Öz
Kaynakça
- CANGAL, Nurhan (2011). Müzik Formları, Ankara: Arkadaş Yayınevi.
- HEPOKOSKİ James Arnold, DARCY Warren (2011). Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, Oxford: Oxford University Press.
- HODEIR, Andre (2011). Müzikte Türler ve Biçimler, İstanbul: Pan Yayıncılık.
- SAY, Ahmet (2012). Müzik Sözlüğü, Ankara: Müzik Ansiklopedisi Yayınları.
- SÖZER, Vural(2012). Müzik Terimleri Sözlüğü, İstanbul: Remzi Kitabevi.
- UĞURLU, Berna Tülay.(2010). Ludwing Van Beethoven’ın Klasik Sonat Formuna Katkıları, Yayımlanmış Yüksek Lisans Tezi, Adana: Çukurova Üniversitesi, Sosyal Bilimler Enstitüsü.
- ULRICH Mıchels, GUNTER Vogel (2013). Müzik Atlası, Çev: Semih UÇAR, İstanbul: Alfa Basım Yayım Dağıtım. Yaşar Üniversitesi Müzik Komposizyon
Öz
Elements constituting a musical composition involve important data that will allow
us to understand and classify the genre, form and style of the composition and
genuine musical understanding of its composer. Musical compositions, which were
composed and rendered for centuries, are like summaries of the artistic facts and
understandings in their own periods of time. For this reason, form analysis studies
obviously need to be conducted to understand how form structures of
compositions are created, how they are combined and their musical language.
Generally, composition works are classified as binary or ternary, singular or composite. Singular forms consist of forms such as “Lied”. And composite forms are
cyclical forms such as “Sonata” that is formed by combining more than one singular
forms. Sonata form as the theme of our article started out as cantata in the
beginning, underwent a significant progress and change in 17th century and
gained its place in musical history as “Beethoven Sonata” in which there was a
strong and long middle section. In this article, 63 measured “Exposition” Part, 60
measured “Development” Part and 64 measured “Recapitulation” Part that are
constituting the 1st part of Beethoven Op. 14 No.2 Piano Sonata considered as an
example of Beethoven Sonata are analyzed through form analysis techniques. In
this work, analysis methods of James Arnold Hepokoski that he has applied for
Sonata form, are used.
Anahtar Kelimeler
Kaynakça
- CANGAL, Nurhan (2011). Müzik Formları, Ankara: Arkadaş Yayınevi.
- HEPOKOSKİ James Arnold, DARCY Warren (2011). Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, Oxford: Oxford University Press.
- HODEIR, Andre (2011). Müzikte Türler ve Biçimler, İstanbul: Pan Yayıncılık.
- SAY, Ahmet (2012). Müzik Sözlüğü, Ankara: Müzik Ansiklopedisi Yayınları.
- SÖZER, Vural(2012). Müzik Terimleri Sözlüğü, İstanbul: Remzi Kitabevi.
- UĞURLU, Berna Tülay.(2010). Ludwing Van Beethoven’ın Klasik Sonat Formuna Katkıları, Yayımlanmış Yüksek Lisans Tezi, Adana: Çukurova Üniversitesi, Sosyal Bilimler Enstitüsü.
- ULRICH Mıchels, GUNTER Vogel (2013). Müzik Atlası, Çev: Semih UÇAR, İstanbul: Alfa Basım Yayım Dağıtım. Yaşar Üniversitesi Müzik Komposizyon
Ayrıntılar
| Birincil Dil | Türkçe |
|---|---|
| Bölüm | Makaleler |
| Yazarlar | |
| Yayımlanma Tarihi | 25 Ağustos 2016 |
| Yayımlandığı Sayı | Yıl 2016 Sayı: 8 |