Araştırma Makalesi
BibTex RIS Kaynak Göster
Yıl 2021, Cilt: 5 Sayı: 2, 107 - 132, 31.12.2021
https://doi.org/10.33906/musicologist.882808

Öz

Kaynakça

  • Akçura, Gökhan. (2014, 23 December). “İlk Diskolar”. Bodruma Geldik. (“First Discos”. We came to Bodrum.) Retrieved from: http://www.bodrumageldik.com/mobil/hdetay.php?newsid=21210
  • Akkaya, Ayhan; Çelik, Fehmiye. (2006). “Cahit Berkay ile söyleşi.” 60’lardan 70’lere 45’lik Şarkılar. (“Interview with Cahit Berkay.” 45 Singles from 60’s to 70’s.) Ed. Ayhan Akkaya and Fehmiye Çelik: pp. 167-168. İstanbul: BGST Yayınları.
  • Aksoy, Bülent. (1985). “Tanzimat’tan Cumhuriyet’e Musiki ve Batılılaşma (“Music and westernization from the Tanzimat to the Republic”). Tanzimat’tan Cumhuriyet’e Türkiye Ansiklopedisi. Istanbul: İletişim.
  • Alexandrov, Vladimir. (2013). The Black Russian. New York: Atlantic Monthly Press.
  • Canbazoğlu, Cumhur. (2009). Kentin Türküsü: Anadolu Pop-Rock. (The Folk Song of the City) İstanbul: Pan Yayıncılık.
  • Eken, Fikret Merve. (2017). “19. Yüzyıldan Günümüze İstanbul Eğlence Hayatında Fasıl”. (Fasıl in the Entertainment Life from 19th Century to Recent Times). MA thesis. İstanbul Technical University, İstanbul: Turkey
  • Erkal, Güven Erkin. (2013). Türkiye Rock Tarihi 1: Saykodelik Yıllar. (The History of Rock in Turkey 1: Psychedelic Years) İstanbul: Esen Kitap.
  • Holton, Robert. (2000). “Globalization's Cultural Consequences.” Annals of the American Academy of Political and Social Science, Dimensions of Globalization. 570: 140-152.
  • Huntington, Samuel. P. (1993). “The Clash of Civilizations?” Foreign Affairs. 72(3): 22-49.
  • Kadıoğlu, Ayşe. (1996). “The Paradox of Turkish Nationalism and the Construction of Official Identity” Middle Eastern Studies. 32(2): 177-93.
  • Khondker, Habibul Haque. H. (2004). “Glocalization as Globalization: Evolution of a Sociological Concept.” Bangladesh e-Journal of Sociology. 1(2): 1-9.
  • Kozanoğlu, Cevdet. (1988). Radyo Hatıralarım. (My Radio Memories) Ankara: TRT Müzik Dairesi Yayınları.
  • Lund, Cornelia, and Holger Lund. (2015). “Style and Society – Istanbul's Music Scene in the 1960s and 1970s: Musical Hybridism, The Gazino, and Social Tolerance.” Speaking in Tongues: Pop lokal global, Ed. Dietrich Helms and Thomas Phleps. Retrieved August 21, 2019, from Retrieved August 21, 2013, from http://geb.uni giessen.de/geb/volltexte/2017/12962/
  • Mimaroğlu, İlhan. (1958). Caz Sanatı. (The Jazz Art.) İstanbul: Yenilik Yayınları.
  • Nederveen Pieterse, Jan. (1993). “Globalization as hybridization”. Sociology of Globalization: Cultures, Economies, and Politics, Ed. Keri E. Iyall Smith: pp. 39-60. Boulder: Westview Press.
  • Nederveen Pieterse, Jan. (2004). Globalization and Culture. Maryland: Rowman and Littlefield.
  • Nettl, Bruno. (1978). Eight Urban Musical Cultures: Tradition and Change. Illinois: University of Illinois Press.
  • Reynolds, Simon. (2011). Retromania: Pop Culture’s Addiction to Its Own Past. New York: Faber and Faber, Inc.
  • Richter, Felix. (2014). “The Surprising Comeback of Vinyl Records”. Statista. https://www.statista.com/chart/1465/vinyl-lp-sales-in-the-us/.
  • Robertson, Roland. (1995). “Glocalization: Time-Space and Homogeneity-Heterogeneity”. Global Modernities, Ed. Mike Featherstone, Scott Lash, and Roland Robertson: pp.25-44, Sage Publications, London.
  • Robertson, Roland. (1997). “Comments on the ‘Global Triad’ and ‘Glocalization’”. Globalization and Indigenous Culture, Ed. Inoue Nobutaka: pp. 2017-25 . Tokyo: Institute for Japanese Culture and Classics, Kokugakuin University.
