GECEYARISI ÇOCUKLARI VE LAWINO’NUN & OCOL’UN ŞARKISI ESERLERİNİN POSTKOLONYAL TEORİ ÇALIŞMASI OLARAK İNCELENMESİ
Yıl 2017,
Cilt: 1 Sayı: 2, 32 - 43, 27.09.2017
Özlem Dilaver
Öz
Postkolonyalizm temel olarak kolonyalizm sonrası zamanı ifade etmek için kullanılan bir terimdir. Postkolonyal edebiyat ise Avrupa sömürgelerinin bağımsızlaşma sürecinin sorunlarına işaret eden; sömürülen ülkelerin ve insanların sosyal ve politik bağımsızlıklarını dile getiren yapıtları veya bu yapıtların yazarlarını kapsayan edebiyattır. Bu bildiri postkolonyalizm kavramı ışığında Salman Rushdie’nin Geceyarısı Çocukları ve Okot p’Bitek’in Lawino’nun Şarkısı & Ocol’un Şarkısı eserlerini irdelemektedir. Her iki yazar da eserinde kendi hikayelerini anlatarak postkolonyalizmi inceler. Okuyucu eserlerde karakterlerin parçalanmış öykülerinin izini sürer. Rushdie ana karakter Saleem’in gözünden Hindistan’ın tarihini ortaya koyarken, Okot p’Bitek ise Afrika ulusunu simgeleyen Lawino karakteriyle okuyucunun karşısına çıkar.
Kaynakça
- BOUNSE, Sarah Habib; “Hybridity and Postcoloniality: Formal, Social, and Historical Innovations in Salman Rushdie’s Midnight’s Children”, 2009.
- Gandhi, Leela; Postcolonial Theory: A Critical Introduction, Columbia University Press, New York 1998.
- GREKOWIEZ, Eric; “Salman Rushdie’s ‘Midnight’s Children’ and the Metaphorics of Fragmentation”, Journal of South Asian Literature, Vol. 31/32, No. 1-2, 1996/1997, pp. 219-237.
- GYÖRKE, Agnes; “Allegories of nation in ‘Midnight’s Children’, Hungarian Journal of English and American Studies, Vol. 7, No. 2, Fall 2001, pp. 169-190.
- HASSUMANI, Sabrina; Salman Rushdie: A Postmodern Reading of His Major Works, Rosemont Publishing & Printing Corp, USA 2002.
- KARAMCHETI, Indira; “Salman Rushdie’s ‘Midnight’s Children’ and an Alternate genesis”, Pacific Coast Philology, Vol. 21, No. 1-2, November 1986, pp. 81.84.
- MARSHALL, Brenda; Teaching Postmodernism: Fiction and Theory, Routledge, USA 1992.
- MILLER, Cathy C.; “Salman Rushdie’s ‘Stereoscopic Vision:’ Postcolonial Environments in Midnight’s Children”, New Horizons in Environmental Rhetoric, San Diego State University, Oct. 2005, pp. 42-50.
- MITRA, Reena (ed.); Salman Rusdie’s Midnight’s Children, “Salman Rushdie’s ‘Midnight’s Children’: History and Fiction as Co-ordinates in Search for Meaning”, Atlantic Publishers and Distributors, India 2006.
- MOHAMMED, Patricia; “Midnight’s Children and the Legacy of Nationalism”, Callaloo, Vol. 20, No. 4, Autumn 1997, pp. 737-752.
- NGARA, Emmanuel; Ideology & Form in African Poetry: Implications for Commnunication, Villiers Publications, London 1990.
- OTISO, Kefa M; Culture and Customs of Uganda, Greenwood Press , USA 2006.
- POLCAROVA, Dita; Historical and Political Issues of India as Reflected in Rushdie’s Midnight’s Children, Bachelor’s Diploma Thesis, Masaryk University, Faculty of Arts, 2008.
- P’BITEK, Okot; Song of Lawino, Kenya Litho Ltd., Kenya 2009.
- ___________; Song of Lawino & Song of Ocol, Heinemann Publishers, 1984.
- RUKUNDWA, Lazare S; Andries G van; “The Formation of Postcolonial Theory”. HTS Teologiese Studies / Theological Studies; Vol 63, No 3 (2007), pp. 1171-1194.
- RUSHDIE, Salman; Midnight’s Children, Penguin (Non-Classics), UK 1991.
- _______________; Imaginary Homelands: Essays and Criticism 1981-1991, Granta Books, London 1991.
- SANTOS, Jennifer; “Historical Truth in Salman Rushdie’s Midnight’s Children: A Question of Perspective”, Arizona State University, 2003.
