Öz
Hardly known that Pier Paolo Pasolini has created a landscape trilogy through the location-hunting documentaries in his oeuvre. The first of these works is also the one that comprises the spine of this essay, Sopraluoghi in Palestina (Locations in Palestine, 1963), the second one is Appunti per un film sull'India (Notes for a Film on India, 1968), and finally, in Per un'orestiade africana (Notes for an African Oresteia, 1969/70). The use of historically and culturally layered landscapes from varying perspectives makes his documentaries a ”territorial assemblage” in which any number of things or pieces of things has gathered. Following the footprints of Pier Paolo Pasolini, this study aims to explore the film, namely Sopraluoghi in Palestina (Locations in Palestine, 1963) and to present different articulation of space, landscape, territory and place. Particularly, the narrative information, pure observation and his self-experience of landscape are spliced together in mythical as well as historical shots which have been incandescently defined by his poetic realism. Film, indeed, not only does enable to mediate some Deleuzoguattarian concepts penetrating from philosophy to cinema, but also does open new paths for ”thinking differently” on the complexity of space. This article, by delving into the real-time shots of the film will problematize the spatial-temporal dimensions are involved in the cartography formed by heterogeneous forces or/and multiplicities defined by ”zones of indiscernibility” in the landscape. In this way, I target to reveal its diagrammatic formation which provide the viewer thinking through words and images, nature and culture, faces and surfaces.
Anahtar Kelimeler
Kaynakça
- Anastas, Ayreen (2007, January) On Pasolini: Interviewed by Samar Martha. Retrieved from http://www.infocusdialogue.com/interviews/ayreen-anastas/
- Agamben, Giorgio, (1998), Homo Sacer: Sovereign Power and Bare Life, Stanford: Stanford University Press.
- Ballantyne, Andrew, (2007) Deleuze And Guattari For Architects, London and New York: Routledge
- Boer, Inge E., (2006), Uncertain Territories: Boundaries in Cultural Analysis, Amsterdam:Rodopi.
- Bonta, M., and Protevi, J., (2006), Deleuze and Geophilosophy: A Guide and Glossary, Edinburgh : Edinburgh University Press.
- Bruno, Giuliana, (2010), ”Pleats of Matter, Folds of the Soul”, N. Rodowick (ed) Afterimages of Gilles Deleuze’s Film Philosophy, Minneapolis : University of Minnesota.
- Cache, Bernard, (1995), Earth Moves : The Furnishing of Territories, Cambridge, Mass., London : The MIT Press.
- Calvino, Italo, (1984) Il viadante nella mappa, in Collezione di sabbia, Palomar/Mondadori, Milan 1984
- Calvino, Italo, (2013), Collection of Sand: Essays. UK : Penguin.
- Careri, Francesco, (2002), Walkscapes: Walking as an Aesthetic Practice, Barcelona: Culicidae Architectural Press. Crary, Jonathan, (1992), Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Massachusetts: MIT Press. Deleuze, Gilles, (1988), Foucault, Minneapolis : University of Minnesota Press
- Deleuze, Gilles (2003) Francis Bacon the Logic of Sensation, London: Continuum
- Deleuze, Gilles, (1989), Cinema 2: Time-Image, Minneapolis : University of Minnesota Press
- Deleuze, Gilles, (2004), ”Faces and Surfaces”, David Lapoujade (ed.), Desert Islands and Other Texts, 1953-1974, Semiotext(e), pp.281-312.
- Deleuze, G., and Guattari, F., (1987), A Thousand Plateaus: Capitalism and Schizophrenia, Minneapolis : University of Minnesota Press,
- Gerner, Alexander, (2011), Diagrammatic Thinking. Atlas of Transformation, Retrieved 20 June 2020, from http://monumenttotransformation.org/atlas-of-transformation/html/d/diagrammatic-thinking/diagrammatic-thinking-alexander-gerner.html
- Grosz, Elizabeth, (2013), Chaos, Territory, Art: Deleuze and the Framing of the Earth, New York: Columbia University Press.
