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COMPARATIVE ANALYSIS OF PROFESSIONAL TRAINING SYSTEMS FOR MUSICIAN-PEDAGOGUES IN EUROPEAN COUNTRIES AND KAZAKHSTAN

Yıl 2025, Cilt: 8 Sayı: 4, 3634 - 3661, 31.12.2025
https://doi.org/10.51576/ymd.1794140

Öz

This paper explores the differences and similarities between music teacher education programmes in Germany, France, Italy, the UK, Finland, and Kazakhstan, focusing on curriculum structure, pedagogical approaches, and cultural influences. It examines the balance between theoretical and practical disciplines, the integration of digital technologies, and the role of multiculturalism in education. The study reveals notable contrasts between European and Kazakhstani systems. European programmes emphasize innovation, critical thinking, creativity, and adaptability to global contexts. They also value interdisciplinarity, linking music education with fields such as management and digital technologies. In contrast, Kazakhstani programmes prioritize the preservation of national musical identity through the teaching of folk music and traditional performance practices. One key strength of European models is their integration of digital tools, enabling flexible and accessible learning formats. These differences point to the potential benefits of intercultural exchange, allowing both regions to learn from each other’s strengths. Blending traditional and modern teaching methods could better prepare music educators to work effectively in both local and global settings. The findings support the development of curriculum recommendations aimed at increasing flexibility, cultural relevance, and global competence. Ultimately, this study advocates for the creation of universal education models that respect cultural uniqueness while responding to the demands of a rapidly changing world. Such models could enhance teacher preparation, foster innovation, and promote inclusive, globally minded education systems. By merging best practices from diverse contexts, music teacher education can evolve to meet contemporary educational and cultural challenges more effectively.

