Araştırma Makalesi
BibTex RIS Kaynak Göster

Defying Patriarchal Oppression in Charlotte Brontë’s Jane Eyre and Susanna White’s Film Adaptation

Yıl 2025, Sayı: 74, 51 - 62, 25.06.2025
https://doi.org/10.55590/literatureandhumanities.1534605

Öz

Patriarchy has sought to subjugate women and consolidate male supremacy throughout history. Unfortunately, the systematic oppression of women also prevailed in the Victorian era. Jane Eyre (1847) by Charlotte Brontë, one of the masterpieces of the Victorian novel, not only displays but also challenges the patriarchal oppression of the Victorian era. Likewise, Jane Eyre (2006), one of the recent film adaptations of Brontë’s novel directed by Susanna White, successfully questions the subordination of women in that era while employing diverse narrative techniques. This study primarily investigates the factors contributing to the oppression of Victorian women, such as gender roles, the objectification and sexualisation of women, clothing, and the male gaze, by referring to several feminist critics and analyses how the novel and the adaptation challenge patriarchal oppression. Next, the study discusses how the nonconformist protagonist Jane Eyre functions to defy the patriarchal norms in these works. The study highlights that both the novel and the film adaptation subvert the patriarchal imposition of the male-dominated order by emancipating the protagonist from being a subordinated woman in Victorian society.

Kaynakça

  • Andrew, D. (2000). The major film theories: An introduction. Oxford University Press.
  • Avril, C. (2005). [T]oo rigid a restraint’: Women and emancipation in Charlotte Brontë’s Jane Eyre. Moderna Språk, 2, 134-142.
  • Beauvoir, S. de. (1949). The second sex. (C. Borde & S. Malovany-Chevallier, Trans.). Vintage Books.
  • Brontë, C. (1992). Jane Eyre. Wordsworth Classics.
  • Butler, J. (1989). Performative acts and gender constitution: An essay in phenomenology and feminist theory. Theatre Journal, 40(4), 519-531.
  • Butler, J. (1999). Gender trouble. Routledge.
  • Chodorow, N. (1978). The reproduction of mothering: Psychoanalysis and the sociology of gender. University of California Press.
  • Dickens, C. (1993). A tale of two cities. Dover Publications.
  • Eagleton, T. (2005). Myths of power: A marxist study of the Brontës. Antony Rowe Ltd.
  • Ellis, K., & Kaplan, E. A. (1981). Feminism in Brontë’s novel and its film versions. In M. Klein & G. Parker (Eds.), The English novel and the movies (pp. 1-13). Frederick Ungar Publishing Co.
  • Erdem Ayyıldız, N. (2017). From the bottom to the top: Class and gender struggle in Brontë’s Jane Eyre. Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 37, 146-153.
  • Fjågesund, P. (1999). Samson and Delilah: Chapter 37 of Charlotte Brontë’s Jane Eyre, English Studies, 80(5), 449-453, DOI: 10.1080/00138389908599197
  • Foucault, M. (1978). The history of sexuality: An introduction (vol. 1). (R. Hurler, Trans.). Pantheon Books.
  • Friedan, B. (1974). The feminine mystique. Dell Publishing.
  • Gilbert, S. M., & Gubar S. (2000). Mad woman in the attic: The woman writer and the nineteenth-century literary imagination. Yale University Press.
  • Greenblatt, S. (Ed.). (2006). The Norton anthology of English literature (8th ed., Vol. 2). W.W. Norton & Company
  • Hutcheon, L. (2006). A theory of adaptation. Routledge.
  • Irigaray, L. (1985). This sex which is not one. (C. Porter, & C. Burke, Trans.). Cornwell University Press.
  • Kent, S. K. (1999). “The sex” women, work, and politics, 1825-80. Gender and power in Britain, 1640-1990 (pp. 179-201). Routledge.
  • Klein, M. (1981). Introduction: Film and literature In M. Klein & G. Parker (Eds.), The English novel and the movies (pp. 1-13). Frederick Ungar Publishing Co.
  • Lorde, A. (1984). The uses of the erotic: The erotic as power. Sister outsider: Essays and speeches (pp. 53-59). The Crossing Press.
  • Mill, J. S. (1988). The subjection of women (S. Collini, Ed.). Cambridge University Press.
  • Millett, K. (1971). Sexual politics. Granada Publishing Ltd.
  • Mulvey, L. (1999). Visual pleasure and narrative cinema. In L. Braudy & M. Cohen (Eds.), Film theory and criticism: Introductory readings (pp. 833-844). Oxford University Press.
  • Rich, A. (1986). Of woman born: Motherhood as experience and as institution. W.W. Norton& Company.
  • Roberts, H. E. (1977). The exquisite slave: The role of clothes in the making of the Victorian woman. Signs, 2(3), 554-564.
  • Scholes, R. (1976). Narration and narrativity in film. Quarterly Review of Film Studies, 1(3), 283-296. https://doi.org/10.1080/10509207609360956
  • Shires, L. M. (1992) Of maenads, mothers, and feminized males. Rewriting the Victorians: Theory, history and the politics of gender. (L. M. Shires, Ed.). TJ Press Padstow Ltd, 147-164.
  • Showalter, E. (1977). A literature of their own: British women novelists from Brontë to Lessing. Princeton University Press.
  • Stam, R. (2000). Beyond Fidelity: The dialogics of adaptation (J. Naremore, Ed.) Film adaptation (pp. 54-78). Rutgers University Press.
  • Vogler, C. (2007). The writer’s journey: Mythic structure for writers (3rd ed.). Michael Wiese Productions.
  • White, S. (Director). (2006). Jane Eyre [Film]. BBC One.
  • Zurbriggen, E., Collins, R.L., Sharon, L., Tomi-Ann, R., Tolman, D., & Ward, E. (2007). Report of the APA Task Force on the Sexualization of Girls. American Psychological Association. https://www.apa.org/pi/women/programs/girls/report-full.pdf

