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David Mamet’ in Glengarry Glen Ross Adlı Eserinde Maçoluk ve Eş-Sosyallik

Year 2018, , 979 - 983, 02.12.2018
https://doi.org/10.18506/anemon.418433

Abstract

Amerikan
edebiyatının ve sinemasının önemli isimlerinden biri olan David Mamet bir çok
oyun ve senaryo yazmış ve bunların bir çoğunu yapımcılığını ve yönetmenliğini
kendisi üstlenmiştir. Tümü erkek karakterlerden oluşan Glengarry Glen Ross işten atılma korkusuyla ofisteki panoda
isimlerinin en alta yazılmasını istemeyen dört gayrimenkul satıcısıyla
ilgilidir. Bu korku onları manipülasyona, yalancılığa ve hatta kanunsuzluğa
yönlendirir. Oyundaki en göze çarpan şey karakterlerin birbirleriyle olan
ilişkileridir. Karakterler, ahlak ve ilke yoksunudur. Eş-sosyal ofis,
karakterlerin hayatta kalmaya çabaladığı bir maço arenaya dönüşür. Mamet,
oyunda Amerikan rüyasına referans yaptığı Darvinist bir toplumu hicveder.
Karakterlerin birbirleriyle olan ilişkisi modern çağa karşılık ilkel ve
pragmatist durur. Bu minvalde oyun erkek iç dünyasını göstermek bakımından
önemli bir rol üstlenir. Bu çalışmada David Mamet’ın önemli oyunu Glengarry Glen Ross maçoluk,
eş-sosyallik ve erkek psikolojisi açılarından irdelenecektir.

References

  • BIGSBY, Christopher W.E. (2004a). David Mamet: Christopher Bigsby (ed.), The Cambridge Companion to David Mamet (pp. 1-40) New York: Cambridge University Press.
  • BIGSBY, Christopher W.E. (2004b). David Mamet: All True Stories: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 163-201) Philadelphia: Chelsea House Publishers
  • BLOOM, Harold (2004). Introduction: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 1-3), Philadelphia: Chelsea House Publishers BRUSTER, Douglas (2004). David Mamet and Ben Jonson: city Comedy Past and Present: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 41-56) Philadelphia: Chelsea House Publishers
  • DEAN, Anne (2004). Sexual Perversity in Chicago: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet, (pp. 5-40), Philadelphia: Chelsea House Publishers
  • DIGOU, Mike (2003). Hitchcock's MacGuffin in the Works of David Mamet. Literature/Film Quarterly, 31(4), 270-275
  • GARAVENTA, Eugene (1998). Drama: A Tool for Teaching Business Ethics. Business Ethics Quarterly, 8(1), 535-545.
  • GOLDENSOHN, Barry (2000). Melville's "The Confidence Man" and His Descendants in David Mamet's Work. AGNI, 52, 248-256
  • HOLMBERG, Arthur (2014). David Mamet and Male Friendship: Buddy Plays and Buddy Films New York: Palgrave Macmillian
  • MAMET, David (1988), David Mamet: David Savran (ed.), In Their Own Words: Contemporary American Playwrights, (pp. 132-144), New York: Theatre Communications Group.
  • MCDONOUGH, Carla J. (1992) Every Fear Hides a Wish: Unstable Masculinity in Mamet's Drama. Theatre Journal, 44(2), 195-205
  • NIGHTINGALE, Benedict (2004). Glengarry Glen Ross: Christopher Bigsby (ed.), The Cambridge Companion to David Mamet (pp.89-102), New York: Cambridge University Press
  • PIETTE, Alain (2004). The 1980s:, Christopher Bigsby (ed.), The Cambridge Companion to David Mamet, (pp. 74-88), New York: Cambridge University Press
  • QUINN, Michael L. (2004). Anti-Theatricality and American Ideology: Mamet’s Performative Realism: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 93-110) Philadelphia: Chelsea House Publishers
  • RADAVICH, David (2004). Man Among Men: David Mamet’s Homosocial Order: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 69-80) Philadelphia: Chelsea House Publishers
  • ROUDANÉ, Matthew (2004). Betrayal and friendship: David Mamet’s American Buffalo: Christopher Bigsby (ed.), The Cambridge Companion to David Mamet, (pp. 57-73) New York: Cambridge University Press
  • TEPPER, Bennett J. (2000). Consequences of Abusive Supervision. The Academy of Management Journal, 43(2), 178-190
  • WEALES, Gerald (1984) American Theatre Watch, 1983-1984. The Georgia Review, 38(3), 594-606
  • VORLICKY, Robert (1995). "No Use Gabbin' Here All Night": Male Talk and Silence in "Hughie. The Eugene O'Neill Review, 19( ½), 81-94
  • ZINMAN, Toby Silverman (1992). Jewish Aporia: The Rhythm of Talking in Mamet. Theatre Journal, 44(2), 207-215

Machismo and Homosociality in Mamet’s Glengarry Glen Ross

Year 2018, , 979 - 983, 02.12.2018
https://doi.org/10.18506/anemon.418433

Abstract

One of
the distinctive persons of American literature and cinema, David Mamet has
written a great number of plays and scripts and many of which are produced or
directed by Mamet himself. Glengarry Glen
Ross
consisting of all male characters deals with four real estate salesmen
who do not want to be the bottom name on the board in their office for fear of
dismissal. This fear leads them to manipulation, falsehood and even illegality.
The most conspicuous thing in the play is characters’ relationships to each
other. Characters have a lack of morality and principle. The homosocial office
turns into a macho arena where characters endeavor to survive. Mamet satirizes
a dog-eat-dog society in the play, which has also a reference to American
dream. The characters’ interaction to each other seems primitive and
manipulative despite modern age. In this sense, the play also reveals male’s
inner psychology because human’s instinctual aims such as surviving and potency
are unearthed in the play. In this study David Mamet’s distinctive play Glengarry Glen Ross will be argued with
machismo, homosociality, man’s psychology.   

References

  • BIGSBY, Christopher W.E. (2004a). David Mamet: Christopher Bigsby (ed.), The Cambridge Companion to David Mamet (pp. 1-40) New York: Cambridge University Press.
  • BIGSBY, Christopher W.E. (2004b). David Mamet: All True Stories: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 163-201) Philadelphia: Chelsea House Publishers
  • BLOOM, Harold (2004). Introduction: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 1-3), Philadelphia: Chelsea House Publishers BRUSTER, Douglas (2004). David Mamet and Ben Jonson: city Comedy Past and Present: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 41-56) Philadelphia: Chelsea House Publishers
  • DEAN, Anne (2004). Sexual Perversity in Chicago: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet, (pp. 5-40), Philadelphia: Chelsea House Publishers
  • DIGOU, Mike (2003). Hitchcock's MacGuffin in the Works of David Mamet. Literature/Film Quarterly, 31(4), 270-275
  • GARAVENTA, Eugene (1998). Drama: A Tool for Teaching Business Ethics. Business Ethics Quarterly, 8(1), 535-545.
  • GOLDENSOHN, Barry (2000). Melville's "The Confidence Man" and His Descendants in David Mamet's Work. AGNI, 52, 248-256
  • HOLMBERG, Arthur (2014). David Mamet and Male Friendship: Buddy Plays and Buddy Films New York: Palgrave Macmillian
  • MAMET, David (1988), David Mamet: David Savran (ed.), In Their Own Words: Contemporary American Playwrights, (pp. 132-144), New York: Theatre Communications Group.
  • MCDONOUGH, Carla J. (1992) Every Fear Hides a Wish: Unstable Masculinity in Mamet's Drama. Theatre Journal, 44(2), 195-205
  • NIGHTINGALE, Benedict (2004). Glengarry Glen Ross: Christopher Bigsby (ed.), The Cambridge Companion to David Mamet (pp.89-102), New York: Cambridge University Press
  • PIETTE, Alain (2004). The 1980s:, Christopher Bigsby (ed.), The Cambridge Companion to David Mamet, (pp. 74-88), New York: Cambridge University Press
  • QUINN, Michael L. (2004). Anti-Theatricality and American Ideology: Mamet’s Performative Realism: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 93-110) Philadelphia: Chelsea House Publishers
  • RADAVICH, David (2004). Man Among Men: David Mamet’s Homosocial Order: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 69-80) Philadelphia: Chelsea House Publishers
  • ROUDANÉ, Matthew (2004). Betrayal and friendship: David Mamet’s American Buffalo: Christopher Bigsby (ed.), The Cambridge Companion to David Mamet, (pp. 57-73) New York: Cambridge University Press
  • TEPPER, Bennett J. (2000). Consequences of Abusive Supervision. The Academy of Management Journal, 43(2), 178-190
  • WEALES, Gerald (1984) American Theatre Watch, 1983-1984. The Georgia Review, 38(3), 594-606
  • VORLICKY, Robert (1995). "No Use Gabbin' Here All Night": Male Talk and Silence in "Hughie. The Eugene O'Neill Review, 19( ½), 81-94
  • ZINMAN, Toby Silverman (1992). Jewish Aporia: The Rhythm of Talking in Mamet. Theatre Journal, 44(2), 207-215
There are 19 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Faruk Kalay 0000-0001-7917-7930

Publication Date December 2, 2018
Acceptance Date May 21, 2018
Published in Issue Year 2018

Cite

APA Kalay, F. (2018). Machismo and Homosociality in Mamet’s Glengarry Glen Ross. Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi, 6(6), 979-983. https://doi.org/10.18506/anemon.418433

Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi Creative Commons Atıf-GayriTicari 4.0 Uluslararası Lisansı (CC BY NC) ile lisanslanmıştır.