Araştırma Makalesi
BibTex RIS Kaynak Göster

Yıl 2025, Sayı: 41, 113 - 127, 19.11.2025
https://doi.org/10.26650/jtcd.11648872

Öz

Kaynakça

  • Arons, Wendy and Theresa May, eds. Readings in Performance and Ecology. New York: Palgrave Macmillan, 2012. google scholar
  • Aston, Elaine. Feminist Views on the English Stage: Women Playwrights 1990-2000. Cambridge: Cambridge University Press, 2000. google scholar
  • Aston, Elaine and Elin Diamond. “Introduction: on Caryl Churchill.” In The Cambridge Companion to Caryl Churchill, eds. Elaine Aston and Elin Diamond, 1-18. Cambridge: Cambridge University Press, 2010. google scholar
  • Bacchilega, Cristina. “North American and Canadian Fairy Tales.” In The Oxford Companion to Fairy Tales: The Western Fairy Tale Tradition from Medieval to Modern, ed. Jack Zipes, 343-355. New York: Oxford University Press, 2000. google scholar
  • Barad, Karen Michelle. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, NC: Duke University Press, 2007. google scholar
  • Chaudhuri, Una. “‘There Must Be a Lot of Fish in That Lake”: Toward an Ecological Theater.’” Theater 25, no.1 (1994): 23-31. google scholar
  • Chaudhuri, Una. “The Fifth Wall: Climate Change Dramaturgy.” HowlRound, 17 April 2016. google scholar
  • Churchill, Caryl. The Skriker. London: Nickhern Books, 1994. google scholar
  • Davis, Laura and Cristina Santos, eds. The Monster Imagined: Humanity’s Recreation of Monsters and the Monstrous. Witney, UK: InterDisciplinary Press, 2010. google scholar
  • Diamond, Elin. “Feeling Global.” In A Companion to Modern British and Irish Drama 1880-2005, ed. Mary Luckhurst, 476-487. Oxford: Blackwell Publishing, 2006. google scholar
  • Gaard, Greta and Patrick Murphy. “Introduction.” In Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, eds. Greta Gaard and Patrick Murphy, 1-14. Urbana: University of Illinois Press, 1998. google scholar
  • Gates, Barbara T. “A Root of Ecofeminism: Ecoféminisme.” In Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, edited by Greta Gaard and Patrick Murphy, 15-22. Urbana: University of Illinois Press, 1998. google scholar
  • Glotfelty, Cheryll. “Introduction: Literary Studies in an Age of Environmental Crisis.” In The Ecocritical Reader: Landmarks in Literary Ecology, eds. Cheryll Glotfelty and Harold Fromm, xv- xxxvii. Athens, Georgia: University of Georgia Press, 1996. google scholar
  • Gobert, R. Darren. The Theatre of Caryl Churchill. New York: Bloomsbury Methuen Drama, 2014. google scholar
  • Goodman, Lizbeth. Contemporary Feminist Theatres: To Each Her Own. London: Routledge, 1993. google scholar
  • Hartmann, Simone Birgitt. “Feminist and Postcolonial Perspectives on Ecocriticism in a Canadian Context: Toward a ‘Situated’ Literary Theory and Practice of Ecofeminism and Environmental Justice.” In Nature in Literary and Cultural Studies: Transatlantic Conversations on Ecocriticism, eds. Catrin Gersdorf and Sylvia Mayer, 87-111. Amsterdam: Rodopi, 2006. google scholar
  • Howard, Jean E. “On Owning and Owning: Caryl Churchill and the Nightmare of Capital.” In The Cambridge Companion to Caryl Churchill, eds. Elaine Aston and Elin Diamond, 36-52. Cambridge: Cambridge University Press, 2010. google scholar
  • Kritzer, Amelia. The Plays of Caryl Churchill: Theatre of Empowerment. London: MacMillan, 1991. google scholar
  • Lavery, Carl and Clare Finburgh. “Introduction: Greening the Absurd.” In Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage, eds. Carl Lavery and Clare Finburgh, 1-57. London: Bloomsbury Methuen Drama, 2015. google scholar
  • Lavery, Carl. “Introduction: Performance and Ecology – What Can Theatre Do? Green Letters: Studies in Ecocriticism 20, no. 3 (2016): 229-36. google scholar
  • Legler, Gretchen T. “Ecofeminist Literary Criticism.” In Ecofeminism: Women, Culture, Nature, ed. Karen Warren, 227-236. Bloomington: Indiana University Press, 1997. google scholar
  • May, Theresa J. “Greening the Theater: Taking Ecocriticism from Page to Stage.” Interdisciplinary Literary Studies: A Journal of Criticism and Theory 7, no. 1 (2005): 84-103. google scholar
