CARTOGRAPHIES OF MEMORY: 14TH ISTANBUL BIENNIAL: SALTWATER: A THEORY OF THOUGHT FORMS (2015) AND ABY WARBURG’S MNEMOSYNE ATLAS (1924-1929)

Yıl 2018, Cilt: 16 Sayı: 4, 413 - 442, 30.12.2018

Mehmet Berkay Sülek

Öz

Bellek sorunsalı son otuz yıllık süreç içerisinde, güncel sanat platformunda önemli bir tartışma konusu haline geldi. Bu sorunsalın tam anlamıyla ifade edildiği anların incelenmesi önemlidir. Bu çalışmada, birbirinden yaklaşık yüz sene aralıkla üretilmiş olan  Aby Warburg’un Mnemosyne Atlas’ı ve Carolyn Christov-Bakargiev’in  14. İstanbul Bienali: Tuzlu Su: Düşünce Biçimleri Üzerine Bir Teori (2015) ele alınacaktır. Bu projeler farklı amaçlarla üretilmiş olsalar da  yapısal olarak benzerlikler taşımaktadır. Her iki proje de  bellek ya da “görülmeyen’’ bellek sorunsalını kendilerine has bir yöntemle ele almaktadır. Bu makalede, çalışmaların sinematik ve fotografik iletişim yöntemleriyle oluşturulan nasıl  dinamik birer  harita modeli ortaya koyduğu tartışılacaktır.

Anahtar Kelimeler

Aby Warburg, 14th Istanbul Biennial, memory, cinematic

Kaynakça

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