  • Sarıçam, Özge Mine. (2014, July 19). “Utanmayın, piste gelin!” (Don’t be shy, come to the dance floor!) Habertürk. Retrieved from https://www.haberturk.com/kultur-sanat/haber/904259-utanmayin-piste-gelin.
  • Skoog, Gabriel. (2012). “On Strange Shepherds, Golden Microphones, and Electric Guitars: Genre, Scene, and the Rise of Anadolu Pop in the Republic of Turkey.” PhD diss. University of Washington.
  • Spicer, Daniel. (2017). The Turkish Psychedelic Music Explosion: Anadolu Psych 1965-1980. London: Repeater Books.
  • Stokes, Martin. (1989). “Music, Fate and State: Turkey's Arabesk Debate”. Middle East Report. 160: 27-30.
  • Stokes, Martin. (1999). “Turkish Urban Popular Music.” Middle East Studies Association of North America. 33(1): 10-15.
  • Taylor, Timothy D. (2003). “A Riddle Wrapped in a Mystery: Transnational Music Sampling and Enigma's 'Return to Innocence'”. Music and Technoculture, Ed. Rene T. A. Lysloff and Jr. Leslie C. Gay: pp. 64-92. Connecticut: Wesleyan University Press.
  • Tekelioğlu, Orhan. (1996). “The Rise of a Spontaneous Synthesis: The Historical Background of Turkish Popular Music.” Middle Eastern Studies. 32(2): 194-215.
  • Uyar, Yaprak Melike; Karahasanoğlu, Songül. (2016). “The Early Performance of Jazz Music in Turkey” Porte Akademik: Journal of Music & Dance Studies. 13: 129-139.
  • Woodall, Carol. (2008). Sensing the City: Sound, Movement, and the Night in 1920s Istanbul (Doctoral dissertation), New York University. Retrieved from: http://www.proquest.com/products-services/dissertations/
  • Barış K. (2007). Eurasia, Disco Hamam, Turkey. [EP].
  • Bosporus Bridges: A Wide Selection of Turkish Jazz and Funk 1968-1978. (2005). [LP]. Germany: Twimo Records.
  • Bosporus Bridges Volume 3. (2019). [LP] Germany: Black Pearl Records.
  • Derdiyoklar. (1984). Disco-Folk. [LP]. Germany: Türküola.
  • Erkin Koray Dörtlüsü (1968), Çiçek Dağı/Meçhul. [45 RPM]. Turkey: Hürriyet Gazetesi Altın Mikrofon Serisi.
  • Erol Pekcan, Tuna Ötenel, Kudret Öztoprak. (1978). Jazz Semai. [LP]. Turkey: EMI.
  • Gencer, İlham. (1961). Bak Bir Varmış bir Yokmuş/ Deniz Ne Kadar Güzel. [45 RPM]. Turkey: Odeon, Turkey.
  • German, Tülay. (1964). Burçak Tarlası/Mecnunum Leylamı Gördüm. [45 RPM]. Turkey: Ezgi Plakları.
  • Hurşid Yenigün Orkestra Saz ve Vokal Grubu. (1982). Disco-Gırgır: Göbekli Dümbelekli. [Tape Cassette]. Turkey: Yenigün.
  • İstanbul Çalgıcıları & İstanbul Şarkıcıları. (1979). Disco Fasıl 1. [LP]. Turkey: Bip!Plak.
  • İstanbul Çalgıcıları & İstanbul Şarkıcıları. (1980). Ayva Çiçek Açmış. [LP]. Turkey: Bip! Plak.
  • Kızılok, Fikret. (1969). Uzun İnce Bir Yoldayım/Benim Aşkım Beni Geçti. [45 RPM]. Turkey: Sayan Plak.
  • Kızılok, Fikret. (1979). Sözle Sazım/Güzel Ne Güzel Olmuşsun. [45 RPM]. Turkey: Sayan Plak.
  • Koray, Erkin. (1974). Elektronik Türküler. [LP]. Turkey: Doğan Plak.
  • Moğollar. (1970). Dağ ve Çocuk/İmece. [45 RPM]. Turkey: Disko Alameti Farika.
  • Mos Def. (2009). The Ecstatic. [CD]. LA: Downtown.
  • Mustafa Özkent ve Orkestrası. (2006). Gençlik ile Elele. [LP]. UK: Finders Keepers Records. (Evren Plakları, Turkey, 1973).
  • Ocaklı, Erkan. (1992), Disco Nataşa. [Tape Cassette]. Turkey: Özfon.
  • Öngür, Taner & 43,75. (2018). Sayko Ana. [Digital Album]. Istanbul: Tantana Records. Retrieved from: https://tanerongur.bandcamp.com/album/sayko-ana
  • Selda Bağcan and Moğollar. (2015). Türkülerimiz. [CD]. Turkey: Majör Müzik. (Original LP 1971).
  • Selda Bağcan. (1971). Katip Arzuhalim Yaz Yare Böyle/ Mapushanede Mermerden Direk. [45 RPM]. Turkey: Sel Plak.
  • Turkish Disco Folk. (2012) [LP]. Turkey: Arşivplak.

