Reflection of religious ideological image on form: Doha Museum of Islamic Arts

Şeyma Bayram

Research Article

Reflection of religious ideological image on form: Doha Museum of Islamic Arts

Year 2024, Volume: 3 Issue: 1, 36 - 51, 30.06.2024

Şeyma Bayram

Abstract

The architectural form and the environment it creates, which serve as an important representation in the transmission of ideologies, are full of indicators that make the presence and power of dominant emotions felt. It is possible to observe these indicators of spatial representation at all layers from the building scale to the city scale. Religious ideologies reflected in the form at the building scale are generally effective in religious buildings as well as in symbolic public buildings such as museums, monuments, etc. In this study, to read religious ideologies or symbols through architectural form, the Doha Museum of Islamic Arts, which has symbolic value, has been analyzed on form and close environment design. The Doha Museum of Islamic Arts was analyzed in two stages: the reflection of mystical symbols on the form due to the presence of Islamic artifacts and the reflection of religious building elements on the form due to the architect's discourse indicating that he was influenced by a religious building. As a result of the study, it was determined that the museum contains many ideologies both on the form and in the design of the immediate environment

Keywords

Ideology, Architectural Form, Ideological Architecture, Imaginary Meaning, Doha Museum of Islamic Art

References

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Dini İdeolojik İmgelerin Forma Yansıması: Doha İslam Sanatları Müzesi

Year 2024, Volume: 3 Issue: 1, 36 - 51, 30.06.2024

Şeyma Bayram

Abstract

İdeolojilerin aktarılmasında önemli bir temsil görevi gören mimari form ve oluşturduğu çevre, egemen duyguların varlığını ve gücünü hissettiren göstergelerle doludur. Mekânsal temsiliyete ilişkin bu göstergeleri, yapı ölçeğinde kent ölçeğine kadar tüm katmanlarda izlemek mümkün olmaktadır. Yapı ölçeğinde forma yansıyan dini ideolojiler genellikle dini yapılarda olmasının yanı sıra müze, anıt vb. gibi sembolik kamu yapılarında da etkili olmaktadır. Çalışmada, dini ideolojilerin veya sembollerin mimari form üzerinden okunması amacıyla sembolik değer taşıyan Doha İslam Sanatları Müzesi’nin, form ve yakın çevre tasarımı üzerine irdelemesi yapılmıştır. Doha İslam Sanatları Müzesi, İslam eserlerini bulundurması nedeniyle tasavvufi sembollerin forma yansıması ve mimarın bir dini yapıdan etkilendiğini belirten söylemi nedeniyle dini yapı elemanlarının forma yansıması üzerinden iki aşamada ele alınmıştır. Çalışma sonucunda müzenin birçok ideolojiyi gerek form üzerinde gerekse yakın çevre tasarımında barındırdığı tespit edilmiştir.

Keywords

İdeoloji, Mimari Form, İdeolojik Mimarlık, İmgesel Anlam, Doha İslam Sanatları Müzesi

