Araştırma Makalesi
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OSMANLI DÖNEMİ TÜRK RESİM SANATINDA RUM KÜLTÜRÜNÜN ETKİSİ

Yıl 2024, Cilt: 8 Sayı: 3, 155 - 171

Öz

Anadolu’da Bizans döneminde gelen ardından Selçuklu ve Beylik dönemlerini takip ederek oluşan sanatsal geleneklerin Osmanlı Türklerinin yönetimi altında farklı bir çizgide devam ettiği görülmektedir. Bu açıdan. Rum resim sanatının temel özellikleri olan ikonografi, mozaik ve fresk gibi teknikler, Osmanlı dönemi Türk resim sanatında yeni bir yorumla karşımıza çıkmaktadır.
Bu kapsamda çalışmanın amacı, Osmanlı resim sanatında Rum kültürünün etkisinin incelenmesi olup. Nitel araştırma yöntemlerinden tarihsel perspektif analizi ve mantıksal akıl yürütme yöntemleri benimsenerek oluşturulmuştur.
Bulgular, Osmanlı dönemi Türk resim sanatının, tarihsel ve kültürel etkileşimlerle şekillenen karmaşık ve çok yönlü bir sanat formu olduğunu. Sonuçlar ise bulgulara bağlı kalarak Rum sanatının Osmanlı resim sanatında önemli bir rol oynadığını göstermektedir.

