Year 2006,
Volume: 8 Issue: 2, 239 - 250, 18.02.2010
Abstract
Dünya tarihi kadınlarla erkeklerin karşılıklı konumlarında sürekli bir
değişim sürecine tanık olmuştur. Bu sürecin çarpıcı bir noktası kadın hakları ve
cinsler arasındaki eşitlik konusundaki tartışmaların her zaman varlığını
sürdürmesidir. Kadınlar konusundaki tartışmalar bugün de güncelliğini
korumaktadır. Eşitlik ve kadınların yaşam koşullarının zorluğu gündemdeki
yerlerini korumaktadır. Çağdaş İngiliz oyun yazarlarından, dört çocuk annesi Pam
Gems de bu konuda görüşler ortaya koyan kişiler arasındadır. Günümüz
dünyasındaki kadın yaşamından canlı kesitler sunduğu Piaf, Camille, ve Loving
Women adlı oyunlarında çağdaş kadınların yaşadıkları zorlukları sahneye
getirmekte, kadınların feminist polemiğe neden olmadan verdikleri hayatta kalma
çabasını yansıtmakta ve hem erkekler hem de kadınlar için ulaşılması gereken en
kabul edilebilir doğrunun ‘eşitlik’ olduğunu savunmaktadır.
Keywords
References
- Allen, Katherine R. (2000). “A Conscious and Inclusive Family Studies”, Journal of Marriage and the Family. Volume 4, Issue 17.
- Barlow, Tani.E. and Colleagues. (2005). “The Modern Girl around the World: A Research Agenda and Preliminary Findings”, Gender and History. Vol. 17, No. 2.
- Bigsby, C.W.E. (1981). “The Language of Crisis in British Theatre. The Drama of Cultural Pathology”, Stratford-Upon-Avon Studies: Contemporary English Drama. London: Edward Arnold Publishers.
- Cole, Elizabeth R., Zucker, Alyssa N., Ostrove, Joan M. (1998). “Political Participation and Feminist Consciousness Among Women Activists of the 1960s”. Political Psychology. Vol. 19, No, 2.
- Gems, Pam. (1985). The Three Plays: Piaf, Camille, Loving Women. Suffolk: Penguin Books.
- Chambers, Colin and Prior, Mike. (1987. Playwrights’ Progress: Patterns of Postwar British Drama. Oxford: Amber Lane Press.
- Goldner, Virginia. (1985). “Feminism and Family Theraphy”, Family Process. Vol. 24, Issue 1.
- Gussow, Mel. (Aug 12, 1984). “Stratford Keeps Its Kingly Standards”, The New York Times.
- Innes, Christopher. (1992). Modern British Drama 1890-1990. Cambridge: Cambridge University Press.
- Kelly, Kevin. (Apr 5, 1981). Piaf: Ugly Almost Inexcusable”, Boston Globe.
- Keyssar, Helene. (1984). Feminist Theatre: An Introduction to Plays of Contemporary British and American Women. Hong Kong: Macmillan.
- Kruger, Loren. (1996). “The Dis-Play’s the Thing: Gender and Public Sphere in Contemporary British Theatre”, Feminist Theatre and Theory: Contemporary Critical Essays. Edited by Helena Keyssar. Malaysia: Macmillan Press Ltd.
- Llewellyn-Jones, Margaret. (1992). “Claiming a Space 1969-78”, British and Irish Women Dramatists Since 1978: A Critical Handbook. Edited by Trevor R. Griffiths and Margaret Llewellyn-Jones. Philadelphia: Open University Press.
- Nelson, Hilde L. (2000). “Feminist Bioethics: Where we’ve Been, Where We’re Going”, Metaphilosophy. Vol. 31, No. 5.
- Pascall, Gillian. (1997). “Women and the Family in the British Welfare State: The Thatcher/Major Legacy”, Social Policy and Administration. Vol. 31, No. 3.
- Reinelt, Janelle. (1996). “Beyond Brecht: Britain’s New Feminist Drama”, New Casebooks: Feminist Theatre and Theory. Ed. By Helene Keyssar. London: Macmillan.
- Rudolph, Sarah J. (1996). “Pam Gems”, British Playwrights 1956-95: A Search and Production Sourcebook. Edited by William W. Demastes. Westport: Greenwood Press.
- Silva, Elizabeth B. (2005). “Gender, home and family in cultural capital theory”, The British Journal of Sociology. Vol. 56, Issue 1.
- Takkaç, Mehmet. (1997). Çağdaş İngiliz Tiyatrosunda Kadının Toplumsal Konumu. Erzurum: Akademik Araştırmalar.
