In this study, numeric calculation methods of texture analysis which allows developing different standpoints by converting the abstract structure of music into the concrete explained with op. 42 8 etudes which are written for piano by Alexander Nikolayevich Scriabin who guided Russian music by the end of 19th century.
The examples taken from etudes has been revealed by density and range parameters which are chosen from various analysis methods. Numerical datas acquired from these parameters has been visualized by tables and graphics.
Ammer, C. (1972). Harper's Dictionary of Music. New York: Harper&Row Publishers.
Apel, W. (1972). Harvard Dictionary of Music. Cambridge: The Belknap Press of Harvard University Press.
Apel, W. (1972). Harvard Dictionary of Music. Cambridge: The Belknap Press of Harvard University Press, S. 333. Erişim: 09.06.2020, https://books.google.com.tr/books?id=TMdf1SioFk4C&pg=PA333&lpg=PA333&dq=freistimmig+what+is&source=bl&ots=1KxRvy8ZYi&sig=ACfU3U1Uon1_2Q3WWWY845Z8gBMk_R-YBQ&hl=en&sa=X&ved=2ahUKEwjujN37ovTpAhWUDWMBHXw0DKoQ6AEwAnoECAwQAQ#v=onepage&q=freistimmig%20what%20is&f=false
Blom, E. (1955). Grove’s Dictionary of Music and Musicians. New York: St. Martin’s Press Inc.
Latham, A. (2004). The Oxford Dictionary of Musical Terms. New York: Oxford University Press.
Mickey III, D. D. (1980). An Analysis of Texture in Selected Piano Etudes of Chopin and Scriabin. (Master tezi). The Ohio State University, Columbus.
Mozart, W. A. (1786). Concierto Para Piano, No. 24, K. 491. S. 39. Erişim: 09.06.2020, http://ks4.imslp.net/files/imglnks/usimg/b/ba/IMSLP38122-PMLP15396-Piano_concerto_24.pdf
Scriabin, A. N. (1948). 8 Etudes, Op. 42. Erişim: 26.02.2020, http://ks4.imslp.net/files/imglnks/usimg/c/ca/IMSLP12661-Scriabin_-_Op.42.pdf
Randel, D. M. (1986). The New Harvard Dictionary of Music. Cambridge: The Belknap Press of Harvard University Press.
Sadie, S. (2001). The New Grove Dictionary of Music and Musicians. New York: Oxford University Press.
Slonimsky, N. (1998). Webster’s New World Dictionary of Music. New York: Schirmer Books, Macmillan.
SKRİABİN OP. 42 ETÜTLERİN SAYISAL YOĞUNLUK VE SES ALANI ANALİZLERİ
Bu çalışmada, müziğin soyut yapısını somuta çevirerek farklı bakış açıları geliştirmeye olanak sağlayan doku analizinin sayısal hesaplama yöntemleri, 19. yüzyıl sonlarında Rus müziğine yön veren Aleksandr Nikolayeviç Skriabin’in piyano için yazdığı op. 42 8 etüdü ile açıklanmıştır.
Etütlerden alınan örnekler, çeşitli analiz yöntemleri arasından seçilen yoğunluk ve ses alanı parametreleri doğrultusunda incelenmiştir. Bu parametrelerden elde edilen sayısal veriler tablo ve grafikler vasıtasıyla görselleştirilmiştir.
Ammer, C. (1972). Harper's Dictionary of Music. New York: Harper&Row Publishers.
Apel, W. (1972). Harvard Dictionary of Music. Cambridge: The Belknap Press of Harvard University Press.
Apel, W. (1972). Harvard Dictionary of Music. Cambridge: The Belknap Press of Harvard University Press, S. 333. Erişim: 09.06.2020, https://books.google.com.tr/books?id=TMdf1SioFk4C&pg=PA333&lpg=PA333&dq=freistimmig+what+is&source=bl&ots=1KxRvy8ZYi&sig=ACfU3U1Uon1_2Q3WWWY845Z8gBMk_R-YBQ&hl=en&sa=X&ved=2ahUKEwjujN37ovTpAhWUDWMBHXw0DKoQ6AEwAnoECAwQAQ#v=onepage&q=freistimmig%20what%20is&f=false
Blom, E. (1955). Grove’s Dictionary of Music and Musicians. New York: St. Martin’s Press Inc.
Latham, A. (2004). The Oxford Dictionary of Musical Terms. New York: Oxford University Press.
Mickey III, D. D. (1980). An Analysis of Texture in Selected Piano Etudes of Chopin and Scriabin. (Master tezi). The Ohio State University, Columbus.
Mozart, W. A. (1786). Concierto Para Piano, No. 24, K. 491. S. 39. Erişim: 09.06.2020, http://ks4.imslp.net/files/imglnks/usimg/b/ba/IMSLP38122-PMLP15396-Piano_concerto_24.pdf
Scriabin, A. N. (1948). 8 Etudes, Op. 42. Erişim: 26.02.2020, http://ks4.imslp.net/files/imglnks/usimg/c/ca/IMSLP12661-Scriabin_-_Op.42.pdf
Randel, D. M. (1986). The New Harvard Dictionary of Music. Cambridge: The Belknap Press of Harvard University Press.
Sadie, S. (2001). The New Grove Dictionary of Music and Musicians. New York: Oxford University Press.
Slonimsky, N. (1998). Webster’s New World Dictionary of Music. New York: Schirmer Books, Macmillan.