Araştırma Makalesi
BibTex RIS Kaynak Göster

A Brief Survey of Gender Parity in the Theatre Industry

Yıl 2024, Cilt: 2 Sayı: 2, 105 - 115, 19.09.2024
https://doi.org/10.62425/theatreacademy.1527205

Öz

Throughout centuries, women have been excluded from theatre, an otherwise significant part of Western culture. Even after they have been allowed to attend theatrical performances, perform on stage, and publish their work, their contributions have been obscured or downgraded. In modern times, the inequality between male and female playwrights and theatre practitioners saw only marginal improvement. This study investigates the presence of women as playwrights and directors in the 40 plays uploaded to the National Theatre at Home platform in the year starting with December 2020. Studies conducted since the 1980s have systematically pointed out the lack of equal opportunities for men and women in the theatre industry. Our findings comply with relevant studies and attest that gender parity is far from being attained despite efforts to include more women in theatre in various roles.

Destekleyen Kurum

The Scientific and Technological Research Council of Türkiye (TÜBİTAK)

Proje Numarası

121G190

Kaynakça

  • Case, S. E. (1988). Feminism and Theatre. London: Macmillan.
  • Ferris, L. (1990). Acting Women. Images of Women in Theatre. London: Macmillan.
  • Howe, E. (1992). The First English Actresses. Women and Drama 1660-1700. Cambridge: Cambridge University Press.
  • Gardiner, C. (1998). What Share of the Cake? The Employment of Women in the English Theatre (1987). In L. Goodman & J. de Gay (Eds.), The Routledge Reader in Gender and Performance (pp. 97-102). London and New York: Routledge.
  • Gardner, L. (2015, April 28). In 10 years nothing has changed for female playwrights – it’s time to act. The Guardian. Retrieved from https://www.theguardian.com/stage/theatreblog/2015/apr/28/nothing-changed-female-playwrights-uk-theatres-gender-equality
  • Goldhill, S. (1997). The Audience of Athenian Tragedy. In P. E. Easterling (Ed.), The Cambridge Companion to Greek Tragedy. Cambridge: Cambridge University Press.
  • Lafler, J. (2004). Theatre and the Female Presence. In J. Donohue (Ed.), The Cambridge History of British Theatre (pp. 71-89). Cambridge: Cambridge University Press.
  • Long, J. (1998). What Share of the Cake Now? The Employment of Women in the English Theatre (1994). In L. Goodman & J. de Gay (Eds.), The Routledge Reader in Gender and Performance (pp. 103-107). London and New York: Routledge.
  • Luckhurst, G. (2024, March 7). Campaign to address under-representation of women in theatre secures ACE meeting. The Stage. Retrieved from https://www.thestage.co.uk/news/campaign-to-address-under-representation-of-women-in-theatre-secures-ace-meeting?utm_medium=Social&utm_source=Twitter&s=08
  • National Theatre. (n.d.). Annual Review 2020-2021. Retrieved from https://images.nationaltheatre.org.uk/uploads/2022/08/national_theatre_annual_review_2020-21.pdf
  • National Theatre. (n.d.). Equity, Diversity and Inclusion. Retrieved from https://www.nationaltheatre.org.uk/about-us/diversity/
  • National Theatre at Home (n.d.). https://www.ntathome.com/
  • Potter, S. (2013, November 7). Does the National Theatre have a problem with women? The Guardian. Retrieved from https://www.theguardian.com/stage/theatreblog/2013/nov/07/national-theatre-problem-with-women
  • Sphinx Theatre Company. (2020). What Share of the Cake? 2019. Retrieved from https://sphinxtheatre.co.uk/wp-content/uploads/2020/02/What-Share-of-The-Cake...pdf
  • Werner, S. (1998). Notes on Sharing the Cake. In L. Goodman & J. de Gay (Eds.), The Routledge Reader in Gender and Performance (pp. 108-112). London and New York: Routledge.