  • Mellor, Mary. Feminism and Ecology: An Introduction. New York: New York University Press, 1997. google scholar
  • Merrill, Lisa. “Monsters and Heroines: Caryl Churchill's Women.” In Caryl Churchill: A Casebook, ed. Phyllis R. Randall, 71-89. New York: Garland Publishing, 1988. google scholar
  • Moraga, Cherrie. Heroes and Saints & Other Plays. Albuquerque, New Mexico: West End Press, 1994. google scholar
  • Murphy, Patrick. “Two Women are Speaking: Contemporary Literature as Theoretical Critique.” In Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, eds. Greta Gaard and Patrick Murphy, 23-49. Urbana: University of Illinois Press, 1998. google scholar
  • Oppermann, Serpil. “Feminist Ecocriticism: A Posthumanist Direction in Ecocritical Trajectory.” In International Perspectives in Feminist Ecocriticism, eds. G. Gaard, S. C. Estok, and S. Oppermann, 19-37. New York: Routledge, 2013. google scholar
  • Perrault, Katherine. “Beyond the Patriarchy: Feminism and the Chaos of Creativity.” Journal of Dramatic Theory and Criticism (Fall 2002): 45-68. google scholar
  • Plumwood, Val. “Nature, Self, and Gender: Feminism, Environmental Philosophy, and the Critique of Reason.” Hypatia 6, no.1 (1991): 3-27. google scholar
  • Plumwood, Val. Feminism and the Mastery of Nature. New York: Routledge, 1993. google scholar
  • Price, John A. “The Language of Caryl Churchill: the Rhythms of Feminist Theory, Acting Theory, and Gender Politics.” Women Writers 22 July 1999. google scholar
  • Rabillard, Sheila. “On Caryl Churchill’s Ecological Drama.” In The Cambridge Companion to Caryl Churchill, eds. Elaine Aston and Elin Diamond, 88-105. Cambridge: Cambridge University Press, 2010. google scholar
  • Reinelt, Janelle. “Caryl Churchill and the Politics of Style.” In Cambridge Companion to Modern British Women Playwrights, eds. Elaine Aston and Janelle Reinelt, 174-194. Cambridge: Cambridge University Press, 2000. google scholar
  • Rowe, Karen E. “To Spin a Yarn: The Female Voice in Folklore and Fairy Tale.” In Fairy Tales and Society: Illusion, Allusion, and Paradigm, ed. Ruth B. Bottigheimer, 53-74. Philadelphia: University of Pennsylvania Press, 1986. google scholar
  • Sandilands, Catriona. The Good-Natured Feminist: Ecofeminism and the Quest for Democracy. Minneapolis: University of Minnesota Press, 1999. google scholar
  • Schneider-Adams, Laurie. A History of Western Art. New York: McGraw-Hill, 1997. google scholar
  • Shermeyer, Kelli. “The Future is Fey: Toward a Posthuman Dramaturgy with Caryl Churchill’s The Skriker.” Journal of Fantastic in the Arts 30, no.1 (2019): 52-67. google scholar
  • Tatar, Maria. The Classic Fairy Tales. New York: W.W. Norton and Company, 1999. google scholar
  • Warner, Marina. Fairy Tale: A Very Short Introduction. Oxford: Oxford University Press, 2018. google scholar
  • Warren, Karen. Ecofeminist Philosophy: A Western Perspective on What It is and Why It Matters. New York: Rowman & Littlefield Publishers, 2000. google scholar
  • Wilson, Ann. “Failure and the Limits of Representation in The Skriker.” In Essays on Caryl Churchill: Contemporary Representations, ed. Sheila Rabillard, 174-188. Winnipeg, Canada: Blizzard, 1998. google scholar
  • Zipes, Jack. Don’t Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England. New York: Routledge, 1989. google scholar
  • Zipes, Jack, ed. Spells of Enchantment: The Wondrous Fairy Tales of Western Culture. New York: Viking Penguin, 1991. google scholar
  • Zipes, Jack. “Introduction: Fairy Tales.” In The Norton Anthology of Children’s Literature, eds. Jack Zipes, Lissa Paul, Lynne Vallone, Peter Hunt, and Gillian Avery, 175-184. New York: W.W. Norton and Company, 2005. google scholar
  • Zipes, Jack. Why Fairy Tales Stick: The Evolution of a Genre. New York: Routledge, 2006. google scholar
  • Zipes, Jack. “Speaking the Truth with Folk and Fairy Tales: The Power of the Powerless.” The Journal of American Folklore 132, no. 525 (2019): 243-259. google scholar

