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THE EVOLUTION OF A SOCIAL PRACTICE: FROM "MOTHER - GOOSE" NARRATION TO YOUTUBE AND SPOTIFY NARRATIONS

Year 2023, , 208 - 245, 29.12.2023
https://doi.org/10.53711/balkanistik.1398964
An Erratum to this article was published on June 30, 2024. https://dergipark.org.tr/en/pub/balkanistik/issue/85858/1507770

Abstract

Fairytale narration in Greece is widely considered as a stable, long-lasting social – cultural practice, despite the revolutionary changes that happened during the 20th century in the field of Media Technology. The evolution from Premodern to Modern and Postmodern Era has only affected the means of this social-cultural practice and caused its adaptability to rapid changes. More specifically, we will focus on the transition from grandparents’ fairytale narration next to the fireplace, especially in agricultural regions, to the narration through the post-war Greek National Radio with the legendary Aunt Lena (Antigoni Metaxa) and Lilipoupoli. Then we will continue with television fairytale narration, firstly with Aunt Lena in the beginning of the 1970’s and a little later with the “Paramythas” Nikos Pilavios and finally to the “Internet Era”, with the narration of fairytales on YouTube and Spotify. Our goal is to feature the differences and weak spots from the archetypical form of this practice to its recent forms.

References

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  • LUKATOS, Dimitris (2015), Isagogi stin Elliniki Laografia (Εισαγωγή στην Ελληνική Λαογραφία), Atina: Morfotiko Idrima Ethnikis Trapezis.
  • LÜTHİ, Max (2018), To Laiko Paramithi os Poiisi. Aisthitiki ke Anthropologia (Το λαϊκό παραμύθι ως ποίηση. Αισθητική και ανθρωπολογία), Emmanuela Katrinaki, (Çev.), Atina: Patakis Yayınları.
  • MERAKLIS, Μichalis G. (2004), Laografika Zitimata (Λαογραφικά Ζητήματα), Atina: Kastaniotis Yayınları & Diatton.
  • MERAKLIS, Μichalis G. (2011), Elliniki Laografia, Kinoniki Sigkrotisi, Ithi ke Ethima, Laiki Techni (Ελληνική Λαογραφία. Κοινωνική Συγκρότηση, Ήθη και Έθιμα, Λαϊκή Τέχνη), Athina: Institouto tu Vivliu - A. Kardamitsa.
  • MYROGİANNİS, Stratos (2012), Apo tis İstories Mistiriu stin Astinomiki Ploki: Anazitontas tin Emfanisi enos Enigmatiku İdus ston Elliniko 19 Eona (Από τις Ιστορίες Μυστηρίου στην Αστυνομική Πλοκή: Αναζητώντας την Εμφάνιση ενός Αινιγματικού Είδους στον Ελληνικό 19ο Αιώνα), Atina: Ekdosis Aleksandria.
  • OZANSOY, Esin (2009), “Georgios M. Viziinos (1849-1896) ve Çağdaş Yunan İthografik Öyküsü”, Dilbilim, 21, 53-62.
  • POLITIS, Νikolaos (1909), Laografia (Λαογραφία). Laografia (1).
  • RİZOS RANGAVİS, Aleksandros (2018), Mukavelat Muharriri, Evangelia Balta ve Niki Stavridi (Haz.), İstanbul: The Isis Press.
  • RODELL, Marie F. (1952), Mystery Fiction: Theory and Technique, New York: Hermitage House.
  • ŞAHİN, Seval (2013), “Giriş”, Edebiyatın İzinde: Polisiye Edebiyat, Seval Şahin vd. (Ed.), İstanbul: Bağlam Yayınları, 7-20.
  • TODOROV, Tzvetan (2014), “Polisiye Romanın Tipolojisi”, Yasin Sofuoğlu (Çev.), Notos Öykü, 46, 36-42.
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BİR SOSYAL PRATİĞİN EVRİMİ: KAZ ANA ANLATISINDAN YOUTUBE VE SPOTIFY ANLATILARINA

Year 2023, , 208 - 245, 29.12.2023
https://doi.org/10.53711/balkanistik.1398964
An Erratum to this article was published on June 30, 2024. https://dergipark.org.tr/en/pub/balkanistik/issue/85858/1507770

Abstract

Medya teknolojileri sektöründe 20. yüzyıl boyunca gerçekleşen yenilikçi/devrimci değişimlere rağmen masal anlatımı sabit, uzun ömürlü, sosyokültürel bir pratik olarak görülür. Modern öncesi dönemden modern ve postmodern döneme uzanan süreçte tanık olunan gelişmeler, bu sosyokültürel pratiğin de araçlarını etkileyip hızlı değişimlere uyum sağlamasına yol açmıştır. Daha açık ifade etmek gerekirse, bu çalışmada öncelikle kırsal bölgelerde şömine başında dede-nine gibi aile fertlerinin masal anlatımlarının, savaş sonrası Yunanistan Ulusal Radyosu’nda yayınlanan efsanevi Lena Teyze (Antigoni Metaksa) ile Lilipoupoli’nin anlatımlarına yerini bırakmasına odaklanılacaktır. Sonrasında ise ilk önce 1970’lerin başında Lena Teyze ile başlayan ve çok geçmeden “Paramythas (Masalcı)” olarak tanınan Nikos Pilavios ile devam eden televizyondaki masal anlatımları ve son olarak Youtube ve Spotify gibi platformlar aracılığıyla “İnternet Çağı”nı örnekleyen masal anlatımlarıyla inceleme sürdürülecektir. Bu çalışmanın amacı, masal anlatımının, arketipik biçiminden güncel biçimlerine katettiği yolculukta sergilediği kimi farklılaşmaları ve handikaplarını vurgulamaktır.