Kaynakça

  • Adams, M.A. (2011). Music and entertainment in post-Soviet Kazakhstan: Ideology and legacy. Champaign: University of Illinois at Urbana-Champaign.
  • Al-Faraji, R.W.K.A., Alsalhi, H.K.I. (2025). Hopeful thinking among university students. Dragoman, 2025(19), 408-422. https://doi.org/10.63132/ati.2025.hopefu.3520
  • Anthony, B. (2022). Music production cultures: Perspectives on popular music pedagogy in higher education. London: Focal Press. https://doi.org/10.4324/9781003055099
  • Argingazinova, G.B., Khussainova, G.A., Kobozeva, I.S., Maimakova, L.K., Chsherbotayeva, N.J. (2020). Formation and development history of higher music and pedagogical education in Kazakhstan (late 20th-early 21st centuries). Journal Tourism Studies & Practices, 2, 1-20.
  • Asztalos, B. (2021). Digital transformation trends in music teaching and training systems. Studied Music at Babeş-Bolyai University, 66(2), 39-47. https://doi.org/10.24193/subbmusica.2021.2.03
  • Binbin, W. (2021). Methodological foundations of forming future musical art masters’ transcultural competence in the process of instrumental training. Knowledge, Education, Law, Management, 1(3(39)), 10-15. https://doi.org/10.51647/kelm.2021.3.1.2
  • Cather, D.P. (2023). College theory curriculum: Using the philosophical essence of comprehensive musicianship to integrate composition. Lynchburg: Liberty University.
  • Chang, X. (2023). A realistic way to achieve the value of the music curriculum of primary and secondary schools in the new era. Bulletin of the Jusup Balasagyn Kyrgyz National University, 15(2), 368-378. https://doi.org/10.58649/1694-8033-2023-2(114)-368-378
  • Chekeeva, B. (2023). Lexico-semantic features of language means related to string bow Kyrgyz musical instruments. Bulletin of the Jusup Balasagyn Kyrgyz National University, 15(2), 199-205. https://doi.org/10.58649/1694-8033-2023-2(114)-199-205
  • Cheng, L., Wang, M., Chen, Y., Niu, W., Hong, M., Zhu, Y. (2022). Design my music instrument: A project-based science, technology, engineering, arts, and mathematics program on the development of creativity. Frontiers in Psychology, 12, 763948. https://doi.org/10.3389/fpsyg.2021.763948
  • Coppes, W., Berkers, P. (2022). Constructing popular music programs at Higher Music Education Institutions across Europe. International Journal of Music Education, 41(3), 472-483. https://doi.org/10.1177/02557614221124321
  • Djupsjöbacka, G. (2023). The songs of Jean Sibelius: Poetry, music, performance. Woodbridge: Boydell & Brewer.
  • Duman, S. (2024). Education reforms in Kazakhstan: International integration and nationalization efforts. In: B. Akgün, Y. Alpaydın (Eds.), Global Agendas and Education Reforms: A Comparative Study (pp. 41-67). Singapore: Palgrave Macmillan. https://doi.org/10.1007/978-981-97-3068-1_3
  • Essex, J., Alexiadou, N., Zwozdiak-Myers, P. (2021). Understanding inclusion in teacher education – A view from student teachers in England. International Journal of Inclusive Education, 25(12), 1425-1442. https://doi.org/10.1080/13603116.2019.1614232
  • Fernandes Milhano, S.D. (2024). Collective musical creation in initial teacher training: Collaborative experiences in the construction of professional learning. Musica Hodie, 24, e.79588. https://doi.org/10.5216/mh.v24.79588
  • Gopika, J.S., Rekha, R.V. (2025). Awareness and use of digital learning before and during COVID-19. International Journal of Educational Reform, 34(4), 754-766. https://doi.org/10.1177/10567879231173389
  • Heile, B. (2018). Musical modernism, global: Comparative observations. In: B. Heile, C. Wilson (Eds.), Routledge Research Companion to Modernism in Music (pp. 175-198). London: Routledge. https://doi.org/10.4324/9781315613291
  • Karabalaeva, G., Asipova, N., Bayalieva, A., Niyazova, J., Karabalaev, S. (2024). Inclusive Higher Education in Kyrgyzstan for People with Physical and Intellectual Disabilities. Journal of Intellectual Disability Diagnosis and Treatment, 12(3), 153-171. https://doi.org/10.6000/2292-2598.2024.12.03.5
  • Kim, S., Comunian, R. (2024). Higher education and sustainable creative cities: The development of creative and cultural ecosystems in the (new) capital city of Kazakhstan. Industry and Higher Education, 38(1), 51-63. https://doi.org/10.1177/09504222231222258
  • Lundahl, C. (2021). Wind music through the ages: A summary of dissertation recitals. Ann Arbor: University of Michigan. https://doi.org/10.7302/1350
  • Luzan, P., Titova, O., Mosia, I., Pashchenko, T., Navruzova, G. (2024). The Model for Professional Competence Development of Engineering Teachers at Colleges. Lecture Notes in Mechanical Engineering, 1, 509-520. https://doi.org/10.1007/978-3-031-61797-3_43
  • Ma, Y.S., Karabalaeva, G., Baygajanova, G. (2024). Contents and methods of developing creative abilities of college students in educational activities. Salud, Ciencia y Tecnologia - Serie de Conferencias, 3, 762. https://doi.org/10.56294/SCTCONF2024.762
  • Martens, M., Deters, S., Estudiantin, N.L. (2021). Music museums: Social and environmental responsibilities and identities in the 21st century: Proceedings of the 2022 General Meeting of ICOM-CIMCIM as part of the 26th ICOM General Conference and 61st Annual CIMCIM Conference. Paris: International Committee for Museums and Collections of Instruments and Music (CIMCIM) of the International Council of Museums (ICOM).
  • Merrill, M. (2019). Differences in international accreditation: Kyrgyzstan and Kazakhstan. Asian Education and Development Studies, 9(4), 465-478. https://doi.org/10.1108/AEDS-08-2018-0131
