Araştırma Makalesi
BibTex RIS Kaynak Göster

Yıl 2025, Cilt: 12 Sayı: 1, 110 - 128, 30.06.2025
https://doi.org/10.26650/CONS2025-1658504
https://izlik.org/JA76WC64PE

Öz

Kaynakça

  • Abdul Samie, M. (1985). Analytical Study for the Arabic singing schools in Egypt, Unpublished Master's degree thesis, AcademY of Arts, Institute of Arabic Music, Giza. google scholar
  • Ali, A. (2009). Mogaz Fi Tahrih El Musıka El Arabya, Cairo: Dar Esundus, p. 15-150. google scholar
  • Arabic, M. (1933). Moatemar El-Musika El-ArabYa, Arabic Music Conference, Cairo: CopYright Supreme Council of Culture. google scholar
  • Başer, F. A. (2013). Türk Musikisinde Abdülbaki Nâsır Dede, Birinci Kitap: Abdülkadir Nâsır Dede’nin HaYatı ve Tedkik u Tahkik Metin-sadeleştirme-sözlük Tıpkıbasım. İstanbul: Fatih Üniversitesi Konservatuarı Müdürlüğü YaYınları. google scholar
  • Danielson, V. (1994). Musique Arabe: Le Congres du Caire de 1932, Yearbook for Traditional Music, Vol. 26, Published bY Cambridge UniversitY press. google scholar
  • Ergur, A., & Doğrusöz, N. (2015). “Resistance and Adoption towards Written Music at the Crossroads of ModernitY: Gradual Passage to Notation in Turkish Makam Music”. IRASM, 46-1, pp.145-174. google scholar
  • Hafız, N. A. (1984). al-Ghinâ' fi al-qarn al-tâsi' ‘ashr “Singing in the Nineteenth Century” Dar al-Maarif, Cairo. google scholar
  • HefnY, M. (1985). Sayed Darwish, his life, and the effects of his genius, EgYptian General Book AuthoritY google scholar
  • Katz, J. I. (2015). Henry George Farmer and the First International Congress of Arab Music (Cairo 1932), CopYright bY Koninklijke Brill NV, Leiden, The Netherlands. google scholar
  • Kutluğ, Y. (2000). Türk Musikisinde Makamlar Inceleme, İstanbul: Yapı Kredi Published. google scholar
  • Llano, S. (2023). Empire, diplomacy, and the racial imagination: Spain at the Cairo Congress of Arab Music (1932), The Journal of North African Studies, 28:3, 589-634. google scholar
  • Öğüt, E. (2012). Bir modernleşme projesi olarak 1932 kahire müziği kongresi, Bilim Dergisi-Müzik. google scholar
  • RacY, A. J. (1991), “Historical Worldviews of Early Ethnomusicologists: An East-West Encounter in Cairo, 1932”, EthnomusicologY and Modern Music HistorY, UniversitY of Illinois Press. google scholar
  • Sahab, V. (1994). Moatemar el-Musika el-Arabya el-Awel, The First Arab Music Conference 1932, Cairo. google scholar
  • Thomas, A. E. (2007). “Intervention and Reform of Arab Music in 1932 and Beyond”, Conference on Music in the World of Islam, Assilah. google scholar
  • Villoteau, G. A. (1801). “The Description of Egypt”, translated to Arabic bY Zahir Shayib, Cultural Development Fund, Cairo, google scholar
  • Virginia, D. (1997), The Voice of Egypt Umm Kulthum, Arabic Song, Egyptian Society in the Twentieth Century, Licensed bY The UniversitY of Chicago Press, Chicago, Illinois, U.S.A, P.113-119 google scholar
  • Yekta, R. (1934). Mutalaat w Araa Hawl Moatemar El-Musika El-Arabya, Published bY El Makkadena LibrarY, Cairo. google scholar

Arabic Music Conference 1932 Committees “Committee of Makams, Rhythm, and Composition”

Yıl 2025, Cilt: 12 Sayı: 1, 110 - 128, 30.06.2025
https://doi.org/10.26650/CONS2025-1658504
https://izlik.org/JA76WC64PE

Öz

The 1932 Cairo conference was a significant event that comprised seven committees, particularly the Committee of Makams, Rhythm, and Composition. This committee is of paramount importance as it underscores two fundamental elements of music: scales and rhythms. In Arabic and oriental music, these scales are termed makams, highlighting the committee's vital role in exploring the intricate makams and rhythms central to the conference discussions.

The scientific research associated with this committee aimed to investigate the notations, musical symbols, names, and forms of the makams presented. The committee scrutinized the submitted reports and made decisions that enhanced the collective understanding of these musical elements. The outcomes of their deliberations were documented and subsequently published in the 1932 conference book.