References

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  • ΑPOSTOLİDİS, Andreas (2012), O Kozmos tu Yanni Mari (O Κόσμος του Γιάννη Μαρή), Atina: Ekdosis Agra.
  • BAUSINGER, Hermann (2009), O Laikos Politizmos ston kozmo tis technologias (Ο Λαϊκός Πολιτισμός στον Κόσμο της Τεχνολογίας), Μarianthi Kaplanoğlu-Α. Κοndogiorgi (Çev.), Atina: Patakis Yayınları.
  • BEATON, Roderick (1996), İsagogi sti Neoteri Elliniki Logotehnia: Piisi ke Pezografia 1821-1992 (Εισαγωγή στη Νεότερη Ελληνική Λογοτεχνία: Ποίηση και Πεζογραφία 1821-1992), Atina: Ekdosis Nefeli.
  • DAFNİS, Grigorios (1997), İ Ellas Metaksi Dio Polemon 1923-1940 (Η Ελλάς Μεταξύ Δύο Πολέμων 1923-1940), Atina: Ekdosis Kaktos.
  • FİLİPPOU, Filippos (2018), İstoria tis Ellinikis Astinomikis Logotehnias: O Yannis Maris ke i alli (Ιστορία της Ελληνικής Αστυνομικής Λογοτεχνίας: Ο Γιάννης Μαρής και οι άλλοι), Αtina: Ekdosis Pataki.
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  • RODELL, Marie F. (1952), Mystery Fiction: Theory and Technique, New York: Hermitage House.
  • ŞAHİN, Seval (2013), “Giriş”, Edebiyatın İzinde: Polisiye Edebiyat, Seval Şahin vd. (Ed.), İstanbul: Bağlam Yayınları, 7-20.
  • TODOROV, Tzvetan (2014), “Polisiye Romanın Tipolojisi”, Yasin Sofuoğlu (Çev.), Notos Öykü, 46, 36-42.
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Η ΕΞΕΛΙΞΗ ΜΙΑΣ ΚΟΙΝΩΝΙΚΗΣ ΠΡΑΚΤΙΚΗΣ: ΑΦΗΓΗΣΗ ΠΑΡΑΜΥΘΙΩΝ ΑΠΟ ΤΗ ΓΙΑΓΙΑ ΣΤΟ YOUTUBE ΚΑΙ ΤΟ SPOTIFY

Year 2023, , 208 - 245, 29.12.2023
https://doi.org/10.53711/balkanistik.1398964
An Erratum to this article was published on June 30, 2024. https://dergipark.org.tr/en/pub/balkanistik/issue/85858/1507770

Abstract

Η αφήγηση παραμυθιών στην Ελλάδα θεωρείται ως μια σταθερή και μακραίωνη κοινωνικο – πολιτισμική πρακτική, παρόλες τις καινοτόμες αλλαγές που συνέβησαν κατά τον 20ό αιώνα στον τομέα των Μέσων Τεχνολογίας. Η εξέλιξη από την Προνεωτερική, στη Νεωτερική και στη Μετανεωτερική Εποχή έχει επηρεάσει τις πρακτικές αυτής της κοινωνικό – πολιτισμικής πρακτικής και έχει προκαλέσει την προσαρμοστικότητά της στις ριζικές αλλαγές. Πιο συγκεκριμένα, θα εστιάσουμε στην μετάβαση από την αφήγηση παραμυθιών από τους παππούδες δίπλα στο τζάκι, ειδικά στις αγροτικές κοινωνίες, στην αφήγηση μέσω του μεταπολεμικού Ελληνικού Εθνικού Ραδιοφώνου από τη θρυλική Θεία Λένα (Αντιγόνη Μεταξά) και τη Λιλιπούπολη. Έπειτα, θα συνεχίσουμε με την τηλεοπτική αφήγηση παραμυθιών, πρώτα με τη Θεία Λένα στις αρχές της δεκαετίας του 1970 και, λίγο αργότερα, με τον «Παραμυθά» Νίκο Πιλάβιο και, τελικά, θα οδηγηθούμε στην «Εποχή του Διαδικτύου», με την αφήγηση παραμυθιών στο YouTube και το Spotify. Ο στόχος μας είναι να προβάλουμε τις διαφορές και τα αδύναμα σημεία από την αρχετυπική μορφή αυτής της πρακτικής έως τις πρόσφατες μορφές της.

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Details

Primary Language Greek
Subjects Modern Greek Language, Literature and Culture
Journal Section Research Articles
Authors

Stavroula Sotiropoulou 0000-0002-1143-9401

Early Pub Date December 30, 2023
Publication Date December 29, 2023
Submission Date December 1, 2023
Acceptance Date December 26, 2023
Published in Issue Year 2023

Cite

APA Sotiropoulou, S. (2023). Η ΕΞΕΛΙΞΗ ΜΙΑΣ ΚΟΙΝΩΝΙΚΗΣ ΠΡΑΚΤΙΚΗΣ: ΑΦΗΓΗΣΗ ΠΑΡΑΜΥΘΙΩΝ ΑΠΟ ΤΗ ΓΙΑΓΙΑ ΣΤΟ YOUTUBE ΚΑΙ ΤΟ SPOTIFY. Balkanistik Dil Ve Edebiyat Dergisi, 5(2), 208-245. https://doi.org/10.53711/balkanistik.1398964