  • Mihail, P. (2023). Comparative analysis of European education systems: Exploring differences in educational structures, policies, practices, and their impacts on student outcomes. Research and Advances in Education, 2(8), 30-46.
  • Mussapirova, Z.T., Kanapyanova, G., Bultbayeva, A.Z., Sultangaliyeva, E.S., Amirova, D.Z., Shabdenova, D.R., Begembetova, G.Z. (2020). Features of the professional activity of the pianist-concertmaster (on the example of Kazakhstan). Palarch’s Journal of Archaeology of Egypt/Egyptology, 17(6), 140-158.
  • Mynbayeva, M. (2025). STEAM education reform: The case of Kazakhstan. International Journal of Educational Reform. https://doi.org/10.1177/10567879251345796
  • Pei, D., Miroshnichenko, V. (2025). Intellectual property as a component of training future lawyers in higher education. Humanities Studios: Pedagogy, Psychology, Philosophy, 13(3), 38-49. https://doi.org/10.31548/hspedagog/3.2025.38
  • Pennill, N., Phillips, K., Phillips, M. (2022). Student experiences and entrepreneurship education in a specialist creative arts HEI: A longitudinal approach. Entrepreneurship Education, 5(4), 399-423. https://doi.org/10.1007/s41959-022-00085-9
  • Pérez-Eizaguirre, M., Martínez-Rodríguez, M., Prada, R.P., Rodríguez, Ma.E.C. (2024). Training in contemporary music and its use by conservatory teachers in Spain. Musica Hodie, 24, e.78344. https://doi.org/10.5216/mh.v24.78344
  • Raimkulova, A. (2020). Musical culture in the economy and the system of international relations of Kazakhstan in the first decades of independence. News of the National Academy of Sciences of the Republic of Kazakhstan, 4(332), 242-248. https://doi.org/10.32014/2020.2224-5294.125
  • Rakena, T.O., Hall, C., Prest, A., Johnson, D. (Eds.). (2024). Decolonising and indigenising music education: First peoples leading research and practice. New York: Routledge. https://doi.org/10.4324/9781003288923
  • Reina, B., Teresa, N. (2022). Exploratory study of the mode of action of the musician-pedagogue from the experience of outstanding teachers. Mendive-Education Journal, 20(4), 1237-1254.
  • Sadirbekova, D., Karabalaeva, G., Nishanbayeva, S., Ospankulov, Y., Saidakhmetova, L. (2024). Study of professional development barriers in the formation of soft skills at different stages of HEI teachers’ career through digital resources. Ricerche Di Pedagogia E Didattica, 19(2), 65-80. https://doi.org/10.6092/issn.1970-2221/19428
  • Serikov, E.A. (2015). System of higher technical education of Kazakhstan: Movement along the spiral. Almaty: Aq Shagyl.
  • Tanglin, Z. (2020). Potential of media education in professional training of music teachers. Innovative Solutions in Modern Science, 7(43), 5-16. https://doi.org/10.26886/2414-634X.7(43)2020.1
  • Thomson, N.R. (2024). Global artistic citizenship: (Re-) imagining interculturalism, collaboration, and community engagement as central elements of higher music education. Nordic Research in Music Education, 5, 133-159. https://doi.org/10.23865/nrme.v5.6236
  • Titova, O., Luzan, P., Ishchenko, T., Kabysh, M., Homeniuk, D. (2024). Improvement of Professional Competence of General Education Teachers for Engineering Curriculum. Lecture Notes in Mechanical Engineering, 1, 379-388. https://doi.org/10.1007/978-3-031-42778-7_35
  • Toktogulova, G., Sakieva, S., Anarbekova, V., Kurmanalieva, G., Shishkaraeva, A. (2025). The Soviet language paradigm: Case studies from selected republics. Dragoman, 2025(18 Special-Issue), 292-316. https://doi.org/10.63132/ati.2025.thesov.85982921
  • Tusheva, V. (2020). Study of scientific research culture of future music teachers in European countries. Professional Art Education, 1(1), 23-29. http://doi.org/10.34142/27091805.2020.1.01.04
  • Utz, C. (2021). Musical composition in the context of globalization: New perspectives on music history in the 20th and 21st century. Bielefeld: Verlag.
  • Zaitseva, N.V., Symonenko, S.V., Titova, O.A., Osadchyi, V.V., Osadcha, K.P. (2023). Fostering communication and collaboration skills for computer science students by means of ICT tools. CEUR Workshop Proceedings, 3553, 43-56.
  • Zheng, G. (2024). Training of future engineering specialists in vocational education institutions in China. Humanities Studios: Pedagogy, Psychology, Philosophy, 12(4), 34-45. https://doi.org/10.31548/hspedagog/4.2024.34
  • Zhou, X., Karabalaeva, G., Wang, S., Ding, Q., Wang, C. (2024). Prospects and priorities of the cultural aspect in education. Scientific Herald of Uzhhorod University Series Physics, 55, 1943-1954. https://doi.org/10.54919/physics/55.2024.194bi3
  • Berlin University of the Arts. (2025). (Access address: https://www.udk-berlin.de/en/).
  • De Bonfils, M., Fabretti, M. (2021). Beyond stradivari: The new Santa Cecilia violin. (Access address: https://www.researchgate.net/publication/376396931).
  • Erasmus+ Programme Guide. (2025). (Access address: https://erasmus-plus.ec.europa.eu/erasmus-programme-guide).
  • Kazakh National Women’s Teacher Training University. (2025). (Access address: https://qyzpu.edu.kz/en).
  • National Conservatory of Music and Dance of Paris (Paris Conservatory). (2025). (Access address: https://www.conservatoiredeparis.fr/en).
  • Royal Academy of Music. (2025). (Access address: https://www.ram.ac.uk).
  • Sibelius Academy. (2025). (Access address: https://www.uniarts.fi/en/units/sibelius-academy/).
  • State Conservatory of Music of Rome “Santa Cecilia”. (2025). (Access address: https://conservatoriosantacecilia.it/).

