Research Article

The natural gaze: Lütt Agnes as a poetological figure of ecocritical reflection in Theodor Fontane's Der Stechlin

Volume: 1 Number: 2 July 28, 2025
EN

The natural gaze: Lütt Agnes as a poetological figure of ecocritical reflection in Theodor Fontane's Der Stechlin

Abstract

Theodor Fontane (1819-1898) is considered one of the most important representatives of the realist novel in German literature. His late work Der Stechlin occupies a special place in his oeuvre as it raises fundamental cultural, anthropological and pedagogical questions beyond the depiction of the Wilhelmine aristocracy. In addition to thematising political and social conflicts, the novel also focuses on the position of child characters in the field of tension between the social norm and individual deviance. A central feature of Fontane's poetics is the differentiated description of space and nature, which plays an important role in almost all of his works. In Der Stechlin, too, nature functions not merely as a backdrop, but as a poetically imbued space that conveys moods, developments and symbolic meanings. This is particularly evident in the character Lütt Agnes, whose relationship to nature, animals and alternative social spaces provides a counter-image to the standardised bourgeois order. Against this background, an ecocritical approach proves to be particularly fruitful, as it enables the natural space to be understood not just as a decorative element, but as an active space for action and experience, in which processes of becoming a subject, resistance and self-localisation are shaped. Pedagogical concepts - especially those of Rousseau, which aim at a natural, non-coercive development of the child - also prove to be helpful in the context of the analysis in order to systematically record alternative educational spaces and forms of child autonomy in the text. The aim of this study is therefore to examine the figure of Agnes in terms of tension between nature, childhood and social order from an ecocritical perspective and to analyse the role that spaces, animals and symbolic transitions play in the representation of childhood autonomy.

Keywords

References

  1. Anderson, P. I. (1991). Der Stechlin. Eine Quellenanalyse. In C. Grawe (Hrsg.), Intgerpretationen. Fontanes Novellen und Romane (p. 243-274). Reclam.
  2. Bahlow, H. (1988). Deutsches Namenlexikon. Familien- und Vornamen nach Ursprung und Sinn. Gondron.
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  4. Borgards, R. (2015). Cultural Animal Studies. In Ecocriticism. Eine Einführung (p. 68-80). Böhlau.
  5. Craig, G. A. (1999). Theodor Fontane: Literature and History in the Bismarck Reich. Oxford University Press.
  6. Fontane, T. (1853). Unsere lyrische und epische Poesie seit 1848. In K. Biedermann (Hrsg.), Deutsche Annalen zur
  7. Kenntniß der Gegenwart und Erinnerung an die Vergangenheit (Bd. 1, p. 353-377). Avenarius & Mendelssohn.
  8. Fontane, T. (1975). Der Stechlin. Roman. Nymphenburger Verlagshandlung.

Details

Primary Language

English

Subjects

Language Studies (Other)

Journal Section

Research Article

Publication Date

July 28, 2025

Submission Date

July 16, 2025

Acceptance Date

July 21, 2025

Published in Issue

Year 2025 Volume: 1 Number: 2

APA
Aydın, Y. (2025). The natural gaze: Lütt Agnes as a poetological figure of ecocritical reflection in Theodor Fontane’s Der Stechlin. Contemporary English Language Studies, 1(2), 96-105. https://izlik.org/JA49ZH35XN
AMA
1.Aydın Y. The natural gaze: Lütt Agnes as a poetological figure of ecocritical reflection in Theodor Fontane’s Der Stechlin. CELS. 2025;1(2):96-105. https://izlik.org/JA49ZH35XN
Chicago
Aydın, Yıldız. 2025. “The Natural Gaze: Lütt Agnes As a Poetological Figure of Ecocritical Reflection in Theodor Fontane’s Der Stechlin”. Contemporary English Language Studies 1 (2): 96-105. https://izlik.org/JA49ZH35XN.
EndNote
Aydın Y (July 1, 2025) The natural gaze: Lütt Agnes as a poetological figure of ecocritical reflection in Theodor Fontane’s Der Stechlin. Contemporary English Language Studies 1 2 96–105.
IEEE
[1]Y. Aydın, “The natural gaze: Lütt Agnes as a poetological figure of ecocritical reflection in Theodor Fontane’s Der Stechlin”, CELS, vol. 1, no. 2, pp. 96–105, July 2025, [Online]. Available: https://izlik.org/JA49ZH35XN
ISNAD
Aydın, Yıldız. “The Natural Gaze: Lütt Agnes As a Poetological Figure of Ecocritical Reflection in Theodor Fontane’s Der Stechlin”. Contemporary English Language Studies 1/2 (July 1, 2025): 96-105. https://izlik.org/JA49ZH35XN.
JAMA
1.Aydın Y. The natural gaze: Lütt Agnes as a poetological figure of ecocritical reflection in Theodor Fontane’s Der Stechlin. CELS. 2025;1:96–105.
MLA
Aydın, Yıldız. “The Natural Gaze: Lütt Agnes As a Poetological Figure of Ecocritical Reflection in Theodor Fontane’s Der Stechlin”. Contemporary English Language Studies, vol. 1, no. 2, July 2025, pp. 96-105, https://izlik.org/JA49ZH35XN.
Vancouver
1.Yıldız Aydın. The natural gaze: Lütt Agnes as a poetological figure of ecocritical reflection in Theodor Fontane’s Der Stechlin. CELS [Internet]. 2025 Jul. 1;1(2):96-105. Available from: https://izlik.org/JA49ZH35XN