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Year 2013, Volume: 17 Issue: 1, 117 - 126, 18.06.2013

Abstract

Sandra Cisneros is one of the most prominent writers of American and Hispanic literary world. Her successful novel titled The House on Mango Street recounts the life, the milieu and the compelling experiences encountered by women from the eyes of Esperanza, the protagonist of the novel. However, there are a large number of resemblances between houses and the women figures. Esperanza thinking that she does not belong to there at the beginning of the novel is determined to make the women on Mango Street educated and optimistic about their future.

References

  • Casal, S. S. (1998). “In a Neighborhood of Another Color: Latina/Latino Struggles for Home”. Rosemary Marangoly George (Ed.). Burning Down the House: Recycling Domesticity, (pp. 326-354). Boulder: CO Westview Press.
  • Cisneros, Sandra (1991). The House on Mango Street, London: Bloomsbury Publishing. Cota-Cárdenas, M. (1981). “The Chicana in the City as Seen in Her Literature” A Journal of Women Studies, 6 (1/2), 13-18.
  • Doyle, J. “More Room of Her Own: Sandra Cisneros’s The House on Mango Street” MELUS 19 (4), 5-35. Eysturoy, A. O (1996). Daughters of Self-Creation: The Contemporary Chicana Novel Albuquerque: University of New Mexico Press.
  • Ganz, R. (1994). “Sandra Cisneros: Border Crossings and Beyond”, MELUS 19 (1), 19
  • González, M-Y. (2000). “Female Voices in Sandra Cisneros’ The House on Mango Street” Harold Augenbraum and Margarite Fernández Olmos (Ed.), U.S. Latino Literature: A Critical Guide for Students and Teachers, (pp:101112) Westport: Greenwood Press.
  • Karafilis, M. (1998). Crossing the Borders of Genre: Revisions of the “Bildungsroman” in Sandra Cisneros’s “The House on Mango Street” and Jamaica Kincaid’s “Annie John” The Journal of the Midwest Modern Language Association, 31 (2), 63-78.
  • Kaup, M. (1997). “The Architecture of Ethnicity in Chicano Literature” American Literature, 69 (2), 361-397.
  • Kevane, B., Heredia, J. (2000). Latina Self-Portraits: Interviews with Contemporary Women Writers, Albuquerque: University of New Mexico Press.
  • Kevane, B. (2003). Latino Literature in America, Westport: Greenwood Press.
  • Klein, D. (1992). “Coming of Age in Novels by Rudolfo Anaya and Sandra Cisneros” The English Journal, 81 (5), 21-26.
  • Martinez, E. C. (2002). “Crossing Gender Borders: Sexual Relations and Chicana Artistic Identity” MELUS, 27 (1), 131-148.
  • McCrossan, J. A. (2000). Books and Reading in the Lives of Notable Americans: A Biographical Sourcebook. Westport: Greenwood Press.
  • Muhz, G. G. (2006). “Sandra Cisneros and Her Trade of the Free Word” Rocky Mountain Review of Language and Literature, 60 (2), 23-36.
  • Olivarez, J. (1996). “Entering The House on Mango Street (Sandra Cisneros)” John R. Martino and David R. Peck (Eds.) Teaching American Ethnic Literatures: Nineteen Essays, (pp:209-236) Albuquerque : University of New Mexico Press.
  • Petty, L. (2000). “The “Dual”-ing Images of la Malinche and la Virgen de Guadalupe in Cisneros’s The House on Mango Street” MELUS 25 (2), 119-132.
  • Rivera, H. (2003). Breaking the Rules: Innovation and Narrative Strategies in Sandra Cisneros’ the House on Mango Street and Ana Castillo’s the Mixquiahuala Letters Ethnic Studies Review 26 (1), Erişim Tarihi: 25.01.2012 http:// www.questia.com/PM.qst?a =o&d=5035527278

The Women Figures and the Notion of ‘Home’ in Sandra Cisneros’ The House on Mango Street / Sandra Cisneros’un Mango Sokağı’ndaki Ev Adlı Romanında Kadın Figürleri ve ‘Ev’ Kavramı

Year 2013, Volume: 17 Issue: 1, 117 - 126, 18.06.2013

Abstract

Abstract: Sandra Cisneros is one of the most prominent writers of American and
Hispanic literary world. Her successful novel titled The House on Mango Street recounts
the life, the milieu and the compelling experiences encountered by women from the
eyes of Esperanza, the protagonist of the novel. However, there are a large number of
resemblances between houses and the women figures. Esperanza thinking that she does
not belong to there at the beginning of the novel is determined to make the women on
Mango Street educated and optimistic about their future.
Keywords: Sandra Cisneros, The House on Mango Street, The Notion of Home,
Feminism