Kaynakça

  • Alparslan, E. (2016). Türk süsleme motiflerinden. Hatai” Motifinin İncelenmesi ve Yazma Eser Ciltlerinde Bulunan “Hatai Şemseler”, Uluslararası Sosyal Araştırmalar Dergisi, C, 9, 862-874.
  • Arslan Çi̇nko, M., & Eres, Z. (2022). Evaluations on the Educational History and Buildings of Edirne Province in 19th-20th Century with Archive Documents. Balkan Araştırma Enstitüsü Dergisi, 11(1), 73–124.
  • Aoulalay, A., El Mhouti, A., & Massar, M. (2022, March). Classification of Islamic geometric patterns based on machine learning techniques. In 2022 2nd international conference on innovative research in applied science, engineering and technology (IRASET) (pp. 1-6). IEEE.
  • Aytaç, A. (2021). Turkish textiles which have been described in paintings of artist Şevket Dağ. Unıversum, (1), 73-89.
  • Bierman, I. A. (1992). Iznik: The Pottery of Ottoman Turkey, by Nurhan Atasoy & Julian Raby. Istanbul University: Institute of Social Sciences, 1989; distributed by Alexandria Press, 43 Pembridge Villas, London W11 3EP. Review of Middle East Studies, 26(2), 263-264.
  • Brend, B. (2022). The Study of Persian Painting. Journal of the Royal Asiatic Society, 32(4), 721-729.
  • Chenciner, R. (1988). Stone plastic art of Azerbaijan. By Rasim Shamil Oglu Efendiev. pp. 72, illus. inn col. and b. and w. Baku, Ishyg Publishing, 1986. Roubles 10.80. Journal of the Royal Asiatic Society, 120(1), 193-195.
  • Cowen, J. S. (1991). Miniature Painting in Ottoman Baghdad, Rachel Milstein, Islamic Art and Architecture No. 5., Costa Mesa, Calif.: Mazda publishers, 1990, 132 pp., 16 color plates, b & w illus., drawings, index, bibliography, no price listed. Iranian Studies, 24(1-4), 83-85.
  • Canakli, L. A., & Alabay, S. (2022). " Self-Learning French Coursebooks" as Part of French Education in Post Tanzimat Era of the Ottoman Empire. Journal of Education and Learning, 11(2), 104-111.
  • Стародуб, Т. Х. (2018). Праздничные парады в османской миниатюре XVI-XVIII веков. Искусство Евразии, (2 (9)), 180-192.
  • Çolakoglu, F., Yüzgeç, I. U., & Çolakoglu, S. (2022). Stuffed mussels in Turkish culinary culture: ottoman empire period.
  • Demir, M. (2022). 16. Yüzyılda Osmanlı Devleti’nde Zirai Üretimi Etkileyen Faktörler Üzerine Bir Değerlendirme/An Evaluatıon Of The Factors Affectıng The Agrıcultural Productıon In The Ottoman Empıre In The 16th Century. Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi, (55).
  • Der Matossian, B. (2020). The Development of Armeno-Turkish (Hayatar T ‘rk ‘erēn) in the 19th Century Ottoman Empire: Marking and Crossing Ethnoreligious Boundaries. Intellectual History of the Islamicate World, 8(1), 67-100.
  • Duggan, T. J. (2016). Master ing the Art of Music Integration. In Recontextualized: A Framework for Teaching English with Music (pp. 51-64). Rotterdam: SensePublishers.
  • Doygun, P. (2022). «The Others» In Polıtıcs Durıng The Era Of The Young Turks: Ottoman Greeks In The Parlıament (1908-1918). Espacio, Tiempo y Forma: Serie V, Historia Contemporánea, (34).
  • Ergut, E. A., & Özkaya, B. T. (2014). Editors’ Introduction: Culture, Diplomacy, Representation:“Ambivalent Architectures” from the Ottoman Empire to the Turkish Republic. New Perspectives on Turkey, 50, 5-8.
  • Foss, C. (2022). The Beginnings of the Ottoman Empire. Oxford University Press.
  • Fehérvári, G. (1981). Claude Humbert: Islamic ornamental design: 1001 ornamental motifs. [French/English/German text.] 236 pp. London and Boston: Faber and Faber, 1980.£ 17.50. Bulletin of the School of Oriental and African Studies, 44(3), 583-584.
  • Günergun, F. (2007). Ottoman encounters with European science: sixteenth-and seventeenth-century translations into Turkish. Cultural Translation in Early Modern Europe, 192.
  • Graziosi, J. (2018). Turkish Music in the Greek American Experience. Greek Music in America, 149-63.
  • Gemici, N., & Deri, M. (2021). Hattat Hâmid Aytaç’ın Hayatı ve Şişli Camii’ndeki Hat Eserleri. İslami İlimler Dergisi, 16(2).
  • Göçek, F. M. (2018). Genocide in the Ottoman Empire: Armenians, Assyrians and Greeks, 1913–1923. Ed. George N. Shirinian. New York: Berghahn Books, 2017. xi, 433 pp. Notes. Bibliography. Index. Photographs. $69.95, hard bound. Slavic Review, 77(4), 1054-1056.
  • Gratien, C., & Pope-Obeda, E. K. (2020). The Second Exchange: Ottoman Greeks and the American Deportation State during the 1930s. Journal of Migration History, 6(1), 104-128.
  • Hamidova, Z. (2021). Usmonli Imperiyasi davrida tilni rejalashtirish va milliy o ‘zlikning barpo etilishi. Uzbekistan: Language and Culture, 2(2).