Yıl 2025, Sayı: 41, 113 - 127, 19.11.2025
https://doi.org/10.26650/jtcd.11648872

Öz

Kaynakça

  • Arons, Wendy and Theresa May, eds. Readings in Performance and Ecology. New York: Palgrave Macmillan, 2012. google scholar
  • Aston, Elaine. Feminist Views on the English Stage: Women Playwrights 1990-2000. Cambridge: Cambridge University Press, 2000. google scholar
  • Aston, Elaine and Elin Diamond. “Introduction: on Caryl Churchill.” In The Cambridge Companion to Caryl Churchill, eds. Elaine Aston and Elin Diamond, 1-18. Cambridge: Cambridge University Press, 2010. google scholar
  • Bacchilega, Cristina. “North American and Canadian Fairy Tales.” In The Oxford Companion to Fairy Tales: The Western Fairy Tale Tradition from Medieval to Modern, ed. Jack Zipes, 343-355. New York: Oxford University Press, 2000. google scholar
  • Barad, Karen Michelle. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, NC: Duke University Press, 2007. google scholar
  • Chaudhuri, Una. “‘There Must Be a Lot of Fish in That Lake”: Toward an Ecological Theater.’” Theater 25, no.1 (1994): 23-31. google scholar
  • Chaudhuri, Una. “The Fifth Wall: Climate Change Dramaturgy.” HowlRound, 17 April 2016. google scholar
  • Churchill, Caryl. The Skriker. London: Nickhern Books, 1994. google scholar
  • Davis, Laura and Cristina Santos, eds. The Monster Imagined: Humanity’s Recreation of Monsters and the Monstrous. Witney, UK: InterDisciplinary Press, 2010. google scholar
  • Diamond, Elin. “Feeling Global.” In A Companion to Modern British and Irish Drama 1880-2005, ed. Mary Luckhurst, 476-487. Oxford: Blackwell Publishing, 2006. google scholar
  • Gaard, Greta and Patrick Murphy. “Introduction.” In Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, eds. Greta Gaard and Patrick Murphy, 1-14. Urbana: University of Illinois Press, 1998. google scholar
  • Gates, Barbara T. “A Root of Ecofeminism: Ecoféminisme.” In Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, edited by Greta Gaard and Patrick Murphy, 15-22. Urbana: University of Illinois Press, 1998. google scholar
  • Glotfelty, Cheryll. “Introduction: Literary Studies in an Age of Environmental Crisis.” In The Ecocritical Reader: Landmarks in Literary Ecology, eds. Cheryll Glotfelty and Harold Fromm, xv- xxxvii. Athens, Georgia: University of Georgia Press, 1996. google scholar
  • Gobert, R. Darren. The Theatre of Caryl Churchill. New York: Bloomsbury Methuen Drama, 2014. google scholar
  • Goodman, Lizbeth. Contemporary Feminist Theatres: To Each Her Own. London: Routledge, 1993. google scholar
  • Hartmann, Simone Birgitt. “Feminist and Postcolonial Perspectives on Ecocriticism in a Canadian Context: Toward a ‘Situated’ Literary Theory and Practice of Ecofeminism and Environmental Justice.” In Nature in Literary and Cultural Studies: Transatlantic Conversations on Ecocriticism, eds. Catrin Gersdorf and Sylvia Mayer, 87-111. Amsterdam: Rodopi, 2006. google scholar
  • Howard, Jean E. “On Owning and Owning: Caryl Churchill and the Nightmare of Capital.” In The Cambridge Companion to Caryl Churchill, eds. Elaine Aston and Elin Diamond, 36-52. Cambridge: Cambridge University Press, 2010. google scholar
  • Kritzer, Amelia. The Plays of Caryl Churchill: Theatre of Empowerment. London: MacMillan, 1991. google scholar
  • Lavery, Carl and Clare Finburgh. “Introduction: Greening the Absurd.” In Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage, eds. Carl Lavery and Clare Finburgh, 1-57. London: Bloomsbury Methuen Drama, 2015. google scholar
  • Lavery, Carl. “Introduction: Performance and Ecology – What Can Theatre Do? Green Letters: Studies in Ecocriticism 20, no. 3 (2016): 229-36. google scholar
  • Legler, Gretchen T. “Ecofeminist Literary Criticism.” In Ecofeminism: Women, Culture, Nature, ed. Karen Warren, 227-236. Bloomington: Indiana University Press, 1997. google scholar
  • May, Theresa J. “Greening the Theater: Taking Ecocriticism from Page to Stage.” Interdisciplinary Literary Studies: A Journal of Criticism and Theory 7, no. 1 (2005): 84-103. google scholar
