KLASİK DRAMATİK METİNLERİ BUGÜN BURADAN ANLATMAK

Öz

Anahtar Kelimeler

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KLASİK DRAMATİK METİNLERİ BUGÜN BURADAN ANLATMAK

Öz

Kaynakça

1. Alfreds, Mike. “A Shared Experience: The Actor as Storyteller”, Theatre Papers. Ed.: Peter Hulton, Devon: The Department of Theatre, Dartington College of Arts, 1979.
2. Fo, Dario. The Tricks of the Trade. Trans.: Joe Farrell, Ed.: Stuart Hood, London: Methuen Drama, 199 [1987].
3. Karaboğa, Kerem. Oyunculuk Sanatında Yöntem ve Paradoks. İstan- bul: Boğaziçi Üniversitesi Yayınevi, 2005.
4. Konijn, Elly. “The Actor’s Emotions Reconsidered: A Psychological Task- Based Perspective,” Acting (Re)Considered: A Theoretical and Prac- tical Guide. London and New York: Routledge, 2002.
5. Lehman, Hans-Thies. Postdramatic Theatre. Trans.: Karen Jürs-Munby, London and New York: Routledge, 2006 [1999].
6. Marx, Karl; Engels, Friedrich. Alman İdeolojisi. Çev.: Sevim Belli, Anka- ra: Sol Yayınları, 1999, Dördüncü basım.
7. Passow, Wilfred. “Whom do They Love?”, Tijdschrift voor Theaterwe- tenschap, 1992.
8. Quinn, Michael. “Celebrity and the Semiotics of Acting”, New Theatre Quarterly. 1990.

9. Rozik, Eli. “Acting: The Quintessence of Theatricality”, Substance. 31, 3: 110-124, 2002.
10. Sarıkartal, Çetin; Aktaş, Şehsuvar; Selen, Ayşe. “Perdenin Arkasındaki Kim? Karagöz Oynatma Korkusu ve İsteksizliği Üzerine Bir Deneme”, Toplumsal Tarih. 181, Ocak 2009.
11. States, Bert O. “The Actor’s Presence: Three Phenomenal Modes”, Ac- ting (Re)Considered: A Theoretical and Practical Guide. London and New York: Routledge, 2002 [1983].