Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2023, Cilt: 10 Sayı: 1, 46 - 54, 30.11.2023
https://doi.org/10.26650/CONS2023-1270492

Öz

Kaynakça

  • Bakic Hayden, M. (1995). Nesting Orientalisms: The Case of Former Yugoslavia. Slavic Review, 54, 917-931. google scholar
  • Bjelic, D., & Savic, O. (Eds.). (2002). Balkan as Metaphor: Between Globalization and Fragmentation. Cambridge: Massachusetts Institute of Technology. google scholar
  • Bohlman, P., & Petkovic, N. (Eds.). (2011). Balkan Epic: Song, History, Modernity. Lanham: Scarecrow Press. google scholar
  • Boym, S. (2001). The Future of Nostalgia. New York: Basic Books. google scholar
  • Buchanan, D. (Ed.). (2007). Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse. Lanham: Scarecrow Press. google scholar
  • Despic, D., Jovanovic, J., & Lajic Mihajlovic, D. (Eds.). (2011). Musical Practices in the Balkans: Ethnomusicological Perspectives. Proceedings of the International Conference held from November 23 to 25, 2011. Belgrade: Serbian Academy of Sciences and Arts: İnstitute of Musicology - Department of Fine Arts and Music. google scholar
  • Dumnic Vilotijevic, M. (2018). Contemporary Urban Folk Music in the Balkans: Possibilities for Regional Music History. Muzikologja -Musicology, 25, 91-101. google scholar
  • Hofman, A. (2010). Staging Socialist Femininity: Gender Politics and Folklore Performance in Serbia. Leiden, Boston: Brill. google scholar
  • Hofman, A. (2020a). Disobedient: Activist Choirs, Radical Amateurism, and the Politics of the Past after Yugoslavia. Ethnomusicology, 64(1), 89-109. google scholar
  • Hofman, A. (2020b). “We Are the Partisans of Our Time”: Antifascism and Post-Yugoslav Singing Memory Activism. Popular Music and Society, 44(2), 157-174. google scholar
  • İCTM SEE (2023). Retrieved 07. 06. 2023. ICTM Study Group on Music and Dance in Southeastern Europe. http://ictmusic.org/studygroup/mdsee. google scholar
  • Ivkov, V. (2016). Harmonika u narodnoj i skolskojpraksi: fenomenologija ipedagoski aspekti [The Accordion in Traditional and School Practice: Phenomenology and Educational Aspects]. (Doctoral dissertation, University of Novi Sad). google scholar
  • Lassiter, L. (2005). Collaborative Ethnography and Public Anthropology. Current Anthropology, 46(1), 83-106. google scholar
  • Lausevic, M. (2007). Balkan Fascination: Creating an Alternative Music Culture in America. Oxford: Oxford University Press. google scholar
  • Medic, İ. (Ed.). (2020). Balkan Music: Past, Present, Future. Arts, 9(2). google scholar
  • Medic, İ., & Tomasevic, K. (Eds.). (2015). Beyond the East-West Divide: Balkan Music and Its Poles of Attraction. Belgrade: Serbian Academy of Sciences and Arts: İnstitute of Musicology - Department of Fine Arts and Music. google scholar
  • MFA (2021). Selakovic: Odnosi Srbije i Turske na najvisem nivou u savremenoj istoriji [Selakovic: Relations between Serbia and Türkiye at the Highest Level in Recent History]. Retrieved 07. 06. 2023 from https://mfa.gov.rs/medji/saopstenja/selakovic-odnosi-srbje-i-turske-na-najvisem-nivou-u-savremenoj-istorji. google scholar
  • Musovic, E. (1979). Etnickiprocesi i etnicka struktura stanovnistva Novog Pazara [Ethnic Processes and Ethnic Composition ofPopulation of Novi Pazar]. Belgrade: İnstitute of Ethnography SASA. google scholar
  • Oğul, B. (2019). Where İs the Homeland in My Music?: İnterhomelands Migration. Musicologist, 3(2), 178-191. google scholar
  • Petrov, A. (2016). Jugoslovenska muzika bez Jugoslavije [Yugoslav Music without Yugoslavia]. Belgrade: FMK. google scholar
  • Peycheva, L., & Rodel, A. (Eds.). (2008). Vienna and the Balkans. Sofia: Institute of Art Studies BAS. google scholar
  • Politika (2022). Odnosi Srbije i Turske na najvišem nivou u novijoj istoriji [Relations between Serbia and Türkiye at the Highest Level in Recent History]. Retrieved 07. 06. 2023. from https://www.politika.rs/scc/clanak/515795/Odnosi-Srbije-i-Turske-na-najvisem-nivou-u-novijoj-istoriji. google scholar
  • Rasic, M. (2022). Zamisljena domovina: Klubovi, identitet i integracja srpskih gastarbajtera u Becu [Imagined Homeland: Clubs, Identity and Integration of Serbian Guest Workers in Vienna]. Beograd: Etnografski institut SANU. google scholar
  • Samson, J. (2013). Music in the Balkans. Leiden, Boston: Brill. google scholar
  • Strohm, R. (Ed.). (2018). Studies on a Global History of Music: A Balzan Musicology Project. Routledge. google scholar
  • Skaljic, A. (1966). Turcizmi u srpskohrvatskom jeziku [Turkish Loanwords in Serbo-Croatian Language]. Sarajevo: Svjetlost. google scholar
  • Talam, J. (2019). Bosnians in Sweden: Music and Identity. Stockholm, Uppsala: Sveskt visarkiv/Musikverket: Kungl. Gustav Adolfs Akademien. google scholar
  • Todorova, M. (1997). Imagining the Balkans. Oxford: Oxford University Press. google scholar
  • Tomic, D. (2017). Srpske pjevane pjesme u Bosni i Hercegovini [Serbian Sung Poems in Bosnia and Herzegovina]. Beograd: Radio-televizija Srbije /in Cyrillic/. google scholar
  • Turino, T. (2008). Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press. google scholar
  • Velikonja, M. (2010). Titostalgija. Beograd: Biblioteka XX vek. google scholar
  • Vidic Rasmussen, L. (2002). Newly Composed Folk Music of Yugoslavia. London and New York: Routledge. google scholar
  • Volcic, Z. (2007). Yugo-Nostalgia: Cultural Memory and Media in the Former Yugoslavia. Critical Studies in Media Communication, 24(1), 21-38. google scholar

