Theater in Iranian Society

Yıl 2024, Sayı: 39, 5 - 5, 31.12.2024

Fatima Parchekani

Öz

Compared to a broader spectrum of global theatrical history, the evolution of theater and modern dramatic literature in Iran is a relatively recent phenomenon, spanning less than two centuries. As Middle Eastern nations such as Turkey and Lebanon pursued social and cultural modernization, Iran embarked on a similar journey, culminating in the development of its theatrical traditions. Notably, Lebanese playwright Marun al-Naqqash staged his first play, “al-Bakh¯ıl,” in Beirut in 1847, while İbrahim Şinasi authored “The Wedding of a Poet” (Şair Evlenmesi) in 1859. Additionally, historical accounts suggest that Hayreddin Efendi may have penned earlier plays, which were subsequently discovered.

In the Iranian context, studies have revealed that exposure to European theatrical practices served as a catalyst for innovation. Mirza Fath-Ali Akhundzadeh emerged as a pioneering figure, producing his first play, “Mulla Ibrahim Khalil the Alchemist,” in 1849. This work blends European stylistic elements with Iranian narrative traditions, composed in Azeri Turkish and later translated into Persian by Mirza Jafar Qarachedaghi. Mirza Aga Tabrizi, the first Persian-speaking playwright influenced by Akhundzadeh’s approach, authored five published plays, making a significant milestone in Persian dramatic literature.

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Theater in Iranian Society, Editorial, Editörden