INVESTIGATING AND STUDYING DECORATIVE ELEMENTS AND ARRAYS IN KABOOD AND GHAFARIEH DOME
Yıl 2018,
Cilt: 13 Sayı: 4, 84 - 97, 15.10.2018
Saeed Sattarnejad
,
Samad Parvin
Shima Azizi
Öz
Construction of tombs in the era of Islamic architecture was began as a manifestation of beliefs and rituals related to the honoring of the dead, along with other religious buildings including mosques, and almost proceed parallel to it. The various structural methods of the tombs have been structurally influenced by various cultural and material factors and passed a way along with the religious beliefs of the society. However, different opinions and votes have been allocated to the issue of tombs laws in Islamic jurisprudence, but the presence of many these buildings in many Islamic countries shows the special position of this structure in the Islamic society. Various types of Islamic decorative arts can be studied about Kabood and Ghafarieh domes which are one of the most beautiful historical domes of Iran. In this research, we tried to study some applied elements such as tiling (Kashi Kari) and brickwork. Also, some of the architectural elements in the domes of Maragheh such as polo that have not been observed in other Iranian buildings are not Iranian.
Kaynakça
- • Arthur, U., (2007). Persian Architecture, Translated by Golam Hossein Sadri Afshar, Tehran: Naqshe Jahan publication.
- • Arthur, A., (2008), Survey of Persian Art, Tehran: Scientific Cultural Publication.
- • Beyg Bapapour, Y., (2009). Tombs, Epitaphs and Documents of Maraghe, Qom: Islamic Reserve Consortium Publication.
- • Dibaj, I., (1968). Ancient Monuments or Antiquities and Historic Buildings of Azerbaijan, Tehran: The Society of National Monuments Publication.
- • Farahmand, B., Hamid, P., and Soleimani, P., (2012). The Typology of the Decorations of the Ghaffarieh dome of Maragheh Based on the Comparative Model, Journal of Islamic Art Studies, issue 16.
- • Godard, A. and Siroux, M., (1992). Iranian Works, Translated by Abolhassan Sarv Ghadam, Vol:3, Tehran: Islamic Research Foundation.
- • Hami, A., (1998). Building Materials Science, Vol:3, Tehran: Tehran University.
- • Hatam, G., (2008). Islamic Architecture of Iran during the Seljuk Period, Tehran: Jahad Daneshgahi.
- • Karang, A.A., (1995). Antiques of Azerbaijan, Tehran: Society for National Heritage.
- • Kiani, M., (1997). Iranian Architectural Decoration in the Islamic Period, volume 1, Tehran: Cultural Heritage Organization.
- • Mashkoti, N., (1970). List of Historical Monuments and Ancient Places of Iran, The First Publication of the National Organization for the Protection of Iranian Antiquities, Tehran: National Organization for the Protection of Iranian Antiquities.
- • Moeen, M., (1350). Moeen Dictionary, Tehran: Amir Kabir.
- • Morvarid, Y., (1981). Afraze Rood, Tehran: Ouhadi.
- • Mousavi, H., Rasoul, M., and Nikbar, M., (2014). Applied Arts in Islamic Period, Tehran: Samt.
- • Pirnia, M.K., (2002). Stylistics of Iranian Architecture, Vol:1, Tehran: Soroush Danesh.
- • Pirnia, M.K., (2005). Introduction to the Islamic Architecture of Iran, Gholam Hossein Memarian, Tehran: Soroush Danesh Publication.
- • Salmasi Zadeh, J., (1974). Red Dome or Redness of the Dome of Maragheh, Vahid Literature and Languages Magazine, 117.
- • Sepehrvand, M., (2002). Maragheh in the course of Iranian History, Tabriz: Ahrar.
- • Shahmiri, P., (2009). Turkish-Persian Shahmars Dictionary, Tabriz: Akhtar.
- • Sharatou, U. and Grobe, E., (2005). Ilkhani and Timurid Art, Translation by Dr. Yaghoub Ajand, Tehran: Mola Publications.
- • Sharifian, S. and Khodaparast, S., (2014). A Look at the Kabood dome, The Magazine of Moon and Art Book, September, issue 180.
- • Wilber, D., (1967). Islamic Architecture of Iran during the Ilkhanis, Translated by Abdollah Faryar, Tehran: Publishing Firm and Publishing Book.
- • Zomorshidi, H., (1987). Girih tile in Islamic Architecture and Handicrafts, Tehran: Center for Academic Publishing.
