Araştırma Makalesi
BibTex RIS Kaynak Göster

Memory, Dystopias, and Writers: Attempting to Subvert Dystopia for the Future

Yıl 2022, Sayı: 3, 61 - 74, 31.10.2022

Öz

Looking at three contemporary dystopian novels, Omar El Akkad’s American War, Jeff Noon’s Falling Out of Cars, and Yoko Ogawa’s The Memory Police, this paper will analyze the way in which writing is used as an attempt to disrupt dystopia. While the protagonists fail in their attempts at subversion, the paper will explore how dystopia challenges memory, identity, and relationships. Additionally, the paper will examine how the protagonists’ subversive writings affect those around them, including future trauma. A brief discussion of the connection between writing and memory from a psychological perspective will ensue, including how writing excites important parts of the brain. Part of this exploration will look at memory and how writing ties to the past and how identity is negotiated through the act of writing in the course of literary analysis of the novels. The three novels reiterate that while erasing the past is impossible, it is possible to erase or modify memories to the point that the past no longer matters.

Kaynakça

  • Akkad, Omar Al. American War. New York: Knopf, 2017.
  • Chen, Rui, Yun Toa, Zhi Liu and Tobias Tempel. “From A to Z? Retrieval-Induced Forgetting of non-verbal Information Indicates How Writing Systems Can Shape Memory Organisation.” International Journal of Psychology 55, no. 3 (2020): 347-353.
  • Doina, Michalache Delia. “The Political Role of Memory and Identity in Dystopian Societies.” European Journal of Research and Reflection in Arts and Humanities 2, no. 2 (2014): 7-17.
  • Dontre, Alex. Memory Hole: The Psychology of Dystopia. Alexander Dontre, 2021.
  • Erll, Astrid and Ann Rigney. Mediation, Remediation, and the Dynamics of Cultural Memory. New York: Walter de Gruyter, 2009.
  • Küçükler, Suat Kutay. “Control of Collective Memory in Dystopias.” Accessed July 1, 2022. https://www.academia.edu/39087050/Control_of_Collective_Memory_in_Dystopias.
  • Lee, Bradford J.. “Comparing Factual Recall of Tapped vs Handwritten Text.” Acta Psychologica 212 (2021): 1-7.
  • Lippe, Anya Heise-von der. “Histories of Futures Past: Dystopian Fictionand the Historical Impulse.” ZAA 66, no. 4 (2018): 411-425.
  • Mueller, Pam A and Daniel M. Oppenheimer. “The Pen is Mightier Than the Keyboard Advantages of Longhand Over Laptop Note Taking.” Psychological Science 25, no. 6 (2014): 1159-1168.
  • Noon, Jeff. Falling Out of Cars. London: Black Swan, 2007.
  • Ogawa, Yoko. The Memory Police. New York: Vintage, 2019.
  • Olive, Thierry. “Working Memory in Writing: Emperical Evidence From the Dual-Task Technique.” European Psychologist 9, no. 1 (March 2004): 32-42.
  • Opreanu, Lucia. “Rememberance Versus Reinvention: Memory As Tool of Survival and Act of Defiance in Dystopian Narratives.” University of Bucharest Review 3, no. 2 (2013): 17-25.
  • Orwell, George. 1984. New York: Signet, 1950.
  • Plato. “Phaedrus.” In Plato: Collected Dialogues, translated by Reginald Hackforth, edited by Edith Hamilton and Huntington Cairns. Princeton: Princeton University Press: 1961.
  • Shiota, Julia. “Yoko Ogawa's The Memory Police and the Dangers of Forgetting.” Accessed March 15, 2022. https://sites.lsa.umich.edu/mqr/2021/07/yoko-ogawas-the-memory-police-and-the-dangers-of-forgetting/.
  • University of Tokyo. “Study Shows Stronger Brain Activity After Writing on Paper Than on Tablet or Smartphone.” Accessed July 1, 2022. https://www.sciencedaily.com/releases/2021/03/210319080820.htm.
  • Wanat, Matt. “Dislocation, Dismemberment, Dystopia: From Cyberpunk to the Fiction of Wendell Berry and Ann Pancake.” The Midwest Journal of Modern Language Association 48, no. 1 (Spring 2015): 147-170.

Bellek, Distopyalar ve Yazarlar: Gelecek İçin Distopyayı Altüst Etmeyi Denemek

Yıl 2022, Sayı: 3, 61 - 74, 31.10.2022

Öz

Bu çalışmada Omar El Akkad'ın American War, Jeff Noon'un Falling Out of Cars ve Yoko Ogawa'nın The Memory Police adlı çağdaş distopik romanlarına bakarak yazmanın distopyayı bozma girişimi olarak nasıl kullanıldığı analiz edilecektir. Protagonistler distopyayı yıkma girişimlerinde başarısız olurken distopyanın hafıza, kimlik ve ilişkilere nasıl meydan okuduğu incelenecektir. Ayrıca protagonistlerin yıkıcı yazılarının gelecekteki travmalar dahil olmak üzere çevrelerindekileri nasıl etkilediği de ele alınacaktır. Yazmanın beynin önemli kısımlarını nasıl uyardığı da dahil olmak üzere, psikoloji perspektifinden yazma ve hafıza arasındaki bağlantı üzerine kısa bir tartışma yapılacaktır. Bu incelemenin bir kısmı hafızaya, yazmanın geçmişle nasıl bir bağ kurduğuna ve romanların edebi analizi sırasında yazma eylemi aracılığıyla kimliğin nasıl müzakere edildiğine bakacaktır. Bu üç roman, geçmişi silmek imkânsız olsa da geçmişin artık önemli olmayacağı bir yere kadar anıları silmenin veya değiştirmenin mümkün olduğunu tekrarlamaktadır.

Kaynakça

  • Akkad, Omar Al. American War. New York: Knopf, 2017.
  • Chen, Rui, Yun Toa, Zhi Liu and Tobias Tempel. “From A to Z? Retrieval-Induced Forgetting of non-verbal Information Indicates How Writing Systems Can Shape Memory Organisation.” International Journal of Psychology 55, no. 3 (2020): 347-353.
  • Doina, Michalache Delia. “The Political Role of Memory and Identity in Dystopian Societies.” European Journal of Research and Reflection in Arts and Humanities 2, no. 2 (2014): 7-17.
  • Dontre, Alex. Memory Hole: The Psychology of Dystopia. Alexander Dontre, 2021.
  • Erll, Astrid and Ann Rigney. Mediation, Remediation, and the Dynamics of Cultural Memory. New York: Walter de Gruyter, 2009.
  • Küçükler, Suat Kutay. “Control of Collective Memory in Dystopias.” Accessed July 1, 2022. https://www.academia.edu/39087050/Control_of_Collective_Memory_in_Dystopias.
  • Lee, Bradford J.. “Comparing Factual Recall of Tapped vs Handwritten Text.” Acta Psychologica 212 (2021): 1-7.
  • Lippe, Anya Heise-von der. “Histories of Futures Past: Dystopian Fictionand the Historical Impulse.” ZAA 66, no. 4 (2018): 411-425.
  • Mueller, Pam A and Daniel M. Oppenheimer. “The Pen is Mightier Than the Keyboard Advantages of Longhand Over Laptop Note Taking.” Psychological Science 25, no. 6 (2014): 1159-1168.
  • Noon, Jeff. Falling Out of Cars. London: Black Swan, 2007.
  • Ogawa, Yoko. The Memory Police. New York: Vintage, 2019.
  • Olive, Thierry. “Working Memory in Writing: Emperical Evidence From the Dual-Task Technique.” European Psychologist 9, no. 1 (March 2004): 32-42.
  • Opreanu, Lucia. “Rememberance Versus Reinvention: Memory As Tool of Survival and Act of Defiance in Dystopian Narratives.” University of Bucharest Review 3, no. 2 (2013): 17-25.
  • Orwell, George. 1984. New York: Signet, 1950.
  • Plato. “Phaedrus.” In Plato: Collected Dialogues, translated by Reginald Hackforth, edited by Edith Hamilton and Huntington Cairns. Princeton: Princeton University Press: 1961.
  • Shiota, Julia. “Yoko Ogawa's The Memory Police and the Dangers of Forgetting.” Accessed March 15, 2022. https://sites.lsa.umich.edu/mqr/2021/07/yoko-ogawas-the-memory-police-and-the-dangers-of-forgetting/.
  • University of Tokyo. “Study Shows Stronger Brain Activity After Writing on Paper Than on Tablet or Smartphone.” Accessed July 1, 2022. https://www.sciencedaily.com/releases/2021/03/210319080820.htm.
  • Wanat, Matt. “Dislocation, Dismemberment, Dystopia: From Cyberpunk to the Fiction of Wendell Berry and Ann Pancake.” The Midwest Journal of Modern Language Association 48, no. 1 (Spring 2015): 147-170.
Toplam 18 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Edebi Teori, Karşılaştırmalı ve Ulusötesi Edebiyat, Edebi Çalışmalar (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Jennifer Kelso Farrell Bu kişi benim 0000-0002-9006-9276

Yayımlanma Tarihi 31 Ekim 2022
Yayımlandığı Sayı Yıl 2022 Sayı: 3

Kaynak Göster

Chicago Farrell, Jennifer Kelso. “Memory, Dystopias, and Writers: Attempting to Subvert Dystopia for the Future”. Nesir: Edebiyat Araştırmaları Dergisi, sy. 3 (Ekim 2022): 61-74. https://doi.org/10.5281/zenodo.7221209.

Yazarlar, yayımlanmak üzere Nesir: Edebiyat Araştırmaları Dergisi’ne gönderdikleri eserlerin tüm yayın haklarını saklı tutmakla birlikte, eserlerini Creative Commons Atıf 4.0 Uluslararası Lisansı (CC BY 4.0) kapsamında paylaşmayı kabul ederler. Bu lisans uyarınca, başkaları eseri uygun atıf yapmak koşuluyla paylaşabilir, çoğaltabilir, dağıtabilir ve yeniden kullanabilir. Ancak yazarların adı, çalışmanın başlığı ve derginin adı her kullanımda açıkça belirtilmelidir. Nesir, yazarların telif haklarını ellerinde tutmalarına izin verir; yalnızca eserin ilk yayım hakkına sahiptir.