Urban Folk Music Legacy from Former Yugoslavia in Contemporary Istanbul

Yıl 2023, Cilt: 10 Sayı: 1, 46 - 54, 30.11.2023
https://doi.org/10.26650/CONS2023-1270492

Öz

This article presents initial observations from the fieldwork in Istanbul in 2022, where short-term research of immigrant communities from former Yugoslavia was conducted within the project of bilateral cooperation, Exploring the Tracks of Balkan Culture: Serbian–Turkish Connections in Music and Dance from Ottoman Period until Today (TRackeRS). Nowadays, these communities are specific because of their atypical migration direction, from Serbia and former Yugoslavia – toward the East. They cherish their traditions through choirs, and nostalgically remember their homeland through two types of urban folk music related to Serbia (and former Yugoslavia) – sevdalinka (which evokes their Ottoman ancestry) and novokomponovana narodna muzika (‘newly-composed folk music’, which evokes their Yugoslav reality from the time of their youth). The article examines the role of these popular folk music practices, their potential in safeguarding the culture of origin (especially because of the threatening oblivion of the language), as well as the potential for social cohesion in choral singing.

Kaynakça

  • Bakic Hayden, M. (1995). Nesting Orientalisms: The Case of Former Yugoslavia. Slavic Review, 54, 917-931. google scholar
  • Bjelic, D., & Savic, O. (Eds.). (2002). Balkan as Metaphor: Between Globalization and Fragmentation. Cambridge: Massachusetts Institute of Technology. google scholar
  • Bohlman, P., & Petkovic, N. (Eds.). (2011). Balkan Epic: Song, History, Modernity. Lanham: Scarecrow Press. google scholar
  • Boym, S. (2001). The Future of Nostalgia. New York: Basic Books. google scholar
  • Buchanan, D. (Ed.). (2007). Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse. Lanham: Scarecrow Press. google scholar
  • Despic, D., Jovanovic, J., & Lajic Mihajlovic, D. (Eds.). (2011). Musical Practices in the Balkans: Ethnomusicological Perspectives. Proceedings of the International Conference held from November 23 to 25, 2011. Belgrade: Serbian Academy of Sciences and Arts: İnstitute of Musicology - Department of Fine Arts and Music. google scholar
  • Dumnic Vilotijevic, M. (2018). Contemporary Urban Folk Music in the Balkans: Possibilities for Regional Music History. Muzikologja -Musicology, 25, 91-101. google scholar
  • Hofman, A. (2010). Staging Socialist Femininity: Gender Politics and Folklore Performance in Serbia. Leiden, Boston: Brill. google scholar
  • Hofman, A. (2020a). Disobedient: Activist Choirs, Radical Amateurism, and the Politics of the Past after Yugoslavia. Ethnomusicology, 64(1), 89-109. google scholar
  • Hofman, A. (2020b). “We Are the Partisans of Our Time”: Antifascism and Post-Yugoslav Singing Memory Activism. Popular Music and Society, 44(2), 157-174. google scholar
  • İCTM SEE (2023). Retrieved 07. 06. 2023. ICTM Study Group on Music and Dance in Southeastern Europe. http://ictmusic.org/studygroup/mdsee. google scholar
  • Ivkov, V. (2016). Harmonika u narodnoj i skolskojpraksi: fenomenologija ipedagoski aspekti [The Accordion in Traditional and School Practice: Phenomenology and Educational Aspects]. (Doctoral dissertation, University of Novi Sad). google scholar
  • Lassiter, L. (2005). Collaborative Ethnography and Public Anthropology. Current Anthropology, 46(1), 83-106. google scholar
  • Lausevic, M. (2007). Balkan Fascination: Creating an Alternative Music Culture in America. Oxford: Oxford University Press. google scholar