  • Huaxin, L. (2023). Development Of Chınese Pıano Art Of The 20th Century In The Context Of Adaptatıon Of Western Influences. Baltic Journal of Legal and Social Sciences, (3), 123-129.
  • Jackson, C. (2020). Islamic Manuscripts of Late Medieval Rum, 1270s-1370s: Production, Patronage and the Arts of the Book. Edinburgh University Press.
  • Kyrkoudis, T., Tsoucalas, G., Thomaidis, V., Bakirtzis, I., Nalbanti, E., Polychronidis, A., & Fiska, A. (2021). Vaccination of the ethnic Greeks (Rums) against smallpox in the Ottoman Empire: Emmanuel Timonis and Jacobus Pylarinos as precursors of Edward Jenner. Journal of Clinical Practice and Research, 43(1), 100.
  • Konopka, E. (2023). Landscape Painting and the Construction of “Icelandicness”. Icelandic Modern National Art vis-à-vis its Danish Origins. Biuletyn Historii Sztuki, 85(1), 95-116.
  • Koç, G. D. (2023). Provincial Governors and Yurtluk-Ocaklık Holders on the Eve of the Tanzimat Reforms. Archiv orientální, 91(1), 69-88.
  • Kong, L. (2022). The Changes and Continuities Between the Ottoman Empire and the Turkish Republic. European Journal of Humanities and Social Sciences, 2(5), 17-22.
  • Kürkçüoğlu, S. S. (2020). Alevi Ve Bektaşi Kültürünün Deryası Kısas Ve Yaşayan Bir Usta: Âşık Sefâî. Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi, (96), 459-490.
  • Komsuoğlu Çıtıpıtıoğlu, A., Toker, H., & Nardella, F. (2021). The Relationship Between Art and Politics in the 19th Century Ottoman Empire: Institutionalization, Change and Continuity.
  • Kuran, M. (2020). Venice in Polish Literature of the Latter Half of the 16th Century and in the 17th Century as a Model Political System, a Leading Centre in the Fight Against the Ottoman Empire, and the Centre of the Pilgrimage Culture. Czytanie Literatury. Łódzkie Studia Literaturoznawcze, (9), 13-50.
  • Meichanetsidis, V. T. (2015). The genocide of the Greeks of the Ottoman Empire, 1913–1923: A comprehensive overview. Genocide Studies International, 9(1), 104-173.
  • Ögür, İ., & Pancar, Z. (2023). Investigation of the Reasons for the Ottoman Empire's Limited Participation in the Modern Olympic Games. International Journal of New Approaches in Social Studies, 7(2), 281-286.
  • Önen, K. F. D., & Çelik, S. D. Y. Cihan-ı medeniyet” in ortasında bir Osmanlı aydını: Halit Ziya Uşaklıgil’in hatırat ve mektuplarına eleştirel bir bakış. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (29), 265-284.
  • Sutton, A. C. (2020). The composition of success: competition and the creative self in contemporary art music. Qualitative Sociology, 43(4), 489-513.
  • Şarlak, E. A., & Onurel, R. (2014). Depictions of Prophet Solomon in Christian icons and Ottoman miniature art. Mediterranean Archaeology and Archaeometry, 14(1), 321-345.
  • Sefiloğlu, M. S. (2022). China Through The Eyes Of The Seventeenth-Century Ottoman Empire. Asya Araştırmaları Uluslararası Sosyal Bilimler Dergisi, 6(2), 217-232.
  • Şahin, N., Güray, C., & Aydın, A. F. (2018). Cross-Cultural Influences in Makam Theory: The Case of Greek-Orthodox Theorists in the Ottoman Empire. Musicologist, 2(2), 115-126.
  • Skrbo, A., & Masic, I. (2017). Influence of Arabian Pharmacy on Diseases Tretament During Ottoman’s Period in Bosnia and Herzegovina. Medical Archives, 71(3), 219.
  • Sürün Sizova, I. (2020). Global Modernization And Generational Evolution Of Interacting With Museum Visitors In The Middle Of The 20th Century. Higher School of Economics Research Paper No. WP BRP, 193.
  • Torunoğlu, B. (2021). The Neo-Hellenes in the Ottoman Empire, 1830–1869. Journal of Modern Greek Studies, 39(1), 49-70.
  • Tongo, G., & Schick, I. C. (2023). Islamic art and visualities of war from the Ottoman Empire to the Turkish Republic. New Perspectives on Turkey, 1-29.
  • Török, Z. G. (2021, August). Cartographic circles: maps of Hungary as the Habsburg-Ottoman military border in the 16th century. In Proceedings of the ICA (Vol. 3, p. 11). Göttingen, Germany: Copernicus Publications.
  • Ural, T. (2019). Book Review: Begüm Özden Fırat, Encounters with the Ottoman Miniature: Contemporary Readings of an Imperial Art.
  • Yerkazan, H. (2021). İbnü’s-Salâh’a Nispet Edilen Müsnedü’l-Hâfız Osmân b. es-Salâh el-Eserî fîmâ verede mine’l-ehâdîs fî fazli’l-İskenderiyye ve ʿAskalân İsimli Eser Üze-rine Bir Değerlendirme. Eskiyeni, (43), 55-76.
  • Xu, Z., & Zou, D. (2022). Big data analysis research on the deep integration of intangible cultural heritage inheritance and art design education in colleges and universities. Mobile Information Systems, 2022(1), 1172405.

