Araştırma Makalesi
BibTex RIS Kaynak Göster

Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği

Yıl 2024, Sayı: 38, 12 - 26, 24.06.2024
https://doi.org/10.26650/jtcd.1449561

Öz

Bu çalışma, sosyopsikolojik bir durum olarak çifte bilinçliliğin kolonyal ve postkolonyal şartlarda çeşitli şekillerde dışa vurduğunu savunur. W.E.B. Du Bois çifte bilinçlilik kavramını 20. yüzyılın başında Afrikalı Amerikalı bireylerin içsel ikilik hissini tanımlamak üzere ortaya atmış olsa da bu kavram, Homi K. Bhabha, Stuart Hall ve Paul Gilroy gibi postkolonyal kuramcılara ilham kaynağı olmuştur. Dolayısıyla bu çalışmada Du Bois’in çifte bilinçlilik kavramının günümüzdeki kuramsal yansımaları ana hatlarıyla anlatılarak bu kavramın daha güncel ve kapsamlı bir bakış açısı ile ele alınabileceği gösterilmiş ve bu bakış açısı Nijeryalı yazar Wole Soyinka’nın oyunları üzerinden örneklendirilmiştir. Çalışmada Soyinka’nın Death and the King’s Horseman (Ölüm ve Kralın Süvarisi), The Lion and the Jewel (Aslan ile Mücevher) ve The Invention (İcat) isimli oyunlarından örnekler verilmiştir. Bu oyunlar sömürgeci ile sömürülen arasındaki çift taraflı etkileşimleri içeren bir durum olarak çifte bilinçliliğin çeşitli şekillerde dışavurumlarını göstermektedir. Her bir oyun, teorik açıdan bu çalışmada genişletilmiş ve güncelleştirilmiş anlamıyla çifte bilinçliliğin farklı bir yönünü ortaya koymaktadır.