Turkish Disco: The Intersection of Anatolian Pop, Groove and Psychedelia

Yıl 2021, Cilt: 5 Sayı: 2, 107 - 132, 31.12.2021
https://doi.org/10.33906/musicologist.882808

Öz

This article aims to examine the genre of Turkish disco, with its local and global connotations. Using the theory of glocalization, the genre will be discussed as a means to understand current dynamics in the music industry. This research is a product of a discography survey and fieldwork consisting of extended interviews with DJs and musicians who were a part of the scene.

What is labeled as disco music in Turkey, and what is referred to as 'Turkish disco' in the global music industry are, in fact, two different music cultures. The term's local usage refers to specific Turkish recordings from the late 1970s, in which various forms of Turkish art and folk music were reinterpreted, usually with Moog synthesizers. On the other hand, more recent connotations of Turkish disco owe much to DJs, and the digging, editing, and remixing culture of the 2010s. Coming hand in hand with the term Turkish psychedelic, many of these recent edits and remixes by DJs and producers were selected from the LPs and singles of the 1970s, which drew inspiration from pop, soul, folk, jazz, psychedelic rock, funk, and Anatolian pop. Thus, Turkish disco in the past decade has become an umbrella term for contemporary edits and remixes of the Turkish popular music of the 1970s. The reinterpretation of the forms such as Oyun Havası and potpori within the subheading of disco will be analyzed to understand the cultural aesthetics of taste and the political background of musical fusion.