THE INFLUENCE OF RUM CULTURE IN TURKISH PAINTING ART OF THE OTTOMAN PERIOD

Yıl 2024, Cilt: 8 Sayı: 3, 155 - 171

Öz

It is seen that the artistic traditions that emerged in Anatolia during the Byzantine period and then followed the Seljuk and Principality periods continued in a different line under the rule of the Ottoman Turks. From this point. Techniques such as iconography, mosaic and fresco, which are the basic features of Greek painting art, appear with a new interpretation in Turkish painting art of the Ottoman period.
In this context, the aim of the study is to examine the influence of Greek culture on Ottoman painting. It was created by adopting historical perspective analysis and logical reasoning methods, which are qualitative research methods.
Findings show that Ottoman period Turkish painting was a complex and versatile art form shaped by historical and cultural interactions. The results, consistent with the findings, show that Greek art played an important role in Ottoman painting.

Kaynakça

  • Alparslan, E. (2016). Türk süsleme motiflerinden. Hatai” Motifinin İncelenmesi ve Yazma Eser Ciltlerinde Bulunan “Hatai Şemseler”, Uluslararası Sosyal Araştırmalar Dergisi, C, 9, 862-874.
  • Arslan Çi̇nko, M., & Eres, Z. (2022). Evaluations on the Educational History and Buildings of Edirne Province in 19th-20th Century with Archive Documents. Balkan Araştırma Enstitüsü Dergisi, 11(1), 73–124.
  • Aoulalay, A., El Mhouti, A., & Massar, M. (2022, March). Classification of Islamic geometric patterns based on machine learning techniques. In 2022 2nd international conference on innovative research in applied science, engineering and technology (IRASET) (pp. 1-6). IEEE.
  • Aytaç, A. (2021). Turkish textiles which have been described in paintings of artist Şevket Dağ. Unıversum, (1), 73-89.
  • Bierman, I. A. (1992). Iznik: The Pottery of Ottoman Turkey, by Nurhan Atasoy & Julian Raby. Istanbul University: Institute of Social Sciences, 1989; distributed by Alexandria Press, 43 Pembridge Villas, London W11 3EP. Review of Middle East Studies, 26(2), 263-264.
  • Brend, B. (2022). The Study of Persian Painting. Journal of the Royal Asiatic Society, 32(4), 721-729.
  • Chenciner, R. (1988). Stone plastic art of Azerbaijan. By Rasim Shamil Oglu Efendiev. pp. 72, illus. inn col. and b. and w. Baku, Ishyg Publishing, 1986. Roubles 10.80. Journal of the Royal Asiatic Society, 120(1), 193-195.
  • Cowen, J. S. (1991). Miniature Painting in Ottoman Baghdad, Rachel Milstein, Islamic Art and Architecture No. 5., Costa Mesa, Calif.: Mazda publishers, 1990, 132 pp., 16 color plates, b & w illus., drawings, index, bibliography, no price listed. Iranian Studies, 24(1-4), 83-85.
  • Canakli, L. A., & Alabay, S. (2022). " Self-Learning French Coursebooks" as Part of French Education in Post Tanzimat Era of the Ottoman Empire. Journal of Education and Learning, 11(2), 104-111.
  • Стародуб, Т. Х. (2018). Праздничные парады в османской миниатюре XVI-XVIII веков. Искусство Евразии, (2 (9)), 180-192.
  • Çolakoglu, F., Yüzgeç, I. U., & Çolakoglu, S. (2022). Stuffed mussels in Turkish culinary culture: ottoman empire period.
  • Demir, M. (2022). 16. Yüzyılda Osmanlı Devleti’nde Zirai Üretimi Etkileyen Faktörler Üzerine Bir Değerlendirme/An Evaluatıon Of The Factors Affectıng The Agrıcultural Productıon In The Ottoman Empıre In The 16th Century. Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi, (55).
  • Der Matossian, B. (2020). The Development of Armeno-Turkish (Hayatar T ‘rk ‘erēn) in the 19th Century Ottoman Empire: Marking and Crossing Ethnoreligious Boundaries. Intellectual History of the Islamicate World, 8(1), 67-100.