- Ivory, J., Pasolini, P. P., and Sartarelli, S., (2014) The Selected Poetry of Pier Paolo Pasolini: A Bilingual Edition, Chicago: The University of Chicago Press
- Kedem, Eldad,(2007), The Kibbutz and Israeli Cinema: Deterritorializing, Representation and Ideology, Raanana, Israel: The Open University of Israel,
- Le Corbusier, Charles-Édouard Jeanneret,(1935), Aircraft, London: Studio Publications
- Lefebre, Martin, ( 2007), Landscape and Film, London: Routledge
- Margulies, Ivone, (2003) Rites of Realism : Essays on Corporeal Cinema, Durham, North Carolina: Duke University Press
- Massumi, Brian, (1987), ”Translator's Foreword: Pleasures of Philosophy”, in, A Thousand Plateaus: Capitalism and Schizophrenia, Minneapolis: University of Minnesota Press
- Nabokov, Vladamir, (1989), Invitation to a Beheading, Trans. by Dimitri Nabokov, New York: Penguin-Knopf Doubleday Publishing Group
- Pasolini, Paolo Pier, (1962) ”On landscape, painting and film”, in, Mamma Roma, Milano: Rizzoli
- Pasolini, Paolo Pier, (1969), “Sopralluoghi in Palestina and The Gospel According to St Matthew” İn, Pasolini on Pasolini: Interviews with Oswald Stack, Bloomington, Indiana: Indiana University Press.
- Pasolini, Paolo Pier, (1965), ”Pier Paolo Pasolini: An Epical-Religious View of the World”, Film Quarterly vol. 18, no. 4, Summer, 41.
- Pasolini, Paolo Pier, (1976) ”Cinema of Poetry”, B. Nichols (ed) Movies and Methods. Vol. 1. Berkeley: University of California Press, pp.542-558.
- Pasolini, Paolo Pier, (1980) Poésies, 1953-1964 Paris: Gallimard
- Pasolini, Paolo Pier, (1996), Selected Poems, Norman Macafee (Trans. By) New York: Farrar, Straus and Giroux
- Rajchman, John, 1998. Constructions, Mass., Cambridge, London : The MIT Press
- Schroth, Martin (2006) B/ordering Space: The Impact of Border Thinking in Architecture, Theorywork, the Städel schul Architecture Class, Frankfurt am Main
- Segal R, Tartakover D, and Weizman E. (2003), A Civilian Occupation, The Politics of Israeli Architecture, Israel: Babel Publishers
- Seger, Monica, (2015), Landscapes in Between: Environmental Change in Modern Italian Literature and Film, Toronto: University of Toronto Press
- Smithson, Robert (1996) Robert Smithson:The Collected Writings, Berkeley, Los Angeles, London : University of California Press
- Smithson, Robert (1996) “A Tour of the Monuments of Passaic, New Jersey [1967]” in Robert Smithson: Writings of Robert Smithson, ed. Jack D. Flam Berkeley, California, London: University of California Press, pp. 68-74
- Steimatsky, Noa, (2003), ”Pasolini on Terra Sancta : Towards a Theology of Film”, Ivona Margulies (ed.) Rites of Realism: Essays on Corporeal Cinema, Durham: Duke University Press
- Urbano, Cosimo, (2000), ”A Dream of Freud: Pier Paolo Pasolini’s Edipo Re”, Psychoanalytic Studies V2, No:2, pp. 177-191.
