Dijital Kimlik ve Sosyal Medyada İdeal Benlik Sunumu: Gösteri Toplumunda Bir Z Kuşağı Çalışması

Yıl 2026, Cilt: 3 Sayı: 1, 27 - 54, 26.01.2026

Yunus Emre Öksüz , Ferhat Çetin

https://doi.org/10.65743/kronotop.1715896

https://izlik.org/JA89RY53PR

Öz

Gösteri Toplumu, Guy Debord tarafından ortaya atılan ve modern toplumda gerçekliğin yerini imgelerin aldığı bir kuramdır. Bu kuram, bireylerin kendilerini sürekli olarak izleyiciye sunma çabasıyla yaşadıkları dünyayı bir “gösteriye” dönüştürdüklerini savunmaktadır. Gösteri Toplumu'nun dijital çağdaki en somut yansıması ise günümüzde özellikle gençlerin ve genç yetişkinlerin yoğun olarak kullandığı sosyal medya platformlarıdır. Kullanıcılar bu alanlarda yaşamlarını görünür ve onaylanabilir hale getirmek için sürekli olarak yeniden inşa etmektedir. Bu çalışmanın amacı, Z kuşağı bireylerinin sosyal medyada benlik inşa süreçleri ile görünüm temelli farkındalık düzeylerini ortaya koymaktır. Özellikle görselliğin ön plana çıktığı bu dijital mecralarda, genç bireylerin kimlik sunumlarını nasıl gerçekleştirdikleri incelenmiştir. Çalışma nicel yöntemle yürütülürmüştür ve iki geçerli psikometrik ölçek kullanılmıştır. Elde edilen veriler SPSS 30.0 programıyla analiz edilmiştir. Betimsel istatistikler, korelasyon, t-testi ve ANOVA testleri uygulanmıştır. Araştırmaya yaşları 18-27 arasında değişen 300 kişi katılmıştır. Çalışmanın istatiksel analizi sonucunda kadınların erkeklere kıyasla daha yüksek düzeyde görünüm farkındalığı ve dijital kimlik inşası gerçekleştirdiğini; yüksek gelir gruplarının ise sosyal medyada daha estetik ve performatif kimlik sunumları yaptığını ortaya koymuştur.

Anahtar Kelimeler

Gösteri Toplumu , Sosyal Medya , İdeal Benlik , Benlik Sunumu , Z Kuşağı

Digital Identity and Ideal Self-Presentation on Social Media: A Generation Z Study within the Society of the Spectacle

https://izlik.org/JA89RY53PR

Öz

The Society of the Spectacle is a theory proposed by Guy Debord, which asserts that in modern society, reality is replaced by images. This theory argues that individuals transform the world they live in into a “spectacle” through their continuous efforts to present themselves to an audience. The most concrete reflection of the Society of the Spectacle in the digital age is social media platforms, which are especially used intensively by young people and young adults today. On these platforms, users constantly reconstruct their lives to make them visible and socially approved. The aim of this study is to reveal the processes of self-construction and appearance-based awareness levels of Generation Z individuals on social media. The study examines how young individuals construct their identities in these digital spaces, where visuality is particularly emphasized. The research was conducted using a quantitative method and employed two valid psychometric scales. The data were analyzed using SPSS 30.0 software. Descriptive statistics, correlation analysis, independent samples t-tests, and ANOVA were conducted. The study was carried out with 300 participants aged between 18 and 27. Statistical analyses revealed that female participants exhibited significantly higher levels of appearance awareness and digital identity construction compared to male participants. It was also found that individuals in the high-income group engaged in more aesthetic and performative identity presentations on social media.

Anahtar Kelimeler

Society of the Spectacle , Social Media , Ideal Self , Self-Presentation , Generation Z

Kaynakça

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