Mehmet Takkaç

Year 2006, Volume: 7 Issue: 1, 309 - 336, 18.02.2010

Abstract

İnsanların yaşam kaliteleri ile yaşadıkları konutlar arasında yakın bir ilişki
vardır. Bu bağlamda da, yaşadıkları mekanları geliştirme yönünde çabaları
olmuştur. İnsan yaşamını yansıtan bir sanat olan tiyatro da insanların nasıl
yaşadıkları yanında nerede yaşadıkları konusunu da sahneye getiren bir sanat
olmuştur. İnsanların kendi kullanımları ve başkalarının kullanımları için daha
büyük ve daha yüksek binalar yapma isteği zaman içinde tutkuya dönüşmüş ve bu
tutku birçok tasarımcıyı kendine bağlamıştır. Norveç’li oyun yazarı Henrik Ibsen
ve İngiliz oyun yazarı Arnold Wesker insanların oturdukları evlerin kalitesini her
bakımdan geliştirme çabasını sahneye getiren oyun yazarları arasındadır. Her iki
oyun yazarı da bu eylem için harcanan çabanın yalnız beceri değil, tutku da
gerektirdiğini ortaya koyar ve yaşamlarındaki insanların gereksinimlerini göz ardı
ederek, tutkularını bütünüyle evlerin kalitesini geliştirmeye adayan insanların
birçok şeyi kaybetmesinin kaçınılmaz olduğunu vurgular.