  • Medic, İ. (Ed.). (2020). Balkan Music: Past, Present, Future. Arts, 9(2). google scholar
  • Medic, İ., & Tomasevic, K. (Eds.). (2015). Beyond the East-West Divide: Balkan Music and Its Poles of Attraction. Belgrade: Serbian Academy of Sciences and Arts: İnstitute of Musicology - Department of Fine Arts and Music. google scholar
  • MFA (2021). Selakovic: Odnosi Srbije i Turske na najvisem nivou u savremenoj istoriji [Selakovic: Relations between Serbia and Türkiye at the Highest Level in Recent History]. Retrieved 07. 06. 2023 from https://mfa.gov.rs/medji/saopstenja/selakovic-odnosi-srbje-i-turske-na-najvisem-nivou-u-savremenoj-istorji. google scholar
  • Musovic, E. (1979). Etnickiprocesi i etnicka struktura stanovnistva Novog Pazara [Ethnic Processes and Ethnic Composition ofPopulation of Novi Pazar]. Belgrade: İnstitute of Ethnography SASA. google scholar
  • Oğul, B. (2019). Where İs the Homeland in My Music?: İnterhomelands Migration. Musicologist, 3(2), 178-191. google scholar
  • Petrov, A. (2016). Jugoslovenska muzika bez Jugoslavije [Yugoslav Music without Yugoslavia]. Belgrade: FMK. google scholar
  • Peycheva, L., & Rodel, A. (Eds.). (2008). Vienna and the Balkans. Sofia: Institute of Art Studies BAS. google scholar
  • Politika (2022). Odnosi Srbije i Turske na najvišem nivou u novijoj istoriji [Relations between Serbia and Türkiye at the Highest Level in Recent History]. Retrieved 07. 06. 2023. from https://www.politika.rs/scc/clanak/515795/Odnosi-Srbije-i-Turske-na-najvisem-nivou-u-novijoj-istoriji. google scholar
  • Rasic, M. (2022). Zamisljena domovina: Klubovi, identitet i integracja srpskih gastarbajtera u Becu [Imagined Homeland: Clubs, Identity and Integration of Serbian Guest Workers in Vienna]. Beograd: Etnografski institut SANU. google scholar
  • Samson, J. (2013). Music in the Balkans. Leiden, Boston: Brill. google scholar
  • Strohm, R. (Ed.). (2018). Studies on a Global History of Music: A Balzan Musicology Project. Routledge. google scholar
  • Skaljic, A. (1966). Turcizmi u srpskohrvatskom jeziku [Turkish Loanwords in Serbo-Croatian Language]. Sarajevo: Svjetlost. google scholar
  • Talam, J. (2019). Bosnians in Sweden: Music and Identity. Stockholm, Uppsala: Sveskt visarkiv/Musikverket: Kungl. Gustav Adolfs Akademien. google scholar
  • Todorova, M. (1997). Imagining the Balkans. Oxford: Oxford University Press. google scholar
  • Tomic, D. (2017). Srpske pjevane pjesme u Bosni i Hercegovini [Serbian Sung Poems in Bosnia and Herzegovina]. Beograd: Radio-televizija Srbije /in Cyrillic/. google scholar
  • Turino, T. (2008). Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press. google scholar
  • Velikonja, M. (2010). Titostalgija. Beograd: Biblioteka XX vek. google scholar
  • Vidic Rasmussen, L. (2002). Newly Composed Folk Music of Yugoslavia. London and New York: Routledge. google scholar
  • Volcic, Z. (2007). Yugo-Nostalgia: Cultural Memory and Media in the Former Yugoslavia. Critical Studies in Media Communication, 24(1), 21-38. google scholar
Toplam 33 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik
Bölüm Araştırma Makalesi
Yazarlar

Marija Dumnıc Vılotıjevıc 0000-0001-5132-0408

Yayımlanma Tarihi 30 Kasım 2023
Gönderilme Tarihi 24 Mart 2023
Yayımlandığı Sayı Yıl 2023 Cilt: 10 Sayı: 1

Kaynak Göster

APA Dumnıc Vılotıjevıc, M. (2023). Urban Folk Music Legacy from Former Yugoslavia in Contemporary Istanbul. Konservatoryum, 10(1), 46-54. https://doi.org/10.26650/CONS2023-1270492