Hapgood: The Unknowns of the Universe and Individual
Öz
Anahtar Kelimeler
Kaynakça
- Abel, C. (2006). The Drama of Politics and Science: Stoppard’s Hapgood, Perspectives on Political Scien- ce, 35(3): 143-148.
- Billington, M. (2001). Tom Stoppard (18 March 1988) in Night Stands: A Critic’s View of Modern British Theatre. London: Nick Hern.
- Brustein, R. (1995). Intellect into Passion, New Repub- lic, 212(5): 30-31.
- Canby, V. (1994, December 11). Sunday View; A Witty Thriller By Tom Stoppard Doubles the Fun, The New York Times, http://www.nytimes. com/1994/12/11/theater/sunday/-view-a-witty- thriller-by-tom-stoppard-doubles-the–fun.html?p agewanted=all&src=pm(Erişim Tarihi: 21.07.2013)
- Dean, F. (1981). Tom Stoppard: Comedy As a Moral Matrix. Columbia, London: University of Missouri.
- Delaney, P. (1990). Tom Stoppard: The Moral Vision of the Major Plays. New York: St.Martin’s.
- Demastes, W. (2011). Portrait of an Artist as Proto- Chaotician: Tom Stoppard Working His Way to Arcadia, Narrative, 19(2): 229-240.
- Fleming, J. (2001). Stoppard’s Theatre: Finding Order amid Chaos. Austin: University of Texas.
Ayrıntılar
Birincil Dil
Türkçe
Konular
-
Bölüm
Araştırma Makalesi
Yazarlar
Kağan Kaya
Türkiye
Yayımlanma Tarihi
1 Eylül 2015
Gönderilme Tarihi
13 Ocak 2016
Kabul Tarihi
-
Yayımlandığı Sayı
Yıl 2015 Cilt: 15 Sayı: 3