Kaynakça

  • Akçura, Gökhan. (2014, 23 December). “İlk Diskolar”. Bodruma Geldik. (“First Discos”. We came to Bodrum.) Retrieved from: http://www.bodrumageldik.com/mobil/hdetay.php?newsid=21210
  • Akkaya, Ayhan; Çelik, Fehmiye. (2006). “Cahit Berkay ile söyleşi.” 60’lardan 70’lere 45’lik Şarkılar. (“Interview with Cahit Berkay.” 45 Singles from 60’s to 70’s.) Ed. Ayhan Akkaya and Fehmiye Çelik: pp. 167-168. İstanbul: BGST Yayınları.
  • Aksoy, Bülent. (1985). “Tanzimat’tan Cumhuriyet’e Musiki ve Batılılaşma (“Music and westernization from the Tanzimat to the Republic”). Tanzimat’tan Cumhuriyet’e Türkiye Ansiklopedisi. Istanbul: İletişim.
  • Alexandrov, Vladimir. (2013). The Black Russian. New York: Atlantic Monthly Press.
  • Canbazoğlu, Cumhur. (2009). Kentin Türküsü: Anadolu Pop-Rock. (The Folk Song of the City) İstanbul: Pan Yayıncılık.
  • Eken, Fikret Merve. (2017). “19. Yüzyıldan Günümüze İstanbul Eğlence Hayatında Fasıl”. (Fasıl in the Entertainment Life from 19th Century to Recent Times). MA thesis. İstanbul Technical University, İstanbul: Turkey
  • Erkal, Güven Erkin. (2013). Türkiye Rock Tarihi 1: Saykodelik Yıllar. (The History of Rock in Turkey 1: Psychedelic Years) İstanbul: Esen Kitap.
  • Holton, Robert. (2000). “Globalization's Cultural Consequences.” Annals of the American Academy of Political and Social Science, Dimensions of Globalization. 570: 140-152.
  • Huntington, Samuel. P. (1993). “The Clash of Civilizations?” Foreign Affairs. 72(3): 22-49.
  • Kadıoğlu, Ayşe. (1996). “The Paradox of Turkish Nationalism and the Construction of Official Identity” Middle Eastern Studies. 32(2): 177-93.
  • Khondker, Habibul Haque. H. (2004). “Glocalization as Globalization: Evolution of a Sociological Concept.” Bangladesh e-Journal of Sociology. 1(2): 1-9.
  • Kozanoğlu, Cevdet. (1988). Radyo Hatıralarım. (My Radio Memories) Ankara: TRT Müzik Dairesi Yayınları.
  • Lund, Cornelia, and Holger Lund. (2015). “Style and Society – Istanbul's Music Scene in the 1960s and 1970s: Musical Hybridism, The Gazino, and Social Tolerance.” Speaking in Tongues: Pop lokal global, Ed. Dietrich Helms and Thomas Phleps. Retrieved August 21, 2019, from Retrieved August 21, 2013, from http://geb.uni giessen.de/geb/volltexte/2017/12962/
  • Mimaroğlu, İlhan. (1958). Caz Sanatı. (The Jazz Art.) İstanbul: Yenilik Yayınları.
  • Nederveen Pieterse, Jan. (1993). “Globalization as hybridization”. Sociology of Globalization: Cultures, Economies, and Politics, Ed. Keri E. Iyall Smith: pp. 39-60. Boulder: Westview Press.
  • Nederveen Pieterse, Jan. (2004). Globalization and Culture. Maryland: Rowman and Littlefield.
  • Nettl, Bruno. (1978). Eight Urban Musical Cultures: Tradition and Change. Illinois: University of Illinois Press.
  • Reynolds, Simon. (2011). Retromania: Pop Culture’s Addiction to Its Own Past. New York: Faber and Faber, Inc.
  • Richter, Felix. (2014). “The Surprising Comeback of Vinyl Records”. Statista. https://www.statista.com/chart/1465/vinyl-lp-sales-in-the-us/.
  • Robertson, Roland. (1995). “Glocalization: Time-Space and Homogeneity-Heterogeneity”. Global Modernities, Ed. Mike Featherstone, Scott Lash, and Roland Robertson: pp.25-44, Sage Publications, London.
  • Robertson, Roland. (1997). “Comments on the ‘Global Triad’ and ‘Glocalization’”. Globalization and Indigenous Culture, Ed. Inoue Nobutaka: pp. 2017-25 . Tokyo: Institute for Japanese Culture and Classics, Kokugakuin University.
  • Sarıçam, Özge Mine. (2014, July 19). “Utanmayın, piste gelin!” (Don’t be shy, come to the dance floor!) Habertürk. Retrieved from https://www.haberturk.com/kultur-sanat/haber/904259-utanmayin-piste-gelin.
