THE CENTRAL STYLE OF AZERI FOLKSONGS

Yıl 2004, Cilt: 1 Sayı: 1, 283 - 301, 30.06.2004

János Sıpos

Öz

To what use does comparative ethnomusicological research over a vast area be put? It suffices for a nation to realize that it is imperative to know the music of its neighbors and language relatives in order to explore the particular and general features of its own folk music. It holds true in general, too, that a comparative examination is more informative and revelatory than the separate study of the music of the peoples concerned.

Anahtar Kelimeler

CENTRAL STYLE, AZERI, FOLKSONGS

Kaynakça

• Abasova, E.G. (1973), Azerbaijanskaia muzyka [Azerbaijanian Music]. In Muzykal’naia Enciklopedia, Bd. 1. Moskva.
• Abdulgassimov, V. (1990), Azerbaijanian Tar [Azerbaijanian Tar]. Baku.
• AXM1 = Azerbaycan Halq Mahnıları Vol. 1 [Azeri Folksongs 1], ed. Bülbül
• Memmedov. Baku, 1977.
• AXM2 = Azerbaycan Halq Mahnıları Vol. 2 [Azeri Folksongs 1], ed. Bülbül Memmedov. Baku, 1982.
• Akbulut, Y. (1997), Tekerlemelerin Müziksel Özelliği [Musical Characteristisc of Rigmaroles]. In V. Milletlerarası Türk Halk Kültürü Kongresi: Halk Müziği, Tiyatro, Eğlence Seksiyon Bildirileri: 9-15, Ankara.
• Bartók B. (1924), A Magyar Népdal [The Hungarian Folksong]. Budapest.
• Bartók, B. (1976), Turkish Folk Music from Asia Minor. Princeton.
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