Araştırma Makalesi
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PERFORMING FEATURES OF CHAMBER VOCAL WORKS OF UKRAINIAN COMPOSERS

Yıl 2024, Cilt: 7 Sayı: 4, 724 - 744
https://doi.org/10.51576/ymd.1561524

Öz

This study considered performing features of chamber vocal works of Ukrainian composers. The relevance of the study is conditioned by the fact that the issue of research in the music industry is determined by the cultural and social transformations that have taken place in the world and in Ukraine over the past decades. The purpose of this study is to understand the specifics of chamber vocal music by Ukrainian composers and identify the features of the process of mastering this genre of vocal music. The following methods were applied to achieve the research objective: analysis of scientific sources, logical and comparative analysis, descriptive and structural methods, scientific objectivity, and systematisation. The paper identifies and describes the main genre features of chamber vocal works of Ukrainian composers, which are mandatory for creating a performing interpretation. The methods of Ukrainian and foreign teachers in musicology, their systematic positions of understanding the specifics of chamber vocal works, and awareness of the tasks of performing musical works facing song performers are considered. The importance of a systematic approach in the practice of vocalists studying the features of chamber vocal works is emphasised. The analysis of studies allowed characterising possible methods of working on chamber vocal works of Ukrainian composers. The practical significance is conditioned by the possibility of applying the results in preparation for teaching the course of the history of Ukrainian musicology, cultural studies, and the history of vocal art in educational institutions. The scientific information contained in the paper can be used in writing methodological works, textbooks on Ukrainian musicology, and for the study of future research papers.

