Jazz Interpretations of Classical Musical Works
Öz
Anahtar Kelimeler
Kaynakça
- Alperson, P. (1998). Improvisation: An Overview. In Michael Kelly (Ed.), Encyclopedia of Aesthetics (pp. 2-478). New York: Oxford University Press. google scholar
- Alperson, P. (2010). A Topography oflmprovisation. The Journal ofAesthetics and Art Criticism, 68(3), 273-280. google scholar
- Bailey, D. (1992). Improvisation: Its nature and practice in music. London: British Library. google scholar
- Barrett, F. (1998). Creativity and improvisation in jazz and organizations: Implications for organizational learning. Organization Science, 9(5), 407-424. google scholar
- Berendt, J.-E. (2009). The jazz book: From ragtime to the 21st century. New York: Lawrence Hill Books. google scholar
- Berliner, P. (1994). Thinking in jazz: The infinite art of improvisation. Chicago: The University of Chicago Press. google scholar
- Bitz, M. (1998). Teaching Improvisation outside of Jazz Settings: Musical genres that lend themselves to improvisations by beginning student musicians include bluegrass, blues, ska, reggae, rap, klezmer, and rock. Music Educators Journal, 84(4), 21-41. google scholar
- Buelow, G. J. (1990). Originality, genius, plagiarism in English criticism of the eighteenth century. International Review of the Aesthetics and Sociology of Music, 21(2), 117-128. google scholar
Ayrıntılar
Birincil Dil
İngilizce
Konular
Müzik (Diğer)
Bölüm
Araştırma Makalesi
Yazarlar
Stacy Olive Jarvis
*
0000-0002-5113-4792
United Kingdom
Yayımlanma Tarihi
25 Aralık 2024
Gönderilme Tarihi
5 Ağustos 2024
Kabul Tarihi
13 Kasım 2024
Yayımlandığı Sayı
Yıl 2024 Cilt: 11 Sayı: 2