INVESTIGATING AND STUDYING DECORATIVE ELEMENTS AND ARRAYS IN KABOOD AND GHAFARIEH DOME
Yıl 2018,
Cilt: 13 Sayı: 4, 84 - 97, 15.10.2018
Saeed Sattarnejad
,
Samad Parvin
Shima Azizi
Öz
Construction of tombs in the era of Islamic architecture was began as a
manifestation of beliefs and rituals related to the honoring of the dead, along with
other religious buildings including mosques, and almost proceed parallel to it. The various structural
methods of the tombs have been structurally influenced by various cultural and
material factors and passed a way along with the religious beliefs of the society.
However, different opinions and votes have been allocated to the issue of tombs
laws in Islamic jurisprudence, but the presence of many these buildings in many
Islamic countries shows the special position of this structure in the Islamic
society. Various types of Islamic decorative arts can be studied about Kabood
and Ghafarieh domes which are one of the most beautiful historical domes of
Iran. In this research, we tried to study some applied elements such as tiling (Kashi Kari) and brickwork. Also,
some of the architectural elements in the domes of Maragheh such as polo that
have not been observed in other Iranian buildings are not Iranian.
Kaynakça
- • Arthur, U., (2007). Persian Architecture, Translated by Golam Hossein Sadri Afshar, Tehran: Naqshe Jahan publication.
- • Arthur, A., (2008), Survey of Persian Art, Tehran: Scientific Cultural Publication.
- • Beyg Bapapour, Y., (2009). Tombs, Epitaphs and Documents of Maraghe, Qom: Islamic Reserve Consortium Publication.
- • Dibaj, I., (1968). Ancient Monuments or Antiquities and Historic Buildings of Azerbaijan, Tehran: The Society of National Monuments Publication.
- • Farahmand, B., Hamid, P., and Soleimani, P., (2012). The Typology of the Decorations of the Ghaffarieh dome of Maragheh Based on the Comparative Model, Journal of Islamic Art Studies, issue 16.
- • Godard, A. and Siroux, M., (1992). Iranian Works, Translated by Abolhassan Sarv Ghadam, Vol:3, Tehran: Islamic Research Foundation.
- • Hami, A., (1998). Building Materials Science, Vol:3, Tehran: Tehran University.
- • Hatam, G., (2008). Islamic Architecture of Iran during the Seljuk Period, Tehran: Jahad Daneshgahi.
- • Karang, A.A., (1995). Antiques of Azerbaijan, Tehran: Society for National Heritage.
- • Kiani, M., (1997). Iranian Architectural Decoration in the Islamic Period, volume 1, Tehran: Cultural Heritage Organization.
- • Mashkoti, N., (1970). List of Historical Monuments and Ancient Places of Iran, The First Publication of the National Organization for the Protection of Iranian Antiquities, Tehran: National Organization for the Protection of Iranian Antiquities.
- • Moeen, M., (1350). Moeen Dictionary, Tehran: Amir Kabir.
- • Morvarid, Y., (1981). Afraze Rood, Tehran: Ouhadi.
- • Mousavi, H., Rasoul, M., and Nikbar, M., (2014). Applied Arts in Islamic Period, Tehran: Samt.
- • Pirnia, M.K., (2002). Stylistics of Iranian Architecture, Vol:1, Tehran: Soroush Danesh.
- • Pirnia, M.K., (2005). Introduction to the Islamic Architecture of Iran, Gholam Hossein Memarian, Tehran: Soroush Danesh Publication.
- • Salmasi Zadeh, J., (1974). Red Dome or Redness of the Dome of Maragheh, Vahid Literature and Languages Magazine, 117.
- • Sepehrvand, M., (2002). Maragheh in the course of Iranian History, Tabriz: Ahrar.
- • Shahmiri, P., (2009). Turkish-Persian Shahmars Dictionary, Tabriz: Akhtar.
- • Sharatou, U. and Grobe, E., (2005). Ilkhani and Timurid Art, Translation by Dr. Yaghoub Ajand, Tehran: Mola Publications.
- • Sharifian, S. and Khodaparast, S., (2014). A Look at the Kabood dome, The Magazine of Moon and Art Book, September, issue 180.
- • Wilber, D., (1967). Islamic Architecture of Iran during the Ilkhanis, Translated by Abdollah Faryar, Tehran: Publishing Firm and Publishing Book.
- • Zomorshidi, H., (1987). Girih tile in Islamic Architecture and Handicrafts, Tehran: Center for Academic Publishing.