- Watson, Janel, (2011), Guattari's Diagrammatic Thought: Writing Between Lacan and Deleuze, London: A&C Black
- Wise, J.M. ,(2005) Gilles Deleuze Key Concepts, Charles J. Stivale (Ed), Montreal & Kingston-Ithaca: Mc-Gill Queen’s University Press
- Zdebik, Jakub (2012), Deleuze and the Diagram: Aesthetic Threads in Visual Organization, London: Bloomsbury
Öz
Hardly known that Pier Paolo Pasolini has created a landscape trilogy through the location-hunting documentaries in his oeuvre. The first of these works is also the one that comprises the spine of this essay, Sopraluoghi in Palestina (Locations in Palestine, 1963), the second one is Appunti per un film sull'India (Notes for a Film on India, 1968), and finally, in Per un'orestiade africana (Notes for an African Oresteia, 1969/70). The use of historically and culturally layered landscapes from varying perspectives makes his documentaries a ”territorial assemblage” in which any number of things or pieces of things has gathered. Following the footprints of Pier Paolo Pasolini, this study aims to explore the film, namely Sopraluoghi in Palestina (Locations in Palestine, 1963) and to present different articulation of space, landscape, territory and place. Particularly, the narrative information, pure observation and his self-experience of landscape are spliced together in mythical as well as historical shots which have been incandescently defined by his poetic realism. Film, indeed, not only does enable to mediate some Deleuzoguattarian concepts penetrating from philosophy to cinema, but also does open new paths for ”thinking differently” on the complexity of space. This article, by delving into the real-time shots of the film will problematize the spatial-temporal dimensions are involved in the cartography formed by heterogeneous forces or/and multiplicities defined by ”zones of indiscernibility” in the landscape. In this way, I target to reveal its diagrammatic formation which provide the viewer thinking through words and images, nature and culture, faces and surfaces.
Anahtar Kelimeler
Kaynakça
- Anastas, Ayreen (2007, January) On Pasolini: Interviewed by Samar Martha. Retrieved from http://www.infocusdialogue.com/interviews/ayreen-anastas/
- Agamben, Giorgio, (1998), Homo Sacer: Sovereign Power and Bare Life, Stanford: Stanford University Press.
- Ballantyne, Andrew, (2007) Deleuze And Guattari For Architects, London and New York: Routledge
- Boer, Inge E., (2006), Uncertain Territories: Boundaries in Cultural Analysis, Amsterdam:Rodopi.
- Bonta, M., and Protevi, J., (2006), Deleuze and Geophilosophy: A Guide and Glossary, Edinburgh : Edinburgh University Press.
- Bruno, Giuliana, (2010), ”Pleats of Matter, Folds of the Soul”, N. Rodowick (ed) Afterimages of Gilles Deleuze’s Film Philosophy, Minneapolis : University of Minnesota.
- Cache, Bernard, (1995), Earth Moves : The Furnishing of Territories, Cambridge, Mass., London : The MIT Press.
- Calvino, Italo, (1984) Il viadante nella mappa, in Collezione di sabbia, Palomar/Mondadori, Milan 1984
- Calvino, Italo, (2013), Collection of Sand: Essays. UK : Penguin.
- Careri, Francesco, (2002), Walkscapes: Walking as an Aesthetic Practice, Barcelona: Culicidae Architectural Press. Crary, Jonathan, (1992), Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Massachusetts: MIT Press. Deleuze, Gilles, (1988), Foucault, Minneapolis : University of Minnesota Press
- Deleuze, Gilles (2003) Francis Bacon the Logic of Sensation, London: Continuum
- Deleuze, Gilles, (1989), Cinema 2: Time-Image, Minneapolis : University of Minnesota Press
- Deleuze, Gilles, (2004), ”Faces and Surfaces”, David Lapoujade (ed.), Desert Islands and Other Texts, 1953-1974, Semiotext(e), pp.281-312.
- Deleuze, G., and Guattari, F., (1987), A Thousand Plateaus: Capitalism and Schizophrenia, Minneapolis : University of Minnesota Press,
- Gerner, Alexander, (2011), Diagrammatic Thinking. Atlas of Transformation, Retrieved 20 June 2020, from http://monumenttotransformation.org/atlas-of-transformation/html/d/diagrammatic-thinking/diagrammatic-thinking-alexander-gerner.html
- Grosz, Elizabeth, (2013), Chaos, Territory, Art: Deleuze and the Framing of the Earth, New York: Columbia University Press.
