Araştırma Makalesi
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THE CONTROVERSIAL JUICY SALIF AS AN IDENTITY MARKER

Yıl 2025, Cilt: 9 Sayı: 2, 128 - 141, 20.07.2025

Öz

In order to provide insights into designers’ ability to influence the construction of identity resonating with users on cultural and emotional levels, this study examines Phillippe Starck’s Juicy Salif, the controversial lemon squeezer, exemplifying design objects as identity markers. Its primary and secondary functions were discussed in regard of the concept of value. From Baudrillard’s perspective on the system of objects, this study highlights the strong connection between one’s identity and objects of possession and display. It discusses Juicy Salif as reflecting not only personal preferences but also cultural values and narratives that play a pivotal role in shaping a unique and socially recognized identity within a consumer-driven society. It transcends mere functionality and symbolizes good design taste, social status, and cultural capital. It also attains an iconic status in the design realm, underscoring the role of design objects as indicators of prestige and repute.

Kaynakça

  • AFP (2019). Italian designer Alessi targets Middle East, Asia for growth. [Figure] https://www.arabianbusiness.com/industries/retail/412461-italian-designer-alessi-targets-middle-east-asia-for-growth
  • Alessi (2023). Juicy Salif. https://alessi.com/products/juicy-salif-citrus-squeezer?variant=33931270750344
  • Amazon (2023). Tea & coffee piazza. [Figure] https://www. amazon.com/Tea-coffee-piazza-Officina-Alessi/dp/B005CEN2LI
  • Barthes, R. (1957). Mythologies. Paris: Seuil.
  • Baudrillard, J. (1968). The system of objects (Trans. J. Benedict, 1996). London: Verso Books.
  • Baudrillard, J. (1970). The consumer society: Myths and structures (Trans. C. Turner, 1998). London: SAGE Publications.
  • Baudrillard, J. (1974). For a critique of the political economy of the sign (Trans. C. Turner, 1981). St. Louis: Telos Press.
  • Boradkar, P. (2010). Designing things: A critical introduction to the culture of objects. Oxford: Berg Publishers.
  • Bürdek, B. E. (2005). Design history, theory and practice of product design. Columbia: Birkhäuser Architecture.
  • Cogo, M. (2015). 25 years without squeezing a lemon. https://www.starck.com/00DATA/cms/design/attachments/ed81ad3d35af11e86a8fc22b5cf5bd7a.pdf David Jones (2023). Alessi Juicy Salif lemon squeezer. [Figure] https://www.davidjones.com/product/alessi-juicy-salif-lemon-squeezer-20152713
  • Design Propaganda (2023). Alessi designové citrusovače Juicy Salif, [Figure] https://www.designpropaganda.cz/produkt/alessi-citrusovace-juicy-salif-designove-citrusovace-6144
  • FormAdore (2023). Juicy Salif citrus squeezer. [Figure] https:// formadore.com/alessi-juicy-salif-citrus-squeezer,335
  • Friedman, B. and Kahn, P. H. (2013). Human values, ethics, and design. Handbook on Human-Computer Interaction, (Ed: J. Jacko and A. Sears), Boca Raton: CRC Press.
  • Frascara, J. (1988). Graphic design: Fine art or social sciences?. Design Issues, 5(1), 18-29.
  • Gauert, C. (2018). Philippe Starck speaks his mind. https://www.yachtsinternational.com/owners-lounge/philippe-starck-speaks-his-mind
  • Julier, G. (2014). The culture of design. 3rd Edition. London: SAGE Publications.
  • Kaufman, S. (2013). Alessi, New York: Italian kitchenware brand Alessi interprets its Northern Italian homeland on New York’s Greene Street. [Figure] https://vmsd.com/alessi-new-york/
  • Lloyd Morgan, C. (1999). Starck. New York: Universe Publishing.
  • Moles, A. (1988). Design and immateriality: What of it in a post industrial society?. Design Issues, 4(1&2), 25-32. Norman, D. (2004). Emotional design: Why we love (or hate) everyday things. New York: Basic Books.
  • Norman, D. A. (2007). The Future of Everyday Things. The Design of Future Things (Ed: D. A. Norman), New York: Basic Books.
  • NOTCOT (2008). Alessi Miniatures. [Figure] http://www.notcot. com/archives/2008/09/alessi-miniatur.php
  • Parsons, T. (2009). Thinking: Objects: Contemporary approaches to product design. London: Bloomsbury Publishing.
  • PicClick (2023). Alessi Juicy Salif cast bronze limited 25 yr edition design Philippe Starck. [Figure] https://picclick.com/Alessi-Juicy-Salif-cast-bronze-limited-25-yr-293948865590.html
  • Sağocak, M. (2007). Tasarımın sosyo-kültürel boyutu. MEGARON YTÜ Arch. Fac. E-Journal, 2(4), 254-265.
  • Sparke, P. (2013). An introduction to design and culture: 1900 to the present. Oxon: Routledge.
  • Todd, D. (2012). You are what you buy: postmodern consumerism and the construction of self. HOHONU 2012, 10, 48-50.