Yıl 2025, Cilt: 8 Sayı: 4, 3634 - 3661, 31.12.2025
https://doi.org/10.51576/ymd.1794140

Öz

Kaynakça

  • Adams, M.A. (2011). Music and entertainment in post-Soviet Kazakhstan: Ideology and legacy. Champaign: University of Illinois at Urbana-Champaign.
  • Al-Faraji, R.W.K.A., Alsalhi, H.K.I. (2025). Hopeful thinking among university students. Dragoman, 2025(19), 408-422. https://doi.org/10.63132/ati.2025.hopefu.3520
  • Anthony, B. (2022). Music production cultures: Perspectives on popular music pedagogy in higher education. London: Focal Press. https://doi.org/10.4324/9781003055099
  • Argingazinova, G.B., Khussainova, G.A., Kobozeva, I.S., Maimakova, L.K., Chsherbotayeva, N.J. (2020). Formation and development history of higher music and pedagogical education in Kazakhstan (late 20th-early 21st centuries). Journal Tourism Studies & Practices, 2, 1-20.
  • Asztalos, B. (2021). Digital transformation trends in music teaching and training systems. Studied Music at Babeş-Bolyai University, 66(2), 39-47. https://doi.org/10.24193/subbmusica.2021.2.03
  • Binbin, W. (2021). Methodological foundations of forming future musical art masters’ transcultural competence in the process of instrumental training. Knowledge, Education, Law, Management, 1(3(39)), 10-15. https://doi.org/10.51647/kelm.2021.3.1.2
  • Cather, D.P. (2023). College theory curriculum: Using the philosophical essence of comprehensive musicianship to integrate composition. Lynchburg: Liberty University.
  • Chang, X. (2023). A realistic way to achieve the value of the music curriculum of primary and secondary schools in the new era. Bulletin of the Jusup Balasagyn Kyrgyz National University, 15(2), 368-378. https://doi.org/10.58649/1694-8033-2023-2(114)-368-378
  • Chekeeva, B. (2023). Lexico-semantic features of language means related to string bow Kyrgyz musical instruments. Bulletin of the Jusup Balasagyn Kyrgyz National University, 15(2), 199-205. https://doi.org/10.58649/1694-8033-2023-2(114)-199-205
  • Cheng, L., Wang, M., Chen, Y., Niu, W., Hong, M., Zhu, Y. (2022). Design my music instrument: A project-based science, technology, engineering, arts, and mathematics program on the development of creativity. Frontiers in Psychology, 12, 763948. https://doi.org/10.3389/fpsyg.2021.763948
  • Coppes, W., Berkers, P. (2022). Constructing popular music programs at Higher Music Education Institutions across Europe. International Journal of Music Education, 41(3), 472-483. https://doi.org/10.1177/02557614221124321
  • Djupsjöbacka, G. (2023). The songs of Jean Sibelius: Poetry, music, performance. Woodbridge: Boydell & Brewer.
  • Duman, S. (2024). Education reforms in Kazakhstan: International integration and nationalization efforts. In: B. Akgün, Y. Alpaydın (Eds.), Global Agendas and Education Reforms: A Comparative Study (pp. 41-67). Singapore: Palgrave Macmillan. https://doi.org/10.1007/978-981-97-3068-1_3
  • Essex, J., Alexiadou, N., Zwozdiak-Myers, P. (2021). Understanding inclusion in teacher education – A view from student teachers in England. International Journal of Inclusive Education, 25(12), 1425-1442. https://doi.org/10.1080/13603116.2019.1614232
  • Fernandes Milhano, S.D. (2024). Collective musical creation in initial teacher training: Collaborative experiences in the construction of professional learning. Musica Hodie, 24, e.79588. https://doi.org/10.5216/mh.v24.79588
  • Gopika, J.S., Rekha, R.V. (2025). Awareness and use of digital learning before and during COVID-19. International Journal of Educational Reform, 34(4), 754-766. https://doi.org/10.1177/10567879231173389
  • Heile, B. (2018). Musical modernism, global: Comparative observations. In: B. Heile, C. Wilson (Eds.), Routledge Research Companion to Modernism in Music (pp. 175-198). London: Routledge. https://doi.org/10.4324/9781315613291