Kaynakça

  • Akçay, Ahmet Sait. Modern Afrika Edebiyatı: Dönemler, Temalar, Yaklaşımlar. Ankara: Hece Yayınları, 2021. google scholar
  • Amkpa, Awam. Theatre and Postcolonial Desires. London and New York: Routledge, 2004. google scholar
  • Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. Post-Colonial Studies: The Key Concepts. London and New York: Routledge, 2007. google scholar
  • Balme, Christopher B. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Oxford University Press, 2006. google scholar
  • Banham, Martin, Errol Hill, and George Woodyard, eds. The Cambridge Guide to African and Caribbean Theatre. Cambridge: Cambridge University Press, 1994. google scholar
  • --, and Jane Plastow, eds. Introduction to Contemporary African Plays, vii-xxix. London: Methuen, 1999. google scholar
  • Bhabha, Homi. The Location of Culture. London and New York: Routledge, 1994. google scholar
  • Black, Marc. “Fanon andDuBoisian Double Consciousness.” Human Architecture: Journal of the Sociology of Self-Knowledge 5 (2007): 393-404. Gale Academic OneFile, https://link.gale.com/apps/doc/A227946157/AONE?u=anon~3c0c717e&sid=googleScholar&xid=fd0b663e. google scholar
  • Brater, Enoch. “The Contemporary Theatre.” In The Theatre: A Concise History by Phyllis Hartnoll, 4th ed., 271-92. London: Thames and Hudson, 2012. google scholar
  • Brockett, Oscar G., and Franklin J. Hildy. History of the Theatre. Foundation ed., Boston: Pearson - Allyn and Bacon, 2007. google scholar
  • Buchanan, Ian. A Dictionary of Critical Theory. Oxford: Oxford UP, 2010. google scholar
  • Conteh-Morgan, John, and Tejumola Olaniyan, eds. African Drama and Performance. Bloomington: Indiana University Press, 2004. google scholar
  • Crow, Brian, and Chris Banfield. An Introduction to Post-colonial Theatre. Cambridge: Cambridge University Press, 1996. google scholar
  • Davis, Caroline. “Publishing Wole Soyinka: Oxford University Press and the Creation of ‘Africa’s Own William Shakespeare.’” Journal of Postcolonial Writing 48, no. 4 (2012): 344-58. https://doi.org/10.1080/17449855.2011.616349. google scholar
  • Du Bois, W.E.B. “Strivings of the Negro People.” Boston: Atlantic Monthly, 80 (Aug. 1897): 194-98. google scholar
  • ———. The Souls of Black Folk. 1903. New York: Dover Publications, 1994. google scholar
  • Edwards, Brent Hayes. Introduction to The Souls of Black Folk, by W.E.B. Du Bois, vii-xxiii. Oxford: Oxford University Press, 2007. google scholar
  • Eze, Emmanuel C. “On Double Consciousness.” Callaloo 34, no. 3 (2011): 877-98. https://www.jstor.org/stable/41243197. google scholar
  • Fanon, Frantz. The Wretched of the Earth. 1961. Translated by Constance Farrington. London: Penguin Books, 2001. google scholar
  • ———. Black Skin, White Masks. 1952. Translated by Charles Lam Markmann. London: Pluto Press, 2008. google scholar
  • Fortier, Mark. Theory/Theatre: An Introduction. 2nd ed. London and New York: Routledge, 2002. google scholar
  • Gates Jr., Henry Louis, and Cornel West. The Future of the Race. New York: Vintage Books, 1997. google scholar
  • George, Olakunle. Relocating Agency: Modernity and African Letters. Albany: State University of New York Press, 2003. google scholar
  • Gibbs, James, ed. Introduction to Critical Perspectives on Wole Soyinka, 3-16. London: Heinemann, 1981. google scholar
  • Gilroy, Paul. Against Race: Imagining Political Culture Beyond the Color Line. Cambridge, MA: The Belknap Press of Harvard University Press, 2000. google scholar
  • Greene, Meg. Henry Louis Gates, Jr.: A Biography. Santa Barbara, CA: Greenwood Press, 2012. google scholar
  • Hall, Stuart. “Cultural Identity and Diaspora.” In Identity: Community, Culture, Difference, edited by Jonathan Rutherford, 222-37. London: Lawrence and Wishart, 1990. google scholar
  • ———. “Race, The Floating Signifier.” Directed by Sut Jhally. Media Education Foundation, 1996. www.mediaed.org. google scholar
  • Holt, Thomas C. “The Political Uses of Alienation: W. E. B. Du Bois on Politics, Race, and Culture, 1903-1940.” American Quarterly 42, no.2 (1990): 301-23. https://doi.org/10.2307/2713019. google scholar
  • Innes, C. L. The Cambridge Introduction to Postcolonial Literatures in English. Cambridge: Cambridge University Press, 2007. google scholar
  • Irele, F. Abiola. The African Imagination: Literature in Africa and the Black Diaspora. Oxford: Oxford University Press, 2001. google scholar
  • --. Foreword to The Invention & The Detainee, by Wole Soyinka. Edited by Zodwa Motsa, ix-xi. Pretoria: Unisa Press, 2005. google scholar
  • Johns, David. “Editorial: Here’s Why W.E.B. Du Bois Matters.” NBC News, March 1, 2017. https://www.nbcnews.com/news/nbcblk/ editorial-why-w-e-b-du-bois-matters-n719971. google scholar
  • Kerr, David. African Popular Theatre: from Pre-Colonial Times to the Present Day. Oxford: James Currey, 1995. google scholar
  • Larson, Charles R. Review: “Soyinka’s First Play: The Invention.” Africa Today 18, no. 4 (1971): 80-83. http://www.jstor.org/stable/4185199. google scholar
  • Lo, Jacqueline, and Helen Gilbert. “Toward a Topography of Cross-Cultural Theatre Praxis.” TDR (1988-) 46, no. 3 (2002): 31-53. http://www.jstor.org/stable/1146995. google scholar
  • Lombardo, Agostino. “Wole Soyinka: the Artist and His Tradition.” In Imagination and the Creative Impulse in the New Literatures in English, edited by Maria Teresa Bindella and Geoffrey V. Davis, 93-98. Amsterdam: Rodopi, 1993. google scholar
  • Losambe, Lokangaka, and Devi Sarinjeive, eds. Pre-colonial and Post-colonial Drama and Theatre in Africa. Cape Town: New Africa Books, 2001. google scholar
  • McLeod, John. Beginning Postcolonialism. 2nd ed. Manchester: Manchester University Press, 2012. google scholar
  • Motsa, Zodwa, ed. Introduction to The Invention & The Detainee, by Wole Soyinka, 1-16. Pretoria: Unisa Press, 2005. google scholar
  • Ogunba, Oyin. The Movement of Transition: A Study of the Plays of Wole Soyinka. Ibadan: Ibadan University Press, 1975. google scholar
  • Olaniyan, Tejumola. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American, and Caribbean Drama. Oxford: Oxford University Press, 1995. google scholar
  • Peyma, Nasser Dasht. Postcolonial Drama: A Comparative Study of Wole Soyinka, Derek Walcott and Girish Karnad. Jaipur: Rawat Publications, 2009. google scholar
  • Pittman, John P. “Double Consciousness.” The Stanford Encyclopaedia of Philosophy (Summer 2016 Edition). Edited by Edward N. Zalta. https://plato.stanford.edu/archives/sum2016/entries/double-consciousness/. google scholar
  • Plastow, Jane. Commentary and Notes to Death and the King’s Horseman, by Wole Soyinka, v-xliii. London: Methuen Drama, 1998. google scholar
  • Salman, Yasemin Sevim. Postkolonyalizm ve Siyahi Tiyatro. Edited by Aslıhan Ünlü. Ankara: Akademisyen Kitabevi, 2022. google scholar
  • Soyinka, Wole. The Lion and the Jewel. 1963. In Wole Soyinka: Collected Plays 2, 1-58. Oxford: Oxford University Press, 1974. google scholar
  • ———. Death and the King’s Horseman. 1975. London: Methuen Drama, 1998. google scholar
  • ———. The Invention & The Detainee. Edited by Zodwa Motsa. Pretoria: Unisa Press, 2005. google scholar
  • Ukala, Sam. “Impersonation in Some African Ritual and Festival Performances.” In Meditations on African Literature, edited by Dubem Ofakor, 133-47. Santa Barbara, CA: Greenwood Press, 2001. google scholar

