Lütfen Seçiniz KLASİK GİTAR EĞİTİMİNDE PARMAK HAZIRLAMALI SESLENDİRME YÖNTEMİ
Öz
Anahtar Kelimeler
Klasik gitar, klasik gitar eğitimi, parmak hazırlama, motor öğrenme.
Kaynakça
- De Graaf, K. M. V. and Rhees, R. W. (2001). Shaum’s easy outlines: Human anathomy and physiology. New York: McGraw-Hill Companies.
- Duncan, C. (1980). The art of classical guitar playing. Miami, FL.: Summy-Birchard Inc.
- Glise, A. (1997). Classical guitar pedagogy: a handbook for teachers. St. Joseph, U.S.A.: Mel Bay Publications
- Halsband, U., Lange, R.K. (2006). Motor learning in man: A review of functional and clinical studies. Journal of Physiology - Paris 99, 414–424
- Heijink, H. and Meulenbroek, R. G. J. (2002). On the complexity of classical guitar playing: Functional adaptations to task constraints. Journal of MotorBehavior, 34(4), 339–351
- Kohut, D. L. (1985). Musical performance: Learning theory and pedagogy. Englewood Cliffs, NJ: Prentice-Hall.
- Muratlı, S., Kalyoncu, O ve Şahin, G. (2007). Antrenman ve müsabaka. İstanbul: Ladin Matbaası.
- Özgen, M. (2006). Designing technical training programs for classical guitarists based on exercise pyshiology principles. Yayımlanmamış doktora tezi. Arizona, A.B.D : Arizona State University..
- Parncutt, R., McPherson, G. (2002). Science and psychology of music performance: creative strategies for teaching and learning. Cary, NC, USA: Oxford University Press.