Yıl 2013,
Sayı: 28, 19 - 31, 01.03.2013
Öz
In this paper, we intended to provide a general understanding about semiotic approaches to other sign systems beyond verbal languages. If we define semiotics or semiology as the study of signs, then we cannot segregate non-linguistic signs such as colours, melodies, shapes, musical sounds, images, beats and all other audio or visual elements. Our motivation here is to explore the signs in music and photography for making a contribution with brief information about semiotics concerning audio visual elements
Anahtar Kelimeler
Kaynakça
- BARTHES, Roland, Image Music Text. Hill and Wang. 1977, New York
- BOHNSACK, Ralf (2007): Die dokumentarische Methode in der Bild- und Fotointerpretation. In: Bohnsack, Ralf; Nentwig-Geseman, Iris; Nohl, Arnd- Michael (Ed.)(2007): Die Dokumentarische Methode und ihre Forschungspraxis: Grundlagen Qualitativer Sozialforschung. VS Verlag für Sozialwissenschaften. Wiesbaden.
- CLARKE, David S., Principles of Semiotic Taylor & Francis, 1987.
- DEELY, John N. Basics of semiotics, Advances in Semiotics/no: 568, Indiana University Press, 1990
- DEELY, John N. Introducing Semiotic: Its History and Doctrine, Advances in Semiotics/no: 287, Indiana University Press, 1982
- DÖRFLER, Hans- Diether (2000): Das fotografische Zeichen. In: Julia Schmitt/Christian Tagsold/Hans-Diether Dorfler/Volker Hirsch/Beate Rabe (Hrsg.): Fotografie und Realitat. Fallstudien zu einem ungeklarten Verhaltnis. Forschung. Soziologie, Bd. 73. Opladen
- ECO, Umberto Theory of Semiotics Indiana University Press, 1979.
- ECO, Umberto, “The Limits of Interpretation” Indiana University Press, 1994
- EGE, Göknur (Bostancı), Technology Art and Identity” Social And Economic Issues Shaping The World’s Future New Global Dialogue Bildiriler Kitabı, Sayfa:1026- 1039, SDÜ Yayını, 2009.
- HARIMAN, Robert, and Lucaites John Louis “Public Identity and Collective Memory in U.S. Iconic Photography: The Image of “Accidental Napalm.”Critical Studies in Media Communication,Vol. 20, No. 1, 2003: 35-66
- IRVINE, Martin Structural Linguistics, Semiotics, and Communication Theory: Basic Outlines and Assumptions, 2012. [http://www9.georgetown.edu/faculty/irvinem/theory/semiotics and_communication.html]
- LANGER, Susanne Katherina Knauth Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art Harvard University Press, 1957
- LEEDS-HURWITZ, Wendy Semiotics and Communication: Signs, Codes, Cultures, Routledge, 1993.
- LOVEJOY, Margot, “Digital Currents: Art in the Electronic Age” Routledge, 2004
- MANETTI, Giovanni Theories of the Sign in Classical Antiquity, Translated by: Christine Richardson, Indiana University Press, 1993
- MEYERS, Robert G., the Philosophic Significance of Pierce’s Theory of Signs in eds: Colapietro Vincent Michael, Olshewsky Thomas M. Peirce's Doctrine of Signs: Theory, Applications, and Connections Walter de Gruyter, 1996.
- MONACO, James, How to Read a Film: Movies, Media, and Beyond: Movies, Media, and Beyond Oxford University Press 2009.
- NATTIEZ, Jean-Jacques, Music And Discourse: Toward A Semiology of Princeton University Press Music1990.
- PANOFSKY, Erwin, 1982, Meaning in the Visual Arts, The University of Chicago Press: USA
- SAMUELS, Robert Mahler's Sixth Symphony A Study In Musical Semiotics, Cambridge Studies In Music Theory And Analysis General Editor: Ian Bent Cambridge University Press, 1995
- SEBEOK, Thomas Albert Signs: An Introduction to Semiotics-Toronto Studies in Semiotics and Communication- University of Toronto Press, 2001
- TARASTI, Eero Signs of Music: A Guide to Musical Semiotics Walter de Gruyter, 2002
Yıl 2013,
Sayı: 28, 19 - 31, 01.03.2013
Öz
Bu makalede sözlü diller dışındaki işaret sistemlerine yönelik göstergebilimsel yaklaşımlara ilişkin genel bir kavrayış sağlamak amaçlanmıştır. Eğer göstergebilimi göstergeler üzerine çalışan alan olarak tanımlıyorsak, renkler, melodiler, şekiller, müzikal sesler, imgeler ve vuruşlar gibi bütün diğer dilsel olmayan işitsel ve görsel unsurları ayrı tutmamamız gerekir. Burada bizi motive eden müzik ve fotoğraftaki göstergeleri keşfetmeye çalışarak görsel ve işitsel unsurlara ilişkin göstergebilim konusunda kısa bir bilgi ile katkıda bulunmaktır
Anahtar Kelimeler
Kaynakça
- BARTHES, Roland, Image Music Text. Hill and Wang. 1977, New York
- BOHNSACK, Ralf (2007): Die dokumentarische Methode in der Bild- und Fotointerpretation. In: Bohnsack, Ralf; Nentwig-Geseman, Iris; Nohl, Arnd- Michael (Ed.)(2007): Die Dokumentarische Methode und ihre Forschungspraxis: Grundlagen Qualitativer Sozialforschung. VS Verlag für Sozialwissenschaften. Wiesbaden.
