, Kutalmış. “Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları”. Journal of Mosaic Research, sy. 10 (Kasım 2017): 183-212. https://doi.org/10.26658/jmr.357063.
EndNote Görkay K (01 Kasım 2017) Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları. Journal of Mosaic Research 10 183–212.
IEEE K. Görkay, “Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları”, JMR, sy. 10, ss. 183–212, Kasım 2017, doi: 10.26658/jmr.357063.
ISNAD Görkay, Kutalmış. “Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları”. Journal of Mosaic Research 10 (Kasım 2017), 183-212. https://doi.org/10.26658/jmr.357063.
JAMA Görkay K. Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları. JMR. 2017;:183–212.
MLA Görkay, Kutalmış. “Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları”. Journal of Mosaic Research, sy. 10, 2017, ss. 183-12, doi:10.26658/jmr.357063.
Vancouver Görkay K. Zeugma Konut Kontekstlerinde Mozaik Dekorasyon Programları. JMR. 2017(10):183-212.

Cited By

Spreading the Word: Oral Transmission of the Bogomil Teachings, its Symbolism, and Biblical Exegesis
Studia Ceranea. Journal of the Waldemar Ceran Research Centre for the History and Culture of the Mediterranean Area and South-East Europe
https://doi.org/10.18778/2084-140X.11.19

Aigeai Roma Evi Mozaikleri
International Journal of Ancient History
https://doi.org/10.33469/oannes.1061646


GREK MİTOLOJİSİNDE İNSAN KURBANI
Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi
EFDÂL HARDAL
https://doi.org/10.21550/sosbilder.556098

21079                 16193




22516          16207



                                                   16208                          16209



22362