Pardeh Khani as Performance: An Approach Based on Erika Fischer-Lichte’s Theories

Yıl 2024, Sayı: 39, 1 - 13, 31.12.2024

Rahmat Amini Zahra Shirvani Saadatabadi

Öz

Pardeh Khani is a distinctive form of traditional storytelling in Iran that is recognized for its unique performative qualities. This performance method combines storytelling, painting, and acting, which has resulted in the formation of a unique style of Iranian painting known as coffeehouse painting. This article examines the characteristics of Pardeh Khani based on performance theory, particularly using Erika Fischer-Lichte’s theories, which emphasizes four key aspects: mediality, materiality, semioticity, and aestheticity, to uncover the performative possibilities of this tradition. Although Pardeh Khani has faced a decline in recent decades, the initial findings of this research indicate that it has the potential for renewal as an interdisciplinary art form by integrating advancements in both painting and narration. Therefore, a comprehensive understanding of its performative possibilities is required to preserve and modernize this performance art.

Anahtar Kelimeler

Pardeh Khani, Coffeehouse Painting, Iranian Performances, Fischer-Lichte, Interdisciplinary Art

Kaynakça

• Anasori, Jaber. Daramad-i bar Namayes va Niayes dar Iran [Introduction to Theater and Ritual in Iran]. Tehran: Jihad Daneshgahi Press, 1987. google scholar
• Agha-Abbasi, Yadullah. Dânishnâmih-yi Namâyish-i-Irânî [Encyclopedia of Iranian Drama]. Tehran: Ghatreh Publishing, 2012. google scholar
• —. “Theater: Iranian Theater and Its Relation to World Theater.” Art and Architecture, no. 42-43 (2008): 245-233. google scholar
• Beyzaie, Bahram. Namayes dar Iran [A Study on Iranian Theatre]: Edition9. Tehran: Roshangaran andWomen Studies Publishing House, 2013. google scholar
• Boloukbashi, Ali. Qahvehkhaneha—ye Irân [Iranian Coffeehouses]. Tehran: Daftar-e Pazhuhesh-ha-ye Farhangî, 1996. google scholar
• Chelkowski, Peter. Ta’ziyeh: Ritual and Drama in Iran. Translated by Davood Hatami. Tehran: Samt, 2005. google scholar
• Fadaei, Majid. “The study of epic aspects in the dramatic art of illustrated storytelling “Parda Khwani”,” The Journal of Epic Literature, no. 30 (2020): 199-220. google scholar
• Fischer-Lichte, Erika. The Routledge Introduction to Theatre and Performance Studies. New York: Routledge, 2014. google scholar
• Galehdaran, Leili, and Reza Pourzarrin. “The Role of the Minstrel and the Quote of the Painter: Interaction of Performative Elements, Visual Elements and the Creation of Multi-field Space in the Field Pardeh Khani” Negareh Journal, no. 50 (2019): 90-107. google scholar
• Gharibpour, Behrouz. “The Sacred Art of Recitation (=Pardeh Khani)”. Faslname-ye Honar, no. 40 (1999): 55-65. google scholar
• Hasan Beigi, Mohammad Reza. Tehran-i Ghadim [Old Tehran]. Tehran: Ghoghnoos Publishing, 2006. google scholar
• Homayouni, Sadeq. Ta’zieh va Ta’zieh-Khani [Ta’zieh and Ta’zieh Recitation]. Shiraz: Jashn-e-Honar Publication, 1974. google scholar
• Kamyabi Mask, Ahmad, and Mohammad Bagher Ghahramani. “Impact on the Audience.” Art and Architecture, no. 95-96 (2007): 85-88. google scholar
• Malekpour, Jamshid. Selections from the History of Theater in the World. Tehran: Keyhan Publication, 1985. google scholar
• Naserbakht, Mohammad Hossein. “Darvishi Curtains: The Art of Pardeh Khani and Darvishi Curtains Painting.” Honar, no.35 (1998): 101-114 google scholar
• Pakbaz, Ruyin. Encyclopedia of Art: Edition 10. Tehran: Farhang Mo’aser, 2011. google scholar
• Rahbarnia, Zahra, and Roshanak Davari. “An Investigation into Ta’ziyeh and Performance Art with an Emphasis on the Audience Interaction” Bagh-e Nazar, no. 49 (2017): 19-30. google scholar
• Schechner, Richard. Performance Theory. New York: Routledge, 2018. google scholar
• Shahbazi, Ramtin, and Hashemi, Mohammad. “The Role of Temporal Indications in the Relationship between Painting and Ritual Performance in the Traditional Art of Pardeh Khani” Neghshmayeh, no. 2 (2022(: 34-27. google scholar
• Taghavi, Leyla. “Coffeehouse Painting and Miniature - Formation and Interaction” Art and Architecture, no. 25 (2011): 10-14. google scholar