BİR KİMLİK BELİRLEYİCİSİ OLARAK TARTIŞMALI JUICY SALIF

Yıl 2025, Cilt: 9 Sayı: 2, 128 - 141, 20.07.2025

Öz

Bu çalışma, tasarımcıların, kullanıcılarda kültürel ve duygusal düzeyde yankı uyandıran nesneler aracılığıyla kimlik inşasını etkileme becerilerine dair içgörü sağlamak amacıyla, tasarım nesnelerini kimlik belirleyiciler olarak örnekleyen, Phillippe Starck'ın tartışmalı limon sıkacağı Juicy Salif'i incelemektedir. Juicy Salif'in birincil ve ikincil işlevleri değer kavramı bağlamında tartışılmıştır. Baudrillard'ın nesneler sistemi perspektifinden bakıldığında, bu çalışma, kişinin kimliği ile sahip olunan ve sergilenen nesneler arasındaki güçlü bağlantıyı vurgulamaktadır. Juicy Salif'in yalnızca kişisel tercihleri değil, aynı zamanda tüketim odaklı bir toplumda benzersiz ve sosyal olarak tanınan bir kimliğin şekillenmesinde önemli bir rol oynayan kültürel değerleri ve anlatıları yansıttığı tartışılmaktadır. Juicy Salif, salt işlevselliğin ötesine geçerek iyi tasarım zevkini, sosyal statüyü ve kültürel sermayeyi sembolize etmektedir. Aynı zamanda, tasarım alanında ikonik bir statüye sahiptir ve tasarım nesnelerinin prestij ve itibar göstergesi olarak oynadığı rolün altını çizmektedir.

Kaynakça

  • AFP (2019). Italian designer Alessi targets Middle East, Asia for growth. [Figure] https://www.arabianbusiness.com/industries/retail/412461-italian-designer-alessi-targets-middle-east-asia-for-growth
  • Alessi (2023). Juicy Salif. https://alessi.com/products/juicy-salif-citrus-squeezer?variant=33931270750344
  • Amazon (2023). Tea & coffee piazza. [Figure] https://www. amazon.com/Tea-coffee-piazza-Officina-Alessi/dp/B005CEN2LI
  • Barthes, R. (1957). Mythologies. Paris: Seuil.
  • Baudrillard, J. (1968). The system of objects (Trans. J. Benedict, 1996). London: Verso Books.
  • Baudrillard, J. (1970). The consumer society: Myths and structures (Trans. C. Turner, 1998). London: SAGE Publications.
  • Baudrillard, J. (1974). For a critique of the political economy of the sign (Trans. C. Turner, 1981). St. Louis: Telos Press.
  • Boradkar, P. (2010). Designing things: A critical introduction to the culture of objects. Oxford: Berg Publishers.
  • Bürdek, B. E. (2005). Design history, theory and practice of product design. Columbia: Birkhäuser Architecture.
  • Cogo, M. (2015). 25 years without squeezing a lemon. https://www.starck.com/00DATA/cms/design/attachments/ed81ad3d35af11e86a8fc22b5cf5bd7a.pdf David Jones (2023). Alessi Juicy Salif lemon squeezer. [Figure] https://www.davidjones.com/product/alessi-juicy-salif-lemon-squeezer-20152713
  • Design Propaganda (2023). Alessi designové citrusovače Juicy Salif, [Figure] https://www.designpropaganda.cz/produkt/alessi-citrusovace-juicy-salif-designove-citrusovace-6144
  • FormAdore (2023). Juicy Salif citrus squeezer. [Figure] https:// formadore.com/alessi-juicy-salif-citrus-squeezer,335
  • Friedman, B. and Kahn, P. H. (2013). Human values, ethics, and design. Handbook on Human-Computer Interaction, (Ed: J. Jacko and A. Sears), Boca Raton: CRC Press.
  • Frascara, J. (1988). Graphic design: Fine art or social sciences?. Design Issues, 5(1), 18-29.
  • Gauert, C. (2018). Philippe Starck speaks his mind. https://www.yachtsinternational.com/owners-lounge/philippe-starck-speaks-his-mind
  • Julier, G. (2014). The culture of design. 3rd Edition. London: SAGE Publications.
  • Kaufman, S. (2013). Alessi, New York: Italian kitchenware brand Alessi interprets its Northern Italian homeland on New York’s Greene Street. [Figure] https://vmsd.com/alessi-new-york/
  • Lloyd Morgan, C. (1999). Starck. New York: Universe Publishing.
  • Moles, A. (1988). Design and immateriality: What of it in a post industrial society?. Design Issues, 4(1&2), 25-32. Norman, D. (2004). Emotional design: Why we love (or hate) everyday things. New York: Basic Books.
  • Norman, D. A. (2007). The Future of Everyday Things. The Design of Future Things (Ed: D. A. Norman), New York: Basic Books.
  • NOTCOT (2008). Alessi Miniatures. [Figure] http://www.notcot. com/archives/2008/09/alessi-miniatur.php
  • Parsons, T. (2009). Thinking: Objects: Contemporary approaches to product design. London: Bloomsbury Publishing.
  • PicClick (2023). Alessi Juicy Salif cast bronze limited 25 yr edition design Philippe Starck. [Figure] https://picclick.com/Alessi-Juicy-Salif-cast-bronze-limited-25-yr-293948865590.html
  • Sağocak, M. (2007). Tasarımın sosyo-kültürel boyutu. MEGARON YTÜ Arch. Fac. E-Journal, 2(4), 254-265.
  • Sparke, P. (2013). An introduction to design and culture: 1900 to the present. Oxon: Routledge.
  • Todd, D. (2012). You are what you buy: postmodern consumerism and the construction of self. HOHONU 2012, 10, 48-50.
Toplam 26 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sosyoloji (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Sevi Merter 0000-0001-9964-6482

Erken Görünüm Tarihi 19 Temmuz 2025
Yayımlanma Tarihi 20 Temmuz 2025
Gönderilme Tarihi 9 Şubat 2025
Kabul Tarihi 30 Mayıs 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 9 Sayı: 2

Kaynak Göster

APA Merter, S. (2025). THE CONTROVERSIAL JUICY SALIF AS AN IDENTITY MARKER. Uluslararası Toplumsal Bilimler Dergisi, 9(2), 128-141.