  • Skoog, Gabriel. (2012). “On Strange Shepherds, Golden Microphones, and Electric Guitars: Genre, Scene, and the Rise of Anadolu Pop in the Republic of Turkey.” PhD diss. University of Washington.
  • Spicer, Daniel. (2017). The Turkish Psychedelic Music Explosion: Anadolu Psych 1965-1980. London: Repeater Books.
  • Stokes, Martin. (1989). “Music, Fate and State: Turkey's Arabesk Debate”. Middle East Report. 160: 27-30.
  • Stokes, Martin. (1999). “Turkish Urban Popular Music.” Middle East Studies Association of North America. 33(1): 10-15.
  • Taylor, Timothy D. (2003). “A Riddle Wrapped in a Mystery: Transnational Music Sampling and Enigma's 'Return to Innocence'”. Music and Technoculture, Ed. Rene T. A. Lysloff and Jr. Leslie C. Gay: pp. 64-92. Connecticut: Wesleyan University Press.
  • Tekelioğlu, Orhan. (1996). “The Rise of a Spontaneous Synthesis: The Historical Background of Turkish Popular Music.” Middle Eastern Studies. 32(2): 194-215.
  • Uyar, Yaprak Melike; Karahasanoğlu, Songül. (2016). “The Early Performance of Jazz Music in Turkey” Porte Akademik: Journal of Music & Dance Studies. 13: 129-139.
  • Woodall, Carol. (2008). Sensing the City: Sound, Movement, and the Night in 1920s Istanbul (Doctoral dissertation), New York University. Retrieved from: http://www.proquest.com/products-services/dissertations/
  • Barış K. (2007). Eurasia, Disco Hamam, Turkey. [EP].
  • Bosporus Bridges: A Wide Selection of Turkish Jazz and Funk 1968-1978. (2005). [LP]. Germany: Twimo Records.
  • Bosporus Bridges Volume 3. (2019). [LP] Germany: Black Pearl Records.
  • Derdiyoklar. (1984). Disco-Folk. [LP]. Germany: Türküola.
  • Erkin Koray Dörtlüsü (1968), Çiçek Dağı/Meçhul. [45 RPM]. Turkey: Hürriyet Gazetesi Altın Mikrofon Serisi.
  • Erol Pekcan, Tuna Ötenel, Kudret Öztoprak. (1978). Jazz Semai. [LP]. Turkey: EMI.
  • Gencer, İlham. (1961). Bak Bir Varmış bir Yokmuş/ Deniz Ne Kadar Güzel. [45 RPM]. Turkey: Odeon, Turkey.
  • German, Tülay. (1964). Burçak Tarlası/Mecnunum Leylamı Gördüm. [45 RPM]. Turkey: Ezgi Plakları.
  • Hurşid Yenigün Orkestra Saz ve Vokal Grubu. (1982). Disco-Gırgır: Göbekli Dümbelekli. [Tape Cassette]. Turkey: Yenigün.
  • İstanbul Çalgıcıları & İstanbul Şarkıcıları. (1979). Disco Fasıl 1. [LP]. Turkey: Bip!Plak.
  • İstanbul Çalgıcıları & İstanbul Şarkıcıları. (1980). Ayva Çiçek Açmış. [LP]. Turkey: Bip! Plak.
  • Kızılok, Fikret. (1969). Uzun İnce Bir Yoldayım/Benim Aşkım Beni Geçti. [45 RPM]. Turkey: Sayan Plak.
  • Kızılok, Fikret. (1979). Sözle Sazım/Güzel Ne Güzel Olmuşsun. [45 RPM]. Turkey: Sayan Plak.
  • Koray, Erkin. (1974). Elektronik Türküler. [LP]. Turkey: Doğan Plak.
  • Moğollar. (1970). Dağ ve Çocuk/İmece. [45 RPM]. Turkey: Disko Alameti Farika.
  • Mos Def. (2009). The Ecstatic. [CD]. LA: Downtown.
  • Mustafa Özkent ve Orkestrası. (2006). Gençlik ile Elele. [LP]. UK: Finders Keepers Records. (Evren Plakları, Turkey, 1973).
  • Ocaklı, Erkan. (1992), Disco Nataşa. [Tape Cassette]. Turkey: Özfon.
  • Öngür, Taner & 43,75. (2018). Sayko Ana. [Digital Album]. Istanbul: Tantana Records. Retrieved from: https://tanerongur.bandcamp.com/album/sayko-ana
  • Selda Bağcan and Moğollar. (2015). Türkülerimiz. [CD]. Turkey: Majör Müzik. (Original LP 1971).
  • Selda Bağcan. (1971). Katip Arzuhalim Yaz Yare Böyle/ Mapushanede Mermerden Direk. [45 RPM]. Turkey: Sel Plak.
  • Turkish Disco Folk. (2012) [LP]. Turkey: Arşivplak.
Toplam 52 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik
Bölüm Makaleler
Yazarlar

Yaprak Melike Uyar 0000-0002-3830-3731

Yayımlanma Tarihi 31 Aralık 2021
Yayımlandığı Sayı Yıl 2021 Cilt: 5 Sayı: 2

Kaynak Göster

APA Uyar, Y. M. (2021). Turkish Disco: The Intersection of Anatolian Pop, Groove and Psychedelia. Musicologist, 5(2), 107-132. https://doi.org/10.33906/musicologist.882808