References

G. Yadigaroğlu, “Mimarlık – İdeoloji İlişkisi ve Dini Yapılardaki Form Analizi,” Master Dissertation, Karadeniz Technical University, Trabzon, Turkey, 2021.
Turkish Language Association, Turkish Language Association Dictionary. Turkish Language Association Publications, 2019.
D. Ergil, “İdeoloji üzerine düşünceler,” Ankara Üniversitesi Sosyal Bilimler Fakültesi Dergisi, vol. 38, no. 1, pp. 69-95, 1983.
Ş. Mardin, İdeoloji. İletişim Publications, 2007.
J. B. Thompson, İdeoloji ve Modern Kültür. Dipnot Publications, 2013.
T. Eagleton, Eleştiri ve İdeoloji. İletişim Publications, 1985.
T. Eagleton, İdeoloji. Ayrıntı Publications, 2011.
T. Parsons, “An approach to the sociology of knowledge,” World Congress of Sociology, no. 4, pp. 25-49, 1989.
Ş. Mardin, Din ve İdeoloji. İletişim Publications, 1992.
G. Therborn, İktidarın İdeolojisi İdeolojinin İktidarı. Dipnot Publications, 2008.
P. Knoll, “Ideologija moderne arhitekture,” Arhitektura, no.9, pp.124-130, 1933.
A. Çaycı, "İslam mimarisinde anlam meselesi," Sosyoloji Divanı, no. 7, pp. 189-202, 2016.
W. C. Chittick, The Sufi Path of Love: The Spiritual Teachings of Rumi. State University of New York Press, 1984.
A. Knysh, Islamic Mysticism: A Short History. Brill Academic Pub, 2002.
M. Lings, What is Sufism?. Islamic Texts Society, 1999.
G. Tunç, “Yunus Emre’nin şiirlerinde su metaforu,” Folklor Akademi Dergisi, vol. 5, no. 2, pp. 474 – 482, 2022.
S. Mülayim, İslam Sanatı. İSAM, 2010.
R. Lewcock, “Architects, Craftsmen and Builders: Materials and Techniques,” in Architecture of the Islamic World, London, 1996, pp. 112–143.
D. Cündioğlu, Mimarlık ve Felsefe. Kapı Publications, 2012.
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S. Aktulga Gürbüz, “Nûr ve zulmet/karanlık kavramları üzerine tasavvuf merkezli bir inceleme,” Yakın Doğu Üniversitesi İlahiyat Fakültesi Dergisi, vol. 9, no.1, pp. 56-68, 2023.
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M. Özçakı, “Yorumlanan cami mimarisi,” Ulakbilge Sosyal Bilimler Dergisi, no. 23, pp. 459-483, 2018.
G. Keleş Usta, A. Usta, and Ö.İ. Tuluk, Anadolu Türk Mimarlığı İçin Görsel Sözlük. Sonhaber Publications, 2001.
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D. Kuban, Osmanlı Mimarisi. Yem Publications, 2021.
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G. Ambrose, P. Harris, and S. Stone, Görsel Mimarlık Sözlüğü. Literatür Publications, 2010.
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There are 73 citations in total.

Details

Primary Language	English
Subjects	Architectural Design
Journal Section	Research Articles
Authors	Şeyma Bayram 0000-0001-9741-9761
Early Pub Date	June 25, 2024
Publication Date	June 30, 2024
Submission Date	May 15, 2024
Acceptance Date	June 11, 2024
Published in Issue	Year 2024 Volume: 3 Issue: 1

Cite

APA	Bayram, Ş. (2024). Reflection of religious ideological image on form: Doha Museum of Islamic Arts. Bozok Journal of Engineering and Architecture, 3(1), 36-51.
AMA	Bayram Ş. Reflection of religious ideological image on form: Doha Museum of Islamic Arts. BJEA. June 2024;3(1):36-51.
Chicago	Bayram, Şeyma. “Reflection of Religious Ideological Image on Form: Doha Museum of Islamic Arts”. Bozok Journal of Engineering and Architecture 3, no. 1 (June 2024): 36-51.
EndNote	Bayram Ş (June 1, 2024) Reflection of religious ideological image on form: Doha Museum of Islamic Arts. Bozok Journal of Engineering and Architecture 3 1 36–51.
IEEE	Ş. Bayram, “Reflection of religious ideological image on form: Doha Museum of Islamic Arts”, BJEA, vol. 3, no. 1, pp. 36–51, 2024.
ISNAD	Bayram, Şeyma. “Reflection of Religious Ideological Image on Form: Doha Museum of Islamic Arts”. Bozok Journal of Engineering and Architecture 3/1 (June 2024), 36-51.
JAMA	Bayram Ş. Reflection of religious ideological image on form: Doha Museum of Islamic Arts. BJEA. 2024;3:36–51.
MLA	Bayram, Şeyma. “Reflection of Religious Ideological Image on Form: Doha Museum of Islamic Arts”. Bozok Journal of Engineering and Architecture, vol. 3, no. 1, 2024, pp. 36-51.
Vancouver	Bayram Ş. Reflection of religious ideological image on form: Doha Museum of Islamic Arts. BJEA. 2024;3(1):36-51.

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