Windows and Womanly Secrecies in Flaubert’s Madam Bovary, Faulkner’s As I Lay Dying, and Joyce’s “Eveline”

Yıl 2013, Cilt: 1 Sayı: 1, 1 - 16, 11.07.2016

Merve Günday

Öz

The subversive image of “windows” signifies an opaque boundary between the inside and the outside as well as a distorted yet impressive view of the things. Flaubert, Faulkner, and Joyce have unveiled multifarious implication of window imagery in their works, exploring the fact that windows may not provide the reader with easy connection between the two disconnected worlds. They create due to their real opaqueness and unbreakable quality underlying their surface values. Based on this, focusing on the window imagery in Flaubert’s Madam Bovary, Faulkner’s As I Lay Dying, and Joyce’s “Eveline”, the study argues that despite their seemingly insignificant state resulting from their misleading appearances, windows in these three works cannot be overlooked as they take on a significant role by giving important insights into the Otherness, masked realities, and the paradoxical crisis surrounding the protagonists of the each work, Emma, Addie, and Eveline, all of whom voice a single woman in close touch with the windows subjecting them to silence, serving them as masks, and shattering their view of life as inside and outside.

Anahtar Kelimeler

Windows, Women, Opaqueness, Otherness, Masked Realities, Fragmentation

Kaynakça

• Arp, R. Thomas and Johnson, Greg. Perrine’s Literature: Structure, Sound, and Sense. United States of America: Thamson Wadsworth. 2006. Print.
• Bersani, Leo. “Flaubert and Emma Bovary: The Hazards of Literary Fusion”. Novel: A Forum on Fiction 8.1 (1974): 16-28. Duke University Press. Web. 4 November 2012.
• Brooks, Cleanth. “Odyssey of the Bundrens: As I Lay Dying”. William Faulkner: The Yoknapatawpha Country. By Brooks. United States of America: Louisiana State University Press, 1963. 141-166. Print.
• Brooks, Marilyn and Watson, Nicola. “Madame Bovary: a novel about Nothing.” The Nineteenth Century Novel: Identities. Ed. Walder, Dennis. United Kingdom: Routledge, 2001. 9-28. Print.
• Brooks, Marilyn and Watson, Nicola. “Madame Bovary: Becoming a Heroine.” The Nineteenth Century Novel: Identities. Ed. Walder, Dennis. United Kingdom: Routledge, 2001. 29- 47. Print.
• Clarke, Deborah. Robbing the Mother: Women in Faulkner. University Press of Mississippi, 1994. Print.
• Faulkner, William. As I Lay Dying. The United States of America: Vintage Books. 1990. Print.
• Flaubert, Gustave. Madame Bovary. Hertfordshire: Wordsworth Editions Limited Cumberland House. 1994. Print.
• Goodwin, Sarah Webster. “Emma Bovary's Dance of Death.” Novel: A Forum on Fiction, 19.3 (1986): 197-215. Web. 15 November 2012.
• Henke, Suzette, A. “Through a Cracked Looking-Glass: Desire and Frustration in Dubliners.” James Joyce and the Politics of Desire. By Henke, Suzette, A.Great Britain: Routledge, 1990. 12-49. Print.
• Joyce, James. “Eveline.” Perrine’s Literature: Structure, Sound, and Sense. Ed. Arp, R. Thomas and Johnson, Greg. United States of America: Thamson Wadsworth, 2006. 442-446. Print.
• Pierce, Constance. “Being, Knowing, and Saying in the "Addie" Section of Faulkner's As I Lay Dying.” Twentieth Century Literature 26. 3 (1980): 294-305. Web. 5 November 2012.
• Rueckert, William Howe. “Destructive and Destroyed Being.” Faulkner From Within: Destructive And Generative Being in the Novels of William Faulkner. By Rueckert. United States of America: Parlor Press LLC, 2004. 49-72. Print.
• Sabiston, Elizabeth. “The Prison of Womanhood.” Comparative Literature 25. 4 (1973): 336-351. Web. 10 November 2012.
• Schwarze, Tracey Teets. “Female Complaints: ‘Mad’ Women, Malady, and Resistance in Joyce’s Dublin.” Cultural Studies of James Joyce. Ed. Kershner, R. Brandon. Rodopi, 2003. 91-116. Print.
• Singal, Daniel J. “Into the Void.” William Faulkner: The Making of a Modernist. By Singal. United States of America: University of North Carolina Press, 1997. Print.
• Slaughter, Carolyn Norman. “As I Lay Dying: Demise of Vision.” American Literature, 61.1 (1989): 16-30. Web. 12 November, 2012.
• Speziale-Bagliacca, Roberto. The King & the Adulteress: A Psychoanalytic and Literary Reinterpretation of Madame Bovary and King Lear. Duke University Press, 1998. Print.
• Spinks, Lee. James Joyce: A Critical Guide. Edinburgh: Edinburgh University Press, 2009. Print.
• Stallman, Robert Wooster. “Flaubert's "Madame Bovary.” National Council of Teachers of English Stable, College English, 10.4 (1949): 195-203. 22 November, 2012. Print.
• Waelti-Walters, Jennifer R. Feminisms of the Belle Epoque: A Historical and Literary Anthology. United States of America, University of Nebraska Press, 1994. Print.
• Wenz, Florian. James Joyce: Dubliners - Eveline’s State of Paralysis with Special Regard to Her Different Roles She Has to Play As a Woman. GRIN Verlag, 2012. Print.
• Wicke, Jennifer. “Joyce and Consumer Culture.” The Cambridge Companion to James Joyce. Ed. Attridge, Derek. United Kingdom: Cambridge University Press, 2004. 234-253. Print