Araştırma Makalesi

Jazz Interpretations of Classical Musical Works

Cilt: 11 Sayı: 2 25 Aralık 2024
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Jazz Interpretations of Classical Musical Works

Öz

This study aims to elucidate the interpretation of jazz music within the classical mu sic domain through specific works, examining the improvisations and arrangements of jazz music on compositions from various periods of classical music. It assesses themes of improvisation in both classical and jazz music, as well as the interpretations of jazz music within aclassical context. The selected musical material provides an op portunity for analytical examination of various forms of classical music representation in piano jazz and identifying the mechanisms of ‘translating’ academic compositions into thelanguageofjazzart.Theresearchdemonstratesthatthetransformationofclas sical sources occurs at intonational, harmonic-modal, metrorhythmic, and structural levels. By characterising piano jazz and tracing its multifaceted history, the author highlights the main directions characteristic of performance on this instrument.

Anahtar Kelimeler

Kaynakça

  1. Alperson, P. (1998). Improvisation: An Overview. In Michael Kelly (Ed.), Encyclopedia of Aesthetics (pp. 2-478). New York: Oxford University Press. google scholar
  2. Alperson, P. (2010). A Topography oflmprovisation. The Journal ofAesthetics and Art Criticism, 68(3), 273-280. google scholar
  3. Bailey, D. (1992). Improvisation: Its nature and practice in music. London: British Library. google scholar
  4. Barrett, F. (1998). Creativity and improvisation in jazz and organizations: Implications for organizational learning. Organization Science, 9(5), 407-424. google scholar
  5. Berendt, J.-E. (2009). The jazz book: From ragtime to the 21st century. New York: Lawrence Hill Books. google scholar
  6. Berliner, P. (1994). Thinking in jazz: The infinite art of improvisation. Chicago: The University of Chicago Press. google scholar
  7. Bitz, M. (1998). Teaching Improvisation outside of Jazz Settings: Musical genres that lend themselves to improvisations by beginning student musicians include bluegrass, blues, ska, reggae, rap, klezmer, and rock. Music Educators Journal, 84(4), 21-41. google scholar
  8. Buelow, G. J. (1990). Originality, genius, plagiarism in English criticism of the eighteenth century. International Review of the Aesthetics and Sociology of Music, 21(2), 117-128. google scholar

Ayrıntılar

Birincil Dil

İngilizce

Konular

Müzik (Diğer)

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

25 Aralık 2024

Gönderilme Tarihi

5 Ağustos 2024

Kabul Tarihi

13 Kasım 2024

Yayımlandığı Sayı

Yıl 2024 Cilt: 11 Sayı: 2

Kaynak Göster

APA
Jarvis, S. O. (2024). Jazz Interpretations of Classical Musical Works. Konservatoryum, 11(2), 559-583. https://doi.org/10.26650/CONS2024-1528675
AMA
1.Jarvis SO. Jazz Interpretations of Classical Musical Works. Konservatoryum. 2024;11(2):559-583. doi:10.26650/CONS2024-1528675
Chicago
Jarvis, Stacy Olive. 2024. “Jazz Interpretations of Classical Musical Works”. Konservatoryum 11 (2): 559-83. https://doi.org/10.26650/CONS2024-1528675.
EndNote
Jarvis SO (01 Aralık 2024) Jazz Interpretations of Classical Musical Works. Konservatoryum 11 2 559–583.
IEEE
[1]S. O. Jarvis, “Jazz Interpretations of Classical Musical Works”, Konservatoryum, c. 11, sy 2, ss. 559–583, Ara. 2024, doi: 10.26650/CONS2024-1528675.
ISNAD
Jarvis, Stacy Olive. “Jazz Interpretations of Classical Musical Works”. Konservatoryum 11/2 (01 Aralık 2024): 559-583. https://doi.org/10.26650/CONS2024-1528675.
JAMA
1.Jarvis SO. Jazz Interpretations of Classical Musical Works. Konservatoryum. 2024;11:559–583.
MLA
Jarvis, Stacy Olive. “Jazz Interpretations of Classical Musical Works”. Konservatoryum, c. 11, sy 2, Aralık 2024, ss. 559-83, doi:10.26650/CONS2024-1528675.
Vancouver
1.Stacy Olive Jarvis. Jazz Interpretations of Classical Musical Works. Konservatoryum. 01 Aralık 2024;11(2):559-83. doi:10.26650/CONS2024-1528675