- Wattenbarger, M.; Reading Postcolonialism and Postmodernism in Comtemporary Indian Literature, Bachelor’s Diploma Thesis, Ohio Dominican University, 2012.
- <http://exhibitions.nypl.org/africanaage/essay-colonization-of-africa.html> (26.05.2013)
READING MIDNIGHT’S CHILDREN AND SONG OF LAWINO & SONG OF OCOL AS WORKS OF POSTCOLONIAL THEORY
Yıl 2017,
Cilt: 1 Sayı: 2, 32 - 43, 27.09.2017
Özlem Dilaver
Öz
Postcolonialism is basically a period of time after colonialism and postcolonial literature addresses the problems of decolonization. It is a term used to talk about writers or their works that deal with the issues of de-colonization, political or social independence of the colonized people or countries. In consideration of postcolonialism this paper explores the issue of postcolonialism examining Song of Lawino & Song of Ocol (1956) by Okot p’Bitek and Midnight’s Children (1980) by Salman Rushdie. Both writers examine the issue of postcolonialism and discuss it by creating their own histories. In the books we trace the fragmented stories of the characters. While Rushdie provides individualized history of India in the eyes of Saleem, Okot p’Bitek creates the character of Lawino who represents the African nation.
Kaynakça
- BOUNSE, Sarah Habib; “Hybridity and Postcoloniality: Formal, Social, and Historical Innovations in Salman Rushdie’s Midnight’s Children”, 2009.
- Gandhi, Leela; Postcolonial Theory: A Critical Introduction, Columbia University Press, New York 1998.
- GREKOWIEZ, Eric; “Salman Rushdie’s ‘Midnight’s Children’ and the Metaphorics of Fragmentation”, Journal of South Asian Literature, Vol. 31/32, No. 1-2, 1996/1997, pp. 219-237.
- GYÖRKE, Agnes; “Allegories of nation in ‘Midnight’s Children’, Hungarian Journal of English and American Studies, Vol. 7, No. 2, Fall 2001, pp. 169-190.
- HASSUMANI, Sabrina; Salman Rushdie: A Postmodern Reading of His Major Works, Rosemont Publishing & Printing Corp, USA 2002.
- KARAMCHETI, Indira; “Salman Rushdie’s ‘Midnight’s Children’ and an Alternate genesis”, Pacific Coast Philology, Vol. 21, No. 1-2, November 1986, pp. 81.84.
- MARSHALL, Brenda; Teaching Postmodernism: Fiction and Theory, Routledge, USA 1992.
- MILLER, Cathy C.; “Salman Rushdie’s ‘Stereoscopic Vision:’ Postcolonial Environments in Midnight’s Children”, New Horizons in Environmental Rhetoric, San Diego State University, Oct. 2005, pp. 42-50.
- MITRA, Reena (ed.); Salman Rusdie’s Midnight’s Children, “Salman Rushdie’s ‘Midnight’s Children’: History and Fiction as Co-ordinates in Search for Meaning”, Atlantic Publishers and Distributors, India 2006.
- MOHAMMED, Patricia; “Midnight’s Children and the Legacy of Nationalism”, Callaloo, Vol. 20, No. 4, Autumn 1997, pp. 737-752.
- NGARA, Emmanuel; Ideology & Form in African Poetry: Implications for Commnunication, Villiers Publications, London 1990.
- OTISO, Kefa M; Culture and Customs of Uganda, Greenwood Press , USA 2006.
- POLCAROVA, Dita; Historical and Political Issues of India as Reflected in Rushdie’s Midnight’s Children, Bachelor’s Diploma Thesis, Masaryk University, Faculty of Arts, 2008.
- P’BITEK, Okot; Song of Lawino, Kenya Litho Ltd., Kenya 2009.
- ___________; Song of Lawino & Song of Ocol, Heinemann Publishers, 1984.
- RUKUNDWA, Lazare S; Andries G van; “The Formation of Postcolonial Theory”. HTS Teologiese Studies / Theological Studies; Vol 63, No 3 (2007), pp. 1171-1194.
- RUSHDIE, Salman; Midnight’s Children, Penguin (Non-Classics), UK 1991.
- _______________; Imaginary Homelands: Essays and Criticism 1981-1991, Granta Books, London 1991.
- SANTOS, Jennifer; “Historical Truth in Salman Rushdie’s Midnight’s Children: A Question of Perspective”, Arizona State University, 2003.
- Wattenbarger, M.; Reading Postcolonialism and Postmodernism in Comtemporary Indian Literature, Bachelor’s Diploma Thesis, Ohio Dominican University, 2012.
- <http://exhibitions.nypl.org/africanaage/essay-colonization-of-africa.html> (26.05.2013)