Keywords

Henrik Ibsen, Arnold Wesker, ev, tutku

References

Adler, Stella. (1999). On Ibsen, Strindberg, and Chekhov. Edited by. Barry Paris. New York: Knopf.
Anderman, Joan. (Feb 7, 1999). “Designing a ‘Master Builder’ At ART, Ibsen’s Play is Having a Whole World Constructed Around It”, Boston Globe.
Anderson, Marilyn A.. (September 1971). “Norse Trolls and Ghosts in Ibsen”, The Journal of Popular Culture. Vol. 5, Issue 2.
Anderson, Michael. (1968). “Arnold Wesker: The Last Humanist?”, New Theatre Magazine. Vol. 7, Issue 3.
Bemrose, John. (Jan 29, 1996). “Prisoned by Power”, Maclean’s Toronto. Vol. 109, Issue 5.
Bentley, Eric. (2003). “What Ibsen Has Meant”, Southwest Review. Vol. 88, Issue 4..
Bigsby, C. W. E.. (1981). “The Language of Crisis in British Theatre: The Drama of Cultural Pathology”, Stratford-Upon-Avon Studies: Contemporary English Drama. Associate Editor: C. W. E. Bigsby. London: Edward Arnold.
Stella Adler. (1999). On Ibsen, Strindberg, and Chekhov. Edited by. Barry Paris. New York: Knopf. p: 21.
Joan Anderman. (Feb 7, 1999). “Designing a ‘Master Builder’ At ART, Ibsen’s Play is Having
a Whole World Constructed Around It”, Boston Globe.
Brustein, Robert. (1964). The Theatre of Revolt. Boston: Little Brown and Company.
Chambers, Colin & Prior, Mike. (1987). Playwrights’ Progress: Patterns of Postwar British Drama. Oxford: Amber Lane Pres Ltd.
Clapp, Susannah. (2.14.1997). “Quips with Everything”, New Statesman. Vol. 126, Issue 4231.
De Botton, Alain & Stonor, Frances. (9.23.2002). “Celebrities on Holiday: A Rough Guide”, New Statesman. Vol. 131, Issue 4606.
“Diary: Arnold Wesker”, (July 19, 2004), New Statesman. Vol. 133, Issue. 4697.
Dietrichson, Jan W.. (1997). “The Theatrical Ideas of Henrick Ibsen”, Contemporary Approaches to Ibsen. Vol. IX, Ed. By Bjİrn Hemmer and Vigdis Ystad. Oslo: Scandinavian University Pres.
Durbach, Erol. (1982). Ibsen the Romantic: Analogues of Paradise in the Later Plays. Athens: University of Georgia Pres.
…………., (1991). A Doll’s House: Ibsen Myth of Transformation. Boston: Twayne Publishers.
…………., (1997). “The Modernist Malaise: ‘Nichts og Ingenting’ at the Core of Ibsen’s Onion”, Contemporary Approaches to Ibsen. Vol. IX. Ed. By Bjİrn Hemmer and Vigdis Ystad. Oslo: Scandinavian University Pres.
Engelstad, Fredrik. (2002). “The Centrality of Power in Henrik Ibsen’s Drama”, Proceedings. IX. International Ibsen Conference, Bergen.
Farfan, Penny. (2002). “Reading, Writing, and Authority in Ibsen’s “Women’s Plays”, Modern Drama. Vol. 45, Issue 1.
Gordon, Giles. (1966). “Arnold Wesker: An Interview”, Transatlantic Review. Vol. 21.
Hayman, Ronald. (1970). Contemporary Playwright Series: Arnold Wesker. London: Heinemann Educational Books Ltd.
Holtan, Orley I., (1970). Mythic Patterns in Ibsen’s Last Plays. Miniapolis: University of Minesota Pres.
Hornby, Richard. (Winter 2004). “Ibsen Triumphant”, Hudson Review. Vol. 56, Issue 4.
Ibsen, Henrik. (1965). Four Major Plays: A Doll House, The Wild Duck, Hedda Gabbler, The Master Builder. A New Translation with a Foreword by Rolf Fjelde. New York: Signet Classics.
…………., (1972). “Speech At The Banquet In Stockholm, April 13th, 1898”, Speeches and New Letters, Translated by Arne Kildal, With An Introduction By Dr. Lee M. Hollander. New York: Haskell House Publishers Ltd.
Innes, Christopher. (1992). Modern British Drama 1890-1990. Cambridge: CUP.
Itzin, Catherine. (1986). Stages In The Revolution: Political Theatre In Britain Since 1968. London: Methuen.
Johnston, Brian. (1992). The Ibsen Cycle: The Design of the Plays from Pillars of Society to When We Dead Awaken. Revised Edition. Pennsylvania: Pennsylvania State University Pres.
…………., (2000). “Play It Again. Past Story Re-visited as Tragic Plot: Rosmersholm and The Master Builder”, Proceedings. IX. International Ibsen Conference, Bergen.
Jones, A. R.. (1960). “The Theatre of Arnold Wesker”, Critical Quarterly. Vol. II. (366-70) p: 370.
Arnold Wesker. (1970). “Two Snarling Heads” in Fears of Fragmentation. London: Jonathan Cape Ltd.
Jones, D.A.N.. (29 Oct 1967). “Second Opinion: Arnold Wesker”, in Facsimile Collections of Various Articles and Interviews, Michael Marland (Ed) (1970), Times Education Services, TheTimes’ Authors No. 1.
Kaplan, Merrill. (Winter 2003). “On the Road to Realism with Asbyİrnsen and Moe, Peer Gynt, and Henrik Ibsen”, Scandinavian Studies. V. 75, Issue 4.
Kennedy, Andrew. (2000). “A Choice of Death? Logic, Symbol and Form in Ibsen’s Modern Tragedy?, Proceedings. IX. International Ibsen Conference, Bergen.
Lambert, J. W.. (22 May 1966). Sunday Times.
Lebowitz, Naomi. (1990). Ibsen and The Great World. Baton Rouge: Lousiana State University Pres.
Leeming, Glenda. (1972). Arnold Wesker. Ed. By Ian Scott-Kilvert. London: Longman Group Ltd.
…………., (1981). “Articulacy and Awareness: The Modulation of Familiar Themes in Wesker’s Plays in the Seventies”, Stratford-Upon-Avon Studies: Contemporary English Drama. Associate Editor: C. W. E. Bigsby. London: Edward Arnold.
…………., (1983). Wesker the Playwright. London: Methuen.
Lucas, F.L.. (1962). The Drama of Ibsen And Strindberg. London: Cassell And Company. p: 153.
Michael Goldman. (1999). Ibsen: The Dramaturgy of Fear. New York: Columbia University Press.
Mannheimer, Monica L. (1975). “Ordering Chaous: The Genesis of Arnold Wesker’s The Friends”, English Studies. Vol. 56, Issue 1.
Morley, Sheridan & Allardice, Lisa. (7 July 2003). “Sex, Scrabble and Murder”, New Statesman. Vol. 132, Issue 4645.
Nelson, Byron. (March 2004). “Brand”, Theatre Journal. Vol. 56, Issue 1.
Page, Malcolm. (1968). “Whatever Happened To Arnold Wesker?: His Recent Plays”, Modern Drama. Vol 11, Issue 3.
Peacock, D. Keith. (1991). Radical Stages: Alternative History in Modern British Drama. Westport: Greenwood Pres.
Ribalow, Harold V.. (1965). Arnold Wesker. Twayne’s English Author Series. New York: Twayne Publishers Inc.
Rİning, Helge. (2000). “Closed Rooms and Open Dreams”, Proceedings. IX. International Ibsen Conference, Bergen.
Rusinko, Susan. (1989). British Drama 1950 To The Present: A Critical History. Boston: Twayne Publishers.
Stoll, Karl-Heinz. (1976) “Interviews with Edward Bond and Arnold Wesker”. Twentieth Century Literature. Vol. XXII.
Taylor, John R. (1988). Anger and After: A Guide to the New British Drama. London: Methuen.
Templeton, Joan. (2000). “The Munch-Ibsen Connection: Exposing A Critical Myth”, Scandinavian Studies. Vol. 72, No: 4, (445-62) p: 642.
The Times. (12 Dec 1963). “Arnold Wesker”.
Thomas, David. (1983). Macmillan Modern Dramatists: Henrik Ibsen. London and Basingstoke: The Macmillan Pres Ltd.
Trussler, Simon. (1966). “His Very Own and Golden City: An Interview With Arnold Wesker”, Tulane Drama Review. Vol. XIC.
Tynan, Kenneth. (12 Jun 1960). The Observer.
Weber, Myles. (2001) “Seeking A Post-Ibsenian Playwright”, Kenyon Review. Vol. 23, Issue 1.
Wesker, Arnold. (1961). “Art is Not Enough”, Twentieth Century.
…………., (1970). “Fears of Fragmentation” in Fears of Fragmentation. London: Jonathan Cape Ltd.
…………., (1990). Volume 2: The Kitchen, The Four Seasons, Their Very Own And Golden City. London: Penguin Boks.
Wilcher, Robert. (1991). Understanding Arnold Wesker. South Carolina: University of South Carolina Pres.
Williams, Raymond. (1973). Drama From Ibsen To Brecht. Middlesex: Penguin Boks.
Ystad, Vigdis. (2000). “Sacrifice, Suicide and Tragedy in Ibsen’s Drama”. Proceedings. IX. International Ibsen Conference, Bergen.
Zimmermann, Heins. (1986). “Wesker and Utopia in the Sixties”. Modern Drama. Vol. XXIX. Number 2.

Year 2006, Volume: 7 Issue: 1, 309 - 336, 18.02.2010

Mehmet Takkaç

Abstract

References

Adler, Stella. (1999). On Ibsen, Strindberg, and Chekhov. Edited by. Barry Paris. New York: Knopf.
Anderman, Joan. (Feb 7, 1999). “Designing a ‘Master Builder’ At ART, Ibsen’s Play is Having a Whole World Constructed Around It”, Boston Globe.
Anderson, Marilyn A.. (September 1971). “Norse Trolls and Ghosts in Ibsen”, The Journal of Popular Culture. Vol. 5, Issue 2.
Anderson, Michael. (1968). “Arnold Wesker: The Last Humanist?”, New Theatre Magazine. Vol. 7, Issue 3.
Bemrose, John. (Jan 29, 1996). “Prisoned by Power”, Maclean’s Toronto. Vol. 109, Issue 5.
Bentley, Eric. (2003). “What Ibsen Has Meant”, Southwest Review. Vol. 88, Issue 4..
Bigsby, C. W. E.. (1981). “The Language of Crisis in British Theatre: The Drama of Cultural Pathology”, Stratford-Upon-Avon Studies: Contemporary English Drama. Associate Editor: C. W. E. Bigsby. London: Edward Arnold.
Stella Adler. (1999). On Ibsen, Strindberg, and Chekhov. Edited by. Barry Paris. New York: Knopf. p: 21.
Joan Anderman. (Feb 7, 1999). “Designing a ‘Master Builder’ At ART, Ibsen’s Play is Having
a Whole World Constructed Around It”, Boston Globe.
Brustein, Robert. (1964). The Theatre of Revolt. Boston: Little Brown and Company.
Chambers, Colin & Prior, Mike. (1987). Playwrights’ Progress: Patterns of Postwar British Drama. Oxford: Amber Lane Pres Ltd.
Clapp, Susannah. (2.14.1997). “Quips with Everything”, New Statesman. Vol. 126, Issue 4231.
De Botton, Alain & Stonor, Frances. (9.23.2002). “Celebrities on Holiday: A Rough Guide”, New Statesman. Vol. 131, Issue 4606.
“Diary: Arnold Wesker”, (July 19, 2004), New Statesman. Vol. 133, Issue. 4697.
Dietrichson, Jan W.. (1997). “The Theatrical Ideas of Henrick Ibsen”, Contemporary Approaches to Ibsen. Vol. IX, Ed. By Bjİrn Hemmer and Vigdis Ystad. Oslo: Scandinavian University Pres.
Durbach, Erol. (1982). Ibsen the Romantic: Analogues of Paradise in the Later Plays. Athens: University of Georgia Pres.
…………., (1991). A Doll’s House: Ibsen Myth of Transformation. Boston: Twayne Publishers.
…………., (1997). “The Modernist Malaise: ‘Nichts og Ingenting’ at the Core of Ibsen’s Onion”, Contemporary Approaches to Ibsen. Vol. IX. Ed. By Bjİrn Hemmer and Vigdis Ystad. Oslo: Scandinavian University Pres.
Engelstad, Fredrik. (2002). “The Centrality of Power in Henrik Ibsen’s Drama”, Proceedings. IX. International Ibsen Conference, Bergen.
Farfan, Penny. (2002). “Reading, Writing, and Authority in Ibsen’s “Women’s Plays”, Modern Drama. Vol. 45, Issue 1.
Gordon, Giles. (1966). “Arnold Wesker: An Interview”, Transatlantic Review. Vol. 21.
Hayman, Ronald. (1970). Contemporary Playwright Series: Arnold Wesker. London: Heinemann Educational Books Ltd.
Holtan, Orley I., (1970). Mythic Patterns in Ibsen’s Last Plays. Miniapolis: University of Minesota Pres.
Hornby, Richard. (Winter 2004). “Ibsen Triumphant”, Hudson Review. Vol. 56, Issue 4.
Ibsen, Henrik. (1965). Four Major Plays: A Doll House, The Wild Duck, Hedda Gabbler, The Master Builder. A New Translation with a Foreword by Rolf Fjelde. New York: Signet Classics.
…………., (1972). “Speech At The Banquet In Stockholm, April 13th, 1898”, Speeches and New Letters, Translated by Arne Kildal, With An Introduction By Dr. Lee M. Hollander. New York: Haskell House Publishers Ltd.
Innes, Christopher. (1992). Modern British Drama 1890-1990. Cambridge: CUP.
Itzin, Catherine. (1986). Stages In The Revolution: Political Theatre In Britain Since 1968. London: Methuen.
Johnston, Brian. (1992). The Ibsen Cycle: The Design of the Plays from Pillars of Society to When We Dead Awaken. Revised Edition. Pennsylvania: Pennsylvania State University Pres.
…………., (2000). “Play It Again. Past Story Re-visited as Tragic Plot: Rosmersholm and The Master Builder”, Proceedings. IX. International Ibsen Conference, Bergen.
Jones, A. R.. (1960). “The Theatre of Arnold Wesker”, Critical Quarterly. Vol. II. (366-70) p: 370.
Arnold Wesker. (1970). “Two Snarling Heads” in Fears of Fragmentation. London: Jonathan Cape Ltd.