  • Duggan, T. J. (2016). Master ing the Art of Music Integration. In Recontextualized: A Framework for Teaching English with Music (pp. 51-64). Rotterdam: SensePublishers.
  • Doygun, P. (2022). «The Others» In Polıtıcs Durıng The Era Of The Young Turks: Ottoman Greeks In The Parlıament (1908-1918). Espacio, Tiempo y Forma: Serie V, Historia Contemporánea, (34).
  • Ergut, E. A., & Özkaya, B. T. (2014). Editors’ Introduction: Culture, Diplomacy, Representation:“Ambivalent Architectures” from the Ottoman Empire to the Turkish Republic. New Perspectives on Turkey, 50, 5-8.
  • Foss, C. (2022). The Beginnings of the Ottoman Empire. Oxford University Press.
  • Fehérvári, G. (1981). Claude Humbert: Islamic ornamental design: 1001 ornamental motifs. [French/English/German text.] 236 pp. London and Boston: Faber and Faber, 1980.£ 17.50. Bulletin of the School of Oriental and African Studies, 44(3), 583-584.
  • Günergun, F. (2007). Ottoman encounters with European science: sixteenth-and seventeenth-century translations into Turkish. Cultural Translation in Early Modern Europe, 192.
  • Graziosi, J. (2018). Turkish Music in the Greek American Experience. Greek Music in America, 149-63.
  • Gemici, N., & Deri, M. (2021). Hattat Hâmid Aytaç’ın Hayatı ve Şişli Camii’ndeki Hat Eserleri. İslami İlimler Dergisi, 16(2).
  • Göçek, F. M. (2018). Genocide in the Ottoman Empire: Armenians, Assyrians and Greeks, 1913–1923. Ed. George N. Shirinian. New York: Berghahn Books, 2017. xi, 433 pp. Notes. Bibliography. Index. Photographs. $69.95, hard bound. Slavic Review, 77(4), 1054-1056.
  • Gratien, C., & Pope-Obeda, E. K. (2020). The Second Exchange: Ottoman Greeks and the American Deportation State during the 1930s. Journal of Migration History, 6(1), 104-128.
  • Hamidova, Z. (2021). Usmonli Imperiyasi davrida tilni rejalashtirish va milliy o ‘zlikning barpo etilishi. Uzbekistan: Language and Culture, 2(2).
  • Huaxin, L. (2023). Development Of Chınese Pıano Art Of The 20th Century In The Context Of Adaptatıon Of Western Influences. Baltic Journal of Legal and Social Sciences, (3), 123-129.
  • Jackson, C. (2020). Islamic Manuscripts of Late Medieval Rum, 1270s-1370s: Production, Patronage and the Arts of the Book. Edinburgh University Press.
  • Kyrkoudis, T., Tsoucalas, G., Thomaidis, V., Bakirtzis, I., Nalbanti, E., Polychronidis, A., & Fiska, A. (2021). Vaccination of the ethnic Greeks (Rums) against smallpox in the Ottoman Empire: Emmanuel Timonis and Jacobus Pylarinos as precursors of Edward Jenner. Journal of Clinical Practice and Research, 43(1), 100.
  • Konopka, E. (2023). Landscape Painting and the Construction of “Icelandicness”. Icelandic Modern National Art vis-à-vis its Danish Origins. Biuletyn Historii Sztuki, 85(1), 95-116.
  • Koç, G. D. (2023). Provincial Governors and Yurtluk-Ocaklık Holders on the Eve of the Tanzimat Reforms. Archiv orientální, 91(1), 69-88.
  • Kong, L. (2022). The Changes and Continuities Between the Ottoman Empire and the Turkish Republic. European Journal of Humanities and Social Sciences, 2(5), 17-22.
  • Kürkçüoğlu, S. S. (2020). Alevi Ve Bektaşi Kültürünün Deryası Kısas Ve Yaşayan Bir Usta: Âşık Sefâî. Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi, (96), 459-490.
  • Komsuoğlu Çıtıpıtıoğlu, A., Toker, H., & Nardella, F. (2021). The Relationship Between Art and Politics in the 19th Century Ottoman Empire: Institutionalization, Change and Continuity.
