Araştırma Makalesi

A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition

Cilt: 12 Sayı: 2 31 Aralık 2025
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A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition

Öz

Technological advancements have profoundly impacted artistic and musical creation, redefining the boundaries between human creativity and artificial intelligence (AI). The growing integration of AI into compositional practices has sparked debates on creativity, originality, and aesthetic values. This study analyzes the perspectives of five composers-each representing a distinct artistic approach within the contemporary Turkish music scene-regarding AI’s influence on composition. A qualitative methodology was employed, using semi-structured in-depth interviews, and the data were interpreted through content analysis. The findings indicate that while composers acknowledge the functional potential of AI, particularly in commercial music production, they also stress that artistic creativity is shaped by human emotions, originality, and aesthetic sensitivity. Although some view AI as a technical support tool, the prevailing consensus is that AI-generated music lacks artistic depth and emotional expressiveness. Additionally, concerns such as ethical implications, plagiarism risks, and technological dependency emerge as significant points of contention. This study offers valuable insight into the evolving relationship between AI and creative processes, revealing both the limitations and potential applications of AI in composition.

Anahtar Kelimeler

Kaynakça

  1. Arielli, E., & Manovich, L. (2023). AI-aesthetics and the anthropocentric myth of creativity [Yapay zekâ estetiği ve insan merkezli yaratıcılık miti] (K. O. Bayraktar, Trans.). MUJAD, 14(1), 214-226. https://doi.org/10.29228/sanat.23google scholar
  2. Atalay, E. (2025, May 25). Interview with Sultan Bilget Güçlüer. google scholar
  3. Balaban, M. (2002). Structure and interpretation of music concepts: Music from a computational perspective. In C. Anagnostopoulou, M. Ferrand, & A. Smaill (Eds.), Music and artificial intelligence: Second International Conference, ICMAI 2002, Edinburgh, Scotland, September 12-14, 2002, proceedings (pp. 1-3). Springer. google scholar
  4. Bolşen, A. N. (2025, May 27). Interview with Sultan Bilget Güçlüer. google scholar
  5. Bono Rosselló, L., & Bersini, H. (2023). Music generation with multiple ant colonies interacting on multilayer graphs. In C. Johnson, N. Rodríguez-Fernández, & S. M. Rebelo (Eds.), Artificial intelligence in music, sound, art and design: 12th International Conference, EvoMUSART 2023, held as part of EvoStar, Brno, Czech Republic, proceedings (pp. 34-49). Springer.google scholar
  6. Bown, O. (2021). Sociocultural and design perspectives on AI-based music production: Why do we make music and what changes if AI makes it for us? In E. R. Miranda (Ed.), Handbook of artificial intelligence for music: Foundations, advanced approaches, and developments for creativity (pp. 1-20). Springer. google scholar
  7. Caramiaux, B. (2020). Research for CULT Committee - The use of artificial intelligence in the cultural and creative sectors: Concomitant expertise for INI report (PE 629.220). Policy Department for Structural and Cohesion Policies, Directorate-General for Internal Policies, European Parliament. https://www.europarl.europa.eu/RegData/etudes/BRIE/2020/629220/IPOL_BRI(2020)629220_EN.pdfgoogle scholar
  8. Colton, S., & Banar, B. (2023). Automatically adding to artistic cultures. In C. Johnson, N. Rodríguez-Fernández, & S. M. Rebelo (Eds.), Artificial intelligence in music, sound, art and design: 12th International Conference, EvoMUSART 2023, held as part of EvoStar, Brno, Czech Republic, proceedings (pp. 50-66). Springer. google scholar

Ayrıntılar

Birincil Dil

İngilizce

Konular

Müzik Algısı, Müzik Teknolojisi ve Kayıt, Müzikoloji ve Etnomüzikoloji

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

31 Aralık 2025

Gönderilme Tarihi

7 Temmuz 2025

Kabul Tarihi

11 Eylül 2025

Yayımlandığı Sayı

Yıl 2025 Cilt: 12 Sayı: 2

Kaynak Göster

APA
Bilget Güçlüer, S. (2025). A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition. Konservatoryum, 12(2), 715-729. https://doi.org/10.26650/CONS2025-1736623
AMA
1.Bilget Güçlüer S. A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition. Konservatoryum. 2025;12(2):715-729. doi:10.26650/CONS2025-1736623
Chicago
Bilget Güçlüer, Sultan. 2025. “A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition”. Konservatoryum 12 (2): 715-29. https://doi.org/10.26650/CONS2025-1736623.
EndNote
Bilget Güçlüer S (01 Aralık 2025) A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition. Konservatoryum 12 2 715–729.
IEEE
[1]S. Bilget Güçlüer, “A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition”, Konservatoryum, c. 12, sy 2, ss. 715–729, Ara. 2025, doi: 10.26650/CONS2025-1736623.
ISNAD
Bilget Güçlüer, Sultan. “A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition”. Konservatoryum 12/2 (01 Aralık 2025): 715-729. https://doi.org/10.26650/CONS2025-1736623.
JAMA
1.Bilget Güçlüer S. A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition. Konservatoryum. 2025;12:715–729.
MLA
Bilget Güçlüer, Sultan. “A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition”. Konservatoryum, c. 12, sy 2, Aralık 2025, ss. 715-29, doi:10.26650/CONS2025-1736623.
Vancouver
1.Sultan Bilget Güçlüer. A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition. Konservatoryum. 01 Aralık 2025;12(2):715-29. doi:10.26650/CONS2025-1736623