Understanding Opera’s Predecessor Madrigal Comedy and an Analysis of Adriano Banchieri’s Il Zabaione Musicale

Öz

Madrigal comedy stands at the zenith of compositional procedures in the Renaissance. It indicated a new approach to the interdisciplinary consolidation of theatre and music which would soon give birth to opera. During its relatively short lifespan within the immensely long history of music, madrigal comedy gradually became a prominent type of entertainment music in Italy. Important figures of the late Renaissance such as Banchieri, Croce, and Vecchi composed madrigal comedies and proposed their own solutions to the problems of merging music with drama. Apart from his madrigal comedies, Banchieri was one of the first composers to write definite rules for figured bass and the one of the earliest to utilize dynamic markings on a musical score. This essay initially evaluates the history of madrigal comedy and the career of Banchieri. Then it continues with a theoretical analysis of his Il Zabaione Musicale. Lastly, it discusses the findings regarding both the genre and the piece.

Anahtar Kelimeler

• Madrigal Comedy
• Adriano Banchieri
• Late Renaissance
• Il Zabaione Musicale

Kaynakça

1. Anderson, K. (1995). [Liner notes]. In 8.553785 [CD]. Germany: Naxos.
2. Arnold, D. (1986). Giovanni Gabrieli and the music of the Venetian High Renaissance. Oxford: Oxford University Press.
3. Banchieri, A. (1997). Il zabaione musicale, inventione boscareccia, et primo libro di madrigali: a cinque voci. Stuttgart: Cornetto-Verl.
4. Banchieri, A. (1614). Adriano Banchieri [woodcut]. In Cartella musicale. Venice: Giacomo Vincenti.
5. Banchieri, A. (1609). Conclusioni nel suono dell’organo. Bologna: Giovanni Rossi.
6. Banchieri, A. (1604). Il Zabaione Musicale. Milan: l’herede di Simon Tini & Filippo Lomazzo.
7. Banchieri, A. (1596). Canzoni alla francese. Venice: Ricciardo Amadino.
8. Britannica, T. Editors of Encyclopaedia (2002, May 10). Madrigal comedy. In Encyclopaedia Britannica. Retrieved September 16, 2021, from https://www.britannica.com/art/madrigalcomedy.

9. Bowman, C. B. (1971). The Ecclesiastiche Sinfonie (Opus 16) of Adriano Banchieri (Unpublished doctoral dissertation). New York University, New York.
10. Capaccioli, E. (1954). Precisazioni biografiche su Adriano Banchieri (p. 341). Milano:s.n..
11. Damschroder, D., & Williams, D. R. (1990). Adriano Banchieri. In Music theory from Zarlino to Schenker: A bibliography and guide (pp. 22-24). Stuyvesant (NY): Pendragon Press.
12. Fantuzzi, G. (1781). Banchieri Adriano. In Notizie degli scrittori bolognesi (Vol. 1, p. 338). Bologna: Stamperia di S. Tommaso d’Aquino.
13. Farahat, M. (1991). On the staging of madrigal comedies. In I. Fenlon (Ed.), Early music history: Studies in medieval and early modern music (Vol. 10, pp. 123-144). Cambridge: Cambridge University Press.
14. Einstein, A., Krappe, A. H., Sessions, R., & Strunk, W. O. (1949). The Italian madrigal (Vol. 2). Princeton, N. J.: Princeton University Press.
15. Einstein, A. (n.d.) Madrigals of the sixteenth and seventeenth centuries [Microfilm]. Northampton, MA: s.n..
16. Freedman, R. (2013). Madrigal Parodies. In Music in the Renaissance (pp. 185-188, 236-237). New York: W. W. Norton.
17. Garrett, L. R. (1972). Adriano Banchieri’s Conclusioni nel suono dell’ organo of 1609 a translation and commentary (Unpublished doctoral dissertation). University of Oregon, Oregon.
18. Hollingworth, R. (2020). Orazio Vecchi - L’Amfiparnaso. Retrieved August 07, 2021, from https://www.ifagiolini.com/l-amfiparnaso-live.html
19. Kelly, D. T. (1962). The Instrumental Ensemble Fantasias of Adriano Banchieri (Unpublished doctoral dissertation). The Florida State University, Florida.
20. Kennedy, M., & Bourne, J. (2007). The concise Oxford Dictionary of music. Oxford: Oxford University Press.
21. Kennedy, M. (2021). Adriano Banchieri. Retrieved August 13, 2021, from https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095444462
22. MacClintock, C. (1982). On Organ Playing. In Readings in the history of music in performance (p. 127). Bloomington: Indiana University Press.
23. Marcase, D. E. (1967). L’Organo suarino: Translation, Transcription and Commentary (Unpublished doctoral dissertation). University of Michigan, Michigan.
24. May, W. S., & Wiering, F. (2001). Banchieri, Adriano. Retrieved August 07, 2021, from http://www.oxfordmusiconline.com/subscriber/article/grove/music/01932
25. Mischiati, O. (1963). Banchieri, Adriano. In Dizionario biografico degli italiani (Vol. 5). Roma: Istituto della Enciclopedia Italiana.
26. Morley, T. (1597) A Plaine and Easie Introduction on to Practicall Musicke. London: Peter Short.
27. Nutter, D. (2001). Madrigal comedy. Retrieved August 07, 2021, from http://www.oxfordmusiconline.com/subscriber/article/grove/music/17409
28. Peacham, H. (1968). The compleat gentleman. Amsterdam: Theatrum Orbis Terrarum.
29. Peri, J. (1934). Le musiche sopra l’Euridice. Roma: Reale accademia d’Italia.
30. Schmidl, C. (1938). Banchieri don Adriano. In Dizionario universale dei musicisti (p. 34). Milano: Sonzogno.
31. Strunk, W. O. (1950). Source readings in music history: From classical antiquity through the romantic era. New York: W.W. Norton.
32. Vecchi, O. (1977). L’Amfiparnasso. In C. Adkins (transcr. and trans.), Early Musical Masterworks (p. 15). Chapel Hill: University of North Carolina Press.
33. Vecchi, O. (1597). An actor delivering the prologue of L'Amfiparnaso [woodcut]. In L’Amfiparnasso. Venice: Appresso Angelo Gardano.