  • Mellor, Mary. Feminism and Ecology: An Introduction. New York: New York University Press, 1997. google scholar
  • Merrill, Lisa. “Monsters and Heroines: Caryl Churchill's Women.” In Caryl Churchill: A Casebook, ed. Phyllis R. Randall, 71-89. New York: Garland Publishing, 1988. google scholar
  • Moraga, Cherrie. Heroes and Saints & Other Plays. Albuquerque, New Mexico: West End Press, 1994. google scholar
  • Murphy, Patrick. “Two Women are Speaking: Contemporary Literature as Theoretical Critique.” In Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, eds. Greta Gaard and Patrick Murphy, 23-49. Urbana: University of Illinois Press, 1998. google scholar
  • Oppermann, Serpil. “Feminist Ecocriticism: A Posthumanist Direction in Ecocritical Trajectory.” In International Perspectives in Feminist Ecocriticism, eds. G. Gaard, S. C. Estok, and S. Oppermann, 19-37. New York: Routledge, 2013. google scholar
  • Perrault, Katherine. “Beyond the Patriarchy: Feminism and the Chaos of Creativity.” Journal of Dramatic Theory and Criticism (Fall 2002): 45-68. google scholar
  • Plumwood, Val. “Nature, Self, and Gender: Feminism, Environmental Philosophy, and the Critique of Reason.” Hypatia 6, no.1 (1991): 3-27. google scholar
  • Plumwood, Val. Feminism and the Mastery of Nature. New York: Routledge, 1993. google scholar
  • Price, John A. “The Language of Caryl Churchill: the Rhythms of Feminist Theory, Acting Theory, and Gender Politics.” Women Writers 22 July 1999. google scholar
  • Rabillard, Sheila. “On Caryl Churchill’s Ecological Drama.” In The Cambridge Companion to Caryl Churchill, eds. Elaine Aston and Elin Diamond, 88-105. Cambridge: Cambridge University Press, 2010. google scholar
  • Reinelt, Janelle. “Caryl Churchill and the Politics of Style.” In Cambridge Companion to Modern British Women Playwrights, eds. Elaine Aston and Janelle Reinelt, 174-194. Cambridge: Cambridge University Press, 2000. google scholar
  • Rowe, Karen E. “To Spin a Yarn: The Female Voice in Folklore and Fairy Tale.” In Fairy Tales and Society: Illusion, Allusion, and Paradigm, ed. Ruth B. Bottigheimer, 53-74. Philadelphia: University of Pennsylvania Press, 1986. google scholar
  • Sandilands, Catriona. The Good-Natured Feminist: Ecofeminism and the Quest for Democracy. Minneapolis: University of Minnesota Press, 1999. google scholar
  • Schneider-Adams, Laurie. A History of Western Art. New York: McGraw-Hill, 1997. google scholar
  • Shermeyer, Kelli. “The Future is Fey: Toward a Posthuman Dramaturgy with Caryl Churchill’s The Skriker.” Journal of Fantastic in the Arts 30, no.1 (2019): 52-67. google scholar
  • Tatar, Maria. The Classic Fairy Tales. New York: W.W. Norton and Company, 1999. google scholar
  • Warner, Marina. Fairy Tale: A Very Short Introduction. Oxford: Oxford University Press, 2018. google scholar
  • Warren, Karen. Ecofeminist Philosophy: A Western Perspective on What It is and Why It Matters. New York: Rowman & Littlefield Publishers, 2000. google scholar
  • Wilson, Ann. “Failure and the Limits of Representation in The Skriker.” In Essays on Caryl Churchill: Contemporary Representations, ed. Sheila Rabillard, 174-188. Winnipeg, Canada: Blizzard, 1998. google scholar
  • Zipes, Jack. Don’t Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England. New York: Routledge, 1989. google scholar
  • Zipes, Jack, ed. Spells of Enchantment: The Wondrous Fairy Tales of Western Culture. New York: Viking Penguin, 1991. google scholar
  • Zipes, Jack. “Introduction: Fairy Tales.” In The Norton Anthology of Children’s Literature, eds. Jack Zipes, Lissa Paul, Lynne Vallone, Peter Hunt, and Gillian Avery, 175-184. New York: W.W. Norton and Company, 2005. google scholar
  • Zipes, Jack. Why Fairy Tales Stick: The Evolution of a Genre. New York: Routledge, 2006. google scholar
  • Zipes, Jack. “Speaking the Truth with Folk and Fairy Tales: The Power of the Powerless.” The Journal of American Folklore 132, no. 525 (2019): 243-259. google scholar

Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker

Yıl 2025, Sayı: 41, 113 - 127, 19.11.2025
https://doi.org/10.26650/jtcd.11648872

Öz

Drawing mainly upon the critique of the dualisms of the ecofeminist literary theory, this article establishes connections between the dramatic structure of Caryl Churchill’s The Skriker (1994), populated with anti-rational forces like fairies, spirits, goblins, and monsters, and the theory of ecofeminism. Thus, this article aims to reveal complementary ways of thinking about questions of dualism that are applicable to theatre studies. Accordingly, this article brings an anti-dualist feminist perspective to The Skriker, arguing that the play employs its fairy elements to avoid boundaries between dualist pairs so that all categories can be reconceptualized in ways that challenge polarisation. In this sense, the article indicates that the fairy character Skriker’s swift crosses between the dualist pairs of male/female, human/nonhuman, and conscious/unconscious realms, and the idiosyncratic language relate to the interconnectedness between those dualist pairs, highlighting the possibilities through which they may be reconsidered in an interactive and complementary way.

Kaynakça

  • Arons, Wendy and Theresa May, eds. Readings in Performance and Ecology. New York: Palgrave Macmillan, 2012. google scholar
  • Aston, Elaine. Feminist Views on the English Stage: Women Playwrights 1990-2000. Cambridge: Cambridge University Press, 2000. google scholar
  • Aston, Elaine and Elin Diamond. “Introduction: on Caryl Churchill.” In The Cambridge Companion to Caryl Churchill, eds. Elaine Aston and Elin Diamond, 1-18. Cambridge: Cambridge University Press, 2010. google scholar
  • Bacchilega, Cristina. “North American and Canadian Fairy Tales.” In The Oxford Companion to Fairy Tales: The Western Fairy Tale Tradition from Medieval to Modern, ed. Jack Zipes, 343-355. New York: Oxford University Press, 2000. google scholar
  • Barad, Karen Michelle. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, NC: Duke University Press, 2007. google scholar
  • Chaudhuri, Una. “‘There Must Be a Lot of Fish in That Lake”: Toward an Ecological Theater.’” Theater 25, no.1 (1994): 23-31. google scholar
  • Chaudhuri, Una. “The Fifth Wall: Climate Change Dramaturgy.” HowlRound, 17 April 2016. google scholar
  • Churchill, Caryl. The Skriker. London: Nickhern Books, 1994. google scholar
  • Davis, Laura and Cristina Santos, eds. The Monster Imagined: Humanity’s Recreation of Monsters and the Monstrous. Witney, UK: InterDisciplinary Press, 2010. google scholar
  • Diamond, Elin. “Feeling Global.” In A Companion to Modern British and Irish Drama 1880-2005, ed. Mary Luckhurst, 476-487. Oxford: Blackwell Publishing, 2006. google scholar
  • Gaard, Greta and Patrick Murphy. “Introduction.” In Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, eds. Greta Gaard and Patrick Murphy, 1-14. Urbana: University of Illinois Press, 1998. google scholar
  • Gates, Barbara T. “A Root of Ecofeminism: Ecoféminisme.” In Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, edited by Greta Gaard and Patrick Murphy, 15-22. Urbana: University of Illinois Press, 1998. google scholar
  • Glotfelty, Cheryll. “Introduction: Literary Studies in an Age of Environmental Crisis.” In The Ecocritical Reader: Landmarks in Literary Ecology, eds. Cheryll Glotfelty and Harold Fromm, xv- xxxvii. Athens, Georgia: University of Georgia Press, 1996. google scholar
  • Gobert, R. Darren. The Theatre of Caryl Churchill. New York: Bloomsbury Methuen Drama, 2014. google scholar
  • Goodman, Lizbeth. Contemporary Feminist Theatres: To Each Her Own. London: Routledge, 1993. google scholar
  • Hartmann, Simone Birgitt. “Feminist and Postcolonial Perspectives on Ecocriticism in a Canadian Context: Toward a ‘Situated’ Literary Theory and Practice of Ecofeminism and Environmental Justice.” In Nature in Literary and Cultural Studies: Transatlantic Conversations on Ecocriticism, eds. Catrin Gersdorf and Sylvia Mayer, 87-111. Amsterdam: Rodopi, 2006. google scholar
  • Howard, Jean E. “On Owning and Owning: Caryl Churchill and the Nightmare of Capital.” In The Cambridge Companion to Caryl Churchill, eds. Elaine Aston and Elin Diamond, 36-52. Cambridge: Cambridge University Press, 2010. google scholar
  • Kritzer, Amelia. The Plays of Caryl Churchill: Theatre of Empowerment. London: MacMillan, 1991. google scholar
  • Lavery, Carl and Clare Finburgh. “Introduction: Greening the Absurd.” In Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage, eds. Carl Lavery and Clare Finburgh, 1-57. London: Bloomsbury Methuen Drama, 2015. google scholar
  • Lavery, Carl. “Introduction: Performance and Ecology – What Can Theatre Do? Green Letters: Studies in Ecocriticism 20, no. 3 (2016): 229-36. google scholar
  • Legler, Gretchen T. “Ecofeminist Literary Criticism.” In Ecofeminism: Women, Culture, Nature, ed. Karen Warren, 227-236. Bloomington: Indiana University Press, 1997. google scholar
  • May, Theresa J. “Greening the Theater: Taking Ecocriticism from Page to Stage.” Interdisciplinary Literary Studies: A Journal of Criticism and Theory 7, no. 1 (2005): 84-103. google scholar
  • Mellor, Mary. Feminism and Ecology: An Introduction. New York: New York University Press, 1997. google scholar
  • Merrill, Lisa. “Monsters and Heroines: Caryl Churchill's Women.” In Caryl Churchill: A Casebook, ed. Phyllis R. Randall, 71-89. New York: Garland Publishing, 1988. google scholar
  • Moraga, Cherrie. Heroes and Saints & Other Plays. Albuquerque, New Mexico: West End Press, 1994. google scholar
  • Murphy, Patrick. “Two Women are Speaking: Contemporary Literature as Theoretical Critique.” In Ecofeminist Literary Criticism: Theory, Interpretation, Pedagogy, eds. Greta Gaard and Patrick Murphy, 23-49. Urbana: University of Illinois Press, 1998. google scholar
  • Oppermann, Serpil. “Feminist Ecocriticism: A Posthumanist Direction in Ecocritical Trajectory.” In International Perspectives in Feminist Ecocriticism, eds. G. Gaard, S. C. Estok, and S. Oppermann, 19-37. New York: Routledge, 2013. google scholar
  • Perrault, Katherine. “Beyond the Patriarchy: Feminism and the Chaos of Creativity.” Journal of Dramatic Theory and Criticism (Fall 2002): 45-68. google scholar
  • Plumwood, Val. “Nature, Self, and Gender: Feminism, Environmental Philosophy, and the Critique of Reason.” Hypatia 6, no.1 (1991): 3-27. google scholar
  • Plumwood, Val. Feminism and the Mastery of Nature. New York: Routledge, 1993. google scholar
  • Price, John A. “The Language of Caryl Churchill: the Rhythms of Feminist Theory, Acting Theory, and Gender Politics.” Women Writers 22 July 1999. google scholar
  • Rabillard, Sheila. “On Caryl Churchill’s Ecological Drama.” In The Cambridge Companion to Caryl Churchill, eds. Elaine Aston and Elin Diamond, 88-105. Cambridge: Cambridge University Press, 2010. google scholar
  • Reinelt, Janelle. “Caryl Churchill and the Politics of Style.” In Cambridge Companion to Modern British Women Playwrights, eds. Elaine Aston and Janelle Reinelt, 174-194. Cambridge: Cambridge University Press, 2000. google scholar
  • Rowe, Karen E. “To Spin a Yarn: The Female Voice in Folklore and Fairy Tale.” In Fairy Tales and Society: Illusion, Allusion, and Paradigm, ed. Ruth B. Bottigheimer, 53-74. Philadelphia: University of Pennsylvania Press, 1986. google scholar
  • Sandilands, Catriona. The Good-Natured Feminist: Ecofeminism and the Quest for Democracy. Minneapolis: University of Minnesota Press, 1999. google scholar
  • Schneider-Adams, Laurie. A History of Western Art. New York: McGraw-Hill, 1997. google scholar
  • Shermeyer, Kelli. “The Future is Fey: Toward a Posthuman Dramaturgy with Caryl Churchill’s The Skriker.” Journal of Fantastic in the Arts 30, no.1 (2019): 52-67. google scholar
  • Tatar, Maria. The Classic Fairy Tales. New York: W.W. Norton and Company, 1999. google scholar
  • Warner, Marina. Fairy Tale: A Very Short Introduction. Oxford: Oxford University Press, 2018. google scholar
  • Warren, Karen. Ecofeminist Philosophy: A Western Perspective on What It is and Why It Matters. New York: Rowman & Littlefield Publishers, 2000. google scholar
  • Wilson, Ann. “Failure and the Limits of Representation in The Skriker.” In Essays on Caryl Churchill: Contemporary Representations, ed. Sheila Rabillard, 174-188. Winnipeg, Canada: Blizzard, 1998. google scholar
  • Zipes, Jack. Don’t Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England. New York: Routledge, 1989. google scholar
  • Zipes, Jack, ed. Spells of Enchantment: The Wondrous Fairy Tales of Western Culture. New York: Viking Penguin, 1991. google scholar
  • Zipes, Jack. “Introduction: Fairy Tales.” In The Norton Anthology of Children’s Literature, eds. Jack Zipes, Lissa Paul, Lynne Vallone, Peter Hunt, and Gillian Avery, 175-184. New York: W.W. Norton and Company, 2005. google scholar
  • Zipes, Jack. Why Fairy Tales Stick: The Evolution of a Genre. New York: Routledge, 2006. google scholar
  • Zipes, Jack. “Speaking the Truth with Folk and Fairy Tales: The Power of the Powerless.” The Journal of American Folklore 132, no. 525 (2019): 243-259. google scholar
Toplam 46 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Çağdaş Tiyatro Çalışmaları
Bölüm Araştırma Makalesi
Yazarlar

