Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories

Rahmat Amini; Zahra Shirvani Saadatabadi

doi:10.26650/jtcd.2024.3906

Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories

Öz

Pardeh Khani is a distinctive form of traditional storytelling in Iran that is recognized for its unique performative qualities. This performance method combines storytelling, painting, and acting, which has resulted in the formation of a unique style of Iranian painting known as coffeehouse painting. This article examines the characteristics of Pardeh Khani based on performance theory, particularly using Erika Fischer-Lichte’s theories, which emphasizes four key aspects: mediality, materiality, semioticity, and aestheticity, to uncover the performative possibilities of this tradition. Although Pardeh Khani has faced a decline in recent decades, the initial findings of this research indicate that it has the potential for renewal as an interdisciplinary art form by integrating advancements in both painting and narration. Therefore, a comprehensive understanding of its performative possibilities is required to preserve and modernize this performance art.

Anahtar Kelimeler

Kaynakça

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Ayrıntılar

Birincil Dil

İngilizce

Konular

Oyunculuk-Reji

Bölüm

Araştırma Makalesi

Yazarlar

Rahmat Amini ^* Bu kişi benim
0000-0001-9896-0541
Iran

Zahra Shirvani Saadatabadi Bu kişi benim
0009-0002-1055-2610
Iran

Yayımlanma Tarihi

31 Aralık 2024

Gönderilme Tarihi

26 Haziran 2024

Kabul Tarihi

9 Aralık 2024

Yayımlandığı Sayı

Yıl 2024 Sayı: 39

DOI

https://doi.org/10.26650/jtcd.2024.3906

IZ

https://izlik.org/JA92LD87AK

Kaynak Göster

RIS / Bibtex

APA

Amini, R., & Shirvani Saadatabadi, Z. (2024). Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 39, 1-13. https://doi.org/10.26650/jtcd.2024.3906

AMA

1.Amini R, Shirvani Saadatabadi Z. Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories. T.E.D. Dergi. 2024;(39):1-13. doi:10.26650/jtcd.2024.3906

Chicago

Amini, Rahmat, ve Zahra Shirvani Saadatabadi. 2024. “Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, sy 39: 1-13. https://doi.org/10.26650/jtcd.2024.3906.

EndNote

Amini R, Shirvani Saadatabadi Z (01 Aralık 2024) Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 39 1–13.

IEEE

[1]R. Amini ve Z. Shirvani Saadatabadi, “Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories”, T.E.D. Dergi, sy 39, ss. 1–13, Ara. 2024, doi: 10.26650/jtcd.2024.3906.

ISNAD

Amini, Rahmat - Shirvani Saadatabadi, Zahra. “Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi. 39 (01 Aralık 2024): 1-13. https://doi.org/10.26650/jtcd.2024.3906.

JAMA

1.Amini R, Shirvani Saadatabadi Z. Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories. T.E.D. Dergi. 2024;:1–13.

MLA

Amini, Rahmat, ve Zahra Shirvani Saadatabadi. “Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, sy 39, Aralık 2024, ss. 1-13, doi:10.26650/jtcd.2024.3906.

Vancouver

1.Rahmat Amini, Zahra Shirvani Saadatabadi. Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories. T.E.D. Dergi. 01 Aralık 2024;(39):1-13. doi:10.26650/jtcd.2024.3906