Jones, D.A.N.. (29 Oct 1967). “Second Opinion: Arnold Wesker”, in Facsimile Collections of Various Articles and Interviews, Michael Marland (Ed) (1970), Times Education Services, TheTimes’ Authors No. 1.
Kaplan, Merrill. (Winter 2003). “On the Road to Realism with Asbyİrnsen and Moe, Peer Gynt, and Henrik Ibsen”, Scandinavian Studies. V. 75, Issue 4.
Kennedy, Andrew. (2000). “A Choice of Death? Logic, Symbol and Form in Ibsen’s Modern Tragedy?, Proceedings. IX. International Ibsen Conference, Bergen.
Lambert, J. W.. (22 May 1966). Sunday Times.
Lebowitz, Naomi. (1990). Ibsen and The Great World. Baton Rouge: Lousiana State University Pres.
Leeming, Glenda. (1972). Arnold Wesker. Ed. By Ian Scott-Kilvert. London: Longman Group Ltd.
…………., (1981). “Articulacy and Awareness: The Modulation of Familiar Themes in Wesker’s Plays in the Seventies”, Stratford-Upon-Avon Studies: Contemporary English Drama. Associate Editor: C. W. E. Bigsby. London: Edward Arnold.
…………., (1983). Wesker the Playwright. London: Methuen.
Lucas, F.L.. (1962). The Drama of Ibsen And Strindberg. London: Cassell And Company. p: 153.
Michael Goldman. (1999). Ibsen: The Dramaturgy of Fear. New York: Columbia University Press.
Mannheimer, Monica L. (1975). “Ordering Chaous: The Genesis of Arnold Wesker’s The Friends”, English Studies. Vol. 56, Issue 1.
Morley, Sheridan & Allardice, Lisa. (7 July 2003). “Sex, Scrabble and Murder”, New Statesman. Vol. 132, Issue 4645.
Nelson, Byron. (March 2004). “Brand”, Theatre Journal. Vol. 56, Issue 1.
Page, Malcolm. (1968). “Whatever Happened To Arnold Wesker?: His Recent Plays”, Modern Drama. Vol 11, Issue 3.
Peacock, D. Keith. (1991). Radical Stages: Alternative History in Modern British Drama. Westport: Greenwood Pres.
Ribalow, Harold V.. (1965). Arnold Wesker. Twayne’s English Author Series. New York: Twayne Publishers Inc.
Rİning, Helge. (2000). “Closed Rooms and Open Dreams”, Proceedings. IX. International Ibsen Conference, Bergen.
Rusinko, Susan. (1989). British Drama 1950 To The Present: A Critical History. Boston: Twayne Publishers.
Stoll, Karl-Heinz. (1976) “Interviews with Edward Bond and Arnold Wesker”. Twentieth Century Literature. Vol. XXII.
Taylor, John R. (1988). Anger and After: A Guide to the New British Drama. London: Methuen.
Templeton, Joan. (2000). “The Munch-Ibsen Connection: Exposing A Critical Myth”, Scandinavian Studies. Vol. 72, No: 4, (445-62) p: 642.
The Times. (12 Dec 1963). “Arnold Wesker”.
Thomas, David. (1983). Macmillan Modern Dramatists: Henrik Ibsen. London and Basingstoke: The Macmillan Pres Ltd.
Trussler, Simon. (1966). “His Very Own and Golden City: An Interview With Arnold Wesker”, Tulane Drama Review. Vol. XIC.
Tynan, Kenneth. (12 Jun 1960). The Observer.
Weber, Myles. (2001) “Seeking A Post-Ibsenian Playwright”, Kenyon Review. Vol. 23, Issue 1.
Wesker, Arnold. (1961). “Art is Not Enough”, Twentieth Century.
…………., (1970). “Fears of Fragmentation” in Fears of Fragmentation. London: Jonathan Cape Ltd.
…………., (1990). Volume 2: The Kitchen, The Four Seasons, Their Very Own And Golden City. London: Penguin Boks.
Wilcher, Robert. (1991). Understanding Arnold Wesker. South Carolina: University of South Carolina Pres.
Williams, Raymond. (1973). Drama From Ibsen To Brecht. Middlesex: Penguin Boks.
Ystad, Vigdis. (2000). “Sacrifice, Suicide and Tragedy in Ibsen’s Drama”. Proceedings. IX. International Ibsen Conference, Bergen.
Zimmermann, Heins. (1986). “Wesker and Utopia in the Sixties”. Modern Drama. Vol. XXIX. Number 2.

There are 66 citations in total.

Details

Primary Language	tr; en
Journal Section	Makaleler
Authors	Mehmet Takkaç This is me
Publication Date	February 18, 2010
Published in Issue	Year 2006 Volume: 7 Issue: 1

Cite

APA	Takkaç, M. (2010). Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 7(1), 309-336.

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ATASOBED- Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Creative Commons Atıf-GayriTicari-AynıLisanslaPaylaş 4.0 Uluslararası Lisansı ile lisanslanmıştır.