A New Interpretation of Double Consciousness: The Case of Wole Soyinka

Yıl 2024, Sayı: 38, 12 - 26, 24.06.2024
https://doi.org/10.26650/jtcd.1449561

Öz

This study argues that double consciousness as a sociopsychological situation manifests in various ways under colonial and postcolonial circumstances. Although W.E.B. Du Bois introduced the concept of double consciousness at the beginning of the twentieth century to describe an inward feeling of doubleness experienced by African American individuals, this concept has inspired postcolonial theorists such as Homi K. Bhabha, Stuart Hall, and Paul Gilroy. Hence, this study will briefly explain the contemporary theoretical reflections of Du Bois’s concept of double consciousness, demonstrating how this concept can be handled with a more contemporary and comprehensive perspective and exemplifying this through the plays of Nigerian playwright Wole Soyinka. Examples have been selected from Soyinka’s Death and the King’s Horseman, The Lion and the Jewel, and The Invention. These plays show various manifestations of double consciousness as a condition involving a double-sided interaction between the colonizer and the colonized. Each play reveals a different aspect of double consciousness with its expanded and updated meaning in this study.

Kaynakça

  • Akçay, Ahmet Sait. Modern Afrika Edebiyatı: Dönemler, Temalar, Yaklaşımlar. Ankara: Hece Yayınları, 2021. google scholar
  • Amkpa, Awam. Theatre and Postcolonial Desires. London and New York: Routledge, 2004. google scholar
  • Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. Post-Colonial Studies: The Key Concepts. London and New York: Routledge, 2007. google scholar
  • Balme, Christopher B. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Oxford University Press, 2006. google scholar
  • Banham, Martin, Errol Hill, and George Woodyard, eds. The Cambridge Guide to African and Caribbean Theatre. Cambridge: Cambridge University Press, 1994. google scholar
  • --, and Jane Plastow, eds. Introduction to Contemporary African Plays, vii-xxix. London: Methuen, 1999. google scholar
  • Bhabha, Homi. The Location of Culture. London and New York: Routledge, 1994. google scholar
  • Black, Marc. “Fanon andDuBoisian Double Consciousness.” Human Architecture: Journal of the Sociology of Self-Knowledge 5 (2007): 393-404. Gale Academic OneFile, https://link.gale.com/apps/doc/A227946157/AONE?u=anon~3c0c717e&sid=googleScholar&xid=fd0b663e. google scholar
  • Brater, Enoch. “The Contemporary Theatre.” In The Theatre: A Concise History by Phyllis Hartnoll, 4th ed., 271-92. London: Thames and Hudson, 2012. google scholar
  • Brockett, Oscar G., and Franklin J. Hildy. History of the Theatre. Foundation ed., Boston: Pearson - Allyn and Bacon, 2007. google scholar
  • Buchanan, Ian. A Dictionary of Critical Theory. Oxford: Oxford UP, 2010. google scholar
  • Conteh-Morgan, John, and Tejumola Olaniyan, eds. African Drama and Performance. Bloomington: Indiana University Press, 2004. google scholar
  • Crow, Brian, and Chris Banfield. An Introduction to Post-colonial Theatre. Cambridge: Cambridge University Press, 1996. google scholar
  • Davis, Caroline. “Publishing Wole Soyinka: Oxford University Press and the Creation of ‘Africa’s Own William Shakespeare.’” Journal of Postcolonial Writing 48, no. 4 (2012): 344-58. https://doi.org/10.1080/17449855.2011.616349. google scholar
  • Du Bois, W.E.B. “Strivings of the Negro People.” Boston: Atlantic Monthly, 80 (Aug. 1897): 194-98. google scholar
  • ———. The Souls of Black Folk. 1903. New York: Dover Publications, 1994. google scholar
  • Edwards, Brent Hayes. Introduction to The Souls of Black Folk, by W.E.B. Du Bois, vii-xxiii. Oxford: Oxford University Press, 2007. google scholar
  • Eze, Emmanuel C. “On Double Consciousness.” Callaloo 34, no. 3 (2011): 877-98. https://www.jstor.org/stable/41243197. google scholar
  • Fanon, Frantz. The Wretched of the Earth. 1961. Translated by Constance Farrington. London: Penguin Books, 2001. google scholar
  • ———. Black Skin, White Masks. 1952. Translated by Charles Lam Markmann. London: Pluto Press, 2008. google scholar
  • Fortier, Mark. Theory/Theatre: An Introduction. 2nd ed. London and New York: Routledge, 2002. google scholar
  • Gates Jr., Henry Louis, and Cornel West. The Future of the Race. New York: Vintage Books, 1997. google scholar