- CLARKE, David S., Principles of Semiotic Taylor & Francis, 1987.
- DEELY, John N. Basics of semiotics, Advances in Semiotics/no: 568, Indiana University Press, 1990
- DEELY, John N. Introducing Semiotic: Its History and Doctrine, Advances in Semiotics/no: 287, Indiana University Press, 1982
- DÖRFLER, Hans- Diether (2000): Das fotografische Zeichen. In: Julia Schmitt/Christian Tagsold/Hans-Diether Dorfler/Volker Hirsch/Beate Rabe (Hrsg.): Fotografie und Realitat. Fallstudien zu einem ungeklarten Verhaltnis. Forschung. Soziologie, Bd. 73. Opladen
- ECO, Umberto Theory of Semiotics Indiana University Press, 1979.
- ECO, Umberto, “The Limits of Interpretation” Indiana University Press, 1994
- EGE, Göknur (Bostancı), Technology Art and Identity” Social And Economic Issues Shaping The World’s Future New Global Dialogue Bildiriler Kitabı, Sayfa:1026- 1039, SDÜ Yayını, 2009.
- HARIMAN, Robert, and Lucaites John Louis “Public Identity and Collective Memory in U.S. Iconic Photography: The Image of “Accidental Napalm.”Critical Studies in Media Communication,Vol. 20, No. 1, 2003: 35-66
- IRVINE, Martin Structural Linguistics, Semiotics, and Communication Theory: Basic Outlines and Assumptions, 2012. [http://www9.georgetown.edu/faculty/irvinem/theory/semiotics and_communication.html]
- LANGER, Susanne Katherina Knauth Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art Harvard University Press, 1957
- LEEDS-HURWITZ, Wendy Semiotics and Communication: Signs, Codes, Cultures, Routledge, 1993.
- LOVEJOY, Margot, “Digital Currents: Art in the Electronic Age” Routledge, 2004
- MANETTI, Giovanni Theories of the Sign in Classical Antiquity, Translated by: Christine Richardson, Indiana University Press, 1993
- MEYERS, Robert G., the Philosophic Significance of Pierce’s Theory of Signs in eds: Colapietro Vincent Michael, Olshewsky Thomas M. Peirce's Doctrine of Signs: Theory, Applications, and Connections Walter de Gruyter, 1996.
- MONACO, James, How to Read a Film: Movies, Media, and Beyond: Movies, Media, and Beyond Oxford University Press 2009.
- NATTIEZ, Jean-Jacques, Music And Discourse: Toward A Semiology of Princeton University Press Music1990.
- PANOFSKY, Erwin, 1982, Meaning in the Visual Arts, The University of Chicago Press: USA
- SAMUELS, Robert Mahler's Sixth Symphony A Study In Musical Semiotics, Cambridge Studies In Music Theory And Analysis General Editor: Ian Bent Cambridge University Press, 1995
- SEBEOK, Thomas Albert Signs: An Introduction to Semiotics-Toronto Studies in Semiotics and Communication- University of Toronto Press, 2001
- TARASTI, Eero Signs of Music: A Guide to Musical Semiotics Walter de Gruyter, 2002
Toplam 22 adet kaynakça vardır.
Ayrıntılar
| Diğer ID | JA38UV98UV |
|---|---|
| Bölüm | Araştırma Makalesi |
| Yazarlar | |
| Yayımlanma Tarihi | 1 Mart 2013 |
| Gönderilme Tarihi | 1 Mart 2013 |
| Yayımlandığı Sayı | Yıl 2013 Sayı: 28 |
Sosyoloji Dergisi, Journal of Sociology, SD, JOS