BibTex RIS Kaynak Göster

Application of Multiple Intelligences Theory in Art History Instruction

Yıl 2012, Cilt: 2012 Sayı: 25, 273 - 297, 01.02.2012

Öz

Kaynakça

  • Armstrong, T. (2009). Multiple intelligences in the Classroom. Alexandria-VA: ASCD
  • Bell, D. & Rohan, T. (2009). Leaving the Safety Zone: Trans-cultural Encounters in Arts Education, The International Journal of the Arts in Society, Vol. 4, No. 3, pp. 87- 97.
  • Bellanca, J. (2009). 200+ Active Learning Strategies and Projects for Engaging Students’ Multiple Intelligences. Thousand Oaks-CA: Corwin Press.
  • Brizendine, L. (2007). The Female Brain. New York: Three Rivers Press
  • Brualdi, A. C. (1996) Multiple Intelligences: Gardner's Theory, ERIC Clearinghouse on Assessment and Evaluation Washington DC., ERIC Identifier: ED410226, ERIC Digest. pp. 1-6.
  • Castejon, J. L., Perez, A. M. & Gilar, R. (2010). Confirmatory Factor Analysis of Project Spectrum Activities: A Second-Order G Factor or Multiple Intelligences? Elsevier, Vol. 38, pp. 481-496.
  • Chua, A. Y. K. & Heng, S. K. (2010) A knowledge management perspective on Art Education, International Journal of Information Management, 30, pp. 326-334.
  • Demirbaş, O., O.; Demirkan, H. (2003) Focus on architectural design process through learning styles, Design Studies, Vol. 24, Issue 5, pp. 437-456.
  • Furnham, Adrian (2009). The Validity of a New, Self-report Measure of Multiple Intelligence, Current Psychology, Vol. 28, pp. 225–239.
  • Gardner, H. (1983). Frames of Mind. Basic Books. New York: Basic Books.
  • Gardner, H. (1990). Art Education and Human Development. Los Angeles: Getty Publications.
  • Gardner, H. (1993). Multiple Intelligences: The Theory in Practice. New York: Basic Books.
  • Goodman, N. (1968) Language of art, Oxford: Bobbs-Merrill.
  • Kezar, A. (2001). Theory of Multiple Intelligences: Implications for Higher Education. Innovative Higher Education, Vol. 26, No. 2, pp. 141-154.
  • Kirschenmann, J. (2001). The electronic Prometheus and its consequences for art education, The International Journal of Art & Design Education, Vol. 20, Issue 1, pp. 11-18.
  • Lindström, L. (2011) The Multiple Faces of Visual Arts Education, The International Journal of Art & Design Education, Volume 30, Issue 1, pp. 7-17.
  • Ormrod, J. E. (2006). Educational Psychology: Developing Learners. Upper Saddle River-NJ: Pearson Prentice Hall.
  • Ozdemir, P., Güneysu, S., Tekkaya, C. (2006). Enhancing Learning Through Multiple Intelligences, Biological Education, Volume 40 Number 2, pp. 74-78.
  • Peariso, Jamon F. (2008). Multiple Intelligences or Multiply Misleading: The Critic's View of the Multiple Intelligences Theory, Liberty University, Spring , pp. 1-26.
  • Puchta, H. & Rinvolucri, M. (2005). Multiple Intelligences in EFL, London: Helbing Languages.
  • Sylwester, R. (1995). A Celebration of Neurons, Alexandria-VA: Association for Supervision and Curriculum Development.

Application of Multiple Intelligences Theory in Art History Instruction

Yıl 2012, Cilt: 2012 Sayı: 25, 273 - 297, 01.02.2012

Öz

Howard Gardner’in çoklu zeka teorisi ve teorinin sınıfta uygulamaları, son yıllarda eğitimciler ve araştırmacılar tarafından yaygın olarak kabul görmekte ve kullanılmaktadır. Bu çalışma, çoklu zeka teorisinin yüksek eğitimde, sanat eğitiminde uygulanması üzerinedir. Çalışma, Sanat Tarihi dersinde, çoklu zeka teorisinin uygulandığı sınıflar ile teorinin uygulanmadığı geleneksel metotla ders yapılan sınıfların basari oranları arasında belirgin bir fark olup olmadığını araştırmaktadır. Araştırma, deney ve kontrol grubu olmak üzere, rastgele seçilen iki grupla uygulanmıştır. Deney grubunda, dersler çoklu zeka teorisine göre uygulanmış, kontrol grubunda ise dersler geleneksel yöntemle yapılmıştır. Çalışma sonrasında uygulanan ttest analizi, deney grubunun, bilgi düzeyinin artması, ders notları, sanat anlayışı, yorumu, hatırlama ve estetik değer anlayışı kazanma gibi alanlarda kontrol grubuna göre, belirgin olarak daha fazla başari gösterdiğini kanıtlamıştır