  • Karabalaeva, G., Asipova, N., Bayalieva, A., Niyazova, J., Karabalaev, S. (2024). Inclusive Higher Education in Kyrgyzstan for People with Physical and Intellectual Disabilities. Journal of Intellectual Disability Diagnosis and Treatment, 12(3), 153-171. https://doi.org/10.6000/2292-2598.2024.12.03.5
  • Kim, S., Comunian, R. (2024). Higher education and sustainable creative cities: The development of creative and cultural ecosystems in the (new) capital city of Kazakhstan. Industry and Higher Education, 38(1), 51-63. https://doi.org/10.1177/09504222231222258
  • Lundahl, C. (2021). Wind music through the ages: A summary of dissertation recitals. Ann Arbor: University of Michigan. https://doi.org/10.7302/1350
  • Luzan, P., Titova, O., Mosia, I., Pashchenko, T., Navruzova, G. (2024). The Model for Professional Competence Development of Engineering Teachers at Colleges. Lecture Notes in Mechanical Engineering, 1, 509-520. https://doi.org/10.1007/978-3-031-61797-3_43
  • Ma, Y.S., Karabalaeva, G., Baygajanova, G. (2024). Contents and methods of developing creative abilities of college students in educational activities. Salud, Ciencia y Tecnologia - Serie de Conferencias, 3, 762. https://doi.org/10.56294/SCTCONF2024.762
  • Martens, M., Deters, S., Estudiantin, N.L. (2021). Music museums: Social and environmental responsibilities and identities in the 21st century: Proceedings of the 2022 General Meeting of ICOM-CIMCIM as part of the 26th ICOM General Conference and 61st Annual CIMCIM Conference. Paris: International Committee for Museums and Collections of Instruments and Music (CIMCIM) of the International Council of Museums (ICOM).
  • Merrill, M. (2019). Differences in international accreditation: Kyrgyzstan and Kazakhstan. Asian Education and Development Studies, 9(4), 465-478. https://doi.org/10.1108/AEDS-08-2018-0131
  • Mihail, P. (2023). Comparative analysis of European education systems: Exploring differences in educational structures, policies, practices, and their impacts on student outcomes. Research and Advances in Education, 2(8), 30-46.
  • Mussapirova, Z.T., Kanapyanova, G., Bultbayeva, A.Z., Sultangaliyeva, E.S., Amirova, D.Z., Shabdenova, D.R., Begembetova, G.Z. (2020). Features of the professional activity of the pianist-concertmaster (on the example of Kazakhstan). Palarch’s Journal of Archaeology of Egypt/Egyptology, 17(6), 140-158.
  • Mynbayeva, M. (2025). STEAM education reform: The case of Kazakhstan. International Journal of Educational Reform. https://doi.org/10.1177/10567879251345796
  • Pei, D., Miroshnichenko, V. (2025). Intellectual property as a component of training future lawyers in higher education. Humanities Studios: Pedagogy, Psychology, Philosophy, 13(3), 38-49. https://doi.org/10.31548/hspedagog/3.2025.38
  • Pennill, N., Phillips, K., Phillips, M. (2022). Student experiences and entrepreneurship education in a specialist creative arts HEI: A longitudinal approach. Entrepreneurship Education, 5(4), 399-423. https://doi.org/10.1007/s41959-022-00085-9
  • Pérez-Eizaguirre, M., Martínez-Rodríguez, M., Prada, R.P., Rodríguez, Ma.E.C. (2024). Training in contemporary music and its use by conservatory teachers in Spain. Musica Hodie, 24, e.78344. https://doi.org/10.5216/mh.v24.78344
  • Raimkulova, A. (2020). Musical culture in the economy and the system of international relations of Kazakhstan in the first decades of independence. News of the National Academy of Sciences of the Republic of Kazakhstan, 4(332), 242-248. https://doi.org/10.32014/2020.2224-5294.125