Öz: Sandra Cisneros Amerikan ve Latin edebiyat dünyasının önemli yazarlarından
biridir. Ünlü eserlerinden biri olan Mango Sokağı’ndaki Ev adlı romanında Esparanza
adlı küçük bir kız çocuğunun gözüyle çevreyi ve hayatı tanımasını anlatır. Ancak yaşadığı
çevre ve evler karakterlerle aynı kaderi paylaşmaktadır. Romanın başlangıcında yaşadığı
bölgeye ait olmadığını düşünen başkahraman sonlara doğru gelişimini sürdürüp bölge
kadınını eğitme ve onlara daha iyi bir gelecek hazırlama telaşına girmiştir.
Anahtar Kelimeler: Sandra Cisneros, Mango Sokak’ındaki Ev, Ev Kavramı, Feminizm

References

  • Casal, S. S. (1998). “In a Neighborhood of Another Color: Latina/Latino Struggles for Home”. Rosemary Marangoly George (Ed.). Burning Down the House: Recycling Domesticity, (pp. 326-354). Boulder: CO Westview Press.
  • Cisneros, Sandra (1991). The House on Mango Street, London: Bloomsbury Publishing. Cota-Cárdenas, M. (1981). “The Chicana in the City as Seen in Her Literature” A Journal of Women Studies, 6 (1/2), 13-18.
  • Doyle, J. “More Room of Her Own: Sandra Cisneros’s The House on Mango Street” MELUS 19 (4), 5-35. Eysturoy, A. O (1996). Daughters of Self-Creation: The Contemporary Chicana Novel Albuquerque: University of New Mexico Press.
  • Ganz, R. (1994). “Sandra Cisneros: Border Crossings and Beyond”, MELUS 19 (1), 19
  • González, M-Y. (2000). “Female Voices in Sandra Cisneros’ The House on Mango Street” Harold Augenbraum and Margarite Fernández Olmos (Ed.), U.S. Latino Literature: A Critical Guide for Students and Teachers, (pp:101112) Westport: Greenwood Press.
  • Karafilis, M. (1998). Crossing the Borders of Genre: Revisions of the “Bildungsroman” in Sandra Cisneros’s “The House on Mango Street” and Jamaica Kincaid’s “Annie John” The Journal of the Midwest Modern Language Association, 31 (2), 63-78.
  • Kaup, M. (1997). “The Architecture of Ethnicity in Chicano Literature” American Literature, 69 (2), 361-397.
  • Kevane, B., Heredia, J. (2000). Latina Self-Portraits: Interviews with Contemporary Women Writers, Albuquerque: University of New Mexico Press.
  • Kevane, B. (2003). Latino Literature in America, Westport: Greenwood Press.
  • Klein, D. (1992). “Coming of Age in Novels by Rudolfo Anaya and Sandra Cisneros” The English Journal, 81 (5), 21-26.
  • Martinez, E. C. (2002). “Crossing Gender Borders: Sexual Relations and Chicana Artistic Identity” MELUS, 27 (1), 131-148.
  • McCrossan, J. A. (2000). Books and Reading in the Lives of Notable Americans: A Biographical Sourcebook. Westport: Greenwood Press.
  • Muhz, G. G. (2006). “Sandra Cisneros and Her Trade of the Free Word” Rocky Mountain Review of Language and Literature, 60 (2), 23-36.
  • Olivarez, J. (1996). “Entering The House on Mango Street (Sandra Cisneros)” John R. Martino and David R. Peck (Eds.) Teaching American Ethnic Literatures: Nineteen Essays, (pp:209-236) Albuquerque : University of New Mexico Press.
  • Petty, L. (2000). “The “Dual”-ing Images of la Malinche and la Virgen de Guadalupe in Cisneros’s The House on Mango Street” MELUS 25 (2), 119-132.
  • Rivera, H. (2003). Breaking the Rules: Innovation and Narrative Strategies in Sandra Cisneros’ the House on Mango Street and Ana Castillo’s the Mixquiahuala Letters Ethnic Studies Review 26 (1), Erişim Tarihi: 25.01.2012 http:// www.questia.com/PM.qst?a =o&d=5035527278
There are 16 citations in total.

Details

Primary Language en;tr
Journal Section Makaleler
Authors

Faruk Kalay This is me

Publication Date June 18, 2013
Published in Issue Year 2013 Volume: 17 Issue: 1

Cite

APA Kalay, F. (2013). The Women Figures and the Notion of ‘Home’ in Sandra Cisneros’ The House on Mango Street / Sandra Cisneros’un Mango Sokağı’ndaki Ev Adlı Romanında Kadın Figürleri ve ‘Ev’ Kavramı. Atatürk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 17(1), 117-126.

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