It is imperative to approach the analysis of these committee minutes and reports with rigor and scholarly integrity. By accurately presenting these insights, we fulfil the scientific responsibility to preserve the legacy and depth of the discussions essential in shaping our understanding of Arabic music during this time.

Kaynakça

  • Abdul Samie, M. (1985). Analytical Study for the Arabic singing schools in Egypt, Unpublished Master's degree thesis, AcademY of Arts, Institute of Arabic Music, Giza. google scholar
  • Ali, A. (2009). Mogaz Fi Tahrih El Musıka El Arabya, Cairo: Dar Esundus, p. 15-150. google scholar
  • Arabic, M. (1933). Moatemar El-Musika El-ArabYa, Arabic Music Conference, Cairo: CopYright Supreme Council of Culture. google scholar
  • Başer, F. A. (2013). Türk Musikisinde Abdülbaki Nâsır Dede, Birinci Kitap: Abdülkadir Nâsır Dede’nin HaYatı ve Tedkik u Tahkik Metin-sadeleştirme-sözlük Tıpkıbasım. İstanbul: Fatih Üniversitesi Konservatuarı Müdürlüğü YaYınları. google scholar
  • Danielson, V. (1994). Musique Arabe: Le Congres du Caire de 1932, Yearbook for Traditional Music, Vol. 26, Published bY Cambridge UniversitY press. google scholar
  • Ergur, A., & Doğrusöz, N. (2015). “Resistance and Adoption towards Written Music at the Crossroads of ModernitY: Gradual Passage to Notation in Turkish Makam Music”. IRASM, 46-1, pp.145-174. google scholar
  • Hafız, N. A. (1984). al-Ghinâ' fi al-qarn al-tâsi' ‘ashr “Singing in the Nineteenth Century” Dar al-Maarif, Cairo. google scholar
  • HefnY, M. (1985). Sayed Darwish, his life, and the effects of his genius, EgYptian General Book AuthoritY google scholar
  • Katz, J. I. (2015). Henry George Farmer and the First International Congress of Arab Music (Cairo 1932), CopYright bY Koninklijke Brill NV, Leiden, The Netherlands. google scholar
  • Kutluğ, Y. (2000). Türk Musikisinde Makamlar Inceleme, İstanbul: Yapı Kredi Published. google scholar
  • Llano, S. (2023). Empire, diplomacy, and the racial imagination: Spain at the Cairo Congress of Arab Music (1932), The Journal of North African Studies, 28:3, 589-634. google scholar
  • Öğüt, E. (2012). Bir modernleşme projesi olarak 1932 kahire müziği kongresi, Bilim Dergisi-Müzik. google scholar
  • RacY, A. J. (1991), “Historical Worldviews of Early Ethnomusicologists: An East-West Encounter in Cairo, 1932”, EthnomusicologY and Modern Music HistorY, UniversitY of Illinois Press. google scholar
  • Sahab, V. (1994). Moatemar el-Musika el-Arabya el-Awel, The First Arab Music Conference 1932, Cairo. google scholar
  • Thomas, A. E. (2007). “Intervention and Reform of Arab Music in 1932 and Beyond”, Conference on Music in the World of Islam, Assilah. google scholar
  • Villoteau, G. A. (1801). “The Description of Egypt”, translated to Arabic bY Zahir Shayib, Cultural Development Fund, Cairo, google scholar
  • Virginia, D. (1997), The Voice of Egypt Umm Kulthum, Arabic Song, Egyptian Society in the Twentieth Century, Licensed bY The UniversitY of Chicago Press, Chicago, Illinois, U.S.A, P.113-119 google scholar
  • Yekta, R. (1934). Mutalaat w Araa Hawl Moatemar El-Musika El-Arabya, Published bY El Makkadena LibrarY, Cairo. google scholar
Toplam 18 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Mohamed Mostafa Ahmed Mohamed 0009-0005-1947-3873

Gözde Çolakoğlu Sarı 0000-0001-5586-3426

Ozan Baysal 0000-0002-7271-9095

Gönderilme Tarihi 15 Mart 2025
Kabul Tarihi 23 Mayıs 2025
Yayımlanma Tarihi 30 Haziran 2025
DOI https://doi.org/10.26650/CONS2025-1658504
IZ https://izlik.org/JA76WC64PE
Yayımlandığı Sayı Yıl 2025 Cilt: 12 Sayı: 1

Kaynak Göster

APA Mohamed, M. M. A., Çolakoğlu Sarı, G., & Baysal, O. (2025). Arabic Music Conference 1932 Committees “Committee of Makams, Rhythm, and Composition”. Konservatoryum, 12(1), 110-128. https://doi.org/10.26650/CONS2025-1658504