Kaynakça

  • Afonina, О., Karpov, V. (2023). “Art practices in modern culture”. Culture and Contemporaneity, 25(2): 76-81.
  • Akbari, M., Liang, J., Cheng, H. (2018). “A Real-Time System for Online Learning-based Visual Transcription of Piano Music”. Multimedia Tools and Applications, 77(19): 25513-25535.
  • Bermes, І. (2023). “Chamber choir as creative entity (case study of Drohobych’s "Legend")”. Notes on Art Criticism, 23(2): 82-87.
  • Brait, B., Pistori, M. H. C., Dugnani, B. L., Stella, P. R., Rosa, C. G. (2023). “Culture, Literary Scholarship, and Great Time”. Bakhtiniana, 18(4): e64121e.
  • Brandabur, C. (2015). The Unconsoled: Piano Virtuoso Lost in Vienna. In: C. F. Wong, H. Yildiz (Eds.), Kazuo Ishiguro in a Global Context (pp. 68-78). London: Routledge.
  • Davydova, A. A., Lushnikov, S. S., Pereverzeva, M. V., Smirnov, A. V., Tsarev, D. V. (2018). “Piano music of composers-minimalists in the teaching repertoire of higher music education”. Opcion, 34(Special Issue 17): 149-162.
  • Derkach, S., Melnyk, M., Chystiakov, O. (2023). “Genesis of syncretic nature of Ukrainian musical”. Notes on Art Criticism, 23(1): 218-224.
  • Hartmann, E. F. (2019). “Musical Image and Musical Hermeneutics, a possible tool for creative Piano (Music) teaching”. Revista Música Hodie, 19: e58976.
  • Hong, Y., Chau, C.-J., Horner, A. (2017). “An Analysis of Low-Arousal Piano Music Ratings to Uncover What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion Recognition”. Journal of the Audio Engineering Society, 65(4): 304-320.
  • Karas, H. V., Serhaniuk, L. I., Kazymyriv, K. T., Bardashevska, Y. M., Maskovych, T. M. (2020). “Diaspora art project as a factor to protect Ukrainian music culture in the modern transformational processes”. Asia Life Sciences Supplement, 22(2): 201-214.
  • Karimi, M., Attari, J., Saneie, M., Ghazizadeh, M. R. J. (2018). “Side weir flow characteristics: comparison of piano key, labyrinth, and linear types”. Journal of Hydraulic Engineering, 144(12): 04018075.
  • Kolomyyets, O. (2018). The Musical Ethnographic Archive at the Scientific Laboratory of Music Ethnology at Mykola Lysenko Lviv National Music Academy: The founders and their followers. In: B. Muszkalska (Ed.), The Kolbergs of Eastern Europe. Frankfurt am Main: Peter Lang.
  • Krool, V., Vdovichen, A., Hyshchuk, R. (2018). “Historical and Cultural Heritage of the Region and its Opportunities in Tourism and Excursion Activities (Case of Chernivtsi Region, Ukraine)”. GeoJournal of Tourism and Geosites, 23(3): 808-823
  • Lee, G. S., Chung, J.-K. (2025). “The Spiritual Leadership of the Founders of University Bible Fellowship”. International Journal of Religion and Spirituality in Society, 15(2): 23-40.
  • Merezhko, Y. V., Lievit, D. A., Petrykova, O. P., Gmyrina, S. V., Kasianchuk, M. S. (2020). “Experimental and Research Verification of the Methodology of Forming the High School Students' Artistic Taste for the Vocal Heritage (Late XIX-Early XX Century)”. International Journal of Learning, Teaching and Educational Research, 19(4): 309-321.
  • Miranda Azzi, A. D. M., Barbeitas, F. T., Morales, J. P. (2024). “Musical performance and its deterritorializing force”. Musica Hodie, 24: e.79155.
  • Onyshchenko, K. M., Hiha, S. P., Hlukhanych, O. M., Zelinka, V. S., Vihula, V. I. (2021). “Interaction of national cultures in the development of musical life of Transcarpathia in the second half of the 20th century”. Linguistics and Culture Review, 5(S2): 722-732.
  • Petsche, J. J. M. (2017). G. I. “Gurdjieff's Piano Music and its Application in and outside “the Work””. Religion and the Arts, 21(1-2): 70-95.
  • Puebla-Álvarez, B., Angel-Alvarado, R. (2024). “Self-efficacy in Musical Performance: Towards Humanising Processes in Assessment of Learning”. Musica Hodie, 24: e.78393.
  • Sabljar, M., Opić, S., Šulentić Begić J. (2020). “Piano Teachers’ Job Satisfaction in Music Schools in the Republic of Croatia”. Journal of Elementary Education, 13(4): 497-518
  • Smoliak, O. S., Bankovskyi, A. M., Dovhan, O. Z., Misko, H. S., Ovod, N. M. (2021). “Stanyslav Lyudkevych’s Contribution to the History of Ukrainian Folk Music Research at the Beginning of the Twentieth Century”. Musicological Annual, 57(1): 177-200.
  • Subramani, K., Sridhar, S., Rohit, M. A., Rao, P. (2018). Energy-Weighted Multi-Band Novelty Functions for Onset Detection in Piano Music. In: 2018 24th National Conference on Communications (NCC) (pp. 1-6). Piscataway: IEEE.
  • Tarasenko, I. Y. (2020). “Letters of Serhii Telezhynskyi to Oleksandr Koshyts from the funds of the Ukrainian Cultural and Educational Center (Oseredok) in Winnipeg (Manitoba, Canada)”. Manuscript and Book Heritage of Ukraine, 25: 258-289.
  • Vakarenko, O. (2020). “Publications on history of book culture and manuscriptheritage of Akademperiodika publishing house of National Akademy of Sciences of Ukraine in cooperation with V. I. Vernadskyi National Library of Ukraine”. Manuscript and Book Heritage of Ukraine, 26: 216-223.
  • Valero-Mas, J. J., Benetos, E., Iñesta, J. M. (2017). Assessing the relevance of onset information for note tracking in piano music transcription. In: Proceedings of the AES International Conference on Semantic Audio (pp. 164-171). Erlangen: Fraunhofer Institute for Integrated Circuits IIS.
  • Volkov, S. (2023). “Institutionalised educational systems as a component of the intangible cultural legacy of Ukraine”. Interdisciplinary Cultural and Humanities Review, 2(1): 6-12.
  • Xi, C., Qin, S. (2018). “The design and construction based on the ASEAN piano music library and display platform”. Journal of Intelligent & Fuzzy Systems, 35(3): 2861-2866.
  • Yu, Z. (2020). The Application of Artificial Intelligence in the Evaluation of Linear Thinking Mode of Chinese Piano Music. In: Proceedings – 2020 12th International Conference on Measuring Technology and Mechatronics Automation, ICMTMA (pp. 662-666). Piscataway: IEEE.

