RASTLANTISAL MÜZİĞİN TARİHSEL SEBEPLERİ

Yıl 2017, Cilt: 1 Sayı: 1, 1 - 10, 25.12.2017

Mesruh Savaş

Öz

Bu çalışmada rastlantı, belirsizlik ve olasılık
kavramlarının müzik sanatına ve bestecilik tekniklerine bilinçli olarak
girmeden önceki tarihsel sebepleri incelenmiştir. Bunun için özellikle Batı
Avrupa müzik kültürünün en temel iletişim aracı olan notalamanın sebep olduğu
belirsizliğe dikkat çekilmiş ve örnekleriyle açıklanmıştır.

Anahtar Kelimeler

müzik, rastlantı, belirsizlik, olasılık, notalama

HISTORICAL SUBJECTS OF RASTLANTISAL MUSIC

Öz

In this paper historical reasons of chance,
indeterminacy and probability concepts before consciously being employed in
music art and composition techniques are examined. For this, the indeterminacy
of notation, the very basic communication language of Western Music culture is
pointed out and explained with examples.

Anahtar Kelimeler

music, chance, indeterminacy, probability, notation

Kaynakça

• KAYNAKÇA
• BRINDLE, R. Smith (1987). The New Music: The Avant-Garde Since 1945.2nd Ed. Oxford University Press, New York.
• CAGE, John (1961). Silence, Lectures & Writings.1st Ed.Wesleyan University Press, Middletown.
• CASTEREDE, Jacques (1999). Theorie de la Musique. Gerard Billaudot Editeur, Paris.
• CLARK, Robert Charles (1970). “Total Control and Chance in Musics: A Philosophical Analysis”, The Journal of Aesthetics and Art Criticism, Vol.28, No.3, s.355 – 360. (Çevrimiçi) JSTOR http://www.jstor.org/ 16.09.2007
• COLE, Hugo (1974). Sounds and Signs: Aspects of Musical Notation. Oxford University Press, London.
• COPE, David (1989). New Directions in Music. 4th Ed. University of California, Los Angeles.
• CORNIER, Ramona (Spring, 1975). “Indeterminancy and Aesthetic Theory”, The Journal of Aesthetics and Art Criticism, Vol. 33, No. 3, s.285-292. (Çevrimiçi) JSTOR http://www.jstor.org/ 16.09.2007
• GERALD, Abraham (1956). The Mozart Companion. Faber and Faber, London.
• MCLEAN, Barton (1981). “Symbolic Extension And Its Corruption Of Music”, Perspectives of New Music, Vol. 20: Nos. 1–2. (Çevrimiçi) http://members.cisbec.net/mclmix/articlesreviews.html 16.09.2007
• O'GRADY, Terence J. (1981). “Aesthetic Value in Indeterminate Music”, The Musical Quarterly, LXVII (3): 366 – 381. (Çevrimiçi) JSTOR http://www.jstor.org/ 16.09.2007
• RUELLE, David (2006). Rastlantı ve Kaos. Çev. Deniz Yurtören. Tübitak Popüler Bilim Kitapları, Ankara.
• SHLOMOWITZ, Matthew (1999). “Cage’s Place In the Reception of Satie” Ph.D. thesis, University of California, San Diego. (Çevrimiçi) http://www.af.lu.se/~fogwall/article8.html 15.09.2007
• SLOBODA, John A. (2005). Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition. Oxford University Press, London