- -----. (2003). “Caryl Churchill’in Top Girls, Owners ve Fen Oyunlarında Çağdaş Kadının Bireysel Başarı Savaşımına Eleştirel Bir Bakış”, Littera. Sayı 15.
- Wandor, Michelene. (1981). Understudies: Theatre and Sexual Politics. London: Eyre Methuen
- -----. (1987). Look Back in Gender: Sexuality and the Family in post-war British drama. London: Methuen.
Year 2006,
Volume: 8 Issue: 2, 239 - 250, 18.02.2010
Abstract
References
- Allen, Katherine R. (2000). “A Conscious and Inclusive Family Studies”, Journal of Marriage and the Family. Volume 4, Issue 17.
- Barlow, Tani.E. and Colleagues. (2005). “The Modern Girl around the World: A Research Agenda and Preliminary Findings”, Gender and History. Vol. 17, No. 2.
- Bigsby, C.W.E. (1981). “The Language of Crisis in British Theatre. The Drama of Cultural Pathology”, Stratford-Upon-Avon Studies: Contemporary English Drama. London: Edward Arnold Publishers.
- Cole, Elizabeth R., Zucker, Alyssa N., Ostrove, Joan M. (1998). “Political Participation and Feminist Consciousness Among Women Activists of the 1960s”. Political Psychology. Vol. 19, No, 2.
- Gems, Pam. (1985). The Three Plays: Piaf, Camille, Loving Women. Suffolk: Penguin Books.
- Chambers, Colin and Prior, Mike. (1987. Playwrights’ Progress: Patterns of Postwar British Drama. Oxford: Amber Lane Press.
- Goldner, Virginia. (1985). “Feminism and Family Theraphy”, Family Process. Vol. 24, Issue 1.
- Gussow, Mel. (Aug 12, 1984). “Stratford Keeps Its Kingly Standards”, The New York Times.
- Innes, Christopher. (1992). Modern British Drama 1890-1990. Cambridge: Cambridge University Press.
- Kelly, Kevin. (Apr 5, 1981). Piaf: Ugly Almost Inexcusable”, Boston Globe.
- Keyssar, Helene. (1984). Feminist Theatre: An Introduction to Plays of Contemporary British and American Women. Hong Kong: Macmillan.
- Kruger, Loren. (1996). “The Dis-Play’s the Thing: Gender and Public Sphere in Contemporary British Theatre”, Feminist Theatre and Theory: Contemporary Critical Essays. Edited by Helena Keyssar. Malaysia: Macmillan Press Ltd.
- Llewellyn-Jones, Margaret. (1992). “Claiming a Space 1969-78”, British and Irish Women Dramatists Since 1978: A Critical Handbook. Edited by Trevor R. Griffiths and Margaret Llewellyn-Jones. Philadelphia: Open University Press.
- Nelson, Hilde L. (2000). “Feminist Bioethics: Where we’ve Been, Where We’re Going”, Metaphilosophy. Vol. 31, No. 5.
- Pascall, Gillian. (1997). “Women and the Family in the British Welfare State: The Thatcher/Major Legacy”, Social Policy and Administration. Vol. 31, No. 3.
- Reinelt, Janelle. (1996). “Beyond Brecht: Britain’s New Feminist Drama”, New Casebooks: Feminist Theatre and Theory. Ed. By Helene Keyssar. London: Macmillan.
- Rudolph, Sarah J. (1996). “Pam Gems”, British Playwrights 1956-95: A Search and Production Sourcebook. Edited by William W. Demastes. Westport: Greenwood Press.
- Silva, Elizabeth B. (2005). “Gender, home and family in cultural capital theory”, The British Journal of Sociology. Vol. 56, Issue 1.
- Takkaç, Mehmet. (1997). Çağdaş İngiliz Tiyatrosunda Kadının Toplumsal Konumu. Erzurum: Akademik Araştırmalar.
- -----. (2003). “Caryl Churchill’in Top Girls, Owners ve Fen Oyunlarında Çağdaş Kadının Bireysel Başarı Savaşımına Eleştirel Bir Bakış”, Littera. Sayı 15.
- Wandor, Michelene. (1981). Understudies: Theatre and Sexual Politics. London: Eyre Methuen
- -----. (1987). Look Back in Gender: Sexuality and the Family in post-war British drama. London: Methuen.
There are 22 citations in total.
Details
| Primary Language | tr; en |
|---|---|
| Journal Section | Makaleler |
| Authors | |
| Publication Date | February 18, 2010 |
| Published in Issue | Year 2006 Volume: 8 Issue: 2 |
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