UKRAYNA BESTECİLERİNİN ODA VOKAL ESERLERİNİN SESLENDİRME ÖZELLİKLERİ

Yıl 2024, Cilt: 7 Sayı: 4, 724 - 744
https://doi.org/10.51576/ymd.1561524

Öz

Bu çalışmada Ukraynalı bestecilerin oda vokal eserlerinin performans özellikleri ele alınmıştır. Çalışmanın önemi, müzik endüstrisindeki araştırma konusunun son on yıllarda dünyada ve Ukrayna'da gerçekleşen kültürel ve sosyal dönüşümler tarafından belirlenmesi gerçeğinden kaynaklanmaktadır. Bu çalışmanın amacı, Ukraynalı bestecilerin oda vokal müziğinin özelliklerini anlamak ve bu vokal müzik türünde ustalaşma sürecinin özelliklerini belirlemektir. Araştırma amacına ulaşmak için şu yöntemler uygulanmıştır: bilimsel kaynakların analizi, mantıksal ve karşılaştırmalı analiz, tanımlayıcı ve yapısal yöntemler, bilimsel nesnellik ve sistemleştirme. Makalede, performans yorumu yaratmak için zorunlu olan Ukraynalı bestecilerin oda vokal eserlerinin ana tür özellikleri tanımlanmakta ve açıklanmaktadır. Ukraynalı ve yabancı müzikoloji öğretmenlerinin yöntemleri, oda vokal eserlerinin özelliklerini anlama konusundaki sistematik konumları ve şarkı icracılarının karşı karşıya olduğu müzik eserlerini icra etme görevlerinin farkındalığı dikkate alınmaktadır. Vokalistlerin oda vokal eserlerinin özelliklerini inceleme pratiğinde sistematik bir yaklaşımın önemi vurgulanmaktadır. Çalışmaların analizi, Ukraynalı bestecilerin oda vokal eserleri üzerinde çalışmanın olası yöntemlerini karakterize etmeyi sağladı. Pratik önem, sonuçların eğitim kurumlarında Ukrayna müzikolojisi tarihi, kültürel çalışmalar ve vokal sanat tarihi dersinin öğretimine hazırlıkta uygulanma olasılığı ile koşullandırılmıştır. Makalede yer alan bilimsel bilgiler, metodolojik çalışmalar, Ukrayna müzikolojisi üzerine ders kitapları yazmak ve gelecekteki araştırma makalelerinin incelenmesinde kullanılabilir.