Charlotte Brontë’nin Jane Eyre Romanında ve Susanna White’ın Film Uyarlamasında Ataerkil Baskıya Meydan Okunması

Yıl 2025, Sayı: 74, 51 - 62, 25.06.2025
https://doi.org/10.55590/literatureandhumanities.1534605

Öz

Patriyarka kadınları tarih boyunca boyunduruk altına almaya ve erkek üstünlüğünü pekiştirmeye çalışmıştır. Ne yazık ki, kadınların sistematik bir baskı altında tutulmasına Viktorya döneminde de devam edilmiştir. Viktorya dönemi romanının başyapıtlarından biri olan Charlotte Brontë’nin Jane Eyre (1847) adlı romanı, Viktorya dönemindeki patriyarkal baskıyı sergilemekle kalmaz, aynı zamanda bu baskıya meydan okur. Benzer şekilde, Brontë’nin romanının son dönem sinema uyarlamalarından biri olan, Susannah White’ın yönettiği Jane Eyre (2006), farklı anlatı teknikleri aracılığıyla o dönemdeki kadınların ikincilleştirilmiş koşullarını başarılı bir şekilde sorgulamaktadır. Bu çalışma temel olarak toplumsal cinsiyet rolleri, kadınların nesneleştirilmesi ve cinselleştirilmesi, kıyafetler ve eril bakış gibi kadınların ikincilleştirilmesine yol açan faktörleri çeşitli feminist eleştirmenlere atıfta bulunarak sorgulamakta, romanın ve film uyarlamasının Viktorya dönemi kadınlarının baskı altında tutulmasına nasıl meydan okuduğunu incelemektedir. Çalışma daha sonra, bu eserlerdeki nonkonformist başkahraman Jane Eyre’in patriyarkal normlara nasıl karşı çıktığını tartışmaktadır. Bu çalışma hem romanın hem de film uyarlamasının, başkahramanı Viktorya dönemi toplumunda ikincil plana atılmış bir kadın olmaktan kurtararak erkek egemen düzenin dayatmalarını altüst ettiğini vurgulamaktadır.