  • George, Olakunle. Relocating Agency: Modernity and African Letters. Albany: State University of New York Press, 2003. google scholar
  • Gibbs, James, ed. Introduction to Critical Perspectives on Wole Soyinka, 3-16. London: Heinemann, 1981. google scholar
  • Gilroy, Paul. Against Race: Imagining Political Culture Beyond the Color Line. Cambridge, MA: The Belknap Press of Harvard University Press, 2000. google scholar
  • Greene, Meg. Henry Louis Gates, Jr.: A Biography. Santa Barbara, CA: Greenwood Press, 2012. google scholar
  • Hall, Stuart. “Cultural Identity and Diaspora.” In Identity: Community, Culture, Difference, edited by Jonathan Rutherford, 222-37. London: Lawrence and Wishart, 1990. google scholar
  • ———. “Race, The Floating Signifier.” Directed by Sut Jhally. Media Education Foundation, 1996. www.mediaed.org. google scholar
  • Holt, Thomas C. “The Political Uses of Alienation: W. E. B. Du Bois on Politics, Race, and Culture, 1903-1940.” American Quarterly 42, no.2 (1990): 301-23. https://doi.org/10.2307/2713019. google scholar
  • Innes, C. L. The Cambridge Introduction to Postcolonial Literatures in English. Cambridge: Cambridge University Press, 2007. google scholar
  • Irele, F. Abiola. The African Imagination: Literature in Africa and the Black Diaspora. Oxford: Oxford University Press, 2001. google scholar
  • --. Foreword to The Invention & The Detainee, by Wole Soyinka. Edited by Zodwa Motsa, ix-xi. Pretoria: Unisa Press, 2005. google scholar
  • Johns, David. “Editorial: Here’s Why W.E.B. Du Bois Matters.” NBC News, March 1, 2017. https://www.nbcnews.com/news/nbcblk/ editorial-why-w-e-b-du-bois-matters-n719971. google scholar
  • Kerr, David. African Popular Theatre: from Pre-Colonial Times to the Present Day. Oxford: James Currey, 1995. google scholar
  • Larson, Charles R. Review: “Soyinka’s First Play: The Invention.” Africa Today 18, no. 4 (1971): 80-83. http://www.jstor.org/stable/4185199. google scholar
  • Lo, Jacqueline, and Helen Gilbert. “Toward a Topography of Cross-Cultural Theatre Praxis.” TDR (1988-) 46, no. 3 (2002): 31-53. http://www.jstor.org/stable/1146995. google scholar
  • Lombardo, Agostino. “Wole Soyinka: the Artist and His Tradition.” In Imagination and the Creative Impulse in the New Literatures in English, edited by Maria Teresa Bindella and Geoffrey V. Davis, 93-98. Amsterdam: Rodopi, 1993. google scholar
  • Losambe, Lokangaka, and Devi Sarinjeive, eds. Pre-colonial and Post-colonial Drama and Theatre in Africa. Cape Town: New Africa Books, 2001. google scholar
  • McLeod, John. Beginning Postcolonialism. 2nd ed. Manchester: Manchester University Press, 2012. google scholar
  • Motsa, Zodwa, ed. Introduction to The Invention & The Detainee, by Wole Soyinka, 1-16. Pretoria: Unisa Press, 2005. google scholar
  • Ogunba, Oyin. The Movement of Transition: A Study of the Plays of Wole Soyinka. Ibadan: Ibadan University Press, 1975. google scholar
  • Olaniyan, Tejumola. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American, and Caribbean Drama. Oxford: Oxford University Press, 1995. google scholar
  • Peyma, Nasser Dasht. Postcolonial Drama: A Comparative Study of Wole Soyinka, Derek Walcott and Girish Karnad. Jaipur: Rawat Publications, 2009. google scholar
  • Pittman, John P. “Double Consciousness.” The Stanford Encyclopaedia of Philosophy (Summer 2016 Edition). Edited by Edward N. Zalta. https://plato.stanford.edu/archives/sum2016/entries/double-consciousness/. google scholar
  • Plastow, Jane. Commentary and Notes to Death and the King’s Horseman, by Wole Soyinka, v-xliii. London: Methuen Drama, 1998. google scholar
  • Salman, Yasemin Sevim. Postkolonyalizm ve Siyahi Tiyatro. Edited by Aslıhan Ünlü. Ankara: Akademisyen Kitabevi, 2022. google scholar
  • Soyinka, Wole. The Lion and the Jewel. 1963. In Wole Soyinka: Collected Plays 2, 1-58. Oxford: Oxford University Press, 1974. google scholar
  • ———. Death and the King’s Horseman. 1975. London: Methuen Drama, 1998. google scholar
  • ———. The Invention & The Detainee. Edited by Zodwa Motsa. Pretoria: Unisa Press, 2005. google scholar
  • Ukala, Sam. “Impersonation in Some African Ritual and Festival Performances.” In Meditations on African Literature, edited by Dubem Ofakor, 133-47. Santa Barbara, CA: Greenwood Press, 2001. google scholar
Toplam 50 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Edebi Çalışmalar (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Asli Kutluk 0000-0002-3704-7609