  • Rakena, T.O., Hall, C., Prest, A., Johnson, D. (Eds.). (2024). Decolonising and indigenising music education: First peoples leading research and practice. New York: Routledge. https://doi.org/10.4324/9781003288923
  • Reina, B., Teresa, N. (2022). Exploratory study of the mode of action of the musician-pedagogue from the experience of outstanding teachers. Mendive-Education Journal, 20(4), 1237-1254.
  • Sadirbekova, D., Karabalaeva, G., Nishanbayeva, S., Ospankulov, Y., Saidakhmetova, L. (2024). Study of professional development barriers in the formation of soft skills at different stages of HEI teachers’ career through digital resources. Ricerche Di Pedagogia E Didattica, 19(2), 65-80. https://doi.org/10.6092/issn.1970-2221/19428
  • Serikov, E.A. (2015). System of higher technical education of Kazakhstan: Movement along the spiral. Almaty: Aq Shagyl.
  • Tanglin, Z. (2020). Potential of media education in professional training of music teachers. Innovative Solutions in Modern Science, 7(43), 5-16. https://doi.org/10.26886/2414-634X.7(43)2020.1
  • Thomson, N.R. (2024). Global artistic citizenship: (Re-) imagining interculturalism, collaboration, and community engagement as central elements of higher music education. Nordic Research in Music Education, 5, 133-159. https://doi.org/10.23865/nrme.v5.6236
  • Titova, O., Luzan, P., Ishchenko, T., Kabysh, M., Homeniuk, D. (2024). Improvement of Professional Competence of General Education Teachers for Engineering Curriculum. Lecture Notes in Mechanical Engineering, 1, 379-388. https://doi.org/10.1007/978-3-031-42778-7_35
  • Toktogulova, G., Sakieva, S., Anarbekova, V., Kurmanalieva, G., Shishkaraeva, A. (2025). The Soviet language paradigm: Case studies from selected republics. Dragoman, 2025(18 Special-Issue), 292-316. https://doi.org/10.63132/ati.2025.thesov.85982921
  • Tusheva, V. (2020). Study of scientific research culture of future music teachers in European countries. Professional Art Education, 1(1), 23-29. http://doi.org/10.34142/27091805.2020.1.01.04
  • Utz, C. (2021). Musical composition in the context of globalization: New perspectives on music history in the 20th and 21st century. Bielefeld: Verlag.
  • Zaitseva, N.V., Symonenko, S.V., Titova, O.A., Osadchyi, V.V., Osadcha, K.P. (2023). Fostering communication and collaboration skills for computer science students by means of ICT tools. CEUR Workshop Proceedings, 3553, 43-56.
  • Zheng, G. (2024). Training of future engineering specialists in vocational education institutions in China. Humanities Studios: Pedagogy, Psychology, Philosophy, 12(4), 34-45. https://doi.org/10.31548/hspedagog/4.2024.34
  • Zhou, X., Karabalaeva, G., Wang, S., Ding, Q., Wang, C. (2024). Prospects and priorities of the cultural aspect in education. Scientific Herald of Uzhhorod University Series Physics, 55, 1943-1954. https://doi.org/10.54919/physics/55.2024.194bi3
  • Berlin University of the Arts. (2025). (Access address: https://www.udk-berlin.de/en/).
  • De Bonfils, M., Fabretti, M. (2021). Beyond stradivari: The new Santa Cecilia violin. (Access address: https://www.researchgate.net/publication/376396931).
  • Erasmus+ Programme Guide. (2025). (Access address: https://erasmus-plus.ec.europa.eu/erasmus-programme-guide).
  • Kazakh National Women’s Teacher Training University. (2025). (Access address: https://qyzpu.edu.kz/en).
  • National Conservatory of Music and Dance of Paris (Paris Conservatory). (2025). (Access address: https://www.conservatoiredeparis.fr/en).
  • Royal Academy of Music. (2025). (Access address: https://www.ram.ac.uk).
  • Sibelius Academy. (2025). (Access address: https://www.uniarts.fi/en/units/sibelius-academy/).
  • State Conservatory of Music of Rome “Santa Cecilia”. (2025). (Access address: https://conservatoriosantacecilia.it/).

