Kamusal Binaların Dijital Sergileme Alanlarına Dönüşmesi: Mapping Projeleri

Year 2021, Volume: 2021 Issue: 1, 74 - 91, 01.12.2021

Elvan Tekin

Abstract

21. yüzyılın dijital tasarımları yeni sergileme biçimlerine de ilham kaynağı olmuştur. Mekânlardan sokağa taşan sergiler, günümüzde farklı bir boyuta taşınarak kamusal binaların duvarlarında kendilerine yer bulmaya başlamıştır. Bunun en önemli örneklerini ise “Mapping” projelerinde görmek mümkündür. Mapping projeleri, seçilen sergileme alanının fiziksel özellikleri gözetilerek, mekâna uyarlanan 3B dijital tasarımlar olarak adlandırılmaktadır.
Mapping uygulamalar, kamusal binaların yüzeyinde oluşturduğu farklı algılama biçimleriyle günlük yaşama adapte olurken, izleyiciyi de farklı tasarım sorgulamaları içerisine çekmektedir. Bu araştırmayla birlikte Mapping’in, dijital sergileme biçimlerine yapmış olduğu katkı örnekler üzerinden incelenecek ve bu yeni sergileme biçiminin günümüz sanatını taşıdığı nokta gözler önüne serilecektir. Araştırmanın yöntemi literetür taraması ve betimsel analizdir. Araştırmanın yeni bir kavram olan mapping tasarımını tanıtması, farklı tekniklerle melez bir dil yaratan dijital tasarım anlayışına ilgi duyan araştırmacı ve tasarımcılara kaynaklık edeceği düşünülmektedir.

Keywords

Mapping, dijital tasarım, sergileme alanı, 3B

Transforming To Stone In Azerbaijani Folklore Texts

Abstract

Transformation is a typical motive for epic folklore texts. It appears as metamorphosis (change of the shape). As a folklore motive, the transformation has many types and shapes in the Azerbaijani folklore. The study of this motive firstly requires to approach to it in the context of mythological semantics, as the transformation motive is based on the transformation formula specific for the mythical thought. It happens in the form of the changing of their shapes by the personages in folklore texts, i.e. changing of their external appearances, transformation from one being into another being, and transformation from one cover into another one (metamorphosis).
Transformation is firstly a motive specific for folklore texts. In this motive, the nation’s mythical beliefs are reflected. Transformations in folklore texts derive from natural transformations. When people saw the changes in nature, they thought that nature was alive and believed that all beings in nature had spirits.
Transformation is also a cosmogonic genesis act. As known, in Azerbaijani myths, legends and tales, the motive of transformation of human beings, in particular girls and women into birds, stones or animals, and the motive of transformation in the generation of other beings are widely used. Let’s see the text of a legend:
“While a daughter-in-law washes her hairs, her father-in-law comes in and the daughter-in-law feels ashamed. The girl transforms into a bird with the comb on her hairs. But she fails to fly far away”. This transformation is a cosmogonic genesis case. That is, here, a bird (hoopoe) generates from the human being (daughter-in-law). As the father-in-law sees his daughter-in-law while she washing her hairs, when being with an open head or naked, the daughter-in-law does not want to show her face again due to her shyness and turns her face to the sky and begs for becoming “a bird”, “a stone”. The desire of the daughter-in-law comes true. She transforms into “The Rocks of Bride”, a stone, a hoopoe with a comb on her head, a partridge with hennaed hands. So, the cosmogonic genesis occurs.
The transformation also is an act of mediation, that is, changing the shape to transit from one space (world) to another one in the practice of shamans (gam-shaman, darvish), one of the behavioral forms specific for trixter characters in myth-folklore texts, turning, i.e., return of a character to his/her original shape, a cosmogonic genesis act, and a mechanism of dying-reviving (changing of the status) and travestism (changing of the sex) in transition rituals.
The Azerbaijani folklore is rich enough with examples discussing the issue that live beings were generated from the transformation of live beings into lifeless ones and lifeless beings into another lifeless beings, nature objects were generated as a result of transformations occurred under these conditions.
We can give the facts of transformation into gold, a house with silver columns, palace, needle, carpet, stick and etc. or viceversa as examples to the genesis of the world of subjects (items). And the transformation into geographical objects covers examples of transformation into a stone, mountain, hill, land, sea, lake, spring, river, fire and etc.    

Keywords

Azerbaijani folklore, myth, transformation, stone, turning to objects.

References

• Referans1 Alpay, Ç. (2015). Uzamsal artırılmış gerçeklı̇k yerleştı̇rmesı̇ ve bı̇r vı̇deo projeksı̇yon eşlemesı̇. Ankara: Hacettepe Üniversitesi, Sanatta Yeterlik Tezi.
• Referans2 Baskın, Z. (2018). Video harı̇talama teknı̇ğı̇nı̇n etkı̇nlı̇klerde kullanımı ve uygulama çalışması. Ankara: Hacettepe Üniversitesi, Sanatta Yeterlik Tezi.
• Referans3 Gökçen, T. (2016). Mı̇marı̇ cephede çok boyutlu tasarım arayüzü olarak vı̇deo harı̇talama ve algısal mekân deneyı̇mı̇. İstanbul, Bahçeşehir Üniversitesi, Yüksek Lisans Tezi.
• Referans4 Hrdličková, T. (2019). How does art theory (not) handle projection mapping?. Erişim tarihi: 04.11.2020, https://lumitrix.eu/2019/10/30/how-does-art-theory-not-handle-projection-mapping/.
• Referans5 Limelight. (2016). Interconnection, Visionary Projection Mapping, Winner of iMapp 2016, 4K Official Video. Erişim tarihi: 05.11.2020, https://www.youtube.com/watch?v=a1v4W95wJnM.
• Referans6 Montgomery, S. (2015). Video mapping – projection as art. Erişim tarihi: 03.11.2020, https://www.tymhomes.com/video-mapping-projection-as-art/.
• Referans7 Iberdrola. (….). Video mapping, light that turns buildings into art. Erişim tarihi: 31.10.2020, https://www.iberdrola.com/culture/videomapping.
• Referans8 Proctor, D. (2015). TDC video projections light up Sydney landmarks for Christmas. Erişim tarihi: 03.11.2020, https://www.installation-international.com/technology/tdc-video-projections-light-up-sydney-landmarks-for-christmas.
• Referans9 Rogers, S. (….). Light art looms large: 10 artists project illuminated images. Erişim tarihi: 04.11.2020, https://weburbanist.com/2014/12/24/light-art-looms-large-10-artists-project-illuminated-images/.
• Referans10 Shanken, E. A. (2012). Sanat ve elektronik medya. İstanbul: Agora Kitaplığı.
• Referans11 Şişman, C. (2016). Yekpare. Erişim tarihi: 04.11.2020, https://csismn.com/YEKPARE.
• Referans12 We and the color. (2016). 'Axioma' - 3D projection mapping at LLUM BCN Festival 2016 in Barcelona. Erişim tarihi: 04.11.2020, https://www.youtube.com/watch?v=CpRLwLcLHNA&t=151s.