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The Reflections of Politics to Turkish Cinema (1950-1986)

Yıl 2017, Cilt: 5 Sayı: 2, 172 - 202, 01.12.2017

Öz

The main purpose of this paper is to show the political developments of Turkey, its reflection to Turkish cinema from 1950 when the multi- party life began in Turkish politics to 1986. The paper is consisted of four main chapters, in the first chapter the meaning of multi-party in Turkey is explained, the political and social atmosphere of DP between 1950 and 1960 is shown. The movies that are significant for this paper are presented and criticized. In the second part, the coup d’état in 1960 and its results in terms of political life and cinema is explained. In the next part, the conjecture of 1970s and two important names who shaped the Turkish cinema during this decade and later are presented and their movies are criticized. In the last part, another political coup in 1980 is shown, its political and social results are followed by the movies. 

Kaynakça

  • Daldal, A., (2005). 1960 Darbesi ve Türk Sinemasında Toplumsal Gerçekçilik, Homer Kitapevi: İstanbul.
  • Dickson, A., (1895). History of the Kineophonograph, Twickenham, Middlesex, New Edition: Arno Press and New York Times, 1970.
  • Elton, A., (1955). ‘‘The Films As Source Material For History’’, Aslib Proceedings, Vol.7 No: 4,London.
  • Esen, K. Ş., (2007). Türk Sinemasının Kilometre Taşları, Agora Kitaplık: İstanbul.
  • Feroz, A., (2007). Demokrasi Sürecince Türkiye, (1945-1960), Hil Yayınları: İstanbul.
  • Özen, S., (2015). “Bir Tarih Mazemesi Olarak Film Manaki Kardeşlerin Hürriyet Çekimleri” Toplumsal Tarih, Vol. 255.
  • Özön, N., (2013). Türk Sineması Tarihi 1896-1960, Doruk Yayınevi: İstanbul.
  • Peter, L. and Schofield P. R., (2004). Making History an Introduction To The History and Practices of a Discipline, London: Routledge.
  • Scognamillo, G., (2010).Türk Sinema Tarihi, vol. II, Metis Yayınları; İstanbul.
  • Scognamillo, G., (2015). Türk Sinema Tarihi, Kabalcı: Istanbul,.
  • Türkali, V., (1985). Bu Gemi Nereye, Cem Yayınevi: İstanbul.
  • Yılmaz, H., (2013). Becoming Turkish: National Reforms and Cultural Negotiaitons in Early Republician Turkey, 1923-1945, Syracuse: New York.
Yıl 2017, Cilt: 5 Sayı: 2, 172 - 202, 01.12.2017

Öz

Kaynakça

  • Daldal, A., (2005). 1960 Darbesi ve Türk Sinemasında Toplumsal Gerçekçilik, Homer Kitapevi: İstanbul.
  • Dickson, A., (1895). History of the Kineophonograph, Twickenham, Middlesex, New Edition: Arno Press and New York Times, 1970.
  • Elton, A., (1955). ‘‘The Films As Source Material For History’’, Aslib Proceedings, Vol.7 No: 4,London.
  • Esen, K. Ş., (2007). Türk Sinemasının Kilometre Taşları, Agora Kitaplık: İstanbul.
  • Feroz, A., (2007). Demokrasi Sürecince Türkiye, (1945-1960), Hil Yayınları: İstanbul.
  • Özen, S., (2015). “Bir Tarih Mazemesi Olarak Film Manaki Kardeşlerin Hürriyet Çekimleri” Toplumsal Tarih, Vol. 255.
  • Özön, N., (2013). Türk Sineması Tarihi 1896-1960, Doruk Yayınevi: İstanbul.
  • Peter, L. and Schofield P. R., (2004). Making History an Introduction To The History and Practices of a Discipline, London: Routledge.
  • Scognamillo, G., (2010).Türk Sinema Tarihi, vol. II, Metis Yayınları; İstanbul.
  • Scognamillo, G., (2015). Türk Sinema Tarihi, Kabalcı: Istanbul,.
  • Türkali, V., (1985). Bu Gemi Nereye, Cem Yayınevi: İstanbul.
  • Yılmaz, H., (2013). Becoming Turkish: National Reforms and Cultural Negotiaitons in Early Republician Turkey, 1923-1945, Syracuse: New York.
Toplam 12 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Burcu Belli Bu kişi benim

Yayımlanma Tarihi 1 Aralık 2017
Yayımlandığı Sayı Yıl 2017 Cilt: 5 Sayı: 2

Kaynak Göster

APA Belli, B. (2017). The Reflections of Politics to Turkish Cinema (1950-1986). Nişantaşı Üniversitesi Sosyal Bilimler Dergisi, 5(2), 172-202.

Nişantaşı Üniversitesi kurumsal yayınıdır.