AVRUPA ÜLKELERİ VE KAZAKİSTAN'DA MÜZİKÇİ-PEDAGOGLAR İÇİN MESLEKİ EĞİTİM SİSTEMLERİNİN KARŞILAŞTIRMALI ANALİZİ

Yıl 2025, Cilt: 8 Sayı: 4, 3634 - 3661, 31.12.2025
https://doi.org/10.51576/ymd.1794140

Öz

Bu makale, Almanya, Fransa, İtalya, Birleşik Krallık, Finlandiya ve Kazakistan’daki müzik öğretmenliği eğitim programları arasındaki farklılıkları ve benzerlikleri, müfredat yapısı, pedagojik yaklaşımlar ve kültürel etkiler açısından incelemektedir. Çalışma ayrıca teorik ve pratik disiplinler arasındaki dengeyi, dijital teknolojilerin entegrasyonunu ve çokkültürlülüğün eğitimdeki rolünü ele almaktadır. Çalışma, Avrupa ve Kazakistan sistemleri arasında önemli zıtlıkları ortaya koymaktadır. Avrupa programları yenilikçiliğe, eleştirel düşünceye, yaratıcılığa ve küresel bağlamlara uyum sağlamaya vurgu yapmaktadır. Ayrıca, müzik eğitimini yönetim ve dijital teknolojiler gibi alanlarla ilişkilendirerek disiplinlerarasılığa önem vermektedir. Buna karşılık, Kazakistan programları halk müziği ve geleneksel performans pratiklerinin öğretimi yoluyla ulusal müzik kimliğinin korunmasına öncelik vermektedir. Avrupa modellerinin güçlü yönlerinden biri, dijital araçların esnek ve erişilebilir öğrenme ortamlarına entegrasyonudur. Bu farklılıklar, her iki bölgenin birbirinin güçlü yönlerinden öğrenmesine olanak tanıyan kültürlerarası değişimin potansiyel faydalarına işaret etmektedir. Geleneksel ve modern öğretim yöntemlerinin harmanlanması, müzik eğitimcilerini hem yerel hem de küresel ortamlarda etkili bir şekilde çalışmaya daha iyi hazırlayabilir. Bulgular, esnekliği, kültürel uygunluğu ve küresel yetkinliği artırmayı amaçlayan müfredat önerilerinin geliştirilmesini desteklemektedir. Sonuç olarak, bu çalışma, hızla değişen bir dünyanın taleplerine yanıt verirken kültürel benzersizliğe saygı duyan evrensel eğitim modellerinin oluşturulmasını savunmaktadır. Bu tür modeller, öğretmen eğitimini geliştirebilir, yenilikçiliği teşvik edebilir ve kapsayıcı, küresel düşünceli eğitim sistemlerini destekleyebilir. Farklı bağlamlardan en iyi uygulamaları bir araya getirerek, müzik öğretmenliği eğitimi, çağdaş eğitim ve kültürel zorluklarla daha etkili bir şekilde başa çıkabilir.

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Toplam 52 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik Eğitimi
Bölüm Araştırma Makalesi
Yazarlar

Rakhilyam Baltiyeva 0009-0008-3256-6494

Ayaulym Ibraimova Bu kişi benim 0009-0009-8001-0236

Aidana Amangeldi Bu kişi benim 0009-0005-3041-4743

Dinara Kaumetova Bu kişi benim 0009-0006-7694-4923

Gönderilme Tarihi 30 Eylül 2025
Kabul Tarihi 1 Aralık 2025
Erken Görünüm Tarihi 6 Aralık 2025
Yayımlanma Tarihi 31 Aralık 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 8 Sayı: 4

Kaynak Göster

APA Baltiyeva, R., Ibraimova, A., Amangeldi, A., Kaumetova, D. (2025). COMPARATIVE ANALYSIS OF PROFESSIONAL TRAINING SYSTEMS FOR MUSICIAN-PEDAGOGUES IN EUROPEAN COUNTRIES AND KAZAKHSTAN. Yegah Müzikoloji Dergisi, 8(4), 3634-3661. https://doi.org/10.51576/ymd.1794140


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