Kaynakça

  • Armstrong, T. (2009). Multiple intelligences in the Classroom. Alexandria-VA: ASCD
  • Bell, D. & Rohan, T. (2009). Leaving the Safety Zone: Trans-cultural Encounters in Arts Education, The International Journal of the Arts in Society, Vol. 4, No. 3, pp. 87- 97.
  • Bellanca, J. (2009). 200+ Active Learning Strategies and Projects for Engaging Students’ Multiple Intelligences. Thousand Oaks-CA: Corwin Press.
  • Brizendine, L. (2007). The Female Brain. New York: Three Rivers Press
  • Brualdi, A. C. (1996) Multiple Intelligences: Gardner's Theory, ERIC Clearinghouse on Assessment and Evaluation Washington DC., ERIC Identifier: ED410226, ERIC Digest. pp. 1-6.
  • Castejon, J. L., Perez, A. M. & Gilar, R. (2010). Confirmatory Factor Analysis of Project Spectrum Activities: A Second-Order G Factor or Multiple Intelligences? Elsevier, Vol. 38, pp. 481-496.
  • Chua, A. Y. K. & Heng, S. K. (2010) A knowledge management perspective on Art Education, International Journal of Information Management, 30, pp. 326-334.
  • Demirbaş, O., O.; Demirkan, H. (2003) Focus on architectural design process through learning styles, Design Studies, Vol. 24, Issue 5, pp. 437-456.
  • Furnham, Adrian (2009). The Validity of a New, Self-report Measure of Multiple Intelligence, Current Psychology, Vol. 28, pp. 225–239.
  • Gardner, H. (1983). Frames of Mind. Basic Books. New York: Basic Books.
  • Gardner, H. (1990). Art Education and Human Development. Los Angeles: Getty Publications.
  • Gardner, H. (1993). Multiple Intelligences: The Theory in Practice. New York: Basic Books.
  • Goodman, N. (1968) Language of art, Oxford: Bobbs-Merrill.
  • Kezar, A. (2001). Theory of Multiple Intelligences: Implications for Higher Education. Innovative Higher Education, Vol. 26, No. 2, pp. 141-154.
  • Kirschenmann, J. (2001). The electronic Prometheus and its consequences for art education, The International Journal of Art & Design Education, Vol. 20, Issue 1, pp. 11-18.
  • Lindström, L. (2011) The Multiple Faces of Visual Arts Education, The International Journal of Art & Design Education, Volume 30, Issue 1, pp. 7-17.
  • Ormrod, J. E. (2006). Educational Psychology: Developing Learners. Upper Saddle River-NJ: Pearson Prentice Hall.
  • Ozdemir, P., Güneysu, S., Tekkaya, C. (2006). Enhancing Learning Through Multiple Intelligences, Biological Education, Volume 40 Number 2, pp. 74-78.
  • Peariso, Jamon F. (2008). Multiple Intelligences or Multiply Misleading: The Critic's View of the Multiple Intelligences Theory, Liberty University, Spring , pp. 1-26.
  • Puchta, H. & Rinvolucri, M. (2005). Multiple Intelligences in EFL, London: Helbing Languages.
  • Sylwester, R. (1995). A Celebration of Neurons, Alexandria-VA: Association for Supervision and Curriculum Development.
Toplam 21 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Makaleler
Yazarlar

Tolga Erkan Bu kişi benim

Sema Üster Bu kişi benim

Yayımlanma Tarihi 1 Şubat 2012
Yayımlandığı Sayı Yıl 2012 Cilt: 2012 Sayı: 25

Kaynak Göster

APA Erkan, T., & Üster, S. (2012). Application of Multiple Intelligences Theory in Art History Instruction. Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 2012(25), 273-297.
AMA Erkan T, Üster S. Application of Multiple Intelligences Theory in Art History Instruction. Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi. Şubat 2012;2012(25):273-297.
Chicago Erkan, Tolga, ve Sema Üster. “Application of Multiple Intelligences Theory in Art History Instruction”. Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 2012, sy. 25 (Şubat 2012): 273-97.
EndNote Erkan T, Üster S (01 Şubat 2012) Application of Multiple Intelligences Theory in Art History Instruction. Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 2012 25 273–297.
IEEE T. Erkan ve S. Üster, “Application of Multiple Intelligences Theory in Art History Instruction”, Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, c. 2012, sy. 25, ss. 273–297, 2012.
ISNAD Erkan, Tolga - Üster, Sema. “Application of Multiple Intelligences Theory in Art History Instruction”. Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 2012/25 (Şubat 2012), 273-297.
JAMA Erkan T, Üster S. Application of Multiple Intelligences Theory in Art History Instruction. Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi. 2012;2012:273–297.
MLA Erkan, Tolga ve Sema Üster. “Application of Multiple Intelligences Theory in Art History Instruction”. Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, c. 2012, sy. 25, 2012, ss. 273-97.
Vancouver Erkan T, Üster S. Application of Multiple Intelligences Theory in Art History Instruction. Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi. 2012;2012(25):273-97.

Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi