Öz
In this paper, two dimensions of transcending the borders in the theatre of Theodoros Terzopoulos is discussed through the main dynamics of the performance of Persians in 2006. The first of these dimensions, the more easily recognizable and observable, is the political dimension. However, the perception and experience of the political is only possible with the more complex and holistic ontological dimension. In the Persians of Terzopoulos, reconstruction of the text of Aeschylus reveals a de-construction of the body of actors. Thus, the political and ontological dimensions melt into each other and the dialog with the “other” of our own body, our sister and victims of self-deception offers the audience a peaceful and democratic means of communication resulting from shared suffering.
Anahtar Kelimeler
Theodoros Terzopoulos Aiskhylos Persians the biodynamic method of acting ecstatic body
Kaynakça
- Aeschylus. Persians. Translated by Janet Lembke & C.J. Herington. New York: Oxford University Press, 1991. google scholar
- Arvanitakis, Konstantinos. “Terzopoulos’ Jenseits - The Psychoanalytic Foundation of Terzopoulos’ Theatre.” In Dionysos in Exile: The Theatre of Theodoros Terzopoulos, edited by Benedikt Maria Ernold. Berlin: Theater der Zeit, 2019. google scholar
- Decreus, Freddy. “Bodies, Back from Exile.” In Dionysos in Exile: The Theatre of Theodoros Terzopoulos, edited by Benedikt Maria Ernold. Berlin: Theater der Zeit, 2019. google scholar
- Karaboğa, Kerem. “The Journey of a Performer with Theodoros Terzopoulos in Prometheus Bound.” In Promethiade, edited by Frank M. Raddatz. Essen: Klartext, 2011. google scholar
- Karaboğa, Kerem. “The Acting Method of Terzopoulos as a Means to Confrontation with Our Age of Total google scholar
- Kerem Karaboğa,“The Journey of a Performer with Theodoros Terzopoulos in Prometheus Bound,”in Promethiade, ed. Frank M. Raddatz (Essen: Klartext, 2011), 127. google scholar
- Decay.” In Terzopoulos Tribute Delphi, edited by Attis Theatre. Berlin: Theater der Zeit, 2021 google scholar
- Raddatz, Frank M. “The Metaphysiscs of the Body- Theodoros Terzopoulos in Conversation with Frank M. Raddatz.” In Reise mit Dionysos. Das Theater des Theodoros Terzopoulos: Journey with Dionysos. The Theatre of Theodoros Terzopoulos, edited by Frank M Raddatz. Berlin: Theater der Zeit, 2006. google scholar
- Terzopoulos, Theodoros. Myth and Innovation Road. Unpublished Text. google scholar
Öz
In this paper, two dimensions of transcending the borders in the theatre of Theodoros Terzopoulos is discussed through the main dynamics of the performance of Persians in 2006. The first of these dimensions, the more easily recognizable and observable, is the political dimension. However, the perception and experience of the political is only possible with the more complex and holistic ontological dimension. In the Persians of Terzopoulos, reconstruction of the text of Aeschylus reveals a de-construction of the body of actors. Thus, the political and ontological dimensions melt into each other and the dialog with the “other” of our own body, our sister and victims of self-deception offers the audience a peaceful and democratic means of communication resulting from shared suffering.
Anahtar Kelimeler
Theodoros Terzopoulos Aiskhylos Persians the biodynamic method of acting ecstatic body
Kaynakça
- Aeschylus. Persians. Translated by Janet Lembke & C.J. Herington. New York: Oxford University Press, 1991. google scholar
- Arvanitakis, Konstantinos. “Terzopoulos’ Jenseits - The Psychoanalytic Foundation of Terzopoulos’ Theatre.” In Dionysos in Exile: The Theatre of Theodoros Terzopoulos, edited by Benedikt Maria Ernold. Berlin: Theater der Zeit, 2019. google scholar
- Decreus, Freddy. “Bodies, Back from Exile.” In Dionysos in Exile: The Theatre of Theodoros Terzopoulos, edited by Benedikt Maria Ernold. Berlin: Theater der Zeit, 2019. google scholar
- Karaboğa, Kerem. “The Journey of a Performer with Theodoros Terzopoulos in Prometheus Bound.” In Promethiade, edited by Frank M. Raddatz. Essen: Klartext, 2011. google scholar
- Karaboğa, Kerem. “The Acting Method of Terzopoulos as a Means to Confrontation with Our Age of Total google scholar
- Kerem Karaboğa,“The Journey of a Performer with Theodoros Terzopoulos in Prometheus Bound,”in Promethiade, ed. Frank M. Raddatz (Essen: Klartext, 2011), 127. google scholar
- Decay.” In Terzopoulos Tribute Delphi, edited by Attis Theatre. Berlin: Theater der Zeit, 2021 google scholar
- Raddatz, Frank M. “The Metaphysiscs of the Body- Theodoros Terzopoulos in Conversation with Frank M. Raddatz.” In Reise mit Dionysos. Das Theater des Theodoros Terzopoulos: Journey with Dionysos. The Theatre of Theodoros Terzopoulos, edited by Frank M Raddatz. Berlin: Theater der Zeit, 2006. google scholar
- Terzopoulos, Theodoros. Myth and Innovation Road. Unpublished Text. google scholar
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Konular | Uygulamalı Tiyatro |
| Bölüm | Araştırma Makalesi |
| Yazarlar | |
| Yayımlanma Tarihi | 22 Haziran 2023 |
| Yayımlandığı Sayı | Yıl 2023 Sayı: 36 |
Kaynak Göster
- Makale Dosyaları