Araştırma Makalesi

Machismo and Homosociality in Mamet’s Glengarry Glen Ross

Cilt: 6 Sayı: 6 2 Aralık 2018
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Machismo and Homosociality in Mamet’s Glengarry Glen Ross

Abstract

One of the distinctive persons of American literature and cinema, David Mamet has written a great number of plays and scripts and many of which are produced or directed by Mamet himself. Glengarry Glen Ross consisting of all male characters deals with four real estate salesmen who do not want to be the bottom name on the board in their office for fear of dismissal. This fear leads them to manipulation, falsehood and even illegality. The most conspicuous thing in the play is characters’ relationships to each other. Characters have a lack of morality and principle. The homosocial office turns into a macho arena where characters endeavor to survive. Mamet satirizes a dog-eat-dog society in the play, which has also a reference to American dream. The characters’ interaction to each other seems primitive and manipulative despite modern age. In this sense, the play also reveals male’s inner psychology because human’s instinctual aims such as surviving and potency are unearthed in the play. In this study David Mamet’s distinctive play Glengarry Glen Ross will be argued with machismo, homosociality, man’s psychology.   

Keywords

Kaynakça

  1. BIGSBY, Christopher W.E. (2004a). David Mamet: Christopher Bigsby (ed.), The Cambridge Companion to David Mamet (pp. 1-40) New York: Cambridge University Press.
  2. BIGSBY, Christopher W.E. (2004b). David Mamet: All True Stories: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 163-201) Philadelphia: Chelsea House Publishers
  3. BLOOM, Harold (2004). Introduction: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 1-3), Philadelphia: Chelsea House Publishers BRUSTER, Douglas (2004). David Mamet and Ben Jonson: city Comedy Past and Present: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet (pp. 41-56) Philadelphia: Chelsea House Publishers
  4. DEAN, Anne (2004). Sexual Perversity in Chicago: Harold Bloom (ed.), Bloom’s Modern Critical Views: David Mamet, (pp. 5-40), Philadelphia: Chelsea House Publishers
  5. DIGOU, Mike (2003). Hitchcock's MacGuffin in the Works of David Mamet. Literature/Film Quarterly, 31(4), 270-275
  6. GARAVENTA, Eugene (1998). Drama: A Tool for Teaching Business Ethics. Business Ethics Quarterly, 8(1), 535-545.
  7. GOLDENSOHN, Barry (2000). Melville's "The Confidence Man" and His Descendants in David Mamet's Work. AGNI, 52, 248-256
  8. HOLMBERG, Arthur (2014). David Mamet and Male Friendship: Buddy Plays and Buddy Films New York: Palgrave Macmillian

Ayrıntılar

Birincil Dil

İngilizce

Konular

-

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

2 Aralık 2018

Gönderilme Tarihi

25 Nisan 2018

Kabul Tarihi

21 Mayıs 2018

Yayımlandığı Sayı

Yıl 2018 Cilt: 6 Sayı: 6

Kaynak Göster

APA
Kalay, F. (2018). Machismo and Homosociality in Mamet’s Glengarry Glen Ross. Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi, 6(6), 979-983. https://doi.org/10.18506/anemon.418433

Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi Creative Commons Atıf-GayriTicari 4.0 Uluslararası Lisansı (CC BY NC) ile lisanslanmıştır.