  • Kuran, M. (2020). Venice in Polish Literature of the Latter Half of the 16th Century and in the 17th Century as a Model Political System, a Leading Centre in the Fight Against the Ottoman Empire, and the Centre of the Pilgrimage Culture. Czytanie Literatury. Łódzkie Studia Literaturoznawcze, (9), 13-50.
  • Meichanetsidis, V. T. (2015). The genocide of the Greeks of the Ottoman Empire, 1913–1923: A comprehensive overview. Genocide Studies International, 9(1), 104-173.
  • Ögür, İ., & Pancar, Z. (2023). Investigation of the Reasons for the Ottoman Empire's Limited Participation in the Modern Olympic Games. International Journal of New Approaches in Social Studies, 7(2), 281-286.
  • Önen, K. F. D., & Çelik, S. D. Y. Cihan-ı medeniyet” in ortasında bir Osmanlı aydını: Halit Ziya Uşaklıgil’in hatırat ve mektuplarına eleştirel bir bakış. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (29), 265-284.
  • Sutton, A. C. (2020). The composition of success: competition and the creative self in contemporary art music. Qualitative Sociology, 43(4), 489-513.
  • Şarlak, E. A., & Onurel, R. (2014). Depictions of Prophet Solomon in Christian icons and Ottoman miniature art. Mediterranean Archaeology and Archaeometry, 14(1), 321-345.
  • Sefiloğlu, M. S. (2022). China Through The Eyes Of The Seventeenth-Century Ottoman Empire. Asya Araştırmaları Uluslararası Sosyal Bilimler Dergisi, 6(2), 217-232.
  • Şahin, N., Güray, C., & Aydın, A. F. (2018). Cross-Cultural Influences in Makam Theory: The Case of Greek-Orthodox Theorists in the Ottoman Empire. Musicologist, 2(2), 115-126.
  • Skrbo, A., & Masic, I. (2017). Influence of Arabian Pharmacy on Diseases Tretament During Ottoman’s Period in Bosnia and Herzegovina. Medical Archives, 71(3), 219.
  • Sürün Sizova, I. (2020). Global Modernization And Generational Evolution Of Interacting With Museum Visitors In The Middle Of The 20th Century. Higher School of Economics Research Paper No. WP BRP, 193.
  • Torunoğlu, B. (2021). The Neo-Hellenes in the Ottoman Empire, 1830–1869. Journal of Modern Greek Studies, 39(1), 49-70.
  • Tongo, G., & Schick, I. C. (2023). Islamic art and visualities of war from the Ottoman Empire to the Turkish Republic. New Perspectives on Turkey, 1-29.
  • Török, Z. G. (2021, August). Cartographic circles: maps of Hungary as the Habsburg-Ottoman military border in the 16th century. In Proceedings of the ICA (Vol. 3, p. 11). Göttingen, Germany: Copernicus Publications.
  • Ural, T. (2019). Book Review: Begüm Özden Fırat, Encounters with the Ottoman Miniature: Contemporary Readings of an Imperial Art.
  • Yerkazan, H. (2021). İbnü’s-Salâh’a Nispet Edilen Müsnedü’l-Hâfız Osmân b. es-Salâh el-Eserî fîmâ verede mine’l-ehâdîs fî fazli’l-İskenderiyye ve ʿAskalân İsimli Eser Üze-rine Bir Değerlendirme. Eskiyeni, (43), 55-76.
  • Xu, Z., & Zou, D. (2022). Big data analysis research on the deep integration of intangible cultural heritage inheritance and art design education in colleges and universities. Mobile Information Systems, 2022(1), 1172405.
Toplam 48 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Tarihsel Çalışmalar (Diğer)
Bölüm TOBİDER - Uluslararası Toplumsal Bilimler Dergisi Cilt 8 Sayı 3
Yazarlar

Mehmet Akif Özdal 0000-0003-3148-8988

Erken Görünüm Tarihi 12 Ekim 2024
Yayımlanma Tarihi
Gönderilme Tarihi 24 Temmuz 2024
Kabul Tarihi 3 Ekim 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 8 Sayı: 3

Kaynak Göster

APA Özdal, M. A. (2024). OSMANLI DÖNEMİ TÜRK RESİM SANATINDA RUM KÜLTÜRÜNÜN ETKİSİ. Uluslararası Toplumsal Bilimler Dergisi, 8(3), 155-171.