Kaynakça

  • Andrew, D. (2000). The major film theories: An introduction. Oxford University Press.
  • Avril, C. (2005). [T]oo rigid a restraint’: Women and emancipation in Charlotte Brontë’s Jane Eyre. Moderna Språk, 2, 134-142.
  • Beauvoir, S. de. (1949). The second sex. (C. Borde & S. Malovany-Chevallier, Trans.). Vintage Books.
  • Brontë, C. (1992). Jane Eyre. Wordsworth Classics.
  • Butler, J. (1989). Performative acts and gender constitution: An essay in phenomenology and feminist theory. Theatre Journal, 40(4), 519-531.
  • Butler, J. (1999). Gender trouble. Routledge.
  • Chodorow, N. (1978). The reproduction of mothering: Psychoanalysis and the sociology of gender. University of California Press.
  • Dickens, C. (1993). A tale of two cities. Dover Publications.
  • Eagleton, T. (2005). Myths of power: A marxist study of the Brontës. Antony Rowe Ltd.
  • Ellis, K., & Kaplan, E. A. (1981). Feminism in Brontë’s novel and its film versions. In M. Klein & G. Parker (Eds.), The English novel and the movies (pp. 1-13). Frederick Ungar Publishing Co.
  • Erdem Ayyıldız, N. (2017). From the bottom to the top: Class and gender struggle in Brontë’s Jane Eyre. Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 37, 146-153.
  • Fjågesund, P. (1999). Samson and Delilah: Chapter 37 of Charlotte Brontë’s Jane Eyre, English Studies, 80(5), 449-453, DOI: 10.1080/00138389908599197
  • Foucault, M. (1978). The history of sexuality: An introduction (vol. 1). (R. Hurler, Trans.). Pantheon Books.
  • Friedan, B. (1974). The feminine mystique. Dell Publishing.
  • Gilbert, S. M., & Gubar S. (2000). Mad woman in the attic: The woman writer and the nineteenth-century literary imagination. Yale University Press.
  • Greenblatt, S. (Ed.). (2006). The Norton anthology of English literature (8th ed., Vol. 2). W.W. Norton & Company
  • Hutcheon, L. (2006). A theory of adaptation. Routledge.
  • Irigaray, L. (1985). This sex which is not one. (C. Porter, & C. Burke, Trans.). Cornwell University Press.
  • Kent, S. K. (1999). “The sex” women, work, and politics, 1825-80. Gender and power in Britain, 1640-1990 (pp. 179-201). Routledge.
  • Klein, M. (1981). Introduction: Film and literature In M. Klein & G. Parker (Eds.), The English novel and the movies (pp. 1-13). Frederick Ungar Publishing Co.
  • Lorde, A. (1984). The uses of the erotic: The erotic as power. Sister outsider: Essays and speeches (pp. 53-59). The Crossing Press.
  • Mill, J. S. (1988). The subjection of women (S. Collini, Ed.). Cambridge University Press.
  • Millett, K. (1971). Sexual politics. Granada Publishing Ltd.
  • Mulvey, L. (1999). Visual pleasure and narrative cinema. In L. Braudy & M. Cohen (Eds.), Film theory and criticism: Introductory readings (pp. 833-844). Oxford University Press.
  • Rich, A. (1986). Of woman born: Motherhood as experience and as institution. W.W. Norton& Company.
  • Roberts, H. E. (1977). The exquisite slave: The role of clothes in the making of the Victorian woman. Signs, 2(3), 554-564.
  • Scholes, R. (1976). Narration and narrativity in film. Quarterly Review of Film Studies, 1(3), 283-296. https://doi.org/10.1080/10509207609360956
  • Shires, L. M. (1992) Of maenads, mothers, and feminized males. Rewriting the Victorians: Theory, history and the politics of gender. (L. M. Shires, Ed.). TJ Press Padstow Ltd, 147-164.
  • Showalter, E. (1977). A literature of their own: British women novelists from Brontë to Lessing. Princeton University Press.
  • Stam, R. (2000). Beyond Fidelity: The dialogics of adaptation (J. Naremore, Ed.) Film adaptation (pp. 54-78). Rutgers University Press.
  • Vogler, C. (2007). The writer’s journey: Mythic structure for writers (3rd ed.). Michael Wiese Productions.
  • White, S. (Director). (2006). Jane Eyre [Film]. BBC One.
  • Zurbriggen, E., Collins, R.L., Sharon, L., Tomi-Ann, R., Tolman, D., & Ward, E. (2007). Report of the APA Task Force on the Sexualization of Girls. American Psychological Association. https://www.apa.org/pi/women/programs/girls/report-full.pdf
Toplam 33 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm Araştırma Makaleleri
Yazarlar

Yalçın Erden 0000-0002-6790-6486

Yayımlanma Tarihi 25 Haziran 2025
Gönderilme Tarihi 16 Ağustos 2024
Kabul Tarihi 1 Şubat 2025
Yayımlandığı Sayı Yıl 2025 Sayı: 74

Kaynak Göster

APA Erden, Y. (2025). Defying Patriarchal Oppression in Charlotte Brontë’s Jane Eyre and Susanna White’s Film Adaptation. Edebiyat ve Beşeri Bilimler Dergisi(74), 51-62. https://doi.org/10.55590/literatureandhumanities.1534605