Kaynakça

  • Afonina, О., Karpov, V. (2023). “Art practices in modern culture”. Culture and Contemporaneity, 25(2): 76-81.
  • Akbari, M., Liang, J., Cheng, H. (2018). “A Real-Time System for Online Learning-based Visual Transcription of Piano Music”. Multimedia Tools and Applications, 77(19): 25513-25535.
  • Bermes, І. (2023). “Chamber choir as creative entity (case study of Drohobych’s "Legend")”. Notes on Art Criticism, 23(2): 82-87.
  • Brait, B., Pistori, M. H. C., Dugnani, B. L., Stella, P. R., Rosa, C. G. (2023). “Culture, Literary Scholarship, and Great Time”. Bakhtiniana, 18(4): e64121e.
  • Brandabur, C. (2015). The Unconsoled: Piano Virtuoso Lost in Vienna. In: C. F. Wong, H. Yildiz (Eds.), Kazuo Ishiguro in a Global Context (pp. 68-78). London: Routledge.
  • Davydova, A. A., Lushnikov, S. S., Pereverzeva, M. V., Smirnov, A. V., Tsarev, D. V. (2018). “Piano music of composers-minimalists in the teaching repertoire of higher music education”. Opcion, 34(Special Issue 17): 149-162.
  • Derkach, S., Melnyk, M., Chystiakov, O. (2023). “Genesis of syncretic nature of Ukrainian musical”. Notes on Art Criticism, 23(1): 218-224.
  • Hartmann, E. F. (2019). “Musical Image and Musical Hermeneutics, a possible tool for creative Piano (Music) teaching”. Revista Música Hodie, 19: e58976.
  • Hong, Y., Chau, C.-J., Horner, A. (2017). “An Analysis of Low-Arousal Piano Music Ratings to Uncover What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion Recognition”. Journal of the Audio Engineering Society, 65(4): 304-320.
  • Karas, H. V., Serhaniuk, L. I., Kazymyriv, K. T., Bardashevska, Y. M., Maskovych, T. M. (2020). “Diaspora art project as a factor to protect Ukrainian music culture in the modern transformational processes”. Asia Life Sciences Supplement, 22(2): 201-214.
  • Karimi, M., Attari, J., Saneie, M., Ghazizadeh, M. R. J. (2018). “Side weir flow characteristics: comparison of piano key, labyrinth, and linear types”. Journal of Hydraulic Engineering, 144(12): 04018075.
  • Kolomyyets, O. (2018). The Musical Ethnographic Archive at the Scientific Laboratory of Music Ethnology at Mykola Lysenko Lviv National Music Academy: The founders and their followers. In: B. Muszkalska (Ed.), The Kolbergs of Eastern Europe. Frankfurt am Main: Peter Lang.
  • Krool, V., Vdovichen, A., Hyshchuk, R. (2018). “Historical and Cultural Heritage of the Region and its Opportunities in Tourism and Excursion Activities (Case of Chernivtsi Region, Ukraine)”. GeoJournal of Tourism and Geosites, 23(3): 808-823
  • Lee, G. S., Chung, J.-K. (2025). “The Spiritual Leadership of the Founders of University Bible Fellowship”. International Journal of Religion and Spirituality in Society, 15(2): 23-40.
  • Merezhko, Y. V., Lievit, D. A., Petrykova, O. P., Gmyrina, S. V., Kasianchuk, M. S. (2020). “Experimental and Research Verification of the Methodology of Forming the High School Students' Artistic Taste for the Vocal Heritage (Late XIX-Early XX Century)”. International Journal of Learning, Teaching and Educational Research, 19(4): 309-321.
  • Miranda Azzi, A. D. M., Barbeitas, F. T., Morales, J. P. (2024). “Musical performance and its deterritorializing force”. Musica Hodie, 24: e.79155.
  • Onyshchenko, K. M., Hiha, S. P., Hlukhanych, O. M., Zelinka, V. S., Vihula, V. I. (2021). “Interaction of national cultures in the development of musical life of Transcarpathia in the second half of the 20th century”. Linguistics and Culture Review, 5(S2): 722-732.
  • Petsche, J. J. M. (2017). G. I. “Gurdjieff's Piano Music and its Application in and outside “the Work””. Religion and the Arts, 21(1-2): 70-95.
  • Puebla-Álvarez, B., Angel-Alvarado, R. (2024). “Self-efficacy in Musical Performance: Towards Humanising Processes in Assessment of Learning”. Musica Hodie, 24: e.78393.
  • Sabljar, M., Opić, S., Šulentić Begić J. (2020). “Piano Teachers’ Job Satisfaction in Music Schools in the Republic of Croatia”. Journal of Elementary Education, 13(4): 497-518
  • Smoliak, O. S., Bankovskyi, A. M., Dovhan, O. Z., Misko, H. S., Ovod, N. M. (2021). “Stanyslav Lyudkevych’s Contribution to the History of Ukrainian Folk Music Research at the Beginning of the Twentieth Century”. Musicological Annual, 57(1): 177-200.
  • Subramani, K., Sridhar, S., Rohit, M. A., Rao, P. (2018). Energy-Weighted Multi-Band Novelty Functions for Onset Detection in Piano Music. In: 2018 24th National Conference on Communications (NCC) (pp. 1-6). Piscataway: IEEE.
  • Tarasenko, I. Y. (2020). “Letters of Serhii Telezhynskyi to Oleksandr Koshyts from the funds of the Ukrainian Cultural and Educational Center (Oseredok) in Winnipeg (Manitoba, Canada)”. Manuscript and Book Heritage of Ukraine, 25: 258-289.
  • Vakarenko, O. (2020). “Publications on history of book culture and manuscriptheritage of Akademperiodika publishing house of National Akademy of Sciences of Ukraine in cooperation with V. I. Vernadskyi National Library of Ukraine”. Manuscript and Book Heritage of Ukraine, 26: 216-223.
  • Valero-Mas, J. J., Benetos, E., Iñesta, J. M. (2017). Assessing the relevance of onset information for note tracking in piano music transcription. In: Proceedings of the AES International Conference on Semantic Audio (pp. 164-171). Erlangen: Fraunhofer Institute for Integrated Circuits IIS.
  • Volkov, S. (2023). “Institutionalised educational systems as a component of the intangible cultural legacy of Ukraine”. Interdisciplinary Cultural and Humanities Review, 2(1): 6-12.
  • Xi, C., Qin, S. (2018). “The design and construction based on the ASEAN piano music library and display platform”. Journal of Intelligent & Fuzzy Systems, 35(3): 2861-2866.
  • Yu, Z. (2020). The Application of Artificial Intelligence in the Evaluation of Linear Thinking Mode of Chinese Piano Music. In: Proceedings – 2020 12th International Conference on Measuring Technology and Mechatronics Automation, ICMTMA (pp. 662-666). Piscataway: IEEE.
Toplam 28 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Müzik Performansı, Orkestra Şefliği
Bölüm Araştırma Makaleleri
Yazarlar

Olha Putiatytska 0000-0002-9897-705X

Marianna Kopytsia 0000-0001-9183-2117

Oksana Davydova 0000-0002-6484-6297

Olena Taranchenko 0000-0002-8038-8927

Rada Stankovych-spolska 0000-0001-5553-9300

Erken Görünüm Tarihi 24 Aralık 2024
Yayımlanma Tarihi
Gönderilme Tarihi 14 Ekim 2024
Kabul Tarihi 18 Kasım 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 7 Sayı: 4

Kaynak Göster

APA Putiatytska, O., Kopytsia, M., Davydova, O., Taranchenko, O., vd. (2024). PERFORMING FEATURES OF CHAMBER VOCAL WORKS OF UKRAINIAN COMPOSERS. Yegah Müzikoloji Dergisi, 7(4), 724-744. https://doi.org/10.51576/ymd.1561524