Araştırma Makalesi

WHO PLAYS THE HUNGER GAMES: ARTEMIS OR PERSEPHONE? THE MYTH OF PERSEPHONE IN SUZANNE COLLINS’S TRILOGY THE HUNGER GAMES

Cilt: 9 Sayı: 18 25 Temmuz 2019
Tatiana Golban *
PDF İndir
TR EN

WHO PLAYS THE HUNGER GAMES: ARTEMIS OR PERSEPHONE? THE MYTH OF PERSEPHONE IN SUZANNE COLLINS’S TRILOGY THE HUNGER GAMES

Abstract

This study focuses on Persephone myth as reflected in the popular trilogy Hunger Games by Suzanne Collins. The novelist uses the frame of this myth, with its implicit motifs of descent to the underworld and abuse, in order to reveal the anxieties of an adolescent girl, Katniss Everdeen, in her search for an authentic identity. The aim of this study is to show that Suzanne Collins also makes use of Artemis myth in her trilogy, but her eventual insistence on Persephone myth in her narrative reveals that the novelist’s purpose goes beyond the depiction of private experience of coming of age inherent in this myth, extending its function to issues related to the discovery of a social identity. The most important reason for using the mythemes of the popular myth of Persephone in her work is to represent the anxieties about societal collapse, expressed by the novelist through the images of panem et circens, hunger and predatory behaviour of eating and being eaten, which is characteristic to contemporary world. The mechanism of the cyclical death and rebirth, integral to the myth, contributes to the creation and validation of some social customs and beliefs. Therefore, Katniss Everdeen’s journey and her traumatic experience could be read as an attempt to transmit the fears of anarchic existence, the anxieties concerning politics of authority and power, but, at the same time, the hope in the emergence of a new social identity which would be built on some newly acquired and acknowledged values, such as hunger for justice, compassion and nourishment.

Keywords

Artemis myth,Persephone myth,Hunger Games,descent to the underworld,power,social identity

Kaynakça

  1. Averill, Lindsey Issow, “Sometimes the World is Hungry for People Who Care,” The Hunger Games and Philosophy: A Critique of Pure Treason, Edited by George A. Dunn and Nicolas Michaud. NJ: John Wiley and Sons, Hoboken, 2012, pp. 162-177.
  2. Baker, Carissa Ann, “Outside the Seam. The Construction of and Relationship to Panem’s Nature.” Space and Place in Hunger Games. Edited by Deidre Anne Evans, Garriott Whitney, Elaine Jones. McFarland, Jefferson, North Carolina, 2014, pp. 198-219.
  3. Barthes, Roland, Mythologies, The Noonday Press, New York, 1991.
  4. Bolen, Jean Shinoda, Goddess in Everywoman: Powerful Archetypes in Women’s Lives, Harper Collins Publishers Inc., New York, 2004.
  5. Bottici, Chiara, A Philosophy of Political Myth, Cambridge University Press, New York, 2007.
  6. Collins, Suzanne, Catching Fire, Scolastic, New York, 2009.
  7. Collins, Suzanne, The Hunger Games, Scolastic, New York, 2009.
  8. Collins, Suzanne, Mockingjay, Scolastic, London, 2010.
  9. Daly, Kathleen, “Restorative Justice: The Real Story”, Punishment & Society, Vol. 4 Issue 1, 2002, pp. 55-79.
  10. Durand, Gilbert, Figuri mitice si chipuri ale operei: De la mitocritica la mitanaliza, Nemira, Bucuresti, 1998.

Kaynak Göster

APA
Golban, T. (2019). WHO PLAYS THE HUNGER GAMES: ARTEMIS OR PERSEPHONE? THE MYTH OF PERSEPHONE IN SUZANNE COLLINS’S TRILOGY THE HUNGER GAMES. Trakya Üniversitesi Edebiyat Fakültesi Dergisi, 9(18), 100-124. https://doi.org/10.33207/trkede.597898