Öz

As a literary form, poetry was seen as a fruitful model for the creative process of the more lyrical side of experimental film practices. In this sense, most critics mainly concern with the aesthetics of visual narrations of films evaluating them as poetry. This paper aims to find out the answer of the question “how has cinema transformed poetry?” through the films Rhino Season and The Butterfly’s Dream revealing the ways of their relations with poetry.

THE VERSES OF TWO POETS ON SCREEN; RHINO SEASON AND THE BUTTERFLY’S DREAM

Abstract

Keywords

• Poetry, Film, Narration, Visual Language