Yayımlanma Tarihi 24 Haziran 2024
Gönderilme Tarihi 9 Mart 2024
Kabul Tarihi 22 Mayıs 2024
Yayımlandığı Sayı Yıl 2024 Sayı: 38

Kaynak Göster

APA Kutluk, A. (2024). Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği. Tiyatro Eleştirmenliği Ve Dramaturji Bölümü Dergisi(38), 12-26. https://doi.org/10.26650/jtcd.1449561
AMA Kutluk A. Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği. T.E.D. Dergi. Haziran 2024;(38):12-26. doi:10.26650/jtcd.1449561
Chicago Kutluk, Asli. “Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği”. Tiyatro Eleştirmenliği Ve Dramaturji Bölümü Dergisi, sy. 38 (Haziran 2024): 12-26. https://doi.org/10.26650/jtcd.1449561.
EndNote Kutluk A (01 Haziran 2024) Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 38 12–26.
IEEE A. Kutluk, “Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği”, T.E.D. Dergi, sy. 38, ss. 12–26, Haziran 2024, doi: 10.26650/jtcd.1449561.
ISNAD Kutluk, Asli. “Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 38 (Haziran 2024), 12-26. https://doi.org/10.26650/jtcd.1449561.
JAMA Kutluk A. Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği. T.E.D. Dergi. 2024;:12–26.
MLA Kutluk, Asli. “Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği”. Tiyatro Eleştirmenliği Ve Dramaturji Bölümü Dergisi, sy. 38, 2024, ss. 12-26, doi:10.26650/jtcd.1449561.
Vancouver Kutluk A. Çifte Bilinçliliğe Yeni Bir Yorum: Wole Soyinka Örneği. T.E.D. Dergi. 2024(38):12-26.