FEMALE AGENCY AND CRITICISM OF MARITAL PRACTICES IN LADY MARY WROTH’S THE COUNTESS OF MONTGOMERY’S URANIA
Öz
Lady Mary Wroth is an innovative and unconventional figure both in terms of her personal background and her
literary production within the sixteenth century social and political context. She is the author of the first sonnet
sequence written by a woman, the producer of the first prose romance by a female pen, and one of the first female
playwrights. Regarding her literary output, Wroth stands out as an author who prioritises the topics in relation to
women. Her sonnet sequence serves as an instrument for expressing female voice; her romance includes myriad of
female characters who question and rebel against the maxim of chaste-silent-obedient; her only play deals with
relationships among several couples emphasising female achievement. Wroth’s determination to focus on women’s
problems underscores the dissidence a woman could achieve under an apparently irresistible social and political
formation. In The Countess of Montgomery’s Urania, she concentrates on the experiences of women who resist
oppressive marital practices. In this sense, this paper aims to examine the social context as to the institution of
marriage, the criticism Wroth poses against it, and female assertiveness in the case of unwanted matrimonies.
Anahtar Kelimeler
Kaynakça
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Ayrıntılar
Birincil Dil
İngilizce
Konular
Sanat ve Edebiyat
Bölüm
Araştırma Makalesi
Yazarlar
Yayımlanma Tarihi
31 Mart 2019
Gönderilme Tarihi
27 Ocak 2019
Kabul Tarihi
4 Mart 2019
Yayımlandığı Sayı
Yıl 2019 Cilt: 2 Sayı: 1
Cited By
A ROMANCE WORLD OF THEIR OWN GENERIC AND PATRIARCHAL BOUNDARIES UNSETTLED IN “EVELINA” AND “THE FEMALE QUIXOTE”
Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi
https://doi.org/10.33171/dtcfjournal.2021.61.1.6Female Roles Revisited in Lady Mary Wroth’s Pamphilia to Amphilanthus
İnönü University International Journal of Social Sciences (INIJOSS)
https://doi.org/10.54282/inijoss.1119689