Araştırma Makalesi
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Abstraction and Empathy (Einfühlung) in Architecture: Rethinking Mosque Design in the Sancaklar Mosque

Yıl 2025, Cilt: 2 Sayı: 1, 24 - 46, 31.01.2025
https://izlik.org/JA53UY37MP

Öz

This paper aims to explore the aesthetic theories of empathy (Einfühlung) and abstraction, focusing on their application to architectural works. Wilhelm Worringer’s psychological aesthetic theories serve as the framework for this study, particularly in analyzing how artistic styles reflect the internal world of the artist. The research examines how these theories have historically explained various art styles and their relevance to different cultures and epochs. The central focus is the Sancaklar Mosque, which serves as a case study for understanding how abstraction and empathy manifest in contemporary architecture. Through content analysis, the study identifies key concepts from Worringer’s “Abstraction and Empathy (Einfühlung)” and evaluates them against the physical and qualitative architectural elements of the mosque. The findings aim to contribute to the broader understanding of style in architecture, particularly through the lens of psychological aesthetics. This study offers a new and developable approach to analyzing architectural works by integrating these two important theories, demonstrating their significance in understanding architectural style across different historical and cultural contexts.

Kaynakça

  • Arnheim, R. (1954). Art and visual perception: A psychology of the creative eye. Berkeley: University of California Press.
  • Burckhardt, T. (2009). Art of Islam: Language and meaning. World Wisdom, Inc.
  • Duman, Ş., (2021). A space reading through abstraction and empathy theory: The case of Sancaklar Mosque [Unpublished master thesis]. Karadeniz Technical University, Trabzon, Turkey. Retrieved from https://tez.yok.gov.tr/UlusalTezMerkezi/giris.jsp
  • Duman, Ş. & Beşgen, A. (2019, September). Replacing architecture over Heideggerian philosophy: Redefinition Sancaklar Mosque over Arolat architecture. Proceedings of the Livenarch VI International Congress, 59-74.
  • Feist, P. H. (2007). Wilhelm Worringer: Abstraktion und einfühlung. Journal für Kunstgeschichte, 11 (4), 348-351.
  • Fiedeler, U., (2011). When does the co-evolution of technology and science overturn into technoscience? Poiesis & Praxis, 8, 83-101.
  • Frampton, K. (1995). Studies in tectonic culture: The poetics of construction in nineteenth and twentieth century architecture. Cambridge, MA: MIT Press.
  • Giedion, S. (2009). Space, time and architecture: The growth of a new tradition. Cambridge, MA: Harvard University Press.
  • Jahoda, G. (2005). Theodor Lipps and the shift from “sympathy” to “empathy”. Journal of the History of the Behavioral Sciences, 41 (2), 151-163.
  • Khan, H. U. (1990). The architecture of the mosque, an overview and design directions. In Expressions of Islam in buildings,109-127.
  • Koç, A. (2008). Islamic art and geometry: Understanding abstract forms in Islamic civilization. Ankara: Orient Publishing.
  • Maskarinec, M. (2017). The end of art and the future of criticism in Wilhelm Worringer’s art history. New German Critique, 44 (1), 143-167.
  • Montag, C., Gallinat, J. & Heinz, A. (2008). Theodor Lipps and the concept of empathy: 1851–1914. American Journal of Psychiatry, 165(10), 1261-1261.
  • Necipoğlu, G. (1996). The Topkapi scroll: Geometry and ornament in Islamic architecture. Los Angeles: Getty Publications.
  • OpenAI. (2024). ChatGPT (GPT-4) [Büyük dil modeli]. https://chat.openai.com/chat
  • Öhlschläger, M. (2020). Worringer, Wilhelm: Abstraktion und Einfühlung. https://doi.org/10.1007/978-3-476-05728-0_21420-1
  • Riegel, M. (2000). Intuition and the history of art: A study of styles and symbols. Journal of Aesthetic Education, 34 (2), 45-58. https://doi.org/10.2307/3333663
  • Said, E. (1978). Orientalism. New York, NY: Pantheon Books.
  • Tchikine, A. A. (2019). Reading Russian philosophy and Max Scheler together: The problem of the other I. Russian Journal of Philosophical Sciences, 62 (2), 127-141.
  • Worringer, W. (2017). Abstraction and empathy (İ. Tunalı, Trans.). Istanbul: Hayalperest Publishing.

Yıl 2025, Cilt: 2 Sayı: 1, 24 - 46, 31.01.2025
https://izlik.org/JA53UY37MP

Öz

Kaynakça

  • Arnheim, R. (1954). Art and visual perception: A psychology of the creative eye. Berkeley: University of California Press.
  • Burckhardt, T. (2009). Art of Islam: Language and meaning. World Wisdom, Inc.
  • Duman, Ş., (2021). A space reading through abstraction and empathy theory: The case of Sancaklar Mosque [Unpublished master thesis]. Karadeniz Technical University, Trabzon, Turkey. Retrieved from https://tez.yok.gov.tr/UlusalTezMerkezi/giris.jsp
  • Duman, Ş. & Beşgen, A. (2019, September). Replacing architecture over Heideggerian philosophy: Redefinition Sancaklar Mosque over Arolat architecture. Proceedings of the Livenarch VI International Congress, 59-74.
  • Feist, P. H. (2007). Wilhelm Worringer: Abstraktion und einfühlung. Journal für Kunstgeschichte, 11 (4), 348-351.
  • Fiedeler, U., (2011). When does the co-evolution of technology and science overturn into technoscience? Poiesis & Praxis, 8, 83-101.
  • Frampton, K. (1995). Studies in tectonic culture: The poetics of construction in nineteenth and twentieth century architecture. Cambridge, MA: MIT Press.
  • Giedion, S. (2009). Space, time and architecture: The growth of a new tradition. Cambridge, MA: Harvard University Press.
  • Jahoda, G. (2005). Theodor Lipps and the shift from “sympathy” to “empathy”. Journal of the History of the Behavioral Sciences, 41 (2), 151-163.
  • Khan, H. U. (1990). The architecture of the mosque, an overview and design directions. In Expressions of Islam in buildings,109-127.
  • Koç, A. (2008). Islamic art and geometry: Understanding abstract forms in Islamic civilization. Ankara: Orient Publishing.
  • Maskarinec, M. (2017). The end of art and the future of criticism in Wilhelm Worringer’s art history. New German Critique, 44 (1), 143-167.
  • Montag, C., Gallinat, J. & Heinz, A. (2008). Theodor Lipps and the concept of empathy: 1851–1914. American Journal of Psychiatry, 165(10), 1261-1261.
  • Necipoğlu, G. (1996). The Topkapi scroll: Geometry and ornament in Islamic architecture. Los Angeles: Getty Publications.
  • OpenAI. (2024). ChatGPT (GPT-4) [Büyük dil modeli]. https://chat.openai.com/chat
  • Öhlschläger, M. (2020). Worringer, Wilhelm: Abstraktion und Einfühlung. https://doi.org/10.1007/978-3-476-05728-0_21420-1
  • Riegel, M. (2000). Intuition and the history of art: A study of styles and symbols. Journal of Aesthetic Education, 34 (2), 45-58. https://doi.org/10.2307/3333663
  • Said, E. (1978). Orientalism. New York, NY: Pantheon Books.
  • Tchikine, A. A. (2019). Reading Russian philosophy and Max Scheler together: The problem of the other I. Russian Journal of Philosophical Sciences, 62 (2), 127-141.
  • Worringer, W. (2017). Abstraction and empathy (İ. Tunalı, Trans.). Istanbul: Hayalperest Publishing.
Toplam 20 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Mimari Tarih, Teori ve Eleştiri
Bölüm Araştırma Makalesi
Yazarlar

Şeyma Duman 0000-0003-4175-0273

Gönderilme Tarihi 17 Ekim 2024
Kabul Tarihi 10 Ocak 2025
Yayımlanma Tarihi 31 Ocak 2025
IZ https://izlik.org/JA53UY37MP
Yayımlandığı Sayı Yıl 2025 Cilt: 2 Sayı: 1

Kaynak Göster

APA Duman, Ş. (2025). Abstraction and Empathy (Einfühlung) in Architecture: Rethinking Mosque Design in the Sancaklar Mosque. Livenarch+ Journal, 2(1), 24-46. https://izlik.org/JA53UY37MP