- Ivory, J., Pasolini, P. P., and Sartarelli, S., (2014) The Selected Poetry of Pier Paolo Pasolini: A Bilingual Edition, Chicago: The University of Chicago Press
- Kedem, Eldad,(2007), The Kibbutz and Israeli Cinema: Deterritorializing, Representation and Ideology, Raanana, Israel: The Open University of Israel,
- Le Corbusier, Charles-Édouard Jeanneret,(1935), Aircraft, London: Studio Publications
- Lefebre, Martin, ( 2007), Landscape and Film, London: Routledge
- Margulies, Ivone, (2003) Rites of Realism : Essays on Corporeal Cinema, Durham, North Carolina: Duke University Press
- Massumi, Brian, (1987), ”Translator's Foreword: Pleasures of Philosophy”, in, A Thousand Plateaus: Capitalism and Schizophrenia, Minneapolis: University of Minnesota Press
- Nabokov, Vladamir, (1989), Invitation to a Beheading, Trans. by Dimitri Nabokov, New York: Penguin-Knopf Doubleday Publishing Group
- Pasolini, Paolo Pier, (1962) ”On landscape, painting and film”, in, Mamma Roma, Milano: Rizzoli
- Pasolini, Paolo Pier, (1969), “Sopralluoghi in Palestina and The Gospel According to St Matthew” İn, Pasolini on Pasolini: Interviews with Oswald Stack, Bloomington, Indiana: Indiana University Press.
- Pasolini, Paolo Pier, (1965), ”Pier Paolo Pasolini: An Epical-Religious View of the World”, Film Quarterly vol. 18, no. 4, Summer, 41.
- Pasolini, Paolo Pier, (1976) ”Cinema of Poetry”, B. Nichols (ed) Movies and Methods. Vol. 1. Berkeley: University of California Press, pp.542-558.
- Pasolini, Paolo Pier, (1980) Poésies, 1953-1964 Paris: Gallimard
- Pasolini, Paolo Pier, (1996), Selected Poems, Norman Macafee (Trans. By) New York: Farrar, Straus and Giroux
- Rajchman, John, 1998. Constructions, Mass., Cambridge, London : The MIT Press
- Schroth, Martin (2006) B/ordering Space: The Impact of Border Thinking in Architecture, Theorywork, the Städel schul Architecture Class, Frankfurt am Main
- Segal R, Tartakover D, and Weizman E. (2003), A Civilian Occupation, The Politics of Israeli Architecture, Israel: Babel Publishers
- Seger, Monica, (2015), Landscapes in Between: Environmental Change in Modern Italian Literature and Film, Toronto: University of Toronto Press
- Smithson, Robert (1996) Robert Smithson:The Collected Writings, Berkeley, Los Angeles, London : University of California Press
- Smithson, Robert (1996) “A Tour of the Monuments of Passaic, New Jersey [1967]” in Robert Smithson: Writings of Robert Smithson, ed. Jack D. Flam Berkeley, California, London: University of California Press, pp. 68-74
- Steimatsky, Noa, (2003), ”Pasolini on Terra Sancta : Towards a Theology of Film”, Ivona Margulies (ed.) Rites of Realism: Essays on Corporeal Cinema, Durham: Duke University Press
- Urbano, Cosimo, (2000), ”A Dream of Freud: Pier Paolo Pasolini’s Edipo Re”, Psychoanalytic Studies V2, No:2, pp. 177-191.
- Watson, Janel, (2011), Guattari's Diagrammatic Thought: Writing Between Lacan and Deleuze, London: A&C Black
- Wise, J.M. ,(2005) Gilles Deleuze Key Concepts, Charles J. Stivale (Ed), Montreal & Kingston-Ithaca: Mc-Gill Queen’s University Press
- Zdebik, Jakub (2012), Deleuze and the Diagram: Aesthetic Threads in Visual Organization, London: Bloomsbury
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Konular | Felsefe |
| Bölüm | Makaleler |
| Yazarlar | |
| Yayımlanma Tarihi | 27 Aralık 2020 |
| Yayımlandığı Sayı | Yıl 2020 |