Tiyatro Sektöründe Cinsiyet Eşitliği Üzerine Kısa Bir Araştırma

Yıl 2024, Cilt: 2 Sayı: 2, 105 - 115, 19.09.2024
https://doi.org/10.62425/theatreacademy.1527205

Öz

Yüzyıllar boyunca kadınlar, Batı kültürünün önemli bir parçası olan tiyatronun dışında tutulmuşlardır. Tiyatro gösterilerine katılmalarına, sahnede performans sergilemelerine ve çalışmalarını yayımlamalarına izin verildikten sonra bile, katkıları gizlenmiş veya küçümsenmiştir. Modern zamanlarda, erkek ve kadın oyun yazarları ve tiyatro uygulayıcıları arasındaki eşitsizlik sadece marjinal bir iyileşme göstermiştir. Bu çalışma, Aralık 2020 ile başlayan bir yıl içinde National Theatre at Home platformuna yüklenen 40 oyunda oyun yazarı ve yönetmen olarak kadınların varlığını araştırmaktadır. 1980’lerden bu yana yapılan çalışmalar, tiyatro sektöründe kadın ve erkekler için fırsat eşitliğinin bulunmadığına sistematik olarak işaret etmektedir. Bulgularımız ilgili çalışmalarla uyumludur ve tiyatroda çeşitli rollerde daha fazla kadının yer almasına yönelik çabalara rağmen cinsiyet eşitliğinin sağlanmaktan uzak olduğunu göstermektedir.

Proje Numarası

121G190

Kaynakça

  • Case, S. E. (1988). Feminism and Theatre. London: Macmillan.
  • Ferris, L. (1990). Acting Women. Images of Women in Theatre. London: Macmillan.
  • Howe, E. (1992). The First English Actresses. Women and Drama 1660-1700. Cambridge: Cambridge University Press.
  • Gardiner, C. (1998). What Share of the Cake? The Employment of Women in the English Theatre (1987). In L. Goodman & J. de Gay (Eds.), The Routledge Reader in Gender and Performance (pp. 97-102). London and New York: Routledge.
  • Gardner, L. (2015, April 28). In 10 years nothing has changed for female playwrights – it’s time to act. The Guardian. Retrieved from https://www.theguardian.com/stage/theatreblog/2015/apr/28/nothing-changed-female-playwrights-uk-theatres-gender-equality
  • Goldhill, S. (1997). The Audience of Athenian Tragedy. In P. E. Easterling (Ed.), The Cambridge Companion to Greek Tragedy. Cambridge: Cambridge University Press.
  • Lafler, J. (2004). Theatre and the Female Presence. In J. Donohue (Ed.), The Cambridge History of British Theatre (pp. 71-89). Cambridge: Cambridge University Press.
  • Long, J. (1998). What Share of the Cake Now? The Employment of Women in the English Theatre (1994). In L. Goodman & J. de Gay (Eds.), The Routledge Reader in Gender and Performance (pp. 103-107). London and New York: Routledge.
  • Luckhurst, G. (2024, March 7). Campaign to address under-representation of women in theatre secures ACE meeting. The Stage. Retrieved from https://www.thestage.co.uk/news/campaign-to-address-under-representation-of-women-in-theatre-secures-ace-meeting?utm_medium=Social&utm_source=Twitter&s=08
  • National Theatre. (n.d.). Annual Review 2020-2021. Retrieved from https://images.nationaltheatre.org.uk/uploads/2022/08/national_theatre_annual_review_2020-21.pdf
  • National Theatre. (n.d.). Equity, Diversity and Inclusion. Retrieved from https://www.nationaltheatre.org.uk/about-us/diversity/
  • National Theatre at Home (n.d.). https://www.ntathome.com/
  • Potter, S. (2013, November 7). Does the National Theatre have a problem with women? The Guardian. Retrieved from https://www.theguardian.com/stage/theatreblog/2013/nov/07/national-theatre-problem-with-women
  • Sphinx Theatre Company. (2020). What Share of the Cake? 2019. Retrieved from https://sphinxtheatre.co.uk/wp-content/uploads/2020/02/What-Share-of-The-Cake...pdf
  • Werner, S. (1998). Notes on Sharing the Cake. In L. Goodman & J. de Gay (Eds.), The Routledge Reader in Gender and Performance (pp. 108-112). London and New York: Routledge.
Toplam 15 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Çağdaş Tiyatro Çalışmaları
Bölüm Araştırma Makaleleri/Research Articles
Yazarlar

Florentina Gümüş 0000-0002-3327-0221

Yeliz Biber Vangölü 0000-0002-2117-7812

Proje Numarası 121G190
Erken Görünüm Tarihi 19 Eylül 2024
Yayımlanma Tarihi 19 Eylül 2024
Gönderilme Tarihi 2 Ağustos 2024
Kabul Tarihi 13 Eylül 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 2 Sayı: 2

Kaynak Göster

APA Gümüş, F., & Biber Vangölü, Y. (2024). A Brief Survey of Gender Parity in the Theatre Industry. Theatre Academy, 2(2), 105-115. https://doi.org/10.62425/theatreacademy.1527205

Content of this journal is licensed under a Creative Commons Attribution NonCommercial 4.0 International License
30622