Işıl Şahin Gülter 0000-0002-2313-0997

Gönderilme Tarihi 28 Şubat 2025
Kabul Tarihi 12 Haziran 2025
Yayımlanma Tarihi 19 Kasım 2025
Yayımlandığı Sayı Yıl 2025 Sayı: 41

Kaynak Göster

APA Şahin Gülter, I. (2025). Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 41, 113-127. https://doi.org/10.26650/jtcd.11648872
AMA 1.Şahin Gülter I. Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker. T.E.D. Dergi. 2025;(41):113-127. doi:10.26650/jtcd.11648872
Chicago Şahin Gülter, Işıl. 2025. “Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, sy 41: 113-27. https://doi.org/10.26650/jtcd.11648872.
EndNote Şahin Gülter I (01 Kasım 2025) Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 41 113–127.
IEEE [1]I. Şahin Gülter, “Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker”, T.E.D. Dergi, sy 41, ss. 113–127, Kas. 2025, doi: 10.26650/jtcd.11648872.
ISNAD Şahin Gülter, Işıl. “Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi. 41 (01 Kasım 2025): 113-127. https://doi.org/10.26650/jtcd.11648872.
JAMA 1.Şahin Gülter I. Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker. T.E.D. Dergi. 2025;:113–127.
MLA Şahin Gülter, Işıl. “Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, sy 41, Kasım 2025, ss. 113-27, doi:10.26650/jtcd.11648872.
Vancouver 1.Şahin Gülter I. Bridging the Dualist Pairs: An Ecofeminist Reading of Caryl Churchill’s Fairy Tale Inter-text in The Skriker. T.E.D. Dergi [Internet]. 01 Kasım 2025;(41):113-27. Erişim adresi: https://izlik.org/JA43KP62MA