Araştırma Makalesi
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Foregrounding the Subjective in Leiris, Lévi-Strauss, and Malinowski

Yıl 2023, Sayı: 4, 41 - 57, 04.05.2023
https://doi.org/10.5281/zenodo.7798528

Öz

This essay is concerned with the ways in which aspects of anthropology’s historical struggle with subjectivity and language, as explored by Clifford Geertz in Works and Lives, is mirrored in revealing ways in Michel Leiris’ approach to his singular autobiographical project, The Rules of the Game. While conventional wisdom suggests that anthropology and autobiography have little in common, I aim to make clear how the role of author-subjectivity in Leiris is foregrounded in much the same way Lévi-Strauss does in Tristes Tropiques. The essay’s second part studies how Bronislaw Malinowski’s corpus reveals a similar dynamic. I aim to show how such a foregrounding of subjectivity, rather than obscuring the objects or subjects of study, is a means of getting closer to them.

Kaynakça

  • Beaujour, Michel. “Michel Leiris: Ethnography or Self-Portrayal? Review Essay of Sulfur 15, Featuring New Translations of Michel Leiris’s Work.” Cultural Anthropology 2, no. 4 (1987): 470–480.
  • Clarck-Taoua, Phyllis. “In Search of New Skin: Michel Leiris’s L’Afrique fantôme.” Cahiers d’études africaines 167 (2002): 479–498. http://journals.openedition.org/etudesafricaines/153.
  • Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, MA: Harvard University Press, 1988.
  • Clifford, James and George E. Marcus. Writing Culture: The Poetics and Politics of Ethnography. Berkeley, CA: University of California Press, 1986.
  • Geertz, Clifford. Works and Lives: The Anthropologist as Author. Stanford: Stanford University Press, 1989.
  • Lévi-Strauss, Claude. Tristes Tropiques. Translated by John Weightman and Doreen Weightman. New York: Penguin Classics, 2012.
  • Leiris, Michel. Phantom Africa. Translated by Brent Hayes Edwards. New York: Seagull Books, 2017.
  • Leiris, Michel. The Rules of the Game: Volume 2: Scraps. Translated by Lydia Davis. New Haven, MA: Yale University Press, 2017.
  • Malinowski, Bronislaw. A Diary in the Strict Sense of the Term. Translated by Norbert Guterman. London: The Athlone Press, 1989.
  • Malinowski, Bronislaw. Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea. London: Routledge, 2005.
  • Malinowski, Bronislaw. “Baloma; the Spirits of the Dead in the Trobriand Islands.” Journal of the Royal Anthropological Institute of Great Britain and Ireland 46 (1916): 353–430.
  • Polier, Nicole and William Roseberry. “Tristes Tropes: Post-Modern Anthropologists Encounter the Other and Discover Themselves.” Economy and Society 18, no. 2 (May 1989): 245–264.
  • Purdy, Jann. “Ethnographic Devices in Modern French Autobiography: Michel Leiris and Annie Ernaux.” Pacific Coast Philology 42, no. 1 (2007): 24–36.
  • Razinsky, Liran. “Psychoanalysis and Autobiography: Leiris, Freud and the Obstacle to Self-Knowledge. Journal of Modern Literature 44, no. 1 (Fall 2020): 129–147.
  • Starn, Orin. “Writing Culture At 25: Special Editor’s Introduction.” Cultural Anthropology 27, no. 3 (2012): 411–416.
  • Thompson, Christina A. “Anthropology's Conrad: Malinowski in the Tropics and What He Read.” The Journal of Pacific History 30, no. 1 (1995): 53–75. DOI: 10.1080/00223349508572783.
  • Wayne, Helena. “Bronislaw Malinowski: The Influence of Various Women on His Life and Works.” American Ethnologist 12, no. 3 (August 1985): 529-540.

Leiris, Lévi-Strauss ve Malinowski'de Öznelliğin Ön plana Çekilmesi

Yıl 2023, Sayı: 4, 41 - 57, 04.05.2023
https://doi.org/10.5281/zenodo.7798528

Öz

Bu makale, Clifford Geertz'in Eserler ve Hayatlar (Works and Lifes) adlı kitabında ele aldığı antropolojinin öznellik ve dille olan tarihsel mücadelesinin Michel Leiris'in tek otobiyografik projesi olan Oyunun Kuralları'da (The Rules of the Game) sergilediği yaklaşımda nasıl örneklendiği ile ilgilidir. Genel kanı antropoloji ve otobiyografinin çok az ortak noktası olduğunu öne sürse de, Lévi-Strauss'un Tristes Tropiques'te yaptığı gibi Leiris'te de yazar-öznellik rolünün nasıl ön plana çıkarıldığını açıklığa kavuşturmayı hedefliyorum. Makalenin ikinci bölümü Bronislaw Malinowski'nin külliyatının benzer bir dinamiği nasıl ortaya koyduğunu inceliyor. Öznelliğin bu şekilde ön plana çıkarılmasının, çalışma nesnelerini veya öznelerini gizlemekten ziyade, onlara yaklaşmanın bir yolu olduğunu göstermeyi amaçlıyorum.

Kaynakça

  • Beaujour, Michel. “Michel Leiris: Ethnography or Self-Portrayal? Review Essay of Sulfur 15, Featuring New Translations of Michel Leiris’s Work.” Cultural Anthropology 2, no. 4 (1987): 470–480.
  • Clarck-Taoua, Phyllis. “In Search of New Skin: Michel Leiris’s L’Afrique fantôme.” Cahiers d’études africaines 167 (2002): 479–498. http://journals.openedition.org/etudesafricaines/153.
  • Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, MA: Harvard University Press, 1988.
  • Clifford, James and George E. Marcus. Writing Culture: The Poetics and Politics of Ethnography. Berkeley, CA: University of California Press, 1986.
  • Geertz, Clifford. Works and Lives: The Anthropologist as Author. Stanford: Stanford University Press, 1989.
  • Lévi-Strauss, Claude. Tristes Tropiques. Translated by John Weightman and Doreen Weightman. New York: Penguin Classics, 2012.
  • Leiris, Michel. Phantom Africa. Translated by Brent Hayes Edwards. New York: Seagull Books, 2017.
  • Leiris, Michel. The Rules of the Game: Volume 2: Scraps. Translated by Lydia Davis. New Haven, MA: Yale University Press, 2017.
  • Malinowski, Bronislaw. A Diary in the Strict Sense of the Term. Translated by Norbert Guterman. London: The Athlone Press, 1989.
  • Malinowski, Bronislaw. Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea. London: Routledge, 2005.
  • Malinowski, Bronislaw. “Baloma; the Spirits of the Dead in the Trobriand Islands.” Journal of the Royal Anthropological Institute of Great Britain and Ireland 46 (1916): 353–430.
  • Polier, Nicole and William Roseberry. “Tristes Tropes: Post-Modern Anthropologists Encounter the Other and Discover Themselves.” Economy and Society 18, no. 2 (May 1989): 245–264.
  • Purdy, Jann. “Ethnographic Devices in Modern French Autobiography: Michel Leiris and Annie Ernaux.” Pacific Coast Philology 42, no. 1 (2007): 24–36.
  • Razinsky, Liran. “Psychoanalysis and Autobiography: Leiris, Freud and the Obstacle to Self-Knowledge. Journal of Modern Literature 44, no. 1 (Fall 2020): 129–147.
  • Starn, Orin. “Writing Culture At 25: Special Editor’s Introduction.” Cultural Anthropology 27, no. 3 (2012): 411–416.
  • Thompson, Christina A. “Anthropology's Conrad: Malinowski in the Tropics and What He Read.” The Journal of Pacific History 30, no. 1 (1995): 53–75. DOI: 10.1080/00223349508572783.
  • Wayne, Helena. “Bronislaw Malinowski: The Influence of Various Women on His Life and Works.” American Ethnologist 12, no. 3 (August 1985): 529-540.
Toplam 17 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Edebi Teori, Edebi Çalışmalar (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Elliot Shaw Bu kişi benim 0000-0003-3131-0717

Yayımlanma Tarihi 4 Mayıs 2023
Yayımlandığı Sayı Yıl 2023 Sayı: 4

Kaynak Göster

Chicago Shaw, Elliot. “Foregrounding the Subjective in Leiris, Lévi-Strauss, and Malinowski”. Nesir: Edebiyat Araştırmaları Dergisi, sy. 4 (Mayıs 2023): 41-57. https://doi.org/10.5281/zenodo.7798528.

Yazarlar, yayımlanmak üzere Nesir: Edebiyat Araştırmaları Dergisi’ne gönderdikleri eserlerin tüm yayın haklarını saklı tutmakla birlikte, eserlerini Creative Commons Atıf 4.0 Uluslararası Lisansı (CC BY 4.0) kapsamında paylaşmayı kabul ederler. Bu lisans uyarınca, başkaları eseri uygun atıf yapmak koşuluyla paylaşabilir, çoğaltabilir, dağıtabilir ve yeniden kullanabilir. Ancak yazarların adı, çalışmanın başlığı ve derginin adı her kullanımda açıkça belirtilmelidir. Nesir, yazarların telif haklarını ellerinde tutmalarına izin